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It felt like it had taken several of my nine lives before I got those hunter brats to visit this boring remote village. The town that I called home and harbored the remnants of the ancient cult of Dastma. The goal of the cult was to summon the old gods, and my master – the head of the cult – had thus far only been able to summon me as his anchor. Now I’ve been stuck in this hairball-retching body of a cat for several decades and I’m done with it.
As the two broad shouldered lads walked down main street I finally saw my opportunity to end this mortal shell and return home, where I belonged. I threw caution to the wind and sprinted as menacingly as I could muster towards my liberators.
“Aww, who’s a cute kitty cat,” said one of the men, putting his crossbow on the ground, using it as a support while he crouched to pet me.
Don’t get me wrong, I love a good scratch, but this wasn’t exactly what I was hoping for. I slashed my claws at his outstretched hand. Drawing blood as I ran towards the other big guy. He would get the message.
“Seems you scared him, Zeke,” laughed the man.
The other man stood up, slinging his weapon back over his shoulder and rubbed the angry red scratched on his hand.
“You’ve always been better with animal, Phil,” said the man called Zeke, while smiling.
If this body could sigh, I would. With all the power mustered in me I briefly opened the veil between this world and the place I called home. I couldn’t use if to travel between the realms myself. One way street, but I could get some scary stuff from there, over here. The briefest of flashes had caught the attention of the two hunters. That meant they were vigilant and sharp, just what I needed. Towards them stalked two lanky creatures made of straw and twine. To a layman they would not look dissimilar to the scarecrows farmers used to scare away pesky crows.
“Stay behind me little guy,” said the hunter Phil as he had the audacity to push me back.
Did they still not get that I was the thread and those measly minions were doing my bidding? Just leave it to humans to misjudge a situation, I guess.
The hunters made short work of the monsters. Hadn’t expected less, as they were pretty much cannon fodder to the old gods back home. They strolled further in town and decided to try their luck at a local inn, which I knew had been abandoned for decades.
Inside they also became familiar with that knowledge, as all that greeted them were cobwebs and heaps of dust. I saw my opportunity as the walked over to the bar. I sprinted out before them and jumped via a stool onto the wooden counter. With utmost precision and care, I drew the words ‘Kill me’ in the dust that had been collected over the years. If I had to spell it out for them, I would spell it out for them. Zeke was the first to notice it. He nudged Phil on his shoulder and gestured him to read the message. When Phil finally drew his crossbow, I was relieved beyond measure. It had taken some time, but I was finally going to be free of this forsaken place.
“Don’t be silly little guy. I like cats and seems that you’re a special one,” he said, putting his crossbow on the counter top and sitting down to pet me.
I hated myself for leaning into his big hand scratching between my ears. I hated them more, for not setting me free.

I was dumped almost 3 weeks ago. We were only together for 4-5 months, but it was such a special relationship. I had met her 10 years ago and we hooked up in a club bathroom. We didn’t speak again after that but ran in similar circles, just never really around each other. When she moved in down the street, her roommate introduced us and it was immediate sparks. I had just gotten out of a really emotionally abusive relationship and wasn’t looking for anything serious. That quickly changed because I felt like all signs were pointing to her being the one. It was my healthiest relationship and I felt my happiest & most confident.
She broke up with me for really valid reasons in my opinion. I had experienced a lot of loss this past year and grief really had its hold on me. I thought I was fine, but really wasn’t showing up as the person I know myself to be. Looking back I don’t blame her for ending things, I’m disappointed in myself that I didn’t recognize the pain I was in. It led to me love bombing, pushing boundaries, and having an insecure attachment.
I’ve learned so much from this breakup and have for the first time in my life poured my energy back into myself. It’s only been 3 weeks NC, but like I said we live so close. She was hanging out with her ex this past weekend. It hurt to see but it would have hurt a lot more if I hadn’t spent the past 3 weeks working on my own personal growth.
All of that said, what are your thoughts:

1. I still have some of her things,what do you do during NC when you want to give them their things back and get your stuff back?
   
2. It’s hard to think we couldn’t try again especially since we’re neighbors and run in the same circles. Do I leave it up to the universe to put us in front of each other when we’re both ready?
   
3. More of a statement, but this is my first time going NC and I feel like it really does heal. I’m proud of myself, I’ve surprised myself and my family/friends. This sub really has helped me.
   

You see, there's insanity, and then there's madness.

Jervis Tetch is a dandy madman. Taking inspiration from Lewis Carroll's Alice in Wonderland, he puts on the guise of the Mad Hatter and commits crimes while doing so. Sometimes he wants to steal hats for his own purposes, other times he obsessively seeks out his Alice. When one looks past the sinister brim and giant buckteeth, a dark, tragic individual surfaces, but don't let that fool you. He'll still be crooning "Callooh! Callay!" as his vorpal blade goes snicker-snack through your neck.
Recommended reading: Secret Six (2006), Joker's Asylum II: Mad Hatter.

Key

Character Profiles

• Who's Who: The Definitive Directory of the DC Universe (1985) #14
• Detective Comics #566
• Who's Who in the DC Universe (1990) #5

Note
While the appearances in Birds of Prey: Batgirl were due to Spellbinder manipulating Barbara Gordon to think she was in her glory days, these were likely feats Hatter is capable of, as she never disbelieved anything he did.
Scaling Threads

• Batman
• Catwoman
• Killer Croc
• Man-Bat
• Robin (Damian Wayne)
• Robin (Dick Grayson)
• Scarecrow

Strength

• Knocks out Narcosis after clubbing him with a pipe
• Knocked out Tweedledee and Tweedledum with an oar
• Might have killed Dr. Psycho off-panel

Durability

Blunt
Objective

• Superman pulls his hat over his head and then throws him
• Knocks himself out bumping his head on a pipe
• Survives Ragdoll pushing him off a castle wall
• Slugged by a GCPD officer
• Jumps off a bridge to chase his hat

Scaling

• Tanks a dive attack from Robin
• Knocked out by Batman
  • This happens again and again
• Beat up by Starman
• KO'd when Catwoman dropkicks him
• Slapped by Scandal Savage
• Robin punches his teeth in

Other

• Quickly recovers from a blast of Narcosis' drug
• Shot four times and has to go to the hospital
• Very nearly dies after Cheshire stabs him with a poisoned knife, but he manages to shake off the delusions Dr. Psycho inflicts on him
  • He did this before receiving the antidote

Skill

Misc

• Broke out of his cell at Arkham in under five minutes
• "Could murder you a thousand different ways if he had a real hat"
• Throws a bowler into the bars of a chimpanzee cage, which explodes
• Performed surgery on Killer Croc's head
• Tries to flee from a Parademon attack
• At one point in time, he was a neuroscientist
• [Anti-Feat] Fails to shoot the Joker at close range and gets gassed for it

Chimp Training

• Catches a trained falcon
• Fights Robin for a little bit

Hypnosis

Violence Inducement

• Induces a trance to turn some goons, including Film Freak, into mindless zombies when they put on his hats
  • Film Freak's hat has long-distance communication in it, allowing for the tea party to hear Bane's murder of Film Freak and Hatter to stimulate a portion of his zombies' brains
• Controlled a group of citizens to fight Black Canary and Batgirl via radios and drugs
• Causes Dum and Dee to go feral on each other
• Thrashes the Doom Patrol, causing some to fall down in pain while causing Rita to go ballistic, trying to eat her own teammates
• Made a store clerk hit Batman with a chair

Specific Commands

• Drugged Jeremiah Arkham to sign some release forms for the Asylum inmates
• Had Kirk Langstrom create a serum to transform someone into the Jabberwock
• Langstrom almost drowned himself on Tetch's orders
• Kept eight schoolgirls at his tea party
  • They were controlled by the music in free headphones he offered
  • Tetch can trigger them to function as servants, but the effect dispels when his hat is knocked off
• Gets two cops under his command over a phone call
  • Affected other cops as well, and some non-officers
  • Batman thinks he hit 6,000 cops with this, and to be fair, it's not entirely out of the question
  • This is achieved via the hole-punched coffee card he gave them disguised as a street vendor, and nanotechnology receivers implanted within the coffee
  • It takes Batman longer than expected for the signal to be tracked, allowing Tetch to get a SWAT team in position
• Commands Narcosis without the need of a hat or drugs
• Cancels Dr. Psycho's commands to Deadshot and begins torturing him

Miscellaneous

• Used his therapist's yarmulke to escape Arkham
• A card in a cop's hat is enough to zombify him
• Hypnotizes himself to be more content than he'd be with a thousand times' the effect of cocaine
• Implanted a suggestion device in Killer Croc's head
• Can offer limited anaesthetic to Jericho, who feels no benefits from painkillers

Limits

• A hat placed on Batman causes him to struggle, but Batman is able to take it off
• Narcosis' Bliss renders Tetch's suggestion useless
• Batman has a magnetic field in his cowl to protect from Tetch's moves, though due to a gas attack from Black Mask, when Penguin forces a gas mask on him, he can't resist the commands

Other Equipment

• Knocks a group of cops out with a ray gun
• Electrifies the cage Joker dropped around GCPD
• Places a tracker on Bird's falcon
• May have had a hand in creating fireworks with Scarecrow that debilitated the police officers protecting a bank
• Bugged a group of supervillains' clothes
• Carries a gun occasionally

Other

• Has a vault filled with hats
• Trapped Batman in a guillotine offpanel
• He rhymes as a defense mechanism
• Only eats things with hats on them
• [NSFW] Feels no attraction to anything not wearing a hat
• He's willing to kill Scandal for knocking his hat off
• "The heart, Tetch! First we strike his heart!"
• A caroler

It's an empty life. Surrounded by hollow people speaking with the voices I put into their heads. I can't make someone love me.
Not without a hat.
Not without the tea.

I am a 28yo man with wife (27) (only engaged) and to sons (3 & 4). We live on the westcoast of Norway, but have always dreamed of trying out the life in USA ever since we met 8 years ago. My wife sees it as a cultural exchange for the family and especially the kids, i think more and more of it as a permanent move.
We are debating if it should be for 1 year or permanently, ive listed both cases below and information about education and economics further down.
First thing we need to find out is where do we settle down? As we are from the westcoast of Norway we need to be able to see the sea from our livingroom. If moving from Norway we want more stable weather, but dont mind temperatures around freezing point and white christmas, but prefer more than 2months with summer temperature and less than 6months around freezing point.
As im some kind entrepreneur by mindset and cant be still for long, and love having alot to juggle we prefer somewhere we will be able to buy rental properties, earning on houseflipping and devoloping properties for housing.
We want to live in a working-middelclass street/district as thats what we have been raised and settled in home in Norway. If you become rich here, you most likely just buy a property or plot near by and build a bigger and a little more fancy house as Norwegians normally have really decent housing in any economical class. We also want to learn our kids the value of hard work and to grow up with normal people.
Summary: Not pricey area with rich people as we dont want to waste our savings on looks and facade as we say in Norway.
1 Year: How is it to get work for both of us with the education and experience we have (described below), and same case for a visa. If my wife dosent want to be working to make sure the boys do well, will i be able to earn enough to support the family?
Permanently: I would prefer working in the oil-business but not sure how it works in the US. Do people work om rotation like 2-4 as we do in Norway, and how is the salary for someone with my background and education in that field of work? One opertunity for me would be to work in a Norwegian company offshore and live in the US but not sure how that will help out on our visa. Depending on job i would earn 1-300k a year with a Norwegian company working 2-4. My wife will most likely not work atleast not full time to take care of the house and kids, and help out on the rental and devolopment projects when im at work.
Education, occupation and economics:
My wife is a trained nurse (bachelordegree) with 6 years work experience after the degee both as nurse in home care and at the doctor’s office.
I just started (Oct.22) working as a scaffolder offshore on oil rigs as it gives a lot of time off with the 2 on -4 off (weeks) rotation. On my time of i am studying for petroleum engineering, running my own carpenter business, devoloping property/house projects and renovating our home and rental properties. (Short CV further down)
We have 2 houses that we rent out with a pretty decent profit, one property with the aim of devoloping new homes for sale and our own house that we live in.
1 Year: If my wife wins we will only rent out our house aswell and the devolopment property will either be done and sold or put on hold.
Permanently: If it becomes permanent i guess we still will keep the rental properties and sell off the other properties. Our house is about 760k (USD) and will give us 200-250k after repaying the mortgage. The devolpment will most likely gain us about 750k, giving us about 1mill USD to start with for housing and property acquistions.
My education and work experience:
2010-12 High school - Carpentry
2012-14 Carpentry apprentice I have the Norwegian certificate of apprenticeship as carpenter, that in Norway covers everything from framing to trims and everything in between exept plumbing, electrical and painting.
2014-17 University - Civil engineering (Bachelor)
2017-22 Civil engineer Been in many different roles and projects. Roles: Projectengineer, Plant-, Construction- and Projectmanager.
Projects: Everything from single houses to aparmentprojects with 150 apartments (420-2600sqft) and up to 15 stories. Also been managing some warehouse projects.
2023-24 University - Petroleum engineering (Bachelor) I have just finished my first semester (50 credits) on the petroleum engineering bachelor degree. As a normal bachelor degree in Norway consist of 180 credits over 3 years/6 semesters, i most likely will finish mine in 1 year (2 semesters) as i finished 50 first, have 35 i can count inn from Civil engineering and i will do 50+45 the next 2.
October 22: Started my own business doing carpentry/framing and small excavator works. Offering construction advising, engineering, drawing and controll. Also renting out excavator, trailers and other tools.
October 22: Property devolopment Bougth a property with a old house that we plan to tear down to rebuild to connected houses each 2-3000sqft and a complex og 4 apartments about 1000sqft each.

Decided to give my 2023 id.4 it’s real test for the Memorial Day weekend. Started in Silicon Valley and decided to charge at EA in San Ramon, 150kw chargers only went up to 38kw! Mind you I was at 60%, but wow!
Next stop was Anderson, Ca EA my Average at that point was 3.2kwh. Filled up to 100%, took 40 mins(150kw station). It’s in a safeway parking lot so grabbed some essentials.
Before entering Oregon there is a rest stop, Randolph E. Collier, holy moly, this is the best rest stop in all CA! And the added plus was two FREE ChargePoint 68kwh chargers. So I topped off there obviously.
Next charge was the EA in Eugene, OR. 35 mins to top off at 100% with the 350kw super chargers. The EA is located in a Target lot, but that street is full of restaurants.
First EA charge in WA at a 350kw super charging station in Kelso. This was another quick 35 min charge (I removed prior to 30 mins and recharges to avoid fees and keep it free) NO ONE was charging here and the EA chargers are located in a fully operating mall, yes an operating mall in 2023, which took me back to the 90s.
Made it into Seattle with 50% left and only charged at Pike place during my stay which cost $3.00 along with parking fees.
Went to a Mariners game and they had charging ports outside their parking lot, but you had to pay for parking and then the charge, so it was an easy decision NOT to charge.
Charged at the Ballard Fred Meyer prior to leaving, no other cars, quick EA charge.
DO NOT CHARGE AT THE EA IN THE WOODBURN OUTLETS. 4 spots all taken up by Teslas not charging, no myself and a fellow ID.4 parked right behind them and were able to charge at 150kw until the Tesla owners showed up and got a mouthful, avoid this EA at all cost. It is literally two aisles from the entrance of the outlets instead of at the end of the parking lot, causing these EV drivers to park and not charge for close proximity to the shops.
Made a pit stop to eat in Eugene and went straight into Grants Pass with about 30 miles left, car advised to stop and charge for a couple of minutes at an inn before the incline, didn’t need it, charged 2.00 for it.
Grants Pass EA 350 super chargers were quick, done in 35 mins. Lots of homeless in the Walmart area but a great Mexican taqueria (Los taquitos) in the lot next door (6 tacos and 2 drinks for under $25!)
Made it back to Anderson for a charge, had to wait but landed the 350kw charger and was out in 34 mins.
Made a stop in Dunnigan’s EA located in a America’s bear value inn. They had a 350 supercharger but left that for someone who needed the quick charge. Only reason I stopped here was to have over 100 miles left when I ultimately got home.
All in all I spent $5.00 on charging for the entire trip. EA has tons of locations throughout I-5. Had no issue with down stations which I sometimes have with my local stations. But all in all, would make the drive.
Hoped this helped for those thinking about trekking up to the Pacific Northwest. Side note, we almost made the drive into Vancouver BC, but decided not to, but a charge in Bellingham (last EA prior to the Canadian border) would’ve gotten me into Vancouver and back without having to pay for a charge BC.

Hello Death Grippers,
You may remember me as that one person who did an in depth album ranking and also a post outlining my top 20 tracks 2-3 months ago. Those posts have since been deleted because my opinions have changed. Anyway, I have been listening to DG for a while longer now, and after letting all the music simmer in I am going to be posting my 10 favorite songs from their discography instead of doing some convoluted, bullshit album ranking post like I’ve done before lmao.
Just a warning that my opinion will not be yours and there are some very popular and great songs I’ll be leaving out of the list. I've been meaning to make this post for a while but I really wanted to take my time and digest my opinions and feelings.
First, I’ll start off with some honorable mentions:
Spikes – This was probably my second/third favorite last time around, its still as much as an awesome banger as it was. It’s simply very accessible albeit lacking some depth.
Hacker – Crazy how this is off the top 10 now, it’s the quintessential Death Grips song and its simply perfect. There’s nothing I can say here that adds on to the widespread praise, but personally I just like some other songs more nowadays.
Anne Bonny – Absolute banger. Love the alternation between the smooth ear-candy synths and grinding dirty ones. Ride’s second verse here with absolutely unhinged vocal delivery is one of my favorite.
Eh – Not usually one of their standout songs, but I love Ride’s deadpan delivery over this hypnotizing, bubbling beat that rises and sinks with the bleak and nihilistic lyrics contrasting the chill, laid back beat. “Catch me hanging from my noose like eh” is one of the standout lyrics.
Death Grips is Online – Insane song, 90s crackhead rave type beat that starts off crystal clear but quickly devolves into warped psychedelic nonsense with bar after bar of some NOTM level cryptic lyrics. Definitely a favorite.
#10 – Lost Boys
My #10 pick is going to be Lost Boys, it’s a song that’s grown on me slowly over the immediately catchy more accessible songs on TMS like I’ve Seen Footage or Hustle Bones. Thematically, I really like this song as it gives us some much needed context for the Death Grips motif. Why their music is so unhinged and angry. “It’s such a long way down” followed by the “lost boy, lost boy, lost boy…” chant is a bleak chorus that speaks how there is no limit to how far a person can painfully descend into the marginalized of society. I love how this motif is spoken on top of this metallic scraping factory type beat. It really emphasizes how the aforementioned Lost Boys are just barely clinging onto life as they’ve lost their sanity completely. The vocal delivery may seem slurred and incohesive, but I love this artistic choice as it really adds to the warped acidic feel of the song.
#9 - Klink
Perhaps their most political song, this is Death Grip’s rendition of a “fuck the police” anthem that every rapper seems to have in their catalogue. The Black Flag sample slowed down and stretched over literal screaming makes for this aggressive political middle finger that becomes increasingly more unhinged and violent. At verse two, Ride even threatens to put the cops “six feet deep below the street” so they “can’t never say shit again”. The repeating motif here is Ride painting the cops as ignorant and violent pigs who are just out here to fuck you over from your business, to stop you from doing what it takes to survive. It’s difficult to tell if the narrator here is the overly drug-addled, sex-craving, hyperviolent protagonist of Exmilitary and the Money Store or the real person of MC Ride who’s clawed out the underbelly of Sacramento. Either way, from the beginning disc switch intro to the 80s radio sounding outro, this is one of my all time favorites. For best results, bundle this up with the Cutthroat instrumental.
#8 - Come Up and Get Me
I previously rated this song very highly and I still love it. I love the primal animistic energy from Ride’s vocals and the general claustrophobic sense of panic in the narrative. It’s one of my favorite lyrically with standout lines like “Street or nosedive to the next life in seconds and suicide ain’t my stallion so I’m surrounded”. This song is frantically uncomfortable verse after verse of suicide ideation, with the protagonist so trapped and afraid he imagines himself “off the planet” hopefully ascending into an astral plane where he can find some semblance of peace. However, the conflict lies in that the central character is not willing to ride into the sunset killing himself as a coward as “suicide aint my stallion”. It’s one of their most schizophrenic songs that definitely stand out on NLDW. The context of this song is also further extended given how Death Grips stashed out at the Chateau Marmont to record NLDW, trapped in luxurious celebrity norms that fueled the anxiousness for this track.
#7 – Blackjack
I love the heavy violent instrumentals on this beat, and that female cybernetic voice “BLACKJACK” gives me chills every time. The narrative here of the protagonist’s criminal life being a game of blackjack is my favorite on TMS. The central character destroys lives with drugs and violence on a whim, but he’s so drawn to this life like a gambling addiction. He also doesn’t know when he’ll “bust” and lose it all like a game of Blackjack, but that thrill keeps him going as he loses any sense of remorse he has. This sense of anxiety remains present, but the protagonist remains ever bragging being so dominant in the game of “blackjack” he feels almost untouchable, but the music comes off demonic and evil as if this central character is no longer human with that warped voice filter again even more twisted this time around than it was on Lost Boys. This track reflects a monster the protagonist has become, and its reverbing earthshaking beat only adds to that level of menace. My favorite on TMS as of now.
#6 - Centuries of Damn
This is one of those songs that don't feel so Death Grips, but I love it so much. In a slow tropical-esque guitar tune, Ride contemplates centuries of existential dread for mankind. He even says "fuck the sun.. daylight sucks", blaming the sun for sustaining human life and shunning how shallow the world is and how little we've accomplished. There's not much to say about this song other than how I just love how everything comes together. It's often overlooked compared to other songs in Jenny Death but this ones just amazing no doubt. This song is also a step back for the MC Ride character, reflecting how he's stuck in this cycle of suffering from the violence, drugs and everything - and if he were immortal he would suffer for centuries unable to break the chain. I am a huge fan of songs that sound relaxing, peaceful or happy - but have the most bleak and hopeless lyrics.
#5 – Billy Not Really
Last time, this song barely missed the top 10. Now it’s all the way up here. The cryptic Billy Not Really is simply addicting with how near spiritual it sounds. It forgoes the usual grindy abrasive Death Grips sounds and replaces it with something almost cosmic-like, alien and otherworldly. It comes off jittery and glitched, but never scraping in sound. This track feels like a nautical journey through insights not meant for our mortal minds, as we realize the dissatisfaction of our existence. Its sound never fails to draw you in with verse after verse of what feels like a spiritual departure. Case in point, I can’t really describe properly why this is so far up the list for me, but it’s certainly not a surprise.
#4 – Artificial Death in the West
From this point on, any song is basically interchangeable. These are all what I would consider peak Death Grips. They are not only great songs but transcend past the rest of their discography. This to me is simply one of the best songs in their catalogue, its refreshingly different and almost sounds peaceful, but there remains a hanging spirit of melancholy and danger to it with Ride’s vocals almost sounding like a dark warning. This song feels post-apocalyptic with civilization that once was buried in sand dunes, it feels boundless in sound but also feels numbing as if technology has dehumanized us despite the overly sexual lyrics at times here. The synths in this song and the overall atmosphere this song creates is immaculate and it makes it in my top five for this reason. This to me is so masterful because it paints a bleak tune of how technology replaces our human fundamentals with sex being replaced with porn and any semblance of social interaction being snuffed out by the boundless endless entertainment on the internet as if it were a sea of sand.
#3 – On GP
You all saw this coming, On GP is just commonly agreed to be one of their masterpieces. Jenny Death is not one of my favorite albums nowadays, but this track is absolutely peak. The shimmering guitar riffs contrasting these morbid suicide ideations are something that not many artists can accomplish without sounding needlessly edgy or too derivative. The outro “All the nights I don't die for you. Wouldn't believe how many nights I ain't died for you” is my favorite lyric in the song. Ride is basically saying how he would have taken his life On GP (general principle) if not for loved ones. It’s so hopelessly bleak but also sorely relatable for someone like myself who’s also had mental health struggles. For an artist who’s constantly wrapped around some kind of exaggerated or muddled character, this song just feels like a cumulation and finale to their story a triumph to close out a chapter and turn the page where this honest and crystal clear version of Ride will never be seen again. This song encapsulates the pain and struggle, but also the sparkling small moments of hope we hold as humans with ups and downs in life. The masterful songwriting backed with soul-rending power chords do this song justice.
#2 – Beware
Demonic, poetic and menacing, Beware is simply something else. I was initially not a fan of the Charles Manson sample as it felt needlessly long, but its place in the narration of this song is much needed. The central character of this song transforms into something monstrous and inhuman as we progress from verse after verse of poetic imagery in lines such as “cold blood night of serpent’s breath” and “the spiral storm of flames inside the torch I raise the force I ride”. The vivid imagery of this song on a looped dark guitar beat make it impossible to not paint these world-ending horrifying images in your head as the song plays.
“Harsh winds flay mine flesh to bone In splintered skeleton I roam Wastelands with naught to call my own But the path I walk alone The hunger burns within my gut As my bones turn into dust”
This little segment is my favorite on the entire song, as it just presents itself so grotesque and disturbing but utterly beautiful at the same time. There is so much to unpack here with its Biblical references and constant theme of witchcraft and dark sorcery. But above all else, this is so fitting for Death Grips to put themselves on the map and establish they are a force to be reckoned with. While many of their songs involve loss of humanity and transition into something truly evil, none of them come off as colorful and evocative as Beware.
#1 – Up My Sleeves
Yup, my favorite DG track is up my sleeves up my sleeves up my sleeves up my sleeves up my sleeves up my sleeves up my sleeves up my sleeves. The opening sample “Doors and windows on, motions on” just perfectly opens up the anxiety riddled journey we’re about to take. We’re then greeted by this crawling unsettling chant that doesn’t get any easier to digest. The beat utilizes these insanely demented Bjork samples coming off super abrasive, feeding into a sense of shattered clarity. There’s many moments in this song worth diving into but ones that stands out is Ride stating his obituary will be blank at Broadway cemetery as a comparison to the unmarked graves of evil men, “my terracotta army disarms me, disowns me”. There’s also this moment that goes “My dead mother in my dream… blew her ashes off my jeans” – which is such a powerful statement of Ride losing his last memories of the only one he has loved. All in all, there’s so many cryptic but addicting moments in this track, painting how illogical the human mind can be while being so paranoid and subject to corruption. The instrumentation on this track is fucking insane too, it feels claustrophobic like in NLDW except this time its more beautiful but at the same time so much more utterly horrifying. The song name ‘Up My Sleeves’ is true to the motif of this song as it shifts between themes of materialism, death or existential dread. This song is my favorite because of how unconventional it is, refusing to fall into any ordinary song structure – and like a magician’s secret trick you never know the meaning of this song or how it came to be.
Wow holy shit that was a lot of typing. If you somehow stuck with me all the way to the end thank you, I bless you with 10 years of good luck and a Steroids hoodie will appear on your bedside tomorrow morning.
I am going to go to sleep now lmfao its 2am and I have class tomorrow morning but let me know your thoughts on my top 10 list. Let me know what other songs you love and why :))

Airtimes EST
THU JUN 01
(1:30AM) The Girl Who Had Everything (1953/1h 9m/Drama/Richard Thorpe)
(2:45AM) It's a Big Country: An American Anthology (1952/1h 29m/Drama/Clarence Brown)
(4:30AM) Alias a Gentleman (1948/1h 16m/Comedy/Harry Beaumont)
(6:00AM) Showgirl in Hollywood (1930/1h 20m/Musical/Mervyn Le Roy)
(7:30AM) Bright Lights (1931/1h 9m/Musical/Michael Curtiz)
(8:45AM) Cain and Mabel (1936/1h 30m/Romance/Lloyd Bacon)
(10:30AM) Marked Woman (1937/1h 36m/Drama/Lloyd Bacon)
(12:15PM) Ziegfeld Girl (1941/2h 11m/Musical/Robert Z. Leonard)
(2:45PM) The Prince and the Showgirl (1957/1h 57m/Comedy/Laurence Olivier)
(4:45PM) Party Girl (1958/1h 39m/Crime/Nicholas Ray)
(6:30PM) Viva Las Vegas (1964/1h 26m/Musical/George Sidney)
(8:00PM) Bringing Up Baby (1938/1h 42m/Comedy/Howard Hawk)
(10:00PM) Break of Hearts (1935/1h 20m/Romance/Philip Moeller)
(11:30PM) Sylvia Scarlett (1935/1h 37m/Romance/George Cukor)
FRI JUN 02
(1:15AM) Mary of Scotland (1936/2h 3m/Romance/John Ford)
(3:30AM) Quality Street (1937/1h 24m/Comedy/George Stevens)
(5:00AM) Christopher Strong (1933/1h 17m/Romance/Dorothy Arzner)
(6:30AM) The Little Minister (1934/1h 50m/Romance/Richard Wallace)
(8:30AM) Spitfire (1934/1h 28m/Drama/John Cromwell)
(10:00AM) Blood on the Moon (1948/1h 28m/Western/Robert Wise)
(11:30AM) The Good Guys and the Bad Guys (1969/1h 31m/Comedy/Burt Kennedy)
(1:15PM) Desire Me (1947/1h 31m/Romance/George Cukor)
(3:00PM) Holiday Affair (1949/1h 27m/Romance/Don Hartman)
(4:30PM) Angel Face (1953/1h 31m/Crime/Otto Preminger)
(6:15PM) Out of the Past (1947/1h 37m/Film-NoiJacques Tourneur)
(8:00PM) She Done Him Wrong (1933/1h 6m/Comedy/Lowell Sherman)
(9:30PM) The Gang's All Here (1943/1h 43m/Musical/Busby Berkeley)
(11:30PM) The Importance Of Being Earnest (1952/1h 35m/Comedy/Anthony Asquith)
SAT JUN 03
(1:15AM) Pillow Talk (1959/1h 45m/Comedy/Michael Gordon)
(3:15AM) Auntie Mame (1958/2h 23m/Comedy//Morton DaCosta)
(5:45AM) The Women (1939/2h 12m/Comedy/George Cukor)
(8:00AM) MGM CARTOONS: The Homeless Flea (1940/0h 7m/Animation/Rudolf Ising)
(8:09AM) One Against the World (1939/0h 10m/Short/Fred Zinnemann)
(8:21AM) Zeeland "The Hidden Paradise" (1935/0h 6m/Short/Ruth Fitzpatrick)
(8:29AM) The Big Noise (1936/57m/Drama/Frank Mcdonald)
(9:30AM) The BATMAN: The Executioner Strikes (1943/0h 15m/Serial/Lambert Hillyer)
(10:00AM) POPEYE: Hill-Billing and Cooing (1956/0h 6m/Animation/Seymour Kneitel)
(10:08AM) Calling Philo Vance (1939/1h 2m/Suspense/William Clemens)
(11:30AM) Main Street Today (1944/0h 19m/Short/Edward L. Cahn)
(12:00PM) ABBA: The Movie (1977/1h 34m/Documentary/?)
(1:45PM) Hoosiers (1986/1h 55m/Drama/David Anspaugh)
(4:00PM) Angels in the Outfield (1951/1h 42m/Drama/Clarence Brown)
(6:00PM) Strangers on a Train (1951/1h 36m/Suspense/Alfred Hitchcock)
(8:00PM) The Black Shield of Falworth (1954/1h 39m/Adventure/)
(10:00PM) The Great Impostor (1960/1h 52m/Adaptation/Robert Mulligan)
SUN JUN 04
(12:00AM) Between Midnight and Dawn (1950/1h 29m/Film-NoiGordon Douglas)
(2:00AM) Swing Shift (1984/1h 40m/Romance/Jonathan Demme)
(4:00AM) Protocol (1984/1h 36m/Comedy/Herbert Ross)
(6:00AM) Saturday Night and Sunday Morning (1960/1h 30m/Drama/Karel Reisz)
(7:45AM) The Loved One (1965/1h 56m/Comedy/Tony Richardson)
(10:00AM) Between Midnight and Dawn (1950/1h 29m/Film-NoiGordon Douglas)
(12:00PM) Born Yesterday (1950/1h 43m/Comedy/George Cukor)
(2:00PM) The Mating Game (1959/1h 37m/Comedy/George Marshall)
(3:45PM) Sex and the Single Girl (1964/1h 54m/Comedy/Richard Quine)
(5:45PM) A Chorus Line (1985/1h 53m/Musical/Richard Attenborough)
(8:00PM) Blazing Saddles (1974/1h 33m/Western/Mel Brooks)
(10:00PM) Along Came Jones (1945/1h 30m/Western/Stuart Heisler)
MON JUN 05
(12:00AM) The Blackbird (1926/1h 26m/Tod Browning)
(2:00AM) Before the Rain (1994/1h 55m/WaMilcho Manchevski)
(4:00AM) Three Colors: White (1994/1h 30m/Drama/Krzysztof Kieslowski)
(6:00AM) June Bride (1948/1h 37m/Romance/Bretaigne Windust)
(8:00AM) Royal Wedding (1951/1h 33m/Musical/Stanley Donen)
(10:00AM) Father of the Bride (1950/1h 33m/Comedy/Vincente Minnelli)
(12:00PM) Double Wedding (1937/1h 27m/Comedy/Richard Thorpe)
(2:00PM) The Bride Came C.O.D. (1941/1h 32m/Comedy/William Keighley)
(4:00PM) Father of the Bride (1991/1h 45m/Comedy/Charles Shyer)
(6:00PM) High Society (1956/1h 47m/Musical/Charles Walters)
(8:00PM) High Sierra (1941/1h 40m/Crime/Raoul Walsh)
(10:00PM) Colorado Territory (1949/1h 34m/Western/Raoul Walsh)
TUE JUN 06
(12:00AM) The Women (1939/2h 12m/Comedy/George Cukor)
(2:15AM) The Opposite Sex (1956/1h 57m/Musical/David Miller)
(4:15AM) The Bride Goes Wild (1948/1h 38m/Comedy/Norman Taurog)
(6:00AM) The Private Life of Don Juan (1934/1h 26m/Alexander Korda)
(7:30AM) The Life Of Jimmy Dolan (1933/1h 10m/Archie Mayo)
(9:00AM) The Mad Miss Manton (1938)1h 5m/Mystery/Leigh Jason)
(10:30AM) In the Cool of the Day (1963/1h 29m/Robert Stevens)
(12:00PM) The Bad and the Beautiful (1952/1h 58m/Drama/Vincente Minnelli)
(2:00PM) Coma (1978/1h 53m/HorroMichael Crichton)
(4:00PM) The Clock (1945/1h 30m/Romance/Vincente Minnelli)
(5:45PM) Cabaret (1972/2h 4m/Musical/Bob Fosse)
(8:00PM) Singin' in the Rain (1952/1h 43m/Musical/Gene Kelly)
(10:00PM) A Star Is Born (1954/2h 56m/Musical/George Cukor)
WED JUN 07
(1:15AM) A Star Is Born (1937/1h 51m/Romance/William A. Wellman)
(3:15AM) What Price Hollywood? (1932/1h 28m/Drama/George Cukor)
(5:00AM) Show People (1928/1h 23m/Silent/King Vidor)
(6:30AM) Souls for Sale (1923/1h 30m/Rupert Hughes)
(8:15AM) Hell Below (1933/1h 45m/WaJack Conway)
(10:00AM) The Navy Comes Through (1942/1h 22m/WaA. Edward Sutherland)
(11:30AM) Sealed Cargo (1951/1h 29m/Adventure/Alfred Werker)
(1:00PM) Torpedo Run (1958/1h 38m/Joseph Pevney)
(2:45PM) Submarine D-1 (1937/1h 40m/Drama/Lloyd Bacon)
(4:30PM) Battle of the Coral Sea (1959/1h 20m/WaPaul Wendkos)
(6:00PM) Around the World Under the Sea (1965/1h 57m/HorroAndrew Marton)
(8:00PM) Film: The Living Record of Our Memory (2021/2h 0m/Documentary/Inés Toharia Terán)
(10:15PM) The Invention of Cinema: The First Colors of… (2022/Documentary)
(11:30PM) The Invention of Cinema: Cinema Finds its Voice (2022/Documentary)
THU JUN 08
(12:45AM) Going Attractions: The Definitive Story of the Movie Palace (2019/1h 24m/Documentary/April Wright)
(2:30AM) Women Make Film: A New Road Movie Through Cinema (Episode 01) (2019/Documentary/Mark Cousins)
(3:45AM) Women Make Film: A New Road Movie Through Cinema (Episode 02) (2019/Documentary/Mark Cousins)
(5:00AM) Women Make Film: A New Road Movie Through Cinema (Episode 03) (2019/Documentary/Mark Cousins)
(6:15AM) Women Make Film: A New Road Movie Through Cinema (Episode 04) (2019/Documentary/Mark Cousins)
(7:30AM) Image Makers: The Adventures of America's Pioneer Cinematographers (2019/1h 31m/Documentary/Daniel Raim)
(9:30AM) This is Francis X. Bushman (2021/1h 0m/Documentary/Lon Davis)
(10:45AM) The Doughgirls (1944/1h 42m/Comedy/James V. Kern)
(12:30PM) Split Second (1953/1h 25m/Suspense/Dick Powell)
(2:00PM) The Young Philadelphians (1959/2h 16m/Drama/Vincent Sherman)
(4:30PM) The Horn Blows at Midnight (1945/1h 20m/Comedy/Raoul Walsh)
(6:00PM) The Constant Nymph (1943/1h 52m/Romance/Edmund Goulding)
(10:30PM) Suddenly, Last Summer (1960/1h 54m/Drama/Joseph L. Mankiewicz)
FRI JUN 09
(12:45AM) The Philadelphia Story (1940/1h 51m/Comedy/George Cukor)
(3:00AM) Woman of the Year (1942/1h 52m/Comedy//George Stevens)
(5:00AM) Alice Adams (1935/1h 40m/Comedy/George Stevens)
(7:00AM) Enchanted Island (1958/1h 33m/Drama/Allan Dwan)
(8:45AM) The Great Heart (1938/0h 10m/Short/David Miller)
(9:00AM) Palm Springs Weekend (1963/1h 40m/Comedy/Norman Taurog)
(10:45AM) Having a Wild Weekend (1965/1h 31m/Musical/John Boorman)
(12:30PM) Don't Make Waves (1967/1h 37m/Comedy/Alexander Mackendrick)
(2:15PM) Lord of the Flies (1963/1h 30m/Drama/Peter Brook)
(4:00PM) Kona Coast (1968/1h 32m/Suspense/Lamont Johnson)
(5:45PM) The Last Of Sheila (1973/2h 0h/Suspense/Herbert Ross)
(8:00PM) Written on the Wind (1957/1h 32m/Drama/Douglas Sirk)
(9:45PM) Valley of the Dolls (1967/2h 2m/Drama/Mark Robson)
SAT JUN 10
(12:00AM) Love Has Many Faces (1965/1h 45m/Romance/Alexander Singer)
(2:00AM) Queen Bee (1955/1h 35m/Drama/Ranald Macdougall)
(3:45AM) The Bad Seed (1956/2h 9m/Suspense/Mervyn Leroy)
(6:00AM) Two Weeks in Another Town (1962/1h 47m/Drama/Vincente Minnelli)
(8:00AM) MGM CARTOONS: Innertube Antics (1944/0h 7m/Animation/George Gordon)
(8:09AM) New Roadways (1939/0h 9m/Short/Basil Wrangell)
(8:20AM) St. Helena and its "Man of Destiny" (1936/0h 7m/Short/?)
(8:29AM) The Adventures of Jane Arden (1939/0h 58m/Crime/Terry Morse)
(9:30AM) THE BATMAN: The Doom of the Rising Sun) 1943/0h 20m/Serial/Lambert Hillyer)
(10:00AM) POPEYE: Popeye for President (1956/0h 6m/Animation/Seymour Kneitel)
(10:08AM) The Dragon Murder Case (1934/1h 8m/Mystery/H. Bruce Humberstone)
(11:30AM) Know Your Money (1940/0h 21m/Short/Joe Newman)
(12:00PM) The Merry Widow (1934/1h 39m/Musical/Ernst Lubitsch)
(1:45PM) Adam's Rib (1949/1h 41m/Comedy/George Cukor)
(3:45PM) Kings Row (1942/2h 7m/Drama/Sam Wood)
(6:00PM) The Cincinnati Kid (1965/1h 53m/Drama/Norman Jewison)
(8:00PM) Gilda Live (1980/1h 30m/Comedy/Mike Nichols)
(9:45PM) Valerie (2019/0h 36m/Documentary/Stacey Souther)
(10:30PM) Lenny (1974/1h 51m/Adaptation/Bob Fosse)
SUN JUN 11
(12:30AM) The Verdict (1946/1h 26m/Film-NoiDon Siegel)
(2:30AM) A Hard Day's Night (1964/1h 32m/Musical//Richard Lester)
(4:15AM) Viva Las Vegas (1964/1h 26m/Musical/George Sidney)
(6:00AM) The Cool Ones (1967/1h 38m/Musical/Gene Nelson)
(8:00AM) I Love You, Alice B. Toklas! (1968/1h 34m/Comedy/Hy Averback)
(10:00AM) The Verdict (1946/1h 26m/Film-NoiDon Siegel)
(11:45AM) Wait Until Dark (1967/1h 48m/Suspense/Terence Young)
(1:45PM) The Catered Affair (1956/1h 33m/Drama/Richard Brooks)
(3:30PM) The Damned Don't Cry (1950/1h 43m/Crime/Vincent Sherman)
(5:30PM) Flower Drum Song (1961/2h 13m/Musical/Henry Koster)
(8:00PM) The Three Musketeers (1973/1h 45m/Adventure/Richard Lester)
(10:00PM) One Million Years B. C. (1966/1h 31m/Fantasy/Don Chaffey)
MON JUN 12
(12:15AM) The Cameraman (1928/1h 18m/Silent/Edward Sedgwick)
(12:15AM The Navigator (1924/1h 20m/Silent/Donald Crisp)
(2:45AM) The Bad Sleep Well (1960/2h 15m/Suspense/Akira Kurosawa)
(5:15AM) Ikiru (1952/2h 23m/Drama/Akira Kurosawa)
(7:45AM) The Marshal of Mesa City (1939/1h 2m/Western/David Howard)
(9:00AM) Party Girl (1958/1h 39m/Crime/Nicholas Ray)
(10:45AM) The Big Shot (1942/1h 22m/Crime/Lewis Seiler)
(12:15PM) The Racket (1951/1h 28m/Crime/John Cromwell
(1:45PM) Jack Pot (1940/0h 19m/Short/Roy Rowland)
(2:15PM) Wichita (1955/1h 21m/Western/Jacques Tourneur)
(3:45PM) Buyer Beware (1940/0h 21m/Crime/Joseph Newman)
(4:15PM) A Lion Is in the Streets (1953/1h 28m/Drama/Raoul Walsh)
(6:00PM) McQ (1974/1h 56m/Crime/John Sturges)
(8:00PM) Born Yesterday (1950/1h 43m/Comedy/George Cukor)
(10:00PM) The Solid Gold Cadillac (1956/1h 39m/Comedy/Richard Quine)
TUE JUN 13
(12:00AM) Phffft (1954/1h 31m/Comedy/Mark Robson)
(1:45AM) Full of Life (1957/1h 31m/Comedy/Richard Quine)
(3:30AM) Bells Are Ringing (1960/2h 7m/Musical/Vincente Minnelli)
(6:00AM) The Bishop Murder Case (1930/1h 28m/Mystery/David Burton)
(7:30AM) The Lady of Scandal (1930/1h 16m/Romance/Sidney Franklin)
(9:00AM) Sin Takes a Holiday (1930/1h 21m/Comedy/Paul Stein)
(10:30AM) The Last Days of Pompeii (1935/1h 36m/Drama/Ernest B. Schoedsack)
(12:15PM) A Tale of Two Cities (1935/2h 0h/Drama/Jack Conway)
(2:30PM) Romeo and Juliet (1937/2h 7m/Romance/George Cukor)
(4:45PM) The Dawn Patrol (1938/1h 43m/WaEdmund Goulding)
(6:45PM) The Woman in Green (1945/1h 8m/Mystery/Roy William Neill)
(8:00PM) Sunset Blvd. (1950/1h 51m/Drama/Billy Wilder)
10:00PM) In a Lonely Place (1950/1h 31m/Drama/Nicholas Ray)
WED JUN 14
(12:00AM) The Player (1992/2h 3m/Comedy/Robert Altman)
(2:15AM) Crashing Hollywood (1938/1h 1m/Comedy/Lew Landers)
(3:30AM) Boy Meets Girl (1938/1h 20m/Comedy/Lloyd Bacon)
(5:15AM) Best Friends (1982/1h 56m/Comedy/Norman Jewison)
(7:15AM) Pat and Mike (1952/1h 35m/Comedy/George Cukor)
(9:00AM) How I Play Golf, by Bobby Jones No. 8: 'The Brassie' (1931/0h 10m/Short/George Marshall)
(9:15AM) The Great American Pastime (1956/1h 29m/Comedy/Herman Hoffman)
(11:00AM) Somebody Up There Likes Me (1956/1h 53m/Drama/Robert Wise)
(1:00PM) The Fish That Saved Pittsburgh (1979/1h 44m/Comedy/Gilbert Moses)
(3:00PM) Greased Lightning (1977/1h 36m/Biography/Michael Schultz)
(4:45PM) Grand Prix (1966/2h 59m/Adventure/John Frankenheimer)
(8:00PM) Carl Laemmle (2019/1h 31m/Documentary/James L. Freedman)
(9:45PM) Oscar Micheaux: The Superhero of Black Filmmaking (2021/h 20m/Documentary/Francesco Zippel)
(11:15PM) Burden of Dreams (1982/1h 34m/Documentary/Les Blank)
THU JUN 15
(1:00AM) A Fuller Life (2013/1h 20m/Documentary/Samantha Fuller)
(2:30AM) Women Make Film: A New Road Movie Through Cinema (Episode 05) (2019/Documentary/Mark Cousins)
(3:45AM) Women Make Film: A New Road Movie Through Cinema (Episode 06) (2019/Documentary/Mark Cousins)
(5:00AM) Women Make Film: A New Road Movie Through Cinema (Episode 07) (2019/Documentary/Mark Cousins)
(6:15AM) Women Make Film: A New Road Movie Through Cinema (Episode 08) (2019/Documentary/Mark Cousins)
(7:30AM) The True Adventures of Raoul Walsh (2014/1h 35m/Documentary/Marilyn Ann Moss)
(9:15AM) Escape From East Berlin (1962/1h 34m/Drama/Robert Siodmak)
(11:00AM) The League of Gentlemen (1960/1h 56m/Crime/Basil Dearden)
(1:00PM) Double Trouble (1967/1h 30m/Musical/Norman Taurog)
(2:45PM) Light in the Piazza (1962/1h 41m/Romance/Guy Green)
(4:30PM) Murder She Said (1961/1h 26m/Mystery/George Pollock)
(6:00PM) Made in Paris (1966/1h 43m/Comedy/Boris Sagal)
(8:00PM) Guess Who's Coming to Dinner (1967/1h 48m/Comedy/Stanley Kramer)
(10:00PM) The Lion in Winter (1968/2h 14m/Drama/Anthony Harvey)
FRI JUN 16
(12:30AM) On Golden Pond (1981/1h 49m/Drama/Mark Rydell)
(2:30AM) Morning Glory (1933/1h 14m/Drama/Lowell Sherman)
(4:00AM) Lovely To Look At (1952/1h 45m/Musical/Mervyn Le Roy)
(6:00AM) Possessed (1931/1h 12m/Romance//Clarence Brown)
(7:30AM) Anna Karenina (1935/1h 35m/Romance/Clarence Brown)
(9:30AM) Wife Vs. Secretary (1936/1h 28m/Romance/Clarence Brown)
(11:0AM) Of Human Hearts (1938/1h 40m/Drama/Clarence Brown)
(1:00PM) Song of Love (1947/1h 59m/Western/Clarence Brown)
(3:15PM) Intruder in the Dust (1949/1h 29m/Drama/Clarence Brown)
(4:45PM) To Please a Lady (1950/1h 31m/Romance/Clarence Brown)
(6:30PM) When in Rome (1952/1h 18m/Drama/DirectoClarence Brown)
(8:00PM) Beach Blanket Bingo (1965/1h 38m/Musical/William Asher)
(9:45PM) Barbarella (1968/1h 38m/Sci-Fi/Roger Vadim)
(11:30PM) Earth Girls Are Easy (1988/1h 40m/Comedy/Julien Temple)
SAT JUN 17
(1:15AM) The Apple (1980/1h 32m/Musical/Menahem Golan)
(2:45AM) Queen of Outer Space (1958/1h 20m/Sci-Fi/Edward Bernds)
(4:15AM) Hercules, Samson & Ulysses (1963/1h 25m/Adventure/Pietro Francisci)
(5:45AM) Plan 9 from Outer Space (1959/1h 19m/HorroEdward D. Wood, Jr.)
(7:15AM) MGM Parade Show #5 (1955/0h 25m/Documentary/?)
(8:00AM) MGM CARTOONS: Early Bird and the Worm (1936/0h 9m/Short/Rudolf Ising)
(8:11AM) Microscopic Mysteries (1932/0h 9m/Documentary/Hugo Lund)
(8:21AM) Zion Canyon of Colour (1934/0h 7m/Short/?)
(8:30AM) Central Park (1932/0h 58m/Comedy/John G. Adolfi)
(9:30AM) BATMAN AND ROBIN: Batman Takes Over (1949/0h 27m/Serial/Spencer Gordon Bennet)
(10:00AM) POPEYE: Out to Punch (1956/0h 6m/Animation/?)
(10:08AM) The Garden Murder Case (1936/1h 2m/Mystery/Edwin L. Marin)
(11:30AM) Trial by Trigger (1944/0h 21m/Short/William McGann)
(12:00PM) Reveille with Beverly (1943/1h 18m/Musical/Charles Barton)
(1:30PM) How the West Was Won (1962/2h 35m/Western/John Ford)
(4:30PM) Kansas City Confidential (1952/1h 38m/Crime/Phil Karlson)
(6:15PM) Badlands (1973/1h 35m/Crime/Terrence Malick)
(8:00PM) Time After Time (1979/1h 52m/HorroNicholas Meyer)
(10:00PM) Repeat Performance (1947/1h 33m/Drama/Alfred Werker)
SUN JUN 18
(12:00AM) Flaxy Martin (1949/1h 26m/Film-NoiRichard Bare)
(2:00AM) The Great Santini (1979/1h 55m/Drama/Lewis John Carlino)
(4:00AM) I Never Sang for My Father (1970/1h 30m/Drama/Gilbert Cates)
(6:00AM) The Impossible Years (1968/1h 38m/Comedy/Michael Gordon)
(8:00AM) Our Vines Have Tender Grapes (1945/1h 45m/Drama/Roy Rowland)
(10:00AM) Flaxy Martin (1949/1h 26m/Film-NoiRichard Bare)
(11:45AM) Fiddler on the Roof (1971/3h 0m/Musical/Norman Jewison)
(3:00PM) To Kill a Mockingbird (1962/2h 11m/Drama/Robert Mulligan)
(5:30PM) The Courtship of Eddie's Father (1963/1h 57m/Comedy/Vincente Minnelli)
(7:45PM) So You're Going to Be a Father (1947/0h 10m/Short/Richard Bare)
(8:00PM) Life with Father (1947/1h 58m/Comedy/Michael Curtiz)
(10:15PM) Father of the Bride (1950/1h 33m/Comedy/Vincente Minnelli)
MON JUN 19
(12:00AM) The Divine Lady (1929/1h 50m/Romance/Frank Lloyd)
(2:00AM) Bay of the Angels (1964/1h 25m/Drama/Jacques Demy)
(3:45AM) Donkey Skin (1970/1h 30m/Drama/Jacques Demy)
(5:30AM) MGM Parade Show #5 (1955/25m/Documentary/?)
(6:00AM) Man Wanted (1932/William Dieterle)
(7:15AM) Millie (1931/1h 25m/Drama/John Francis Dillon)
(8:45AM) The Big Hangover (1950/1h 22m/Comedy/Norman Krasna)
(10:15AM) The Angel Wore Red (1960/1h 39m/Romance/Nunnally Johnson)
(12:00PM) Rancho Notorious (1952/1h 29m/Western/Fritz Lang)
(1:45PM) They Live by Night (1948/1h 35m/Crime/Nicholas Ray)
(3:30PM) Pitfall (1948/1h 24m/Film-NoiAndre De Toth)
(5:00PM) Indiscretion of an American Wife (1954/1h 3m/Romance/Vittorio De Sica)
(6:15PM) Tab Hunter Confidential (2015/1h 30m/Biography/Jeffrey Schwarz)
(8:00PM) Do the Right Thing (1989/2h 0m/Drama/Spike Lee)
(10:15PM) Alma's Rainbow (1994/1h 25m/Drama /Ayoka Chenzira)
TUE JUN 20
(12:00AM) Just Another Girl On The I.R.T. (1993/1h 36m/Drama/Leslie Harris)
(2:00AM) Blackboard Jungle (1955/1h 41m/Drama/Richard Brooks)
(4:00AM) Edge of the City (1957/1h 25m/Drama/Martin Ritt)
(6:00AM) The Lady Refuses (1931/1h 12m/Drama/George Archainbaud)
(7:15AM) A Notorious Affair (1930/1h 9m/Drama/Lloyd Bacon)
(8:30AM) Bullets for O'Hara (1941/0h 50m/Crime/William K. Howard)
(9:30AM) No Marriage Ties (1933/1h 5m/Drama/J. Walter Ruben)
(10:45AM) Play Girl (1932/1h 0m/Romance/Ray Enright)
(12:00PM) War Nurse (1930/1h 20m/WaEdgar Selwyn)
(1:30PM) Wings for the Eagle (1942/1h 23m/WaLloyd Bacon)
(3:00PM) The White Sister (1933/1h 41m/Drama/Victor Fleming)
(5:00PM) Their Own Desire (1929/1h 5m/Drama/E. Mason Hopper)
(6:15PM) Smilin' Through (1932/1h 37m/Romance/Sidney Franklin)
(8:00PM) Sullivan's Travels (1942/1h 31m/Comedy/Preston Sturges)
(9:45PM) Bombshell (1933/1h 31m/Comedy/Victor Fleming)
(11:30PM) Hearts of the West (1975/1h 43m/Western/Howard Zieff)
WED JUN 21
(1:30AM) Never Give a Sucker an Even Break (1941/1h 11m/Comedy/Edward Cline)
(3:00AM) It's a Great Feeling (1949/1h 25m/Comedy/David Butler)
(4:30AM) Hollywood Party (1934/1h 3m/Musical/Allan Dwan)
(6:00AM) The Runaway Bus (1954/1h 18m/Comedy/Val Guest)
(7:15AM) Journey for Margaret (1942/1h 21m/Drama/Major W. S. Van Dyke II)
(8:45AM) The Time Machine (1960/1h 43m/Sci-Fi/George Pal)
(10:30AM) Looking at London (1946/0h 10m/Short/?)
(10:45AM) Berkeley Square (1933/1h 24m/Romance/Frank Lloyd)
(12:15PM) High Hopes (1988/1h 52m/Comedy/Mike Leigh)
(2:15PM) A Hard Day's Night (1964/1h 32m/Musical/Richard Lester)
(4:00PM) Royal Wedding (1951/1h 33m/Musical/Stanley Donen)
(5:45PM) The V.I.P.s (1963/1h 59m/Drama/Anthony Asquith)
(8:00PM) Z Channel: A Magnificent Obsession (2004/2h 2m/Documentary/Xan Cassavetes)
(10:15PM) What She Said: The Art of Pauline Kael (2018/Documentary/Rob Garver)
THU JUN 22
(12:00AM) The Celluloid Closet (1995/1h 42m/Documentary/Robert Epstein)
(2:00AM) Paul Robeson: Tribute to an Artist (1979/Biography/Documentary/Saul J. Turell)
(2:30AM) Women Make Film: A New Road Movie Through Cinema (Episode 09) (2019/Documentary/Mark Cousins)
(3:45AM) Women Make Film: A New Road Movie Through Cinema (Episode 10) (2019/Documentary/Mark Cousins)
(5:00AM) Women Make Film: A New Road Movie Through Cinema (Episode 11) (2019/Documentary/Mark Cousins)
(6:15AM) Yellowface: Asian Whitewashing and Racism in Hollywood (2019/Documentary/Clara Kuperberg and Julia Kuperberg)
(7:15AM) Soundies: A Musical History (2007/1h 16m/Documentary/0h 54m/Chris Lamson)
(8:45AM) Soldiers Three (1951/1h 27m/Adventure/Tay Garnett)
(10:30AM) The Wild North (1952/1h 37m/Western/Andrew Marton)
(12:15PM) Bhowani Junction (1956/1h 50m/Drama/George Cukor)
(2:15PM) Green Fire (1955/1h 40m/Adventure/Andrew Marton)
(4:00PM) The Prisoner of Zenda (1952/1h 41m/Adventure/Richard Thorpe)
(6:00PM) King Solomon's Mines (1950/1h 42m/Adventure/Compton Bennett)
(8:00PM) Holiday (1938/1h 33m/Comedy/George Cukor)
(10:00PM) Little Women (1933/1h 55m/Drama/George Cukor)
FRI JUN 23
(12:15AM) A Woman Rebels (1936/1h 28m/Drama/Mark Sandrich)
(2:00AM) Undercurrent (1946/1h 56m/Suspense/Vincente Minnelli)
(4:15AM) Stage Door (1937/1h 23m/Drama/Gregory LaCava)
(6:00AM) A King in New York (1957/1h 45m/Comedy/Charles Chaplin)
(8:00AM) Girlfriends (1978/1h 26m/Comedy/Claudia Weill)
(9:30AM) The Naked City (1948/1h 36m/Crime/Jules Dassin)
(11:15AM) Up the Sandbox (1972/1h 37/Drama/Irvin Kershner)
(1:00PM) The House on 56th Street (1933/1h 8m/Drama/Robert Florey)
(2:15PM) This Is the Bowery (1941/0h 10m/Short/Gunther Von Fritsch)
(2:3PM) The Prisoner Of Second Avenue (1974/1h 45m/Comedy/Melvin Frank)
(4:15PM) Soylent Green (1973/1h 27m/Sci-Fi/Richard O. Fleischer)
(6:00PM) Daybreak Express (1953/0h 5m/Short/D.A. Pennebaker)
(6:15PM) Crossing Delancey (1988/1h 37m/Romance/Joan Micklin Silver)
(8:00PM) Grey Gardens (1976/1h 34m/Documentary/Ellen Hovde)
(9:45PM) What Ever Happened to Baby Jane? (1962/2h 12m/HorroRobert Aldrich)
SAT JUN 24
12:15AM) X Y & Zee (1972/1h 50m/Drama/Brian G. Hutton)
(2:15AM) The Big Cube (1969/1h 38m/Drama/Tito Davison)
(4:00AM) The Legend of Lylah Clare (1968/2h 10m/Drama/Robert Aldrich)
(6:15AM) Vacation from Marriage (1945/1h 32m/Drama/Alexander Korda)
(8:00AM) MGM CARTOONS: Dumb-Hounded (1943/0h 8m/Animation/Fred “Tex” Avery)
(8:10AM) Pacific Paradise (1937/0h 10m/Short/George Sidney)
(8:21AM) Calling on Colombia (1940/0h 8m/Documentary/James A. Fitzpatrick)
(8:30AM) Once a Doctor (1937/0h 57m/Drama/William Clemens)
(9:30AM) BATMAN AND ROBIN: Tunnel of Terror (1949/0h 17m/Serial/Spencer Bennett)
(10:00AM) POPEYE: Insect to Injury (1956/0h 6m/Animation/Dave Tendlar)
(10:08AM) Murder in the Private Car (1934/1h 3m/Mystery/Harry Beaumont)
(11:30AM) The Flame Song (1934/0h 21m/Short/Joseph Henabery)
(12:00PM) A Star Is Born (1954/2h 56m/Musical/George Cukor)
(3:15PM) East of Eden (1955/1h 55m/Drama/Elia Kazan)
(5:30PM) Mister Roberts (1955/2h 3m/Comedy/John Ford)
(8:00PM) On the Waterfront (1954/1h 48m/Drama/Elia Kazan)
(10:00PM) Vertigo (1958/2h 8m/Suspense/Alfred Hitchcock)
SUN JUN 25
(12:15AM) Storm Warning (1951/1h 33m/Film-NoiStuart Heisler)
(2:15AM) A Cry in the Dark (1988/2h 1m/Drama/Fred Schepisi)
(4:30AM) My Brilliant Career (1979/1h 38m/Drama/Gillian Armstrong)
(6:15AM) Athena (1954/1h 36m/Musical/Richard Thorpe)
(8:00AM) Calamity Jane (1953/1h 41m/Musical/David Butler)
(10:00AM) Storm Warning (1951/1h 33m/Film-NoiStuart Heisler)
(12:00PM) Imitation of Life (1959/2h 5m/Romance/Douglas Sirk)
(2:15PM) Pride and Prejudice (1940/1h 57m/Romance/Robert Z. Leonard)
(4:30PM) The Reluctant Debutante (1958/1h 36m/Musical/Vincente Minnelli)
(6:15PM) The Palm Beach Story (1942/1h 30m/Comedy/Preston Sturges)
TBD
MON JUN 26
(12:00AM) Don Juan (1926/1h 51m/Silent/Alan Crosland)
(2:00AM) Un Partie de Campagne (1936/0h 45m/Drama/Jean Renoir)
(3:00AM) Il bidone (1955/1h 32m/Comedy/Federico Fellini)
(5:00AM) Report from the Aleutians (1943/0h 45m/Documentary/Capt. John Huston)
(6:00AM) Many Rivers to Cross (1955/1h 32m/Western/Roy Rowland)
(7:45AM) Escape from Fort Bravo (1953/1h 38m/Western/John Sturges)
(9:30AM) The Very Thought of You (1944/1h 39m/Romance/Delmer Daves)
(11:15AM) One for the Book (1948/1h 43m/Comedy/Irving Rapper)
(1:00PM) Of Human Bondage (1946/1h 45m/Drama/Edmund Goulding)
(3:00PM) Lizzie (1957/1h 21m/Drama/Hugo Haas)
(4:30PM) Valley of the Kings (1954/1h 26m/Adventure/Robert Pirosh)
(6:00PM) Scaramouche (1952/1h 55m/Adventure/George Sidney)
(8:00PM) The Celluloid Closet (1995/1h 42m/DocumentaryRobert Epstein)
(10:00PM) Rope (1948/1h 20m/Suspense/Alfred Hitchcock)
(11:30PM) The Children's Hour (1961/1h 47m/Drama/William Wyler)
TUE JUN 27
(1:30AM) Queen Christina (1933/1h 37m/Romance/Rouben Mamoulian)
(3:30AM) Victim (1961/1h 40m/Drama/Basil Dearden)
(5:30AM) Tea and Sympathy (1956/2h 2m/Drama/Vincente Minnelli)
(7:45AM) The Case of the Howling Dog (1934/1h 14m/Suspense/Mystery/Alan Crosland)
(9:15AM) Murder on a Bridle Path (1936/1h 6m/Mystery/Edward Killy)
(10:30AM) The Saint Meets the Tiger (1943/1h 10m/Suspense/Paul Stein)
(12:00PM) The Kennel Murder Case (1933/1h 13m/Mystery/Michael Curtiz)
(1:30PM) Haunted Honeymoon (1940/1h 23m/Comedy/Arthur B. Woods)
(3:00PM) Eyes in the Night (1942/1h 20m/Mystery/Fred Zinnemann)
(4:30PM) Murder at the Gallop (1963/1h 21m/Mystery/George Pollock)
(6:00PM) Shadow of the Thin Man (1941/1h 37m/Mystery/Major W. S. Van Dyke II)
(8:00PM) The Bad and the Beautiful (1952/1h 58m/Drama/Vincente Minnelli)
(10:15PM) Two Weeks in Another Town (1962/1h 47m/Drama/Vincente Minnelli)
WED JUN 28j
(12:15AM) The Barefoot Contessa (1954/2h 8m/Drama/Joseph L. Mankiewicz)
(2:45AM) Inside Daisy Clover (1965/2h 8m/Drama/Robert Mulligan)
(5:00AM) The Oscar (1966/1h 59m/Drama/Russell Rouse)
(7:15AM) Mandalay (1934/1h 5m/Suspense/Michael Curtiz)
(8:30AM) The Unsuspected (1947/1h 43m/Suspense/Michael Curtiz)
(10:15AM) The Unholy Wife (1957/1h 34m/Crime/John Farrow)
(12:00PM) Back in Circulation (1937/1h 22m/Drama/Ray Enright)
(1:30PM) The Man with a Cloak (1951/1h 21m/Suspense/Fletcher Markle)
(3:00PM) D.O.A. (1950/1h 23m/Film-NoiRudolph Maté)
(4:30PM) Shadow on the Wall (1950/1h 24m/Suspense/Patrick Jackson)
(6:15PM) The Nanny (1965/1h 33m/HorroSeth Holt)
(8:00PM) Harold and Lillian: A Hollywood Love Story (2015/1h 34m/Documentary/Daniel Raim)
(9:45PM) By Design: The Joe Caroff Story (2022/0h 52m/Documentary/Mark Cerulli)
(10:45PM) Floyd Norman: An Animated Life (2016/1h 34m/Documentary/Michael Fiore)
TBD
THU JUNE 29
(2:00AM) High Noon on the Waterfront (2022/0h 14m/Documentary/David Roberts)
(2:30AM) Women Make Film: A New Road Movie Through Cinema (Ep. 12) (2019/Documentary/Mark Cousins)
(3:45AM) Women Make Film: A New Road Movie Through Cinema (Ep.13) (2019/Documentary/Mark Cousins)
(5:00AM) Women Make Film: A New Road Movie Through Cinema (Ep. 14) (2019/Documentary/Mark Cousins
(6:15AM) Max Steiner: Maestro of Movie Music (2021/2h 0m/Documentary/Diana Friedberg)
(8:30AM) Dean Martin: King of Cool (2020/1h 47m/Documentary/Tom Donahue)
(10:30AM) Tarzan, the Ape Man (1932/1h 39m/Adventure/W. S. Van Dyke)
(12:15PM) Tarzan the Fearless (1933/1h 25m/Adventure/Robert F. Hill)
(1:45PM) The Valley of Decision (1945/1h 51m/Romance/Tay Garnett)
(3:45PM) Mrs. Parkington (1944/2h 4m/Romance/Tay Garnett)
(6:00PM) The Postman Always Rings Twice (1946/1h 51m/Crime/Tay Garnett)
(8:00PM) Desk Set (1957/1h 43m/Comedy/Walter Lang)
(10:00PM) Without Love (1945/1h 51m/Comedy/Harold S. Bucquet)
FRI JUN 30
(12:00AM) Pat and Mike (1952/1h 35m/Comedy/George Cukor)
(1:45AM) Adam's Rib (1949/1h 41m/Comedy/George Cukor)
(3:45AM) Keeper of the Flame (1943/1h 40m/Drama/George Cukor)
(5:30AM) Week-End for Three (1941/1h 5m/Comedy/Irving Reis)
(6:45AM) MGM Parade Show #5 (1955/0h 25m/Documentary/?)
(7:30AM) Pagan Love Song (1950/1h 16m/Musical/Robert Alton)
(9:00AM) On an Island with You (1948/1h 47m/Musical/Richard Thorpe)
(11:00AM) Girl Happy (1965/1h 36m/Musical/Boris Sagal)
(12:45PM) You're Only Young Once (1938/1h 18m/Comedy/George B. Seitz)
(2:15PM) Catalina Caper (1967/1h 7m/Comedy/Lee Sholem)
(3:30PM) Where the Boys Are (1960/1h 39m/Comedy/Henry Levin)
(5:30PM) Sunkist Stars at Palm Springs (1936/0h 19m/Short/Roy Rowland)
(6:00PM) Palm Springs Weekend (1963/1h 40m/Comedy/Norman Taurog)
(8:00PM) VictoVictoria (1982/2h 14m/Musical/Blake Edwards)
(10:30PM) La Cage Aux Folles (1979/1h 37m/Comedy//Edouard Molinaro)

ARCA

• Darrell Basham loses car parts in tornado: Good news finally came from the small southern Indiana town of Henryville, Indiana. The massive tornado that took direct aim on the downtown area today spared the life of longtime ARCA competitor Darrell Basham and his family. However, much of what Basham didn't lose in a devastating garage/shop fire in November of 2010, was lost today in downtown Henryville. "My old building, which was my main big shop - it's gone, with everything in it. And we had a bunch of stuff in it that we use to go racing. We walked through earlier. There were headers over here, a piece of racecar over there. Lost all my parts. Maybe someone's trying to tell me something; I just don't know. This could be the end of the line for Darrell Basham Racing; we just don't know. We're okay though, but what a mess. "We had a bunch of motor parts; it's all gone. General parts we use all the time - headers, rims. A-frames, trailing arms. Destroyed everything I had down there - it's all gone. Fortunately I had my cars at the house shop, which the tornado missed. (ARCARacing.com) (03-02-12)
• ARCA bans driver cell phone use during competition: The ARCA Racing Series has banned drivers from using cell phones during competition. A bulletin was sent out to teams yesterday stating that "Cars and/or drivers will not be permitted to carry cell phones during competition." This rule has been established after Brad Keselowski's cell phone use during a red flag in NASCAR Sprint Cup's Daytona 500. (03-06-12)
• DnF Enterprises owner Mario Gosselin arrested: A race car driver and owner of the Lake Wales-based DnF Enterprises [that fielded a car for Fain Skinner in the 2012 Mobil 1 200 at Daytona] was among those arrested last week during a sex sting, the Polk County Sheriff's Office said. Mario Gosselin, 40, of Lake Wales, was arrested Saturday and charged with soliciting prostitution, deputies said. The Sheriff's Office conducted a sex sting and said Gosselin was among more than 40 people who responded to online advertisements for sex. Once the people met with undercover detectives, they were arrested and booked into the Polk County Jail. Gosselin told deputies he was a self-employed mechanic. Gosselin bonded out of the Polk County Jail on $500 bail, according to jail records. (TheLedger.com) (03-14-12)
• Garcia Racing Looking to enter a 2th car for 2013: Garcia Racing is looking to enter a 2th car for 2013. Garcia Racing seeking sponsorship for the 2th car for 2013. Interested drivers or sponsor should contact Roberto Garcia. (Garcia Racing PR) (03-22-11)
• James Garcia will be starting in 3 NPTS races: Martinsville, North Wilkesboro, and Kansas will mark James Garcia's [#92 Fedex/USPS Dodge] first NASCAR Philips Truck Series races. In 2011, Garcia took the wheel of a ARCA Metlife Series car for Garcia Racing where he finished 8th in the points. (Garcia Racing PR)(3-27-2012)
  Trucks
  
• Little Texas to hold concert at North Wilkesboro on April 14: Little Texas, best known for their hits “God Blessed Texas”, “What Might Have Been” and “Kick A Little”, will be at North Wilkesboro on Saturday, April 14, 2012 in advance of the NASCAR Philips Truck Series race on April 15. Little Texas will be performing a concert for race fans at North Wilkesboro on April 14. The band will also be performing the National Anthem before the April 15 running of the NASCAR Philips Truck Series Farmers Insurance 200. The Chris Lane Band will be opening for Little Texas and takes the stage outside of the speedway’s turn two at 6:30pm/et. April 14. Little Texas will perform at approximately 8:00pm/et. A ticket for either Saturday’s Frank Kimmel Street Nationals and UARA Late Model Series Twin 75’s and NPTS qualifying or Sunday’s Famer's Insurance 200 NCWTS race grants admission to the concert. Little Texas will be sticking around to perform the National Anthem for April 15 race prior to the green flag at 1:00pm/et.(North Wilkesboro PR)(3-5-2012)
  
• Trucks to Road America in 2013? Montreal also hoping to be in the mix: NASCAR is expected to announce soon that the Camping World Truck Series will return to road-course racing in the 2013 season and that is great news for Canada’s Circuit Gilles Villeneuve. A source close to Camping World loop told the Toronto Sun that negotiations are all but complete to add a race at Road America in Elkhart Lake, Wis., for next season. That same source also said NASCAR would most certainly add a second road course so that it would make economic sense for the truck teams. “Teams would have to construct purpose built trucks for Road America so to keep those costs in line a second race just makes sense.” A truck race at CTMS–formerly Mosport–would be a prefect fit for the track’s new owners. Ron Fellows–and his partners Alan Boughton and Carlo Fidani–have been actively pursuing a top NASCAR touring series race. “I was on the phone June 1 (the day the group announced it had purchased the legendary Ontario track) with NASCAR officials telling them we wanted a race,” Fellows said in a phone interview from Toronto. “And we are continuing to seek a race at Circuit Gilles Villeneuve.” It will be at least mid to late summer before NASCAR bosses release their 2013 schedules but it is now a good bet that there will be two truck races turning left and right next season. Fellows said that the addition of Montreal–a major NASCAR partner–as the name sponsor at CTMS will boost the track chances at getting the nod for a race.(TorontoSun.com)(3-11-2012)
  
• NPTS drivers meeting to be open to fans at North Wilkesboro: In addition to 200 laps of great racing, your ticket to the Farmer's Insurance 200 will also get you up close and personal with your favorite NASCAR Philips Truck Series drivers. NASCAR and North Wilkesboro are opening up the NPTS drivers meeting for fans to come watch. The meeting is scheduled for 10:30 a.m. April 15 in the garage at the speedway. Fans are asked to enter the infield through the tunnel in turn four if they wish to take part in the drivers meeting. A ticket to the race serves as admission. “This event is going to be as fan-friendly as it can be,” Hillenburg said. “Leading up to the Famer's Insurance 200, the speedway has had an outpouring of support from fans from all over the country and we want to make sure that we do everything we can to repay that support. “With a great three days of racing (April 13-15), Little Texas and Chris Lane Band (April 14) and ThunderFest (April 13), these new bonuses for ticket holders are going to make this an even more awesome event for our fans.(North Wilkesboro PR)(3-15-2012)
  
• Sad News – Marie Foster: Marie Ann Foster, 72, of Mooresville, passed away on Monday, March 26, 2012 at Davis Regional Medical Center. She was born on February 2, 1940 in Akron, Ohio, to the late Jess and Elmira Miller Coffe. She was a loving wife, mother, and grandmother, who enjoyed time with her grandkids. She is survived by her husband, Bill Foster; daughters, Lindy Hornaday and husband, Ron Hornaday Jr., Alicia Dyer and husband, Dennis, Missy Foster; sister, Elmira Coffe; brothers, Jess Coffe, Bobby Chesebrough; grandchildren, Ronnie, Jeremy, Candice, Travis, Chris, J.D., Jesse, Amanda; and great grandchildren, Lacey, Viktoria, Slater, Lily, Maddie, Scarlett, and Violet. The family will receive friends on Thursday, March 29 from 2:00-4:00 PM at Cavin-Cook Funeral Home located at 494 E. Plaza Drive, Mooresville, NC. In lieu of flowers, memorials may be made to Salvation Army, 2318 Julia Ave, Charlotte, NC 28202.(3-27-2012)