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2023.05.28 04:03 micronesiarain Episode 4- "Design Gone Galactic" ⭐️🪐
![]() | the queens return to the workroom after Yuka's elimination submitted by micronesiarain to XtinasDragRace [link] [comments] Wren: Awww, Yuka! 🏁Wren CF: Seeing Yuka leave is bittersweet. I had gotten really close with her. But when you're in the bottom two, you can only focus on it not being your name on that lipstick. One of us had to go, better her than me! Fleur: I'd say I can't believe she's gone this early, but I'm afraid I saw it coming. Sue: Really? Fleur: If there's one thing about me and Yuka being in a competition together, it's that I'll make it farther. Bring out the tiny violins, bye bitch! 🏁Fleur CF: Did Yuka do anything to me? Hmm, that's a dumb question. But I do know that she was in the competition, and now she's not! Morgs: Blondie and Zodya, congratulations. I'll admit, I was hoping this would be our week. But you did a nice job. Blondie: Thank you. Sharris: Let's hope that there aren't any more pity wins this season. That would be great. Zodya: There's a difference between a pity win and being the best team to follow the rules. Sharris: And I don't think you were either! Zodya: Sharris, I don't need you making this a miserable experience. 🏁Zodya CF: I feel like Sharris brings a dark cloud over the competition. I trust Morgs and Steph, and I know that they trust Sharris. For now, I can play nice. But when it comes down to the inner group of the alliance, she'll have to go. Kami: Blondie, how are you feeling after being in the top? Blondie: It felt right, it felt correct! Fleur: Oh shut up. Blondie: Alright, that came out of nowhere, but work. Wren: I'm sure my lipstick is in your bra right now, but it really was nice to see you get celebrated like that. Blondie: I actually chose Yuka. Wren: Girl, you don't need to lie. It's fine, really. Blondie pulls her lipstick out to reveal she truly did choose Yuka Blondie: Not lying. Wren: What the hell, I'm at a loss right now. 🏁Blondie CF: Saving Wren was not an easy decision. I know people want her gone. And after what went down between the two of us, I had a million reasons to get her out of here. But this is the new version of Blondie, and I've made the decision to fight for this friendship. And that can only happen once one of us decides to be the bigger person. And that's usually not me, but there's a first for everything! Blondie: What you did, it hurt me. But things I did on Season Six, that hurt you. If we keep going after each other, we can't move forward. the camera slowly pans over to Sue who is hysterically crying Steph: Sue? Sue: I just...I just love seeing the birth of a friendship! 🏁Steph CF: If any of you question why I love this bitch, now you know. The sweetest soul I know. Wren: Blondie, that means a lot to me. Thank you. Now, I still don't know if it should've been me in the bottom, but thank you. Fleur: Here we go again. Anthyy: Who do you think should've been in the bottom? Wren: Our challenge was to show up at a certain time and perform. Most of us did that. But two of us didn't. Sharris squints her eyes and takes off her earrings, handing them over to Morgs Sharris: Wren, you're a joke. Not just a joke, an embarrassment. Why the fuck are you even here? Wren: Excuse me? Sharris: You take this so seriously, and it makes me physically uncomfortable. It's a game, calm down. Wren: I'm not apologizing for showing up to a competition and wanting to compete. Sharris: You need to apologize for a lot more than that. Starting with that face. Fleur: And then work your way down. Zodya: Are we really doing this right now? You're all taking this too far, and it needs to stop. I'm serious. Sharris: Oh bug off, you don't need to play mediator. Zodya: Sharris, stop. I'm not letting you attack my friend. Sharris: If that's the kind of freak you're friends with, that says everything about you. 🏁Sharris CF: I won't rest until Wren is out of the competition. I don't like her, I haven't liked her, and I will never like her. It's not even about winning anymore. It's about breaking this bitch from the inside. The Next Day the queens enter the workroom, laughing and ignoring the drama from the previous night 🏁Anthyy CF: It's a new day in the workroom, and the stress of the competition is clearly getting to these girls! I feel good, staying out of the drama, and ready to slay. You won't see me safe again, that's not a cute look! Sue: Seeing how many people are still here just shows how big this season is going to be. Three girls down, and we can still barely fit around the table. Sharris: Some of you can skip some meals, and that'll change! 🏁Sue CF: I'm afraid that I'm fading into the background, and it's about time that I step forward. On Season Four, I never got to a win, even though I was close. I know that these girls think my attitude is more fun and relaxed, but I won't let them underestimate me. the workroom door swings open as Micro steps in, wearing a sliver puffer track suit with futuristic silver sunglasses Micro: Greetings Earth queens! When I invited each of you back, I did so because you are the best and brightest in the galaxy. And to prove that, it's time to take things out of this world. Behind me, there's a table full of celestial inspired materials. Each of you will design a high fashion look that takes us to infinity and beyond. Now, some of you may not love the idea of producing your own look. Which is why you have options! If you'd like, you are able to use a pre-existing look. The only catch is that you need to modify it enough so that it reads as your own unique creation. Good luck, and I can't wait to see what you come up with! Micro leaves the workroom, and the queens rush over to the table of materials, grabbing everything they can find 🏁Whorechata CF: This is what I've been waiting for! From the start of this competition, these queens have questioned whether or not I belong here. And I knew they were wrong. Because...duh, look at the material. But this is the challenge where I know I can outdo everyone else. Yeah, I feel pretty good about my chances. the queens spread throughout the workroom in different groupings Fleur, Morgs, and Sharris discuss the challenge and what their ideas are Sharris: I've decided to not make my own look. I know my limits, and there's more I can do with little embellishments than with a sewing machine. 🏁Morgs CF: Sharris is the person I'm the closest to here. I do trust that she can make this challenge work. But when she says she's not even taking out a sewing machine, I'm starting to worry. Fleur: I've taken my sewing classes after Season Four, and I didn't really have that much to improve on. Morgs: You had a design challenge on your season, right? Fleur: We did. We got these horrible boxes of trash and had to make it into something. 🏁Fleur CF: I felt great about my look on Season Four. Truly, how can you describe it without using the word beautiful? Some people said I should've been in the bottom, but "some people" got sent home two episodes ago. Hi Lectro, thanks for watching! Morgs: From what I can see of other people, I don't think we have anything to worry about this week. Sharris: Just say Wren... the camera cuts over to Wren on the floor, sculpting multiple arms and cutting out fabric 🏁Wren CF: I've always had a strong sense of what I want when it comes to the designs I wear. But it's taken some time to polish up the level of execution. This is my chance to show how much I've grown, even in the short time since Season Six. Zodya: Wren, you doing good? Wren: Can't talk, too busy serving cunt. 🏁Zodya CF: If you can't love yourself, then you must not be Wren! But hey, I can't knock the confidence. Zodya: Chata, what are you bringing with your look? Whorechata: I'm trying to embrace the materials as much as possible. I don't want to use any patterns I brought, any base garments, nothing. If it's not from that table, I'm not using it. Zodya: It's definitely a bold color choice. Whorechata: I need to stand out. Whatever it takes. 🏁Whorechata CF: Being able to create looks like this, that's why I applied for Season Five. And finally, I got a challenge where I can shine. Anthyy, Steph, and Sue chat by the mirrors as they sketch out look ideas 🏁Anthyy CF: I've come back to judge fashion challenges on MDR a million times. If I don't slay this, I need to apologize to everyone I ever critiqued! I need to bring a new silhouette, new materials, everything. You won't be able to clock a single detail. Steph: Last time I had a challenge like this, it caused me to spiral. Sue: You know you've gotten better since then. Steph: I think I have. Being back in these four walls, and feeling like I'm just starting to get the momentum going, it's hauntingly familiar to how I felt on Season Three. Anthyy: You have to believe in yourself! Let the infection take over. Well, not like that. But the fashion infection. Steph: Please, I need to catch the fashion infection first! 🏁Steph CF: Ever since my elimination on Season Three, I've felt like had I just made it through the design challenge, I could've won the whole thing. This is my chance to show that I can not just make it through this challenge, but I can come out unharmed, and ready to give this competition what I have. Call me dramatic, but you all saw the look, it was traumatizing! Sue plugs in her headphones and turns on Kylie Minogue, unlocking her full powers. She turns on the sewing machine and gets to work 🏁Sue CF: When it comes to sewing, I may not be Sue Essence Hall. But I have the drive and heart to win this thing. Nobody wants this more than me, and that's gotta count for something. Runway the lights flicker and an electric magenta light floods the runway as Micro struts down the center Micro Episode 4 Look Micro: Welcome back to the runway of Micro's Drag Race: All Stars! This week, the queens were asked to design a high fashion look utilizing or inspired by celestial materials. And joining me on the judging panel is a very special guest. Usually, we keep it in the family and have past queens return to judge. But this season, I've invited some legendary queens that I admire to help me out. And tonight, we have the amazing Hex! Hex Guest Judging Look Micro: Hex, thank you for being here! Hex: Honored to be here. Micro: You've been a legendary designer in the drag world for years. What do you think makes a good design? Hex: Finding a concept, and immersing yourself in that world. If you want to be an alien, become that alien and think about how they'd wear the look. You have to commit! Micro: That is fabulous advice. You ready to get started? Hex: I'm ready to feel inspired! Micro: Without further ado, let's see if these looks are truly out of this world! "Bad Juju" by Jujubee plays Anthyy: Coming down this runway I feel amazing! It’s a design challenge and you just know that miss Anthyy will deliver in those! Tonight the category was space at first I got a bit scared cause the home eis super broad if you look at it but then my. Mind went straight to my sister she is OBSSESED with space, so I called her and asked her what is her favorite planet! She said Uranus… and the rest is history! So tonight for my look I am channeling you the Uranus fantasy, my dress is a net made out of 27 of the Uranus’s moons and being me you can see a stunning set of it’s rings, not many people know that Uranus is one of the 3 planets with rings! Yup not only Saturn so tonight I wanted to make sure we don’t forget about those rings! Uranus is also one of the coldest planets that exsist so i made sure my alien puss is frozen the haus down boots! The parts holding together the moons on her dress are all coveed in galaxy dust and you can see my stunning 3 pairs of hands all going in diffrent directions! As for the look itself, it is a pretty gown (which you know i only do for special occasions!) with an amazing backpiece and stunning hair artistry! I would say this is soemthing that isnt often seen and its one of it's kind so im suoer happy to bring it to you on the design challenge! Lets hope this alien lands me my 3rd win! Finding out that this week's guest judge is my amazing friend Hex, she also is included in this look honey did you notice how my alien has 3 nostrills??? YUPPPPP thats what i call referencing Anthyy Look Blondie: You better beware, you're in for a scare! Run in fear when Captain Blondatrix arrives on your planet and goes for a pure femme pink fem-pire! For this look, I did use a pre-existing outfit but dyed the colours to a nice ballet slipper pink & a rose gold pink to add to colour theory. I did paint the mask and got a dazzling matching wig... I mean, styled my hair into a gorgeous blonde to meet my branding. Next, I got rid of some pesky details that weren't needed and created more of a space priestess vibe, and kept the alien incubator, as I'm here to spread my seed any way I can. Finally, I created a new banner and an amazing bi-sexual planet to create awareness. So beam me up, cuz I'm here to take y'all down~ Blondie Look Fleur: I love the Earth. The Earth just gives cunt 24/7 for the past billion years. She always finds some way to absolute slayyyyyy. For example when she decided that she wanted a desert, we were all like "yas girl sand is so sexy". Her brain is just so innovative and she is truly a lovely person. I love the Earth. It is just so calm, and peaceful and sweet. Everyday is amazing on Earth because the Earth is just amazing. It has not one bad quality. That is why I love it. This look resemblances the cuntiness Mother Earth is but also how serene it can be. She's so quirky. But sometimes... just sometimes... the Galaxy is jealous of Earth's cuntiness. Like for example, when the Galaxy decided to shoot a meteor onto it and kill all those leather wearing, katy perry roaring carnivores. Like that was bullying! But sometimes... just sometimes... the Galaxy is in a bad mood and it wants to recreate the devastation of the first meteor. Fuck the galaxy honestly. FUCK YOU. And when the Earth goes BOOM, so does the runway Fleur is modelling and strutting on. This gives her enough times to take of her jumpsuit and reveal her bare naked skin which is just coincidentally painted in a molten galaxy pattern. Science lesson: This is because the Earth has plates. The crust, the mantle and the core. The core is filled with molten lava and I think lava is so that bitch. Like it can burn a hoe like that! So obviously when the earth explodes, lava will ooze into the milkyway making the milkyway turn orange. Kind of like food colouring. And obviously, when the world does explode into the galaxy, you would probably be blinded by the light so you will always need some funky Lady Gaga looking sun glasses. And that's on period. Fleur Look Fleur Reveal Fleur Reveal Kami: Kami steps out onto the stage, and she is ready for space! She is serving you astronaut realness with her helmet in hand, and her bedazzled star space bodysuit when suddenly she trips - her belt unravels and suddenly you can see a fake face laying on the ground Oh my god! She's really an alien?? She's kind of serving though... Her alien wings held back by the belt that was previously cinching her waist (?) in, has revealed who she truly is. The wig seems to have melted down, and a bunch of the accessories are now falling off as well. The stars on the alien skin slowly falling off as the bodysuit from before is now revealed to have been her skin all along. how is she hiding humongous wings underneath a tiny belt ? these are questions that are unnecessary! Kami Look Kami Reveal Morgs: BLAM! for my intergalactic runway it’s getting hot in here, why? because i’m a star, litterally. i wanted to be the sun, the most important thing for life. i've got a warm dress on, glasses to protect me from the UV rays, and a backpiece that are supposed to be sunbeams. i’m slaying this runway and even though i hate designing my own stuff, i managed to make myself a whole outfit and sunbeams that shoot out! Morgs Look Sharris: For my Space Age Couture runway, my inspiration comes directly from the galaxy and the beautiful sky we see at nighttime. I didn’t want to go with an astronaut, or an alien, I wanted to go with the sheer beauty that the natural world holds. It’s couture, and just so so extravagant. This runway represents an entire celestial body. If a lady from the Capitol moved to space- this is what she’d be wearing. Upon walking onto the runway, the lights dim, and i’m SHINING. Practically radiating with beauty. I have never been in more awe than I have with what I’ve produced tonight Sharris Look Steph: for my runway look tonight i wanted to be a FIERCE celestial goddess. my entire body is painted in that same sparkling purple color as the mug which reminds me of Nebula one of my fav guardians of the galaxy. and honestly my look tonight IS THE SPACE AGE AND THE UNIVERSE MAMA. she is a space goddess and she has kidnapped the stars and the color purple to make this look. thx a bunch:) My vision is filled with this collage and i hope u enjoy her:) Steph Look Sue: So for my look tonight I am serving you intergalactic space pop star. She has her Ariana ponytail on and her microphone that she totally didn’t get inspired by from Fever by Kylie Minogue. Sue Look Whorechata: Tonight is my day to shine. Chata is living in the year 3000 and failed her astronaut astronomy space class exam thing and can’t use her spacesuit to go to the plant Whore anymore. So what does she do… she takes it apart MAWMA. This outfit is using a deconstructed padded astronaut suit. Some green tubing and inflatable thingys to create this futuristic Lewk. Tonight I hope to show these girls why micro let me in the doors. Whorechata Look Wren: Kneel. https://www.youtube.com/shorts/3UhSk0Tk48k Zodya: Tonight on the runway, I am giving you space duchess to the extreme! I am the most fabulous diva at the annual Galatica Ball, and honey, you can’t outshine me! Get out of my way, girls, because none of y’all can be as glamorous as me! Zodya Look Critiques Micro: Thank you ladies! Based on your performances tonight, I've made some decisions. When I call your name, please step forward. Micro: Kami, Steph, Whorechata. The three of you...are safe. Steph: Oh thank lord. Whew! Kami and Steph thank the judges as Whorechata's face is drained of all life. Her legs begin to quiver, and her eyes lose emotion as they twitch 🏁Whorechata CF: Safe. Safe. Oh wow. Whorechata steps forward and walks towards the judging panel. She hunches over and grabs the base of the panel, as Micro and Hex look at her in confusion. Whorechata lifts with all of her might, and flips the panel. Her eyes turn bright red and she storms around the studio, throwing punches and kicks at everyone in sight 🏁Whorechata CF: Well, that's what I wanted to do at least... the scene snaps back into reality where Whorechata is standing on stage and faking a smile Micro: The three of you may leave the stage. Whorechata: Safe girls, woohoo! Micro: The rest of you represent the tops and bottoms of the week. It's time for your critiques. Micro: First up, Anthyy! Hex: Hello Anthyy! This look is fun, i know that this isn't really your style but i think that you did the theme's justice tonight. You decided to be inspired by one of the planets which is a really safe choice to do on a theme like that, but you went with one of the most interesting ones so its ok, We can see that the inspo was there from the color palette and the rings. The look is just a basic gown let's be real but you still make it interesting with the transparent parts and overall its giving me very Brooke Candy/slutish vibe which i am personally a fan of. What i am not a fan of is the makeup here, i like that you decided to pay homage to your drag sister - me, but idk i am not really feeling the eyes, they kinda look weird but i guess it fits the whole alien aesthetic so maybe i'm just quirky and nitpicking. The headpiece is really fun and playful. Overall it's a really strong look from you tonight, good job! Micro: Anthyy! I think this week was a great chance for you to show off a new style with your looks. Getting more into the alienesque and untraditional glamour. And you really nailed that in my opinion! I love when a look is simple, but has dynamic silhouettes and added bits. This strappy dress on its own would maybe be too simple, but the back piece and extra arms, it elevates it to an incredible level. I think the color palette of blue and gray was unexpected but worked well. And usually I’m begging for rhinestones, but I wouldn’t add any rhinestones to this look, I don’t know how you managed that! Great work. Micro: Next, Blondie! Hex: Blondie! Hi, i love how both you and Anthyy decided to go with 3 eyed aliens! I see what you tried to do with the theme, but i lowkey don't see space in it, your color palette is giving me just a normal person, maybe if you changed the hair and face to be pinkish too maybe it would help to sell the theme more? I also don't think that you edited your look enough to be that different from the original one which is a shame because i see some potential. Overall you were in the middle tonight, not the worst but not the best one either. Micro: Hi Blondie!! I think this base look was a great choice for this challenge, since it does lend itself to that outer space vibe. And you definitely put the work in to make this your own. I do think though that the new color palette makes the level of detail come down a bit. There’s a lot about this that I like, but I have to nitpick! Micro: Next up, Fleur Tation! Hex: Fleur! Hello girl, let me start with the positives first, well, so i liked that you decided to be inspired by earth which is an original choice for a theme like that not gonna lie, everyone would do something quirky but you decided to not look too far for your inspiration. You have a + for that from me. Now for your look, hmm i think that you could do way more with it, its just a simple bodysuit with a print on it, the reveal version is better, but still could've been more elevated. I just wish that you did something more with the hair and makeup in both of these, because even though your inspiration was really good for me, it just looks like you did not know what to do with it. Overall its not a good look from you tonight, I appreciate that you drew it and your description was fun to read. Micro: Let me start off by saying your runway commentary and how you sold this look was my absolute favorite. I love the effort you put into that. Now onto the looks. I think they told a great story. But the actual design elements, I’m not getting much from it if I’m being totally honest. If there was some sleeve action, some interesting cut to the pants, something to bring more to it. Micro: The always fabulous, Morgs! Hex: Hello Morgs! This is very safe for me, i like the inspiration because without the sun there wouldn't be us so good for you to appreciate that. There's nothing much to say here really, maybe other than i don't really see cosmos here but it's just not the worst look tonight so, at least you tried and drew it. Micro: Hi Morgs! I love the energy and vibe that this look conveys. It’s modern and has a cool look to it. I will say, I think the back piece really saves you here. It adds a unique element, and I think the look needed it. The rest of the look is a bit too simple to me. Maybe some stoning, a different neckline on the dress, some little adjustments could’ve amped this up. But as is, this doesn’t totally work for me, I’m sorry! Micro: Next, Sharris! Hex: Hello Sharris! Your look is good but i don't think you did enough for me to call it as 'your' look. Micro gave you all an option to edit one of many existing looks and while you picked a really good one, you barely did anything to edit it as yours, it just looks like you put a filter over it and called it a day, not even bothering to change the colors really. While Blondie did the same thing, she at least i don't know tried to make things a bit interesting by changing the whole color palette. That's all. Micro: Hi Sharris! With the option to take a pre-existing look and edit it, I think the potential to make something your own and really special was there. And while I think you look amazing right now, it is so similar to the original look. Small things like changing the hair, adding new jewelry, maybe a metal corset piece, those could’ve really worked to make this more of an original piece. Not a bad look by any means, but I have to look at how different it is from the original, and I’m not seeing much. Micro: Shining bright, it's Sue Pernova! Hex: Sue! This look is very adorable, i really like the color palette, it looks like some video game character thats a singer and has some cosmic related superpowers. Your inspiration here clearly shows because i can see each thing you mentioned in your description. I love how we can't really see her face because it also adds to the mystic element that the cosmos has because we still don't really know much stuff about it. Overall a really good job tonight, congrats! Micro: Sue, this look is adorable!! I love the outer space popstar vibe you went for, and the vibrancy of these colors work really well with that. The different textures and materials as well add some visual interest and keep it from being too simple. I maybe would’ve liked to see some lengthening to the legs and a tighter cinch on the corset, but this is a stand out look for me, you really impressed me here! Micro: Next up, Wren Wyvern! Hex: Wren, uhh hello? This was a letdown for me, you kinda did a similar look to Steph but i guess her's more elevated and just more interesting to look at. I don't think your look really sells the theme since it's barely cosmos related other than the cosmic print. I like what you tried to do with the arms but it reads more as angelic to me rather than some alien creature. I'm sorry but i don't like this. Micro: Hi Wren! I’m gonna have to disagree with Hex on this one. I really enjoyed this look. It’s very cosmic deity, and you stand out from the group tonight. I think a really big collar piece that had some height and sharp edges to it would’ve taken this look to an even stronger level, but I see where you were going with it! Some minor little edits I’d make, but solid look from you! Micro: Last but not least, Zodya Killer. Hex: Hello Zodya! This is one of my favorite looks tonight, you had a clear vision and presented it really well. I really like the color palette and how vibrant it is, i love the accessories and the overall shape of it. The backpiece with your blonde hair in front of it kinda reminds me of the sun which is also a really fun detail. The way that you drew this also is a big plus for me + the props? I am a prop queen so i like the use of them in this look. Overall a really good moment for you tonight. Micro: Zodya, you look like a goddess tonight. You found a way to take this sort of galaxy pattern and print and make it look regal and expensive. I love the way this look sparkles, and the golden accents against that deep blue and purple, it adds to that royalty look. If I had to nitpick, I wish there was a big necklace or set of earrings, but I can appreciate the simplicity in not going heavy with accessories. Great work! Micro: Thank you ladies. I've made some decisions. Micro: Blondie, Morgs, and Wren. The three of you are safe. You may step to the back of the stage. 🏁Wren CF: At this point, I'm not sure what else I could do. I gave you a full goddess, and then Micro has the nerve to put me in the same group as Blondie and Morgs? It's stupid, it really is. Micro: Anthyy. Tonight, your E.T. was a T-O-P. Micro: Sue Pernova. You took us all on a trip to Chromatica, and we didn't want to leave. Micro: Zodya Killer. Category is...MET Gala on Mars. Micro: Anthyy, Zodya. Congratulations, you are the top two queens of the week! 🏁Anthyy CF: Ah, screaming!! I put so much of my heart and soul into my designs, and the hard work paid off. 🏁Zodya CF: I didn't think I'd be the type of queen who looks forward to a design challenge. But I really believe in my skills, and having that validated by the judges, that means the world. Micro: Sue, you are safe. Great work this week. Sue: Thank you Miss Micro. 🏁Sue CF: This week was all about wanting to prove myself as a real competitor here. I have what it takes to win the crown, and this moved things in the right direction. I feel amazing! Micro: Fleur, Sharris. I'm sorry my dears, but that means you are the bottom queens of the week. 🏁Fleur CF: I don't have words. To be in a room full of people who look...like that, and be told I'm in the bottom? When I'm wearing custom couture? They're out to get me. 🏁Sharris CF: I'm fine being in the bottom. It doesn't bother me. I'd never throw a tantrum over a placement, unlike some people in this competition who shall not be named...but it's Wren. Micro: Anthyy, Zodya. In a moment, the two of you will lipsync for your legacy, and the power to chop one of the bottom queens. Head backstage to Untucked, and make your decision. Untucked the safe queens enter Untucked Kami: Redemption! Steph: And it feels oh so good! I'm so proud of us. Whorechata, are you happy to be safe? 🏁Whorechata CF: wHoReChAtA, aRe yOu hApPy tO Be sAfE? No bitch, I'm not! Whorechata: I'm thrilled. Steph: No you're not. Whorechata: Oh really, what gave it away? Kami: Let it out, let it out. Whorechata: The girls up on stage right now, you can see the stringy little bits of hot glue. The seams are jankier than Wren's book in the first episode. Not to sound arrogant, but this belongs in a museum. 🏁Whorechata CF: Whorechata shows off her look and letting the camera zoom in on the hems Kami: If it makes you feel better, I thought you should've been up on stage tonight. Whorechata: If you change your name to Micro and tan a good twelve shades darker, it would mean more. But still, thanks Kami. 🏁Kami CF: You can't argue with crazy. You just can't. the top and bottom queens enter Untucked Wren: The attempt to break my spirit continues. 🏁Wren CF: Heading back to Untucked, it really does sting that I didn't win. I thought I had the best look, and I love the way I presented it. I wouldn't change a thing, but clearly the judges would. Kami: I've heard the word "safe" enough times in the last hour to last me a lifetime, so can one of you fill us in on what happened on stage? Anthyy: I'm in the top with Zodya! Steph: Whyyyyyyy. Oop, not like that. Just you know, the Sue stan in me. Sue: I'm torn with my emotions right now. Getting praised on this look felt amazing. But then it almost gave me a false sense of hope. I thought maybe I could win. Zodya: And you could've. I'm so proud of your work here. It's amazing. 🏁Zodya CF: I know how much Sue wanted to win this challenge, but I'm also freaking out a little inside that I just won my third challenge! I mean really, what could go wrong now? Wren: Regardless of what the judges said, I'm proud of this look. Sharris: So why do you keep bringing it up? Wren: With the runway last week, it was a more masculine approach than what I'm used to. And this week, I wanted to give full cunty goddess. 🏁Wren CF: Exploring gender identity and expression through fashion is important to me. Like, really important. I won't apologize for that. Blondie: And just so I know, you use all the pronouns, right? I'm not trying to get cancelled again. Wren: After saving me, you can call me whatever. But yes, anything works. He, she, they, it's all okay to me. But it doesn't take away from my trans-ness. Sharris: Wren, what the fuck does that even mean? Wren: What does what means? Sharris: How are you a he, she, and they. Make up your mind. Wren: I don't think I need to make up my mind. It's my personal journey, and I don't need to conform to what you want. Sharris: You just represent everything that's wrong with the world to me. Blondie: Okay, that's a bit much. Fleur: Blondie, stay out of it. Blondie: No! Why can't I say anything without you all jumping to make me look like the bad person? Fleur: If people always think you're a bad person, maybe you just are. Morgs: Woop, there it is. 🏁Fleur CF: Blondie swears she's an angel on Earth. But she's not. She's nasty, she's an input ho, and I don't fuck with her. Screw any alliances, I want her gone. Sharris: The more I learn about you, Blondie, the more I understand why you and Wren are friends. The only upside to that is it means none of us have to be bothered by either of you. You can annoy each other instead. Wren: Talk that talk in your bottom outfit. You could never give what I give! Sharris: And thank god for that. Man, man, man. I see a MAN. Anthyy: Girl... 🏁Anthyy CF: Sharris took a low blow with that one. Wren has been so open about her identity, and really advocated for trans representation! I considered Sharris a friend, but that changes everything. Wren: Are you really going there? For real? Sharris: I am, care to continue? Wren: You know who I am and I've been nothing but transparent with how I feel in my identity. And for someone in this community to be the one coming after me, it's so gross. Sharris: Let's get one thing straight, we're not in the same community. Wren: Right, cause I'm some freak. Sharris: Wren, shut up and go play in traffic. Kami: Stop, don't go there. What's that even supposed to mean. Sharris: As in, go die. Go die, for the sake of humanity, please. the queens all clasp their hands over their mouths as they realize what Sharris said Wren: You want me to go kill myself? Sharris: Yes please, look at how easy that was! Wren: Give me a few years, and I'm sure I'll get there. Blondie: Wren, don't even say that. Don't give that bitch another moment of your time. Sharris: Blondie, you too. Blondie: You are a miserable and hateful little bitch. You're disgusting. You better be so ashamed of yourself. Fleur: You're the moral compass now? Why do you keep putting yourself in things?! Blondie: Sharris brought me into it, and I'm done sitting down and taking it. You both are vile. 🏁Fleur CF: Blondie spews the most venomous things out of that over-plumped mouth. Why are people surprised that it caused someone to snap? If you can't handle the heat, get out of the kitchen. Blondie and Wren, there's the door, dumb bitches. the queens return to the runway Micro: Welcome back ladies. It has been brought to my attention that there was an altercation in Untucked. Sharris rolls her eyes, as Blondie comforts Wren at the back of the stage Micro: If this behavior continues, I won't hesitate to start this whole thing over. From the top, new cast and everything. the queens snicker at Micro's comment, causing her to stand up and lean over the judging panel Micro: I am NOT joking! Don't make me name names. But if you think you're one of the girls I'd replace, you're probably right. the scene cuts to Lectro and Yuka standing outside of the studio and forming a prayer circle for the season to restart 🏁Kami CF: The behavior during Untucked shifted everything. I mean, it's really not that deep, and to stoop to that level? It's...it's just not acceptable. Micro: Now, as much as I'm sure you'd love to keep attacking each other, we have more important things to get to: a fake lipsync. Will the top two queens please step forward. Anthyy Lipsync Look Zodya Lipsync Look Micro: Anthyy, Zodya. Prior to tonight, you were asked to prepare a lipsync performance of "Supernova" by Kylie Minogue. https://www.youtube.com/watch?v=lcTHJ05R2bQ Sue: Please say jk. 🏁Sue CF: I'm fine! I'm so fine, don't even worry about me. cries in Kylie Minogue Micro: This is your chance to impress me, and secure the right to give one of the bottom queens...the chop. 🏁Anthyy CF: I really felt like I was in a tough spot with these queens in the bottom. But after that moment in Untucked, I know what needs to be done. It was taken way too far! 🏁Zodya CF: I don't have a connection to either of the bottom queens this week. But I am ready to channel my inner Sue, and give this song what it deserves. Micro: Good luck, and don't fuck it up! Read lipsync here! Micro: Oh wow! the queens clap for Sue as she shrouds herself in a cloud of glitter before remembering that Anthyy and Zodya are on stage Micro: I think it's safe to say Sue was the real winner of that one. Sue: Kylie, that was for you, baby!! Micro: Ladies, I've made my decision. ... Micro: Zodya Killer, you're a winner baby! Zodya: Ah, thank you! Kylie, I am so sorry. Micro: Anthyy, you are safe to slay another day. Anthyy: I'm sorry mama, my feet were tired after doing three of these! Zodya giggles and raises her eyebrows Micro: Will the bottom two queens please step forward. Fleur and Sharris walk to the front of the stage as the safe queens glare at them 🏁Fleur CF: I don't think I should be in the bottom this week, and I shouldn't have been near the bottom last week either! If they send me home, it's just putting me out of my misery. But if I stay, I'll make this hell for each and every one of them. 🏁Sharris CF: I don't regret a thing. It went far, but there's only so much I could take from that...person doesn't feel appropriate. I think pathetic troglodyte fits Wren better. Whether they like it or not, I'd say it again! Micro: Zodya. With great power comes great responsibility. Which queen have you chosen...to get the chop? Zodya: I'm going to be honest, I don't have any strong connections to either of you. I think you both deserve to be here and can be able to bring something fun to the rest of the competition, but tonight, I'm going to have to go with the person I felt really took on the challenge to heart. My decision...is... ... ... Zodya: Sharris. Zodya's Lipstick Choice Sharris laughs as Morgs begins to tear up Micro: So it is written, so it shall be done. Sharris, I know that you have everything it takes to thrive in a competition like this. But now is not your time. Sharris: Womp womp. Micro: Now, sashay away. Sharris goes to the back of the stage to hug Morgs before walking off Micro: Moving forward, I hope we can treat each other with some more kindness, and enjoy this for what it is. Now, let the music play! "Banjo" by Bebe Zahara Benet plays Next Time on Micro's Drag Race Blondie: There is a killer on the loose, and nobody is safe. 🏁Whorechata CF: If this means I make a few enemies, oh well! Micro: I'm so sorry, I need to excuse myself. Micro steps away from the judging panel as her eyes fill with tears Track Record Cast Shot w/ Placements |
2023.05.28 03:50 Davrosdaleks IJW: The Little Mermaid (2023)
2023.05.28 02:39 Phifty2 Public speaking tips and methods that worked for me.
2023.05.28 02:27 BentisKomprakriev Cannes-winners and the Oscar (AKA the most disgusting chart you'll see today)
Year | Palme d'Or | Grand Prix | Jury Prize |
---|---|---|---|
1975 | Chronicle of the Years of Fire | The Enigma of Kaspar Hauser | |
1976 | Taxi Driver | Cría Cuervos 🪢 The Marquise of O | |
1977 | Padre Padrone | ||
1978 | The Tree of Wooden Clogs | Bye Bye Monkey 🪢 The Shout | |
1979 | Apocalypse Now 🪢 🪙The Tin Drum🪙 | Siberiade | |
1980 | All That Jazz 🪢 Kagemusha | My American Uncle | The Constant Factor |
1981 | Man of Iron | Light Years Away | |
1982 | Missing 🪢 Yol | The Night of the Shooting Stars | |
1983 | The Ballad of Narayama | Monty Python's The Meaning of Life | Kharij |
1984 | Paris, Texas | Diary for My Children | |
1985 | When Father Was Away on Business | Birdy | Colonel Redl |
1986 | The Mission | The Sacrifice | Thérèse |
1987 | Under the Sun of Satan | Repentance | Shinran: Path to Purity 🪢 Yeelen |
1988 | Pelle the Conqueror | A World Apart | A Short Film About Killing |
1989 | Sex, Lies, and Videotape | 🪙Cinema Paradiso🪙 🪢 Too Beautiful for You | Jesus of Montreal |
1990 | Wild at Heart | The Sting of Death 🪢 Tilaï | Hidden Agenda |
1991 | Barton Fink | La Belle Noiseuse | Europa 🪢 Out of Life |
1992 | The Best Intentions | The Stolen Children | Dream of Light 🪢 An Independent Life |
1993 | Farewell My Concubine 🪢 The Piano | Faraway, So Close! | The Puppetmaster 🪢 Raining Stones |
1994 | Pulp Fiction | 🪙Burnt by the Sun🪙 🪢 To Live | La Reine Margot |
1995 | Underground | Ulysses' Gaze | Don't Forget You're Going to Die 🪢 Carrington |
1996 | Secrets & Lies | Breaking the Waves | Crash |
1997 | The Eel 🪢 Taste of Cherry | The Sweet Hereafter | Western |
1998 | Eternity and a Day | 🪙Life Is Beautiful🪙 | Class Trip |
1999 | Rosetta | Humanité | The Letter |
2000 | Dancer in the Dark | Devils on the Doorstep | Blackboards 🪢 Songs from the Second Floor |
2001 | The Son's Room | The Piano Teacher | |
2002 | The Pianist | The Man Without a Past | Divine Intervention |
2003 | Elephant | Distant | At Five in the Afternoon |
2004 | Fahrenheit 9/11 | Oldboy | The Ladykillers 🪢 Tropical Malady |
2005 | L'Enfant | Broken Flowers | Shanghai Dreams |
2006 | The Wind That Shakes the Barley | Flanders | Red Road |
2007 | 4 Months, 3 Weeks and 2 Days | The Mourning Forest | Persepolis 🪢 Silent Light |
2008 | The Class | Gomorrah | Il divo |
2009 | The White Ribbon | A Prophet | Fish Tank 🪢 Thirst |
2010 | Uncle Boonmee Who Can Recall His Past Lives | Of Gods and Men | A Screaming Man |
2011 | The Tree of Life | The Kid with a Bike 🪢 Once Upon a Time in Anatolia | Polisse |
2012 | 🪙Amour🪙 | Reality | The Angels' Share |
2013 | Blue Is the Warmest Colour | Inside Llewyn Davis | Like Father, Like Son |
2014 | Winter Sleep | The Wonders | Goodbye to Language 🪢 Mommy |
2015 | Dheepan | 🪙Son of Saul🪙 | The Lobster |
2016 | I, Daniel Blake | It's Only the End of the World | American Honey |
2017 | The Square | BPM (Beats per Minute) | Loveless |
2018 | Shoplifters | BlacKkKlansman | Capernaum |
2019 | 🪙🏆Parasite🏆🪙 | Atlantics | Bacurau 🪢 Les Misérables |
2021 | Titane | Compartment No. 6 🪢 A Hero | Ahed's Knee 🪢 Memoria |
2022 | Triangle of Sadness | Stars at Noon 🪢 Close | The Eight Mountains 🪢 EO |
2023 | Anatomy of a Fall | The Zone of Interest | Fallen Leaves |
Year | Best Actor | Best Actress |
---|---|---|
1975 | Vittorio Gassman – Scent of a Woman | Valérie Perrine – Lenny |
1976 | José Luis Gómez – Pascual Duarte | Dominique Sanda – The Inheritance 🪢 Mari Törőcsik – Mrs. Dery Where Are You? |
1977 | Fernando Rey – Elisa, My Life | Shelley Duvall – 3 Women 🪢 Monique Mercure – J.A. Martin Photographer |
1978 | 🏆Jon Voight – Coming Home🏆 | Jill Clayburgh – An Unmarried Woman 🪢 Isabelle Huppert – Violette Nozière |
1979 | Jack Lemmon – The China Syndrome 🪢 Stefano Madia – Dear Father | 🏆Sally Field – Norma Rae🏆 🪢 Eva Mattes – Woyzeck |
1980 | Michel Piccoli – A Leap in the Dark 🪢 Jack Thompson – Breaker Morant | Anouk Aimée – A Leap in the Dark 🪢 Milena Dravić – Special Treatment 🪢 Carla Gravina – La terrazza |
1981 | Ugo Tognazzi – Tragedy of a Ridiculous Man 🪢 Ian Holm – Chariots of Fire | Isabelle Adjani – Possession 🪢 Qaurtet 🪢 Elena Solovey – Faktas |
1982 | Jack Lemmon – Missing | Jadwiga Jankowska-Cieślak – Another Way |
1983 | Gian Maria Volonté – The Death of Mario Ricci | Hanna Schygulla – The Story of Piera |
1984 | Alfredo Landa 🪢 Francisco Rabal – The Holy Innocents | Helen Mirren – Cal |
1985 | 🏆William Hurt – Kiss of the Spider Woman🏆 | Norma Aleandro – The Official Story 🪢 Cher – Mask |
1986 | Michel Blanc – Ménage 🪢 Bob Hoskins – Mona Lisa | Barbara Sukowa – Rosa Luxemburg |
1987 | Marcello Mastroianni – Dark Eyes | Barbara Hershey – Shy People |
1988 | Forest Whitaker – Bird | Barbara Hershey 🪢 Jodhi May 🪢 Linda Mvusi – A World Apart |
1989 | James Spader – Sex, Lies, and Videotape | Meryl Streep – A Cry in the Dark |
1990 | Gérard Depardieu – Cyrano de Bergerac | Krystyna Janda – Interrogation |
1991 | John Turturro – Barton Fink 🪢 Samuel L. Jackson – Jungle Fever | Irène Jacob – The Double Life of Veronique |
1992 | Tim Robbins – The Player | Pernilla August – The Best Intentions |
1993 | David Thewlis – Naked | 🏆Holly Hunter – The Piano🏆 |
1994 | Ge You – To Live | Virna Lisi – La Reine Margot |
1995 | Jonathan Pryce – Carrington | Helen Mirren – The Madness of King George |
1996 | Daniel Auteuil 🪢 Pascal Duquenne – The Eighth Day | Brenda Blethyn – Secrets & Lies |
1997 | Sean Penn – She's So Lovely | Kathy Burke – Nil by Mouth |
1998 | Peter Mullan – My Name Is Joe | Élodie Bouchez 🪢 Natacha Régnier – The Dreamlife of Angels |
1999 | Emmanuel Schotté – Humanité | Séverine Caneele – Humanité 🪢 Émilie Dequenne – Rosetta |
2000 | Tony Leung Chiu-wai – In the Mood for Love | Björk – Dancer in the Dark |
2001 | Benoît Magimel – The Piano Teacher | Isabelle Huppert – The Piano Teacher |
2002 | Olivier Gourmet – The Son | Kati Outinen – The Man Without a Past |
2003 | Muzaffer Özdemir 🪢 Mehmet Emin Toprak – Distant | Marie-Josée Croze – The Barbarian Invasions |
2004 | Yūya Yagira – Nobody Knows | Maggie Cheung – Clean |
2005 | Tommy Lee Jones – The Three Burials of Melquiades Estrada | Hanna Laslo – Free Zone |
2006 | Roschdy Zem 🪢 Bernard Blancan 🪢 Jamel Debbouze 🪢 Samy Naceri 🪢 Sami Bouajila – Days of Glory | Carmen Maura 🪢 Lola Dueñas 🪢 Blanca Portillo 🪢 Yohana Cobo 🪢 Chus Lampreave 🪢 Penélope Cruz – Volver |
2007 | Konstantin Lavronenko – The Banishment | Jeon Do-yeon – Secret Sunshine |
2008 | Benicio del Toro – Che | Sandra Corveloni – Linha de Passe |
2009 | 🏆Christoph Waltz – Inglourious Basterds🏆 | Charlotte Gainsbourg – Antichrist |
2010 | Javier Bardem – Biutiful 🪢 Elio Germano – Our Life | Juliette Binoche – Certified Copy |
2011 | 🏆Jean Dujardin – The Artist🏆 | Kirsten Dunst – Melancholia |
2012 | Mads Mikkelsen – The Hunt | Cristina Flutur 🪢 Cosmina Stratan – Beyond the Hills |
2013 | Bruce Dern – Nebraska | Bérénice Bejo – The Past |
2014 | Timothy Spall – Mr. Turner | Julianne Moore – Maps to the Stars |
2015 | Vincent Lindon – The Measure of a Man | Emmanuelle Bercot – Mon Roi 🪢 Rooney Mara – Carol |
2016 | Shahab Hosseini – The Salesman | Jaclyn Jose – Ma' Rosa |
2017 | Joaquin Phoenix – You Were Never Really Here | Diane Kruger – In the Fade |
2018 | Marcello Fonte – Dogman | Samal Yeslyamova – Ayka |
2019 | Antonio Banderas – Pain and Glory | Emily Beecham – Little Joe |
2021 | Caleb Landry Jones – Nitram | Renate Reinsve – The Worst Person in the World |
2022 | Song Kang-ho – Broker | Zar Amir Ebrahimi – Holy Spider |
2023 | Kōji Yakusho – Perfect Days | Merve Dizdar – About Dry Grasses |
Year | Best Director | Best Screenplay |
---|---|---|
1975 | Michel Brault – Orders 🪢 Costa-Gavras – Special Section | |
1976 | Ettore Scola – Down and Dirty | |
1977 | ||
1978 | Nagisa Ōshima – Empire of Passion | |
1979 | Terrence Malick – Days of Heaven | |
1980 | La Terrazza – Furio Scarpelli, Agenore Incrocci, Ettore Scola | |
1981 | 🪙Mephisto🪙 – István Szabó | |
1982 | Werner Herzog – Fitzcarraldo | Moonlighting – Jerzy Skolimowski |
1983 | Robert Bresson – L'Argent 🪢 Andrei Tarkovsky – Nostalgia | Voyage to Cythera – Thanassis Valtinos, Theo Angelopoulos, Tonino Guerra |
1984 | Bertrand Tavernier – A Sunday in the Country | |
1985 | André Téchiné – Rendez-vous | |
1986 | Martin Scorsese – After Hours | |
1987 | Wim Wenders – Wings of Desire | |
1988 | Fernando Solanas – Sur | |
1989 | Emir Kusturica – Time of the Gypsies | |
1990 | Pavel Lungin – Taxi Blues | |
1991 | Joel Coen – Barton Fink | |
1992 | Robert Altman – The Player | |
1993 | Mike Leigh – Naked | |
1994 | Nanni Moretti – Dear Diary | Dead Tired – Michel Blanc |
1995 | Mathieu Kassovitz – La Haine | |
1996 | Joel Coen – Fargo | A Self Made Hero – Jacques Audiard, Alain Le Henry |
1997 | Wong Kar-wai – Happy Together | The Ice Storm – James Schamus |
1998 | John Boorman – The General | Henry Fool – Hal Hartley |
1999 | Pedro Almodóvar – All About My Mother | Moloch – Yuri Arabov |
2000 | Edward Yang – Yi Yi | Nurse Betty – James Flamberg, John C. Richards |
2001 | Joel Coen – The Man Who Wasn't There 🪢 David Lynch – Mulholland Drive | No Man's Land – Danis Tanović |
2002 | Paul Thomas Anderson – Punch-Drunk Love 🪢 Im Kwon-taek – Painted Fire | Sweet Sixteen – Paul Laverty |
2003 | Gus Van Sant – Elephant | 🪙The Barbarian Invasions🪙 – Denys Arcand |
2004 | Tony Gatlif – Exils | Look at Me – Agnès Jaoui, Jean-Pierre Bacri |
2005 | Michael Haneke – Caché | The Three Burials of Melquiades Estrada – Guillermo Arriaga |
2006 | Alejandro González Iñárritu – Babel | Volver – Pedro Almodóvar |
2007 | Julian Schnabel – The Diving Bell and the Butterfly | The Edge of Heaven – Fatih Akin |
2008 | Nuri Bilge Ceylan – Three Monkeys | Lorna's Silence – Jean-Pierre, Luc Dardenne |
2009 | Brillante Mendoza – Butchered | Spring Fever – Mei Feng |
2010 | Mathieu Amalric – On Tour | Poetry – Lee Chang-dong |
2011 | Nicolas Winding Refn – Drive | Footnote – Joseph Cedar |
2012 | Carlos Reygadas – Post Tenebras Lux | Beyond the Hills – Cristian Mungiu, Tatiana Niculescu Bran |
2013 | Amat Escalante – Heli | A Touch of Sin – Jia Zhangke |
2014 | Bennett Miller – Foxcatcher | Leviathan – Andrey Zvyagintsev, Oleg Negin |
2015 | Hou Hsiao-hsien – The Assassin | Chronic – Michel Franco |
2016 | Olivier Assayas – Personal Shopper 🪢 Cristian Mungiu – Graduation | 🪙The Salesman🪙 – Asghar Farhadi |
2017 | Sofia Coppola – The Beguiled | The Killing of a Sacred Deer – Yorgos Lanthimos, Efthymis Filippou 🪢 You Were Never Really Here – Lynne Ramsay |
2018 | Paweł Pawlikowski – Cold War | 3 Faces – Jafar Panahi, Nader Saeivar 🪢 Happy as Lazzaro – Alice Rohrwacher |
2019 | Jean-Pierre 🪢 Luc Dardenne – Young Ahmed | Portrait of a Lady on Fire – Céline Sciamma |
2021 | Leos Carax – Annette | 🪙Drive My Car🪙 – Ryusuke Hamaguchi, Takamasa Oe |
2022 | Park Chan-wook – Decision to Leave | Boy from Heaven – Tarik Saleh |
2023 | Tran Anh Hung – The Pot-au-Feu | Monster – Yuji Sakamoto |
2023.05.28 02:05 Sky6346 Ranking AHS seasons 1-4 (plus what I’ve seen of 5)
2023.05.28 01:20 BentisKomprakriev m
Year | Palme d'Or | Grand Prix | Jury Prize |
---|---|---|---|
1975 | Chronicle of the Years of Fire | The Enigma of Kaspar Hauser | |
1976 | Taxi Driver | Cría Cuervos 🪢 The Marquise of O | |
1977 | Padre Padrone | ||
1978 | The Tree of Wooden Clogs | Bye Bye Monkey 🪢 The Shout | |
1979 | Apocalypse Now 🪢 🪙The Tin Drum🪙 | Siberiade | |
1980 | All That Jazz 🪢 Kagemusha | My American Uncle | The Constant Factor |
1981 | Man of Iron | Light Years Away | |
1982 | Missing 🪢 Yol | The Night of the Shooting Stars | |
1983 | The Ballad of Narayama | Monty Python's The Meaning of Life | Kharij |
1984 | Paris, Texas | Diary for My Children | |
1985 | When Father Was Away on Business | Birdy | Colonel Redl |
1986 | The Mission | The Sacrifice | Thérèse |
1987 | Under the Sun of Satan | Repentance | Shinran: Path to Purity 🪢 Yeelen |
1988 | Pelle the Conqueror | A World Apart | A Short Film About Killing |
1989 | Sex, Lies, and Videotape | 🪙Cinema Paradiso🪙 🪢 Too Beautiful for You | Jesus of Montreal |
1990 | Wild at Heart | The Sting of Death 🪢 Tilaï | Hidden Agenda |
1991 | Barton Fink | La Belle Noiseuse | Europa 🪢 Out of Life |
1992 | The Best Intentions | The Stolen Children | Dream of Light 🪢 An Independent Life |
1993 | Farewell My Concubine 🪢 The Piano | Faraway, So Close! | The Puppetmaster 🪢 Raining Stones |
1994 | Pulp Fiction | 🪙Burnt by the Sun🪙 🪢 To Live | La Reine Margot |
1995 | Underground | Ulysses' Gaze | Don't Forget You're Going to Die 🪢 Carrington |
1996 | Secrets & Lies | Breaking the Waves | Crash |
1997 | The Eel 🪢 Taste of Cherry | The Sweet Hereafter | Western |
1998 | Eternity and a Day | 🪙Life Is Beautiful🪙 | Class Trip |
1999 | Rosetta | Humanité | The Letter |
2000 | Dancer in the Dark | Devils on the Doorstep | Blackboards 🪢 Songs from the Second Floor |
2001 | The Son's Room | The Piano Teacher | |
2002 | The Pianist | The Man Without a Past | Divine Intervention |
2003 | Elephant | Distant | At Five in the Afternoon |
2004 | Fahrenheit 9/11 | Oldboy | The Ladykillers 🪢 Tropical Malady |
2005 | L'Enfant | Broken Flowers | Shanghai Dreams |
2006 | The Wind That Shakes the Barley | Flanders | Red Road |
2007 | 4 Months, 3 Weeks and 2 Days | The Mourning Forest | Persepolis 🪢 Silent Light |
2008 | The Class | Gomorrah | Il divo |
2009 | The White Ribbon | A Prophet | Fish Tank 🪢 Thirst |
2010 | Uncle Boonmee Who Can Recall His Past Lives | Of Gods and Men | A Screaming Man |
2011 | The Tree of Life | The Kid with a Bike 🪢 Once Upon a Time in Anatolia | Polisse |
2012 | 🪙Amour🪙 | Reality | The Angels' Share |
2013 | Blue Is the Warmest Colour | Inside Llewyn Davis | Like Father, Like Son |
2014 | Winter Sleep | The Wonders | Goodbye to Language 🪢 Mommy |
2015 | Dheepan | 🪙Son of Saul🪙 | The Lobster |
2016 | I, Daniel Blake | It's Only the End of the World | American Honey |
2017 | The Square | BPM (Beats per Minute) | Loveless |
2018 | Shoplifters | BlacKkKlansman | Capernaum |
2019 | 🪙🏆Parasite🏆🪙 | Atlantics | Bacurau 🪢 Les Misérables |
2021 | Titane | Compartment No. 6 🪢 A Hero | Ahed's Knee 🪢 Memoria |
2022 | Triangle of Sadness | Stars at Noon 🪢 Close | The Eight Mountains 🪢 EO |
2023 | Anatomy of a Fall | The Zone of Interest | Fallen Leaves |
Year | Best Actor | Best Actress |
---|---|---|
1975 | Vittorio Gassman – Scent of a Woman | Valérie Perrine – Lenny |
1976 | José Luis Gómez – Pascual Duarte | Dominique Sanda – The Inheritance 🪢 Mari Törőcsik – Mrs. Dery Where Are You? |
1977 | Fernando Rey – Elisa, My Life | Shelley Duvall – 3 Women 🪢 Monique Mercure – J.A. Martin Photographer |
1978 | 🏆Jon Voight – Coming Home🏆 | Jill Clayburgh – An Unmarried Woman 🪢 Isabelle Huppert – Violette Nozière |
1979 | Jack Lemmon – The China Syndrome 🪢 Stefano Madia – Dear Father | 🏆Sally Field – Norma Rae🏆 🪢 Eva Mattes – Woyzeck |
1980 | Michel Piccoli – A Leap in the Dark 🪢 Jack Thompson – Breaker Morant | Anouk Aimée – A Leap in the Dark 🪢 Milena Dravić – Special Treatment 🪢 Carla Gravina – La terrazza |
1981 | Ugo Tognazzi – Tragedy of a Ridiculous Man 🪢 Ian Holm – Chariots of Fire | Isabelle Adjani – Possession 🪢 Qaurtet 🪢 Elena Solovey – Faktas |
1982 | Jack Lemmon – Missing | Jadwiga Jankowska-Cieślak – Another Way |
1983 | Gian Maria Volonté – The Death of Mario Ricci | Hanna Schygulla – The Story of Piera |
1984 | Alfredo Landa 🪢 Francisco Rabal – The Holy Innocents | Helen Mirren – Cal |
1985 | 🏆William Hurt – Kiss of the Spider Woman🏆 | Norma Aleandro – The Official Story 🪢 Cher – Mask |
1986 | Michel Blanc – Ménage 🪢 Bob Hoskins – Mona Lisa | Barbara Sukowa – Rosa Luxemburg |
1987 | Marcello Mastroianni – Dark Eyes | Barbara Hershey – Shy People |
1988 | Forest Whitaker – Bird | Barbara Hershey 🪢 Jodhi May 🪢 Linda Mvusi – A World Apart |
1989 | James Spader – Sex, Lies, and Videotape | Meryl Streep – A Cry in the Dark |
1990 | Gérard Depardieu – Cyrano de Bergerac | Krystyna Janda – Interrogation |
1991 | John Turturro – Barton Fink 🪢 Samuel L. Jackson – Jungle Fever | Irène Jacob – The Double Life of Veronique |
1992 | Tim Robbins – The Player | Pernilla August – The Best Intentions |
1993 | David Thewlis – Naked | 🏆Holly Hunter – The Piano🏆 |
1994 | Ge You – To Live | Virna Lisi – La Reine Margot |
1995 | Jonathan Pryce – Carrington | Helen Mirren – The Madness of King George |
1996 | Daniel Auteuil 🪢 Pascal Duquenne – The Eighth Day | Brenda Blethyn – Secrets & Lies |
1997 | Sean Penn – She's So Lovely | Kathy Burke – Nil by Mouth |
1998 | Peter Mullan – My Name Is Joe | Élodie Bouchez 🪢 Natacha Régnier – The Dreamlife of Angels |
1999 | Emmanuel Schotté – Humanité | Séverine Caneele – Humanité 🪢 Émilie Dequenne – Rosetta |
2000 | Tony Leung Chiu-wai – In the Mood for Love | Björk – Dancer in the Dark |
2001 | Benoît Magimel – The Piano Teacher | Isabelle Huppert – The Piano Teacher |
2002 | Olivier Gourmet – The Son | Kati Outinen – The Man Without a Past |
2003 | Muzaffer Özdemir 🪢 Mehmet Emin Toprak – Distant | Marie-Josée Croze – The Barbarian Invasions |
2004 | Yūya Yagira – Nobody Knows | Maggie Cheung – Clean |
2005 | Tommy Lee Jones – The Three Burials of Melquiades Estrada | Hanna Laslo – Free Zone |
2006 | Roschdy Zem 🪢 Bernard Blancan 🪢 Jamel Debbouze 🪢 Samy Naceri 🪢 Sami Bouajila – Days of Glory | Carmen Maura 🪢 Lola Dueñas 🪢 Blanca Portillo 🪢 Yohana Cobo 🪢 Chus Lampreave 🪢 Penélope Cruz – Volver |
2007 | Konstantin Lavronenko – The Banishment | Jeon Do-yeon – Secret Sunshine |
2008 | Benicio del Toro – Che | Sandra Corveloni – Linha de Passe |
2009 | 🏆Christoph Waltz – Inglourious Basterds🏆 | Charlotte Gainsbourg – Antichrist |
2010 | Javier Bardem – Biutiful 🪢 Elio Germano – Our Life | Juliette Binoche – Certified Copy |
2011 | 🏆Jean Dujardin – The Artist🏆 | Kirsten Dunst – Melancholia |
2012 | Mads Mikkelsen – The Hunt | Cristina Flutur 🪢 Cosmina Stratan – Beyond the Hills |
2013 | Bruce Dern – Nebraska | Bérénice Bejo – The Past |
2014 | Timothy Spall – Mr. Turner | Julianne Moore – Maps to the Stars |
2015 | Vincent Lindon – The Measure of a Man | Emmanuelle Bercot – Mon Roi 🪢 Rooney Mara – Carol |
2016 | Shahab Hosseini – The Salesman | Jaclyn Jose – Ma' Rosa |
2017 | Joaquin Phoenix – You Were Never Really Here | Diane Kruger – In the Fade |
2018 | Marcello Fonte – Dogman | Samal Yeslyamova – Ayka |
2019 | Antonio Banderas – Pain and Glory | Emily Beecham – Little Joe |
2021 | Caleb Landry Jones – Nitram | Renate Reinsve – The Worst Person in the World |
2022 | Song Kang-ho – Broker | Zar Amir Ebrahimi – Holy Spider |
2023 | Kōji Yakusho – Perfect Days | Merve Dizdar – About Dry Grasses |
Year | Best Director | Best Screenplay |
---|---|---|
1975 | Michel Brault – Orders 🪢 Costa-Gavras – Special Section | |
1976 | Ettore Scola – Down and Dirty | |
1977 | ||
1978 | Nagisa Ōshima – Empire of Passion | |
1979 | Terrence Malick – Days of Heaven | |
1980 | La Terrazza – Furio Scarpelli, Agenore Incrocci, Ettore Scola | |
1981 | 🪙Mephisto🪙 – István Szabó | |
1982 | Werner Herzog – Fitzcarraldo | Moonlighting – Jerzy Skolimowski |
1983 | Robert Bresson – L'Argent 🪢 Andrei Tarkovsky – Nostalgia | Voyage to Cythera – Thanassis Valtinos, Theo Angelopoulos, Tonino Guerra |
1984 | Bertrand Tavernier – A Sunday in the Country | |
1985 | André Téchiné – Rendez-vous | |
1986 | Martin Scorsese – After Hours | |
1987 | Wim Wenders – Wings of Desire | |
1988 | Fernando Solanas – Sur | |
1989 | Emir Kusturica – Time of the Gypsies | |
1990 | Pavel Lungin – Taxi Blues | |
1991 | Joel Coen – Barton Fink | |
1992 | Robert Altman – The Player | |
1993 | Mike Leigh – Naked | |
1994 | Nanni Moretti – Dear Diary | Dead Tired – Michel Blanc |
1995 | Mathieu Kassovitz – La Haine | |
1996 | Joel Coen – Fargo | A Self Made Hero – Jacques Audiard, Alain Le Henry |
1997 | Wong Kar-wai – Happy Together | The Ice Storm – James Schamus |
1998 | John Boorman – The General | Henry Fool – Hal Hartley |
1999 | Pedro Almodóvar – All About My Mother | Moloch – Yuri Arabov |
2000 | Edward Yang – Yi Yi | Nurse Betty – James Flamberg, John C. Richards |
2001 | Joel Coen – The Man Who Wasn't There 🪢 David Lynch – Mulholland Drive | No Man's Land – Danis Tanović |
2002 | Paul Thomas Anderson – Punch-Drunk Love 🪢 Im Kwon-taek – Painted Fire | Sweet Sixteen – Paul Laverty |
2003 | Gus Van Sant – Elephant | 🪙The Barbarian Invasions🪙 – Denys Arcand |
2004 | Tony Gatlif – Exils | Look at Me – Agnès Jaoui, Jean-Pierre Bacri |
2005 | Michael Haneke – Caché | The Three Burials of Melquiades Estrada – Guillermo Arriaga |
2006 | Alejandro González Iñárritu – Babel | Volver – Pedro Almodóvar |
2007 | Julian Schnabel – The Diving Bell and the Butterfly | The Edge of Heaven – Fatih Akin |
2008 | Nuri Bilge Ceylan – Three Monkeys | Lorna's Silence – Jean-Pierre, Luc Dardenne |
2009 | Brillante Mendoza – Butchered | Spring Fever – Mei Feng |
2010 | Mathieu Amalric – On Tour | Poetry – Lee Chang-dong |
2011 | Nicolas Winding Refn – Drive | Footnote – Joseph Cedar |
2012 | Carlos Reygadas – Post Tenebras Lux | Beyond the Hills – Cristian Mungiu, Tatiana Niculescu Bran |
2013 | Amat Escalante – Heli | A Touch of Sin – Jia Zhangke |
2014 | Bennett Miller – Foxcatcher | Leviathan – Andrey Zvyagintsev, Oleg Negin |
2015 | Hou Hsiao-hsien – The Assassin | Chronic – Michel Franco |
2016 | Olivier Assayas – Personal Shopper 🪢 Cristian Mungiu – Graduation | 🪙The Salesman🪙 – Asghar Farhadi |
2017 | Sofia Coppola – The Beguiled | The Killing of a Sacred Deer – Yorgos Lanthimos, Efthymis Filippou 🪢 You Were Never Really Here – Lynne Ramsay |
2018 | Paweł Pawlikowski – Cold War | 3 Faces – Jafar Panahi, Nader Saeivar 🪢 Happy as Lazzaro – Alice Rohrwacher |
2019 | Jean-Pierre 🪢 Luc Dardenne – Young Ahmed | Portrait of a Lady on Fire – Céline Sciamma |
2021 | Leos Carax – Annette | 🪙Drive My Car🪙 – Ryusuke Hamaguchi, Takamasa Oe |
2022 | Park Chan-wook – Decision to Leave | Boy from Heaven – Tarik Saleh |
2023 | Tran Anh Hung – The Pot-au-Feu | Monster – Yuji Sakamoto |
2023.05.28 00:46 girl_from_japan The Festival of the Lion King @ Animal kingdom was Great!! but why over change the music and lyrics?
2023.05.27 23:34 murdythefrog I wrote my own rendition of Eminem's "Stan" about my favorite DBD twitch streamer (very long read but worth it)
2023.05.27 23:21 murdythefrog I wrote my own rendition of Eminem's "Stan" about my favorite DBD twitch streamer (very long read but worth it)
2023.05.27 20:27 TheeBagelQueen NeoDys Drag Race S1EP07 Slay-O-Matic
![]() | INT. WORKROOM - NIGHT[The remaining queens enter the workroom, their spirits a mix of excitement and sadness after Amber Osha's departure. They gather around the mirror, where a heartfelt message from Amber is written.]Dee: "To my fabulous sisters, keep shining and slaying the competition. Remember, love and support each other always. Amber Osha." Aww, Amber, we'll miss you, sis. You brought so much talent and light to this competition. Lady Yomamalaid: Here's to Amber, a true queen who left her mark on this show. We love you, girl! [The queens raise their glasses, toasting to Amber and her time on the show.] Kika: Can we take a moment to appreciate that RuPaul and I won this challenge? Finally, I escaped the bottom! It feels incredible to receive such positive feedback from the judges. RuPaul: You were fabulous, Kika! It was about time we snatched a win together. Let's keep this momentum going! Dee: Hey, did anyone notice that I won the lipsync? No congratulations for me? I worked my padded ass off up there! Pickles: Dee, darling, don't worry. We know you killed it! You've got the lipsync skills on lock, no doubt. You slayed, and that's the tea! Manila: Okay, let's address the elephant in the room. Oshi, darling, what happened in that challenge? We needed you to bring your A-game, but it fell flat. Oshi: Oh, please! Don't start blaming me, Manila. I gave my all, but maybe you weren't there to support me enough. Manila: Support you? I was doing my own thing, sis. We both messed up, but let's not throw shade. We need to learn from this and step it up. [The queens engage in playful banter and laughter, eager to tackle the next challenge and continue their journey towards the crown.] Oshi: (confessional) This competition is getting intense, but I won't let anyone bring me down. I'll step up my game and show them what I'm capable of. It's time to shine, baby! ———————— ッ NeoDys Drag Race ッ———————— INT. WORKROOM - DAY[Cut to the workroom the next day, where the queens are getting ready for another day of competition.]Dee: (confessional) It's a new day in the workroom, and I'm ready to slay. These bitches better watch out because I'm here to win. Let the games begin! Gromette: Pickles and I have some exciting news, everyone. We're officially dating! We couldn't keep it a secret anymore. Lady Yomamalaid: Oh, honey, that's fantastic! Congratulations to both of you. Love is in the air! [The queens share warm smiles and congratulations as they celebrate Gromette and Pickles' newfound love.] [Just then, ChatPaul enters the workroom, capturing the queens' attention.] ChatPaul: Hello, hello, hello, my fabulous queens! Are you ready for your next challenge? It's time to put your branding skills to the test. We've got a special product for you to promote, and it's none other than "Slay-O-Matic," the ultimate drag transformation kit! Get ready to show us your charisma, uniqueness, nerve, and talent as you sell the magic of "Slay-O-Matic" to the world! [The queens gasp in excitement, intrigued by the product choice.] ChatPaul: But that's not all! On the runway, we're dialing up the intensity with an "Orange Alert" theme. We want to see avant-garde looks that incorporate the color orange. It's time to ignite the runway with your creativity and wow us with your bold and daring fashion choices. [The queens gasp, their imaginations sparked by the vibrant runway theme.] ManilaButterflyzzzXX: (confessional) "Slay-O-Matic," huh? I can't wait to sprinkle my magic and show the world what true transformation is all about. Get ready to be amazed, darlings! [The queens gather in the workroom, buzzing with excitement and anticipation for the challenge. They engage in lively conversations and exchange ideas as they prepare for the day's task.] ———————— ッ NeoDys Drag Race ッ———————— INT. MAIN STAGEChatPaul: "Welcome to a brand new episode of NeoDys Drag Race! Tonight, we challenged our queens to show us their branding skills, as they make commercials for the "Slay-O-Matic", a drag transformation kit! Ladies, it's time to see what you've got![Kika Lorace embraced the challenge with her commercial, delivering a captivating performance that showcased her unique style. Her storytelling abilities and charismatic presence shone through as she demonstrated the transformative power of "Slay-O-Matic." The before and after shots were flawlessly executed, leaving the judges impressed by her attention to detail.] [RuPaul commanded the screen with a larger-than-life performance in her commercial. Her iconic presence and powerful voice drew the viewers in, making them believe in the magic of "Slay-O-Matic." The before-and-after transformations were showcased in a grand and theatrical manner, leaving a lasting impact.] [Pickles Bagwell brought her comedic talents to the forefront in her commercial. Her vibrant personality and impeccable timing had the judges laughing throughout the entire performance. While the execution of the before-and-after transformations may have had a few minor flaws, Pickles' infectious energy and natural comedic skills carried the commercial.] [Gromette Mugler's commercial showcased her versatility and creativity. She took a bold and avant-garde approach, presenting the transformations in a visually striking and unconventional manner. While the judges appreciated her artistic vision, there were moments where the connection to "Slay-O-Matic" felt slightly lost. Nevertheless, Gromette's willingness to take risks and push boundaries was evident in her commercial.] [Oshi Rellee Cayme Dat-Wei embraced their unique style and pushed boundaries in their commercial. Their avant-garde approach showcased the transformative power of "Slay-O-Matic" in unconventional ways. However, the judges felt that the message got lost in the conceptualization, making it difficult to fully grasp the product's potential. Oshi's commercial was a bold and creative attempt but didn't quite hit the mark.] [Dee Pression struggled to connect with the audience in their commercial. Despite their best efforts, the performance lacked the charisma and impact needed to sell the transformative power of "Slay-O-Matic." The execution of the before-and-after shots felt disjointed, resulting in a less impactful presentation. Dee's commercial left the judges wanting more and questioning their ability to effectively sell the product.] [Lady Yomamalaid captivated the audience with her individual commercial performance. Her commanding presence and impeccable delivery showcased the transformative power of "Slay-O-Matic" with grace and elegance. The before-and-after shots were flawlessly executed, highlighting the dramatic changes and leaving the judges in awe.] [Sayu Hime took the stage with her individual commercial, exuding confidence and star power. Her magnetic personality and engaging storytelling had the viewers hooked from start to finish. Sayu beautifully demonstrated the transformative effects of "Slay-O-Matic," emphasizing the journey of self-expression and empowerment. Her commercial was a captivating display of talent and charisma, solidifying her status as a fierce competitor.] [ManilaButterflyzzzXX stole the show. Their commercial was a masterclass in branding and storytelling. ManilaButterflyzzzXX effortlessly conveyed the transformative power of "Slay-O-Matic" with a perfect balance of glamour, humor, and emotional depth. The before-and-after shots were executed flawlessly, leaving the judges speechless.] ———————— ッ NeoDys Drag Race ッ———————— ChatPaul: Category is Orange Alert![Kika Lorace sashays down the runway, exuding vibrant energy in an avant-garde ensemble inspired by an orange alert. Her daring look combines elements of high fashion and futuristic style. The asymmetrical silhouette features bold geometric shapes in striking shades of orange, reflecting the urgency and intensity of an impending alert. Kika's fierce confidence and bold fashion choices make a powerful statement on the runway.][RuPaul commands attention in a regal gown that embodies the essence of an orange alert. The flowing fabric in shades of fiery orange creates a mesmerizing ombre effect, capturing the intensity and power associated with an alert. The gown's intricate embellishments and sparkling details reflect the glamour and elegance that RuPaul is known for. With every step, RuPaul radiates charisma and demands the spotlight, proving why she is the ultimate queen.] [Lady Yomamalaid struts confidently down the runway, exuding elegance and sophistication in an orange alert-inspired ball gown. The voluminous skirt, adorned with intricate embroidery and beading, creates a stunning visual effect reminiscent of swirling flames. The fitted bodice, featuring strategic cutouts, accentuates Lady Yomamalaid's curves and adds a touch of contemporary edge to the overall look. Her impeccable styling and regal poise make her a standout on the runway.] [Sayu Hime stuns the judges with her orange alert-inspired ensemble, showcasing her unique fashion sensibilities. She glides down the runway in a structured jumpsuit adorned with reflective orange panels that catch the light with every movement. The intricate detailing and avant-garde design elements create a visually striking effect, conveying the urgency and energy associated with an orange alert. Sayu's confident walk and fierce attitude amplify the impact of her runway presentation.] [Pickles Bagwell brings a burst of playfulness to the runway in her orange alert-inspired look. Her ensemble combines vibrant orange hues with unexpected elements of comedy. A voluminous tutu in bold orange tones is paired with a quirky top featuring neon orange accents and comedic prints. The outfit is completed with whimsical accessories, including oversized sunglasses and a vibrant wig. Pickles' lighthearted approach and unique style bring a smile to everyone's faces.] [Gromette Mugler commands attention in a high-fashion orange alert-inspired ensemble. Her avant-garde look features a structured, sculptural silhouette that embodies the intensity and urgency of an alert. The striking mix of orange textures, from glossy patent leather to sheer organza, creates a visually captivating effect. Gromette's fierce walk and impeccable styling elevate her runway presentation, leaving the judges in awe of her fashion-forward approach.] [ManilaButterflyzzzXX takes flight on the runway with their orange alert-inspired look. The avant-garde ensemble features intricately layered butterfly wings in vibrant shades of orange, creating a mesmerizing effect as they flutter down the runway. The ethereal gown, adorned with delicate orange embellishments, adds an element of romance to the overall look. ManilaButterflyzzzXX's graceful movements and unique interpretation of an orange alert make for a breathtaking runway moment.] [Oshi Rellee Cayme Dat-Wei embraces the avant-garde in an orange alert-inspired ensemble that pushes the boundaries of traditional drag. Their look combines unexpected textures and unconventional shapes, capturing the intensity and unpredictability of an alert. The voluminous orange feathers cascade down from the shoulders, creating a dramatic silhouette. Oshi's fearless approach to fashion and bold artistic choices make their runway appearance unforgettable.] [Dee Pression makes a statement on the runway in an orange alert-inspired outfit that combines glamour with edginess. Their asymmetrical gown, featuring bold orange patterns and metallic accents, exudes a sense of urgency and boldness. The strategic cutouts and intricate detailing add a contemporary twist to the overall look.] ———————— ッ NeoDys Drag Race ッ———————— ChatPaul: Based on the performances and runway presentations, I’ve made some decisions.RuPaul, Sayu Hime, Gromette Mugler you are all safe. You may leave the stage.Now it’s time for critiques. Dee Pression, your commercial failed to resonate with the audience. The charisma and impact needed to sell the transformative power of "Slay-O-Matic" were lacking. The execution of the before-and-after shots felt disjointed, leaving the judges wanting more. It's time to reassess your branding strategy and find a way to connect with the viewers on a deeper level. Lady Yomamalaid, your commercial was a regal affair. Your commanding presence and impeccable delivery showcased the transformative power of "Slay-O-Matic" with elegance and grace. The before-and-after shots were executed flawlessly, leaving us in awe. You continue to impress us with your branding skills and impeccable style. Pickles Bagwell, your commercial had some entertaining moments, and your comedic skills were evident. However, there were some minor flaws in the execution of the before-and-after transformations, which affected the overall impact. The judges wanted to see a stronger connection to "Slay-O-Matic" and a more cohesive presentation. It's crucial to refine your branding and focus on delivering a clear message. ManilaButterflyzzzXX, your commercial was a tour de force. You beautifully captured the essence of "Slay-O-Matic" and delivered a flawless performance. Your branding was on point, and your before-and-after transformations were executed with precision. You took us on a journey and left us wanting more. Kika Lorace, your commercial was a strong showing. You demonstrated your unique style and storytelling abilities, effectively showcasing the power of "Slay-O-Matic." Your attention to detail and charisma were evident, and you left a lasting impression on the judges. Oshi Rellee Cayme Dat-Wei, your commercial didn't quite hit the mark. While your avant-garde approach was commendable, the message got lost in the conceptualization. The judges were left wanting more clarity in the connection to "Slay-O-Matic." It's important to find a balance between artistic expression and effective branding. Step it up in the next challenge. When I call your name, please step forward. Lady Yomamalaid, good job, you are safe. ManilaButterflyzzzXX, Kika Lorace you both slayed this challenge, but only one can win… ManilaButterflyzzzXX, condragulations, you are the winner of this challenge!Kika Lorace, you are safe.Oshi Rellee Cayme Dat-Wei, we know you can do better. You are safe. Pickles Bagwell, Dee Pression, I’m sorry but you are up for elimination. ———————— ッ NeoDys Drag Race ッ———————— [Ariana Grande’s song "Into You" starts playing. The stage is set, and the queens are ready to give it their all.] [As the music starts, Dee Pression immediately taps into the emotional depth of the song, using every movement to convey longing and desire. Their performance is intense and raw, capturing the essence of the lyrics. Dee commands the stage, delivering powerful lip-syncs with perfect synchronization to the music.] [On the other side, Pickles Bagwell brings her signature energy and comedic flair to the performance. She infuses the song with playful gestures and unexpected surprises, captivating the audience with her charismatic stage presence. Pickles showcases her versatility, effortlessly transitioning between high-energy choreography and moments of soft vulnerability.] [As the song reaches its climax, both queens give their all, leaving the judges and audience captivated by their performances. It's a close and compelling lipsync, with each queen bringing their unique style to the stage.] After deliberation, ChatPaul addresses the queens with a serious tone. "Ladies, I've made my decision. The queen who will stay and continue to fight for the crown is..." ChatPaul pauses, building anticipation. "Dee Pression, shantay you stay!" [Dee Pression is overcome with emotion, relieved to have another chance to prove themselves. Pickles Bagwell puts on a brave face, accepting the decision with grace.] ChatPaul turns to Pickles and says, "Pickles Bagwell, your charisma and comedic talent are undeniable, but this is not your time. Now, sashay away." Pickles nods, holding back tears, and delivers her exit line. "Remember, darlings, laughter is the best medicine. Keep shining, and never forget to spread joy wherever you go. Pickles out!" ———————— ッ NeoDys Drag Race ッ———————— [LINK] |
2023.05.27 20:26 SillyAd9410 A Semi-Collaborative Pop Culture TL #10
2023.05.27 19:48 ShadowSV-U1 Self-promotion Thread
2023.05.27 19:03 Impossible-Bike2598 🎶 Dive into the mesmerizing depths of Sonic Emancipation's latest release, "The Lost Song." This haunting love ballad captivates with its enchanting melodies and poignant lyrics. Don't miss this emotional journey! 🎵
![]() | submitted by Impossible-Bike2598 to independentmusic [link] [comments] |
2023.05.27 19:03 Impossible-Bike2598 🎶 Dive into the mesmerizing depths of Sonic Emancipation's latest release, "The Lost Song." This haunting love ballad captivates with its enchanting melodies and poignant lyrics. Don't miss this emotional journey! 🎵
![]() | submitted by Impossible-Bike2598 to indiepop [link] [comments] |