Lost woods botw | | Lost Woods

I've told this story so many times that my larynx hurts. I've dictated it so many times and then had to go back and correct the mistakes I'm working on carpal tunnel as well. Anyway as you can tell I'm at that point of the day where I felt I should share but what's the point? I work in an industry where I'm a painter of sets and such for corporate events and plays and things like that. So out of the blue they decided when you get day to use isisyanite-based primers and paints and we did it over the weekend and I was exposed for close to 16 hours with only a 3M gas mask with a regular filter in it. The sprayed product was called chassis saver. If you want to look up the MSDS you're going to have to type in chassis saver MSDS. It's got a whole smorgasbord of fun like methyl diisocyanate mixed with aluminum flake? That was shot out of an HVLP gun under pressure in a closed Warehouse because it was seemed outside so there was no ventilation for 2 days. I had ... okay let's just quit trying to give anybody to benefit it out here and say I had no protection whatsoever. Cuz if I'm going to mention the 3M mask but not the fact that I need a full body suit gloves full face mask with supplied oxygen and I'm supposed to leave all of my clothes at work including my shoes and not get it on my skin along with proper ventilation? Well none of that was done. First off because we weren't worried about the danger secondly none of that stuff is available to us at work and thirdly I wasn't even the one using the stuff. Didn't matter I still became concerned when the room was a silvery cloud of toxins so after a couple weeks when I realized I was asthmatic and having reactions every time I went to work? My GM had me apply for workers comp and sent me home for 4 days. Then I was asked to come back to work to help and the symptoms started again. It took me a while to figure out what was going on by doing some reading on OSHA and the CDC. Plus all the other articles and case studies. It all lined up it was obvious that I didn't kind of get exposed... I was immersed in it. That includes breathing it having it in my eyes eating after using it no ventilation and wearing the same clothes home along with getting some on my skin when I was helping him clean up afterwards. Poured it on the side of my abdomen because it was in a mixing cup. It felt really good. Anyway, as soon as this hit corporate everything went s*** house crazy. I continue to go to work for 4 weeks and see the doctor that they had sent me to and since I've been self-employed my whole life as a portrait artist? That's my college degree it's a BFA and fine arts. Probably kiss my oil painting career goodbye. So they got rid of the job I had and any other talents I could fall back on. Anyway yeah this is going to be kind of a sarcastic post so enjoy it. What doctor was I send to that was an expert on chemical exposure with isocyanates and occupational acquired asthma? What was the name of that place it's famous like the Mayo Clinic but instead it's everywhere and oh yeah Concentra. You know the place you go to and the doctor runs a stethoscope all over you and says he doesn't hear anything to indicate asthma even though it sounds like there's a kitten stuck in your throat? Then he tricks your blood pressure and says it's normal even though it's rising quickly? He asks you why you're there and nods his head and you can tell in his mind he's going "well that's like a total s*** show. If I do what the insurance adjusters are telling me to do I'm basically sending this guy back to work to die. So let me get on that" I would come in and he would look at me and say so what do you want to do today and I would say I don't know maybe doctor stuff like check me see if I have asthma I don't know what the tests are for us to cyanide exposure? You're the doctor what do you want to do? Oh you want to go okay well be sure and sign that box telling me to return to work because he can't find any injury or evidence of exposure. Thanks. Oh this week you want to do blood work. But you only want to test for the most extreme exposure the kind that would cause neurological damage and okay. So he sends off the blood test tells me it'll be a week. And remind you I'm going back to work every day and getting re-exposed to all the stuff that I'm now allergic to and it's damaging my lungs and I'm coughing so hard my lungs are starting to separate from the wall my back. It's funny it's hilarious you know but at least they're saving money. They get to watch it and hear it but you know... buck up cowboy. You shouldn't smoke. Yeah y'all managed to do more damage to my lungs in 18 hours than I did in 47 years of light smoking. Seriously five cigarettes a day maybe. No history of asthma no history of allergies other than penicillin. I always watched other people just go through miserable seasons I mean just I swollen shut it's not running down their face and I thought how lucky I am. So my job decided that wasn't fair and locked me in the building with a chemical that destroyed a town in India. And they only used it that one time and decided they didn't like the properties of it. Probably cuz it's not meant to be put on wood but that's what the chassis saver was for was to give it sort of a metallic quality so they can roll the what yeah that's right bed truck liner on it that was day two and early the next day. When everybody was at work. When we were applying this stuff they were only two people there me and my supervisor. So if you look at the time clock it tells you when and who was there. If you look at when this stuff was purchased and under what project the stuff was charged to? what client? While we were doing a huge project for caterpillar that they were having out in Las Vegas. Don't know why one of our designers figured that bed liner would be a good idea for some of the staging when you can achieve that with paint and clear coat. But that's what he wanted. So so much for avoiding it just because it's not necessary. In the state of Texas you can't sue your employer for personal injury unless you can prove gross negligence. I would say that kind of falls where we're at. Unfortunately the other thing in Texas is that there aren't many workers comp attorneys because in 1993 they passed some laws that made being a workers comp attorney a tricky thing and you can lose your license really easy. In other words it was a very business friendly law to get companies to move here. Especially when you couldn't get sued for you know sending someone on fire or destroying their lungs and life. So a lot of people can get a worker's comp attorney even if they're a crappy one. But most of them that claim to be workers comp attorneys? They're actually just want to hear your stories so they can see if there's a personal injury lawsuit in there due to gross negligence cuz that's the only way they're going to make any money in this state and if it's a chemical exposure? I've been told by several attorneys who had extreme sympathy for my situation that they couldn't even refer me to an attorney that would take my case hey there's no attorney that's going to touch a chemical exposure case in Texas because it's already tough enough. Well I've been put the ringer lied to followed by a private investigator in the whole time I've been on represented and doing all the paperwork myself which they throw at me everyday usually it's fake stuff or stuff with the wrong date or deadline on it they mess with any attempts I get to find another diagnosis when they know damn well what happened on what day and with what products and who was there and when you know there's just no disputing the fact of what happened and when it happened and that we weren't protected because they don't have that kind of stuff there for PPE. we don't use that stuff so why would we need supplied oxygen masks. If I'm spraying something with metal paint mixed with silo I put on a 3M mask and use it organic filter and keep an eye on when it's starting to wear out even then? I'm not going to get leukemia or brain cancer for another 30 years well after I'm not working for them anymore so they've got that going for them and as do I. And this happened back in February 25th and I was sent home immediately because they were extremely concerned but they be suddenly became unconcerned about 4 days later I guess cuz corporate got involved and told me to come back into work and I spent another four weeks getting worse and worse and worse having the weekends to try and recover but not completely so I would start off at a level of irritation and asthma that was already underway when I returned on Monday. This was fun. Because even though they can see it they would just blame it on my smoking which is hilarious because you know life and for that weekend I wasn't allergic to anything in that building for two and a half years and I'm one of two people in the paint department so it's not a huge crew I'd say there's about 30 people that work there and probably too many people in the front office getting paid too much just sitting air conditioning. I mean they do work but you know if they had the chance they'd probably urinate on your face. That's not fair. They would wait till you run conscious from toxic exposure to gases anyway. Or they would but the workers comp adjusters do that for them. I mean they pay them for a reason and it's not help the employee so? Why am I talking to them again without an attorney oh yeah see above. So yeah they're just having a good old time they're beating me like a pinata making me run around like an idiot and freaking me out with letters and false deadlines that after a while I began to realize it being seriously gas lit I stopped playing nice guy and started recording phone calls and screenshotting text messages to make sure they got saved and save me everything in files and whenever they screwed up and intentionally put the wrong deadline on a Federal form like a FL la form from the Department of Labor anything like that? I would call him about that and record the response. One of my favorites was well that was just a suggested date because you know if you got it done sooner then you would get the paperwork done sooner and everything you get done sooner and you know just faster. Well yeah I understand how that works Einstein thanks I understand the whole concept and time and speed Mass velocity whatever. I swear to God they treat me like Chaka from Land of the Lost. They're all like 30 years younger than me and about to lose their jobs to AI but hey it'll be funny to watch. Won't need all those people running CAD machines and designing stuff after a few years. But let them enjoy it while they can anyway back to my career being ruined so they've just been having a good old time calling me and then they sent out a private investigator to harass me and want to talk to me until finally I just exploded and said what is it exactly you want to talk to me about.? I've been advised by everybody I know who is an attorney who may not be working in workers comp but they are an attorney? That I should never ever meet with a private investigator especially one that's a third party. You know one that's hired and not actually from the company. Cuz then he's not bound by the laws of an attorney or a police officer or an investigator he can do what he wants. Especially since he wanted to just talk to me and fill in the details of what happened that day. You know what caused the accident. I asked him what kind of forum is this going to occur in he said we could meet anywhere you want we can meet at McDonald's but I'm sure you don't want people here in your private information and I told him I don't like McDonald's anyway so I don't know I guess maybe after I get done with this doctor and have a solid diagnosis of asthma and something to stand on I'll be ready to comment. But until then I'm not meeting with you without an attorney in the room and probably even after I'm not going to meet with you without attorney in the room. So now it's come to this thing where I do have a doctor that's helping that was accidentally in their Network because I guess it slipped to the radar that they had an actual doctor that would do spirometry and asthma testing. of course they're messing with her a lot. I get your phone calls I get weird texts everybody has assured me that I'm obviously being observed surveilled. I don't see anything but I don't care either because nothing to see. I'm not at work. Why would I have asthma at home? I'm sure there's some triggers out there but I haven't discovered yet but that'll be fun and something to do in my free time. Anyway they seem to be kind of stuck in this rut where they won't go forward or approve anything unless I meet with the private investigator. Finally I blew my stack and said that I have no obligation to me the private investigator I've made my statement they were two people in the room y'all know what happened y'all know what I'm saying was the result you're not allowing me to explore that so I would think the best way for y'all to fill in the gaps and figure out what happened and what the situation this is letting me go to a f****** doctor that treats me and actually trust me for the things that I claim I have. That way instead of treating me like I'm lying you can prove that I'm lying which won't happen because I'm not lying which is obviously what you know so what is it he wants to ask me about again oh yeah he wants me to fill in the details is he a doctor? No okay well how about you get a doctor to do it instead of somebody who follows people husbands and wives around looking for infidelity. So I still don't have an attorney and I called OSHA reported the exposure and all they did was call my workplace and say "hey, did you have an exposure there?" and they said "yeah, but we got rid of that stuff" and they said "okay great" slow clap into a face palm. Which you know, kind of blew my mind. Because I thought calling OSHA was starting a nuclear war. That they would be in there with clip boards and chemical detectors and wanting to know just what the hell happened here. Because they've been really hard on this chemical and they've been trying to educate the public but evidently calling and just asking if it happened and them saying "well we got rid of that stuff" . That's enough for them. never mind the fact it was an "exposure to isocyanates in the workplace that I was reporting" which is what they told me they were going to check on. I wasn't calling them to tell them that they had harmful materials in a building, so evidently the guy I'm dealing with doesn't understand exactly what the law is or what law I was trying to get them to acknowledge. Cuz that would help my case if there were questions posed by government officials and they had to tell the truth. Either way, if they reported the exposure?great. They followed the law and I would have that an admission that an exposure occurred .....or they didn't report it and it would look really bad and probably cost them some money. But to my dismay, OSHA is obviously a joke. At least here in Dallas. So it's been real fun, yeah it's been one disappointment after the other of people just saying "I know this is my job, but I'm sorry. looking at your situation I'm just not good enough talented or educated enough to take it on. I'm just one of those people takes the easy cases and if something looks difficult? Even if it's a matter of you possibly dying or living on the streets and your whole family getting kicked out and never having a proper diagnosis to have on your medical records to show other employers or people in the situations that you can't be in in the future? I'm going to go over here and handle this easy money case." I'm sure there are some attorneys out there that if they knew about me and my situation it'll be all over it because they like a challenge and realize that there's not much left to do. All the information that I have and phone recordings, some documentation of b******* that has accumulated over the past months. Because normally you know you'd call a lawyer at the beginning of the case and there wouldn't be anything there. But since they figured I was never going to get an attorney? It was just "hey let's whack the pinata guy" . If an attorney were to walk in at this point? We've got enough acts of malfeasance and fraud and deliberate dishonesty, misleading statements and instructions, recordings and plenty of Doom and gloom documents meant to make me quit give up or go away out of fear or exhaustion.....and all I have to do is just hand you this stack and explain to you what's going on and we could probably even find a case that had nothing to do with workers compensation and had more to do with fraud and gross negligence and just have fun doing that. I mean they've had their fun why not? I didn't go into this looking for a cash settlement I just wanted to be taken care of and as the law states it should be. But I'm really just kind of f****** done with the whole f****** thing because everyone I talk to everyone I talk to doesn't want to touch it. When you have workers comp insurance that doesn't have ANY (ZERO) doctors in their Network to handle workplace asthma? which is one of the most common workers comp claims it pretty much leads the pack with all the saw dust and gas fumes out there to breathe in. But no we didn't have any doctors that would treat that or even know how to treat that at all. in fact the ONE that I did find? had retired about 5 years ago. That was funny. it was always a interesting thing to find out that when you finally had an aha moment leading to a hopeful situation? That turned out it was actually just a straw man. Even dealing with the Texas agencies help with people who are going through workers compensation or having difficulties? It depends on how you get on the line there's nothing more extremely helpful to the point where they'll even call the adjuster to make them call you back and help you fill out your forms whereas there were others that are just generally irritated by the fact that you're even calling and don't know what you're talking about. Well believe it or not there are some people in this world that don't do workers comp for living and don't spend their whole time having to deal with it. Especially people that are self-employed portrait artists for most of their lives. I guess this long-winded rambling stream of consciousness is just what's going on in my head and I can tell you right now it ain't a lot of good things and nothing really positive to say about working for anybody under any circumstances and I wouldn't take anything that anybody said they were going to do for you as a fact. It's all good on paper and everything but when it comes down to it it's all about saving money and if it involves an injury that doesn't look good on their records they got to get rid of that and they really don't f****** care what happens to you. You could be dissolving with sulfuric acid on your body and they would tell you to get out of the Sun and quit smoking. And they just watch it happen until you were just a pile of just steaming you know white powder on the ground or whatever happens. Do I sound frustrated? Flippant "whatever. Didn't see that coming". So I guess if you're in Texas and you're an attorney that this work is compensation and you want your entire case handed to you and you can say that you want a chemical exposure case in Texas I've got it right here for you if not fine. If you're from out of state that's fine too if you'd like to file a lawsuit that they beat me with clowns I don't give a carrot to a donkey whether you do that or not. As long as we win the case and they suffer for their behavior. It's not all vengeance. I want but is owed to me by law. And I didn't get that instead I got financial destitution cuz they have not paid me a dime and I'm the runaround which is basically we won't honor your claim until you prove that you were injured on the job. Okay I can't do that unless I prove that I have asthma. So they send me to a doctor that doesn't treat me for asthma now he's my pcp. Finally I find somebody that can treat me what do they do they immediately start pulling the plug on everything saying that my time's up sorry this show's over quick turn off the lights but hold up a minute they were too slow and I was able to get in there and she's doing spirometry tests and everything but you know I know it's not going to be enough because that's why I need to do the super serious testing the kind that definitively says whether you have asthma or not and there's no doubt there's no doubt that these people can try and split hairs and make excuses. Then I get to try and type for the workplace which wouldn't be hard if I had an attorney because this in front of a judge and argue it this is the guy before this is the guy after he's got occupational asthma he worked here for two and a half years and then after that weekend where was the only two days out of the year that that chemical was present and being sprayed? After that he developed severe occupational asthma and an insensitivity to isocyanide due to acute exposure with absolutely no PPE or guidance instruction and now no help no financial help and the guys that I work with here in town that run the show don't talk to me anymore it's all corporate people that were states away and have no idea and don't care what the facts are they just want the positive outcome which is the one that benefits them. But we all know that. We wouldn't be in this form if we didn't know that. Ask for all of y'all that have had better luck congratulations. I am truly happy for you. I don't know where I'm going to be I know obviously you can tell where I am mentally right now and that if another person involved with the adjuster or my employers handed me a form fill out to get the thing that I need that ain't going to happen that they say would happen that won't? I'd wad it up and throw it back in their face without reading it and not worrying about what they say will happen if I don't fill it out. Because they know if I fill it out and sign it or if I don't fill it out and sign it? It wouldn't do a f****** thing. Unless it was an attorney wanting to get with me and get a retainer and all that stuff set up .....and get going. Because nothing.....everything else is just a f****** waste of time, gas and mental energy. It's just that's what it's designed to do... wear you down. You know the truth and you can't prove it and you start feeling like you're living in bad movie like invasion of the body snatchers or something. like I said, it's the ultimate definition of gaslighting. So if you're going through the same thing with workers comp? I feel your pain. I definitely have sympathies if your injuries are more severe or debilitating than mine and you're being treated like this, but something needs to be done about the system because I'm quite aware of what it is now. I've had plenty of time to sit down and parse out what happened and watch videos listen to other attorneys talk read articles on the chemical and how not only companies and workers comp are reacting to it, but also the manufacturers themselves. For instance the CEO that wiped out that city in India? he showed up one day for court in India and then claimed he had to return to the states to take care of some business and never went back. India tried to extradite him for several decades. But instead? he was able to retire with a nice fat paycheck Savage whatever you want to call it and live out the rest of his days in Florida. And I guess he slept well at night knowing what he did. Union carbide. Bought by now Dow? Pretty sure they have never done anything wrong..... I'll have to double check that but I'm pretty sure on they are on up and up right? If they have the good attorney defend the behavior. I mean chemical companies they don't f*** around.... do they? anyway. whatever. I'm not too jaded to where I don't want to accept help or nail these f***. Or just get what I deserve. So take my post as a bit of Comedy or just a rant..... some venting. Maybe you feel the same way. Maybe it helps, maybe it doesn't. Just don't let it scare you cuz your case might be totally different than mine. I have an invisible injury and that's a s** place to be. Just like growing up in Texas. Well I guess it's time to lay down on the couch and play video games. How much is something like that pay?
My apologies if the punctuation spelling of what I've written up there (or actually dictated) has weird words that are completely out of contact in there somewhere. I dictated this because I'm so f****** tired of typing and I'm really tired of going back over what I wrote and fixing the grammar and trying to make it not look insane? It's just fatigue and I just thought I should get this out there in the Reddit forum. I'm a member of some other groups, but you know... first time listener first time caller

I know yall are getting tired of hearing totk timeline placement theories but just hear me out. So as if right now, botw is in a timeline where the split timelines are connected again and totk is obviously a direct sequel. In totk, supposedly Rauru and Sonia are the “first king and queen” of Hyrule which doesn’t make sense with the story after SS, even the backstory of totk doesn’t fit in after SS. But what if whatever event that connected the timeline again before the backstory events in totk just factory reseted Hyrule and almost all of it’s history? So the people in botw/totk barely knows any history of the past Zelda games (to prove this, a npc in totk says something like theirs no any other royalty named Zelda) which makes them believe that Rauru and Sonia are the first King and Queen. Also in totk, it kinda seems like history is repeating itself which is why the logo is a dragon eating its own tail. Basically the same exact thing happens in the WW. Hyrule is lost and almost all of its history is erased. So could it have been Goddess Hylia who reconnected the timeline herself because of a devastating event to Hyrule? She raised pieces of Hyrule to the sky and flooded Hyrule entirely because of an tragic event.

We know that the Bitterblack Isle is a multi dimensional nexus that calls Arisen from different worlds to trap them on the Isle and lure them to their death, so if we were from another world and are lured there again it would make sense.
I mostly think it would be really cool to explore BBI even more. We could see old characters like Baroche again, as well as possibly more Arisen characters. How cool would it be to get a chance to meet Arthacos before he becomes death‽ It would be tragic, but I also think it would be cool to see.
They could also change up the map so it would still feel new. Many Arisen find themselves trapped and unable to return. I think the place is full of such cursed magic that the paths twist in indiscernible ways. So the Isle layout could look very different from the one we're used to. I don't think they'd do this, but imagine if they pulled a lost woods type of situation where there's an area that could make you get lost if you stray from some path or something? Something like a teleportation that can potentially trigger in a certain area? It's unlikely, but it would make BBI feel even more dangerous!
I just think there's still a lot that can be done in BBI that would be really cool! What do you think? Would you like to see BBI come back, and be explored more?

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Walking through Schrier Park today, we found where someone had picked a variety of flowers from Bishop's Bog & left them on the trail. In Portage, it is illegal to cut or remove wood, flora or fauna. I'm assuming this was children, as the adults should know better. I'm also assuming this was a Portage resident, but portagemi is dead, so I'm posting the reminder here instead.
Fortunately most of what was lost is fairly common there this year. However, 2 were pitcher plant flowers. There are only a handful of pitcher plants visible from the trials, each of which only produces 1 flower per year. I've only found 4 in the past year. One already had a damaged flower this year. Another may have been lost in the recent boardwalk repair work. I'm hoping to find another, but we may just not have any to see at all this year.

Hi, I'm running Lost Mines of Phandelver for a group of 4 players. We've been playing for about a month but we've only had 2 sessions because we'd be down a player or two and don't want to continue without them. I feel bad every time I have to cancel a session so I decided to come up with some one-shot side quests to run so we can still play even if we're missing people. One of my ideas is to have a monster hunt.
The creature is a dire wolf called the Howl of Death (wip) that has been attacking travelers in the Neverwinter woods and sometimes on the Tribor Trail. The townmaster wants this creature dealt with. One of its survivors embedded her handaxe into its skin, but the wolf ran off before she could retrieve it. They'll take the axe as proof of kill (This kinda sounds dumb but it's the best idea I have so if anybody has a better idea let me know).
Are there any resources that can help me run a monster hunt? How can I make this interesting? How much would the bounty be? Any help I can get on this would be appreciated!

I hope this is helpful. I finally tried using Google's Bard AI chat tool and threw in a generally vague "surprise me" kind of prompt for fun. Seemed ridiculously tame and unimaginative compared to the same prompt thrown into ChatGPT 4.0 a few seconds later to make the comparison.
Here's the prompt: can you give me a great D&D "monster hunter contract" scenario, along with details of the cool location the players will find the monster in?

Google Bard response:
Sure, here is a great D&D "monster hunter contract" scenario, along with details of the cool location the players will find the monster in:
The players are approached by a wealthy merchant who is offering a large sum of gold to anyone who can slay a dangerous monster that has been terrorizing his caravans. The monster is a giant spider that lives in a cave system on the outskirts of town. The cave system is dark and dangerous, and the spider is said to be very powerful.
The players must be careful as they explore the cave system. The spider's webs are everywhere, and the spider itself is very good at hiding. If the players are not careful, they could easily become trapped in the spider's webs or be attacked by the spider itself.
If the players are successful in slaying the spider, they will be rewarded with the merchant's gold and a reputation as skilled monster hunters. They may also find other valuable treasures in the cave system, such as gems, gold, or magical items.
Here are some additional details about the cave system:

The cave system is located on the outskirts of town, about a day's journey away.
The cave system is dark and damp, with low ceilings and narrow passages.
The cave system is home to a variety of dangerous creatures, including spiders, snakes, and bats.
The spider's lair is located deep within the cave system.
The spider is a large, powerful creature with venomous fangs.
The spider's webs are sticky and difficult to escape from.

I hope this scenario gives you some ideas for your next D&D campaign!

Now, here's the ChatGPT 4.0 response to exact same prompt:
Contract Name: The Twilight Drake Contract
Contract Description:
Deep within the enchanted Mirrored Woods, an elder twilight drake named Vorathis has started to wreak havoc on the nearby settlements. Known for their dual nature of light and shadow, twilight drakes are usually peaceful, dwelling in their lairs and avoiding interaction with humans and other creatures. Vorathis, however, has changed its behavior. The local villagers, farmers, and merchants are unable to go about their business due to the fear and destruction caused by this drake. The Town Council of Arkenford has thus issued a contract, offering a substantial reward for anyone who can stop Vorathis.
Contract Details:

Client: The Town Council of Arkenford.
Target: Vorathis, the elder twilight drake.
Location: Mirrored Woods.
Reward: 10,000 gold pieces and a plot of land within the town's limits.
Additional Notes: Try to understand why Vorathis has started this destructive behavior. Twilight drakes are not known to be aggressive unless provoked.

Location Details:
The Mirrored Woods is a vast, magical forest situated to the north of Arkenford. It got its name from the unique flora called Mirror Trees that grow throughout the area. These trees have reflective bark and leaves that create a disorienting, mirror-like effect. This forest is a maze, shifting and moving as light interacts with the Mirror Trees.
Unique Features of Mirrored Woods:

Mirror Trees: The trees here reflect light in odd ways, creating illusions and changing paths. An Intelligence (Nature) or Wisdom (Survival) check might be necessary to navigate the forest without getting lost.
Shadowlight Fauna: Due to the unique conditions, the animals and plants of the Mirrored Woods are dual-natured, switching between light and shadow forms.
Luminous Fungi: The forest floor is littered with bioluminescent fungi that illuminate the forest with a soft, eerie glow at night.
Ancient Ruins: Scattered throughout the forest are the ruins of an ancient civilization that once thrived here. These ruins might contain treasure, traps, or clues about Vorathis's recent change in behavior.
Vorathis's Lair: Hidden in the heart of the Mirrored Woods, Vorathis's lair is a vast cavern adorned with crystals that enhance the mirror effect. The players will need to solve a light-refraction puzzle to enter the drake's lair.

Additional Quest Hooks:

The players discover that Vorathis was guarding an ancient artifact within its lair which was recently stolen, causing it to lash out. They must retrieve the artifact to calm Vorathis.
A necromancer is hiding in the Mirrored Woods, experimenting with shadow magic which is negatively affecting Vorathis.
Vorathis is not the villain here. The town council is trying to drive it away to exploit the magical resources of the Mirrored Woods. Will the players choose to side with Vorathis or the town council?

I mean, c'mon.

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Is there a Mekar Island in this game, like in BOTW? I haven't been over there yet, it's west of the Lost Woods and has interesting physical properties like wind blowing out in all 4 directions, strong skeletons with upgraded weapons. I don't know if this discussion will have spoilers, as it's relatively unknown by the common players from BOTW.

It also has interesting lineology and historical references to the early days of Hyrule. If I am remembering right, I read about it a few years ago & watched a well made & fascinating video breakdown of everything.

Has anyone been to Mekar Island if it is still there?

Living with inTENtion
Since I began my transformation or awakening or whatever you want to call it, journey, I've begun making it my intention to live according to the rule of "tens".
What do I mean by that? Whenever I'm faced with a choice of what to do, a next step to take, or even what to pursue in life, I ask myself, "would this feel like a 10 or like a 1?"
So the other day I was quite busy at work, and I had to make a decision of whether I should go or skip my writing class that was starting an hour after my meetings ended. I LOVE my writing class and everyone there. However, in that very moment, going to class felt like a 5, not a 10. And so you guessed it....yep I SKIPPED class! I've never done it before, but it just wasn't a "10" in my body.
Another example is with my exercise. I used to be pretty maniacal about running and exercising every day. I haven't skipped a workout in years. But lately, running 9 miles just hasn't been feeling like a 10. Going on a loooooong walk and getting lost in the woods with my puppy has been feeling like a 10, so I follow my true desire and just go on very long walks with my puppy.
This new rule of "living with inTENtion" I now apply to everything, and I'm happier doing what I love.
If you like this, then adopt it. What feels like a 10 to you? Is it watching Netflix, launching your own business, going for a long walk in nature, doing absolutely nothing? Share below! 📷
Pursue your 10s!

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Here I am writing an in-depth review of Eurovision 2023. 2021 was my first Eurovision since Alexander Rybak won my heart with Fairytale. I missed 2022 due some...stuff. And 2023 may be my favourite year since I came back.
So I am doing a shot for a shot review of this year's contest.
A few notes;

I will be going off the BBC Broadcast from BBC iPlayer. This will be my third time watching this year's contest.
I will be ranking all the acts including intervals, alongside some comments on the in between segments.
this is all my personal rankings, so please don't be mad.

Opener: Kalush Orchestra- Stefania ft Sam Ryder, Andrew Lloyd Weber, Joss Stone, Miss Banks, and Kate Middleton I did not watch 2022 (only select songs on YouTube) so I never saw this performance, but Kalush came out in a blend of backstage walking in a tube station (where the auditions took place) and into the stadium in Liverpool.
This was highlighted with cameos from British rappers and music stars including Sam Ryder, who did an awesome guitar bit. Andrew Lloyd Weber made an appearance, Joss Stone, Miss Banks...this felt like a star studded version of Stefania that the band could not perform in Ukraine.
Towards the end of the backstage and tubey bits, we have a royal cameo with Kate Middleton herself performing a piano solo! I missed that on both watches before this! I was surprised!
And then we get a super transition complete with a marching band, as Kalush performs the song in Liverpool and this may be one of my favourite openers ever. I might be biased because I really rate this song. This might be my favourite Ukaraine entry not named Go_A. It was really pushed home with the celeb cameos and features.
Final Rating: 8.5/10
Flag Ceremony NO RATING
We now get the traditional flag ceremony where we get the 26 finalists to come out to British anthems including Blur, Annie Lennox, Prodigy and more mixed in with Ukrainian acts from Eurovision including Go_A, Eurovision winner Jamala, Tina Karol, and one of my favourite Eurovision acts of all time, Verka!
It was a fun little tour down nostalgia lane alongside the first exposure of the acts for this year!
Segment with the hosts
For non-British viewers, you may not know the hosts; so let's go over them!
Mel C from the iconic Spice Girls is the arena MC for this evening. As viewers, we don't get to hear much of her, but for Liverpool, I bet that was a nice little grab!
Alesha Dixon is probably the best known out of the three English hosts. Being a part of Mis-Teeq, she shot to fame with 'Scandalous' in the 2000s before going solo.
Julia Sanina I don't know much about, but I wanted to take the moment to say her contrasting dress with Alesha for the Ukrainian flag colours was so great!
Hannah Waddingham is slowly becoming England's next national treasure. Her Emmy award winning work includes Ted Lasso amongst many things.
Graham Norton is an Irish TV host that has been synonymous with the BBC since I was a child in the early 2000s. He took over as Eurovision commentator when the late, great, Sir Terry Wogan passed away. He is also an out and proud gay man, and his self-named chat show is watched globally.
If you are interested in who did commentary, it was Graham Norton, and the amazing Mel Geidroyc. Mel has been doing TV as long as I have been alive and has mainly been a comedian and TV Host, synomous with the BBC. Mel, alongside best friend Sue Perkins, are both seen as national treasures in the UK.
The hosts go over the rules and Hannah does...an improv French piece? I don't know French so I can't translate that. It is then time for the first act.
I will not go over the post cards.
Austria - Teya and Salena - Who The Hell Is Edgar?
I love the backstory to this song. The producer had no idea who Edgar Allen Poe was! And so the song was born.
The song was bouncy, and it was like I was in the clubs in 2010. But unfortunately, it was nothing I had not heard before. It was generic pop, but that was not to say it was not bad!
The chorus was in my head all freaking night, and the girls choreography was fantastic and on full point. The bridge kinda dwindled the song for a bit and it went on a little longer for what it was.
The striking and contrasting colours of red and white were as equally memorable as the chorus.
Overall, solid entry but it's not quite one I think will win on any ESC.
7.4/10
Portugal - Mimicat - Ai Carocao
This song was a disappointment to be honest. I did like the cabaret and burlesque themes, but the crowd engagement and uniqueness never grasped me as much as I felt.
The crowd was into it and the dancers were into it, incorporating a lot of Latin and Portuguese dances - salsa, in particular.
Unfortunately, it was just not grasping enough to be a solid contender. If I saw this on a different night out in a Portuguese lounge, I would definitely be dancing away!
7.4/10
Switzerland - Remo Forrer - Watergun
I don't like ballads. I find them slow, tiring, and meloncholic for the sake of being meloncholic. And at the end of the song...I really enjoyed this! This was one of my top 3 songs of the night. I don't know why people did not enjoy it.
Reno's voice is strong and his presence for the stage at such a young age is incredible and I predict a strong future for him and possibly an ESC return in a few years time.
The irony of a Swiss man singing about not wanting to be a soldier made me laugh. But other than that, I really, really enjoyed this song!
8.7/10
Poland - Blanka - Solo
Ugh. This was BAD! I liked it on first listen but after re-listens...it did not age well. It's summer pop in a typical 2010 beat and unlike Austria, this song had nothing memorable.
It did not even have a solo! Points deducted!
It was just...not a good song. But hey, it's better than a certain song about to be played!
6.5/10
Serbia - Luke Black - Samo Me Si Spada
I...
This was the worst song of the night for me. The lyrics were incoherent mumbles into the microphone followed by unplugging dancers who did nothing for 90% of the performance?
I get he has a huge following online but I'm sorry, I'm not a fan. This incoherent mess of mumbles and bright lights was clearly Billy Eilish inspired, but it was so far off the mark. You can hear him panting into the mic as he sings, so clearly his endurance needs work.
One of the worst songs I have seen in ESC history including the UK's Embers song of 2021...
3/10
France - La Zarra - Evidement
The crowd needed an energetic ear worm after that...mess.
La Zarra delivered but was it too safe for France? France is known for some knock out hits in Eurovision in recent years...and I feel this was not one of them.
Whilst it was strong, it was not 2022, 2021, or 2018 France. Her dress sense and the bright, strobing performance contrasted her muted yet energetic performance.
And the crowd was really into it! Solid performance, but just a little too safe from Le Frans.
7.5/10
Cyprus - Andrew Lambrou - Break A Broken Heart
I'm not a fan of when a country outsources to another country, with a singer or band with heritage from that country. Case in point, Australian Andrew Lambrou who has Cypriot parents, performed for Cyprus despite being Australian.
However, this was a good little pop ballad. It was catchy, memorable, and this song felt like a chart hit. That being said, his performance did not feel heavy or had the gravity of a performer. It felt like a glorified karaoke performance in this regard.
But it was not a bad song! It was catchy, emotional, and definitely powerful.
7.4/10
Spain - Blanca Paloma - Eaea
This was a weirdly beautiful song, that felt like a dream sequence. The beat is clearly aboriginal or ancient Spanish, and the veil adds another level of entrigue. It is definitely folk inspired for sure.
It was soothing, but oddly creepy in the sense it was super atmospheric.
I don't know what to think of this song in all fairness.
6.7/10
Sweeden - Loreen - Tattoo
I am conflicted.
This is a good song, but Eurovision winner quality? No. It felt boring for a lot of it, and the Avant Garde pop elements and...whatever those nails were did nothing for me.
Loreen is stunning, and has an incredible voice for sure. But this did absolutely nothing for me, and was not a winning quality song.
Very catchy and memorable chorus, and the press machine she was in is very unique in terms of performance. But that is about it.
8/10
Albania - Albina and the Klemendi Family - Duje
This was a mess.
Everyone seemed lost, and the song had no clear direction. The backing singers looked bored, and it just felt so, so, so uninspired. I don't have many positive remarks about this song.
It's not Luke Black...that's about it.
4/10
Italy - Marco Mengoni - Due Vite
Ok. I'm not a fan of sad songs that are sad just because. It's one thing for every song in this contest to be a banger, but unfortunately you also have Luke Black (and no, I have about 100 Luke Black jokes to throw in here).
That being said, it might not be my thing, but the emotional outpour from Marco was something to behold.
It's not my thing, but I can appreciate it. That's 3 straight bangers from Italy with Måneskin, Mahmood, and now Marco - MMM.
7.7/10
Estonia - Alika - Bridges
I was not knowing what to expect...and then I saw the Piano and I got instant Amy Lee vibes. Amy Lee is one of my favourite vocalists of all time and Evanescence was me for...a long time.
As soon as Alike opened her mouth...goosebumps. She sounds so much like Alike, in fact, this track would not go amiss on an Evanescence album. It's just a beautiful song by a beautiful woman. The bright blue dress and self playing piano were symbolistic of this memorable performance.
Just a fantastically beautiful performance!
8.3/10
Finland - Karrija - Cha Cha Cha
I'm coming straight off the bat.
This is one of my favourite songs I have EVER heard on ESC. From dancing, to stage presence, to the blending of pop and metal to create this beast. The rapping in Finnish, and then the screaming cha cha cha...and then the hidden pop verse at the end, leading to the bridge...we will never have another song like this.
It felt like Til Lindermann of Ramnsteinn and Electric Callboy had a baby. This made me dance. It made me scream. And was the song of the night for sure.
Even the insane dancing fit!
How he was robbed I have no idea! This was an insane performance and joins Fairytale, Hard Rock Hallelujah, and Zitt E Buoni as my favourite songs ever performed at ESC.
9.8/10
Chezia - Vesna - My Sister's Crown
After Finland, I was not expecting a bop. But we got a bop!
I have a soft spot for well put together girl groups, and this is definitely a well put together girl group. It is an empowering, feminist song that has a lot of folk moments, rapping, great chereography and it was just a nice package.
I just wish it had a stand out moment. That was what really pushed me back on this song.
Also a very pink performance.
8/10
Australia - Voyager - Promise
I am coming in knowing who Voyager are. I was surprised and when they came to perform...I was very impressed.
It's a poppy song, and it is insanely catchy! But then halfway through the song, you get this brutal breakdown and an insane progressive riff from the female guitarist. Even the backing singing was great!
The set was all Night Rider themed and felt like I was going through a synthwave. It was just what we needed to continue after two straight bangers. Another freaking banger!
It even has a keytar solo!!!!
Pretty sure this is gonna be a Eurovision classic for years to come.
Oh oh oh ohohoh.
8.8/10
Belgium - Gustaph - Because Of You
This next performance is a little...ehhh for me.
But that does not mean I don't like it! It is just a little out of time for me. It seems like a hit that would do really well in the late 90s and early 2000s. In fact, I can see this song winning if it was earlier.
The beat is strong and the dress game is strong here.
Also as a side note; Gustav and Marco Mengoni did a really good job this year for the LGBT community. As a member myself, these two songs really were a great show!
7.7/10
Skit With Graham Norton
This is just classic UK cheese!
We catch back up with Graham in the commentary booth watching old Eurovision DVDs and he deliberately throws popcorn on the floor 🤣 it's just cheese to the maximum. Graham is a master of the cheese, and has made a career of it.
Skit with Mel Geidroyc
And now we get a weird skit where Mel Geidroyc is churning butter...I died from laughter 🤣🤣
Some great comedy relief all night long.
Armenia - Brunette - Future Lover
And now we get back into the pop train. And this was one of the better pop songs of the night (the best is yet to come). And like Luke Black, she begins laying down...and unlike Luke Black, she produces a good song.
Look, no hate for Luke at all but...come on!
Anyway. Back to Brunette. She goes from smooth to rap and then straight up pop. She channels her inner Serj Tankien here by experimenting in multiple voice notes.
And there is a dance break which is one of the better dance breaks of the night.
Overall, it's a good song but it's nothing special. We see one of these tracks every year.
7.7/10
Moldova - Pasha Parfeni - Soreli Si Luna
This is by far the best song that shows what Eurovision is about. It is full of Eastern European culture, a fantastic flute, two very cute (the one on the right in particular) and very energetic folk drummers slash dancers, and some really cool visuals. Some beautiful dancing and a powerful presence on stage.
I'm surprised this did not do better. Alongside Remo Forrer, I'm really surprised these hits got slept on.
I adore Pasha. And I really want to see him represent Moldova again in the future. Third time is the charm Pasha!
9/10
Ukaraine - Tvorchi - Heart of Steel
First of all, well done Tvorchi. Minutes before they went live, their hometown of Ternopol was invaded by Russia. I don't want to go into anymore, so I won't.
But this song...I was not a fan. Stefania blew me away, and Shum is an all time favourite ESC track for me. And this song failed to live up to either. But the vocals and visuals were very, very strong. Combining realistic VCG and SFX was one thing, but this felt like I was at a sci-fi DJ convention.
That being said, I was not a fan. It felt rushed and over produced with an emphasis on visual reactions and not auditory. I was just impressed they performed minutes after hearing the worst news of their life.
7.5/10
Norway - Alessandra - Queen of Kings
YASSS QUEEN!
I really enjoyed this song! From Alessandra's incredible singing and the hookworms - this is the catchiest song of the night. The dancing was on point, and the crowd was really into it.
Any other year, this would be a top 3 song. But this year was stacked. It was not 2021 stacked, but it was stacked. And she is so young! I see her bringing it home to Norway in the future.
Speaking of Norway, I hear a lot Alexander Rybak tunes in this. I now want a collav between the two.
The song could have done without that High note...
8.4/10
Germany - Lord of the Lost - Blood And Glitter
This is my style of music. Heavily Rammstein inspired, I would have preferred if Electric Callboy was in this spot but for what ever reason...it never happened.
But LotL still produced a banger. It has screams, growls, sweet and bitter notes...it was a nice little metal performance to kick the last leg of the night off.
I see why it did so poorly. But I am also hopeful Electric Callboy offer a Karrija style performance next year.
The outfits threw me off a bit however...
8.7/10
Lithuania - Monika Linkyte - Stay
Monika is great.
Her song however, was very mid. It comes across as an Adele esque song, and without the backing singers, I would knock a few points off. It's not that she had a bad night...I just think this was the wrong choice.
Especially as she had a banger in 2015.
The chorus (which I think is Lithuanian) was very catchy however. It was memorable for that and unfortunately, that alone.
I want to see Monika again. But sadly, I also see Lithuania dropping out due to bad results in recent years.
7.2/10
Israel - Noa Kirel - Unicorn
Pop song of the night.
If Karijja and Loreen did not compete...Noa would win. Hands down. Her song was everything a Eurovision audience loves. It was not my song of the night - Luke Black, that goes to you - but this was VERY close.
From the poppy vibes to the incredible dance break at the end (which she nearly broke into a straight out breakdown...)...she has everything a breakout star needs. I see her career going global after this. She was loads better then Netta who won a few years ago and still lost.
Just put that into perspective.
Great performance - the last great performance of the night.
8.8/10
Slovenia - Joker Out - Carpe Diem
I heard nothing but great things about Bojan. And I came into this contest wit high expectations. And...they were not met.
The song was great. Really well wrote. But it seemed like they were playing to the camera as opposed to the crowd. And I wish they involved them more.
But that being said, Bojan has charisma, a great voice, and his band are very involved too. I can see these guys having a Måneskin like career if they continue this direction. But Bojan could break out at any minute if you ask me.
I also think the song was a bit too safe for them. I was expecting a more...funkier beat. This just felt like a FIFA Soundtrack level song.
7.8/10
Croatia - Let 3 - Mama SC
I...
Look. I get this was a joke and sticking it to Putin but...
This was a straight up meme. A sh**post if you so wish. And I'm all for it but they threw away an entry.
The crowd seemed puzzled as well. As was I!
5/10
United Kingdom - Mae Muller - I Wrote A Song
Oh Mae...
You wrote a song, yes. But it was terrible. Song structure, chorus, your vocals...this was not the song, Mae.
Again, I am using my platform to criticize my countries internal selection process. It's about time you stop looking at TikTok and go to local and national talent shows, gigs, even festivals. Once again, the selection committee picking a preferred song from personal bias over talent.
I could go on and on.
But I'm also using my platform to say the dancers were wicked and I would take the blonde guys number.
Back to the song!
I was dissapointed especially after Sam Ryder in 2022...but I expected this. I'm sorry Mae, I hope your well!
3.9/10
Voting opens, we get a recap, I go for a pee
It is now time for the interval acts. During both previous runs, I missed these as I was probably on a booze run. So this was the first time I watched the interval.
Interval: Sam Ryder
I never listened to Spaceman last year, so this is my first exposure to Sam. And after watching his song before watching this...I was impressed!
This is the first act the UK has sent to ESC in years I enjoyed, and this song would have been a contender...if the selection committee ran it back. But nope.
This was a smooth, catchy song that was highly enjoyable! A good interval act. And that guitar solo was better then Blanka's non existing solo.
Also Roger Taylor!!! Love that man.
8.5/10
We get a little cameo by Jan Leeming, the host of Eurovision back when it was hosted in my neck of the woods in Harrogate, way before I was born!!
Julia then cuts a little bit with displaced Ukrainians under the protection of the United Kingdom. It's actually really emotional, and i was moved by it! So glad we could do this for them.
Timor then meets with Alesha and I am so proud of these Ukrainians who performed under such horrible circumstances.
Another recap, another shot of tequila
Interval: Liverpool Songbook NO RATING
As I was born in the North East if England, I don't like Liverpool. But the music that Liverpool has produced is numerous and plentiful. So it was only right ESC decided to honour Liverpool's greats.
I love these Collab intervals!
Mahmood is out first and covers Imagine by the late, great, John Lennon. I was not a fan of this cover, but the original I highly rate. So that might be why.
The song then smoothly transitions to Netta who covers You Spin Me Right Round, and I forgot how great Netta is. She might have performed this better then Dead or Alive. I call for all Netta fans to be called 'Nettles'.
Next is Dadi Fryer with Whole Again by The Atomic Kittens. So, when I was a kid, I refused to go to bed without this song being played.
How did my dad not know I was gay, I don't know.
Anyway. This was a great cover! As always Dadi, blows it away. One of my fave Icelandic acts.
We then gert Cornelia Jakobs covering I Turn To You by the studio MC...Mel C. She even looks a lot like Mel C here! I was never a fan of this song, but Cornelia makes it fun at the very least! Very 90s look here, and she plays with water in a white tank top. So props to her for being comfortable with that!
We then get the return of one of United Kingdom's greatest acts and someone I had the privilege of meeting in 2022 whilst on holiday - Sonia, with her song Better The Devil You Know.
This was way before I got into ESC, but I saw her perform this song. And this was tons better then seeing her live! Also, cute dancers.
And finally, we get Duncan Lawrence cover You Will Never Walk Alone - the theme song for the legendary Liverpool FC. The entire crowd sang along with this, and we were joined by many, many, many personalities including Go_A, Hannah Waddingham, Julia, Alesha Dixon, Graham Norton, and so many more. And this rendition actually made me cry. I never cry at music.
Worthy of note, on the BBC Broadcast, at the end of this performance, Mel Geidroyc spams 'Sonia' constantly.
Was pretty funny.
End of review
I won't bother reviewing the voting process, so thank you for reading my review! Before I go, I am handing out my awards;
The Johnny Logan MVP Award (best performer) - Karijja - Cha Cha Cha
Lordi Award For Best Headbanger (best metal or rock song) - Cha Cha Cha - Karijja
Best Solo Award - Promise - Voyager
Best Dance Break - Unicorn - Noa Kirel
Best Backup Dancers - I Wrote A Song - Mae Muller
The Alexander Rybak Award For Minimal Performance - Watergun - Remo Forrer
The Nil Pois Award For Worst Song of the Night - Sero Mi Se Spada - Luke Black.

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Reddit Account: Chonthewall
Discord Tag: Choronga#3576
Name and House: Jeor Forrester
Age: 60
Cultural Group: Northman (First Men)
Appearance: A man of average stature and impressive build for his age, Jeor is a man who is marked by his past in the way of several scars, burns, and an injury on his eye which results in a lack of it. His hair still maintains some of the colors of his youth, jet black, but with several white streaks along it. His face is covered by a thick beard of the same tone.
Trait: Hale
Skill(s): Axes(e), Footwork(e), Shields(e), Armored
Talent(s): History, Wilderness Survival, Wood carving
Negative Trait(s): Maimed eye
Starting Title(s): Commander of Westwatch-by-the-Bridge
Starting Location: Westwatch
Biography:
Jeor was bound to be a lesser man than his brother since his birth. The man was ten years younger, which meant he could not inherit Ironrath unless a tragedy happened. He spent his youth training in the art of the blade, quickly surpassing his brother even with their age difference. He also enjoyed immersing in the ancient tomes their stronghold kept, learning about the history of his house and their lands.
He was always fascinated by the Night's Watch. The most honorable order of men in the whole of Westeros. It took nobody by surprise that the young boy took the black at the age of just thirteen. The farewells were quick, he held not much love for his brother Jonos, and his parents didn't care that much about him.
He then rode until he reached Castle Black. Finding out that the Night's Watch was nothing but a bunch of rapists, thieves, and exiled men made him fear the years to come, however, he quickly found himself in his terrain, raising in popularity among the men he ranged with. Around the age of 17, he changed posts, traveling to the Westwatch to fill a vacancy left by a wilding raid.
He spent many years there, not many things of interest happened until one ranging in the year 165. During the War of Ice and Fire, many black brothers lost their lives, Jeor was lucky enough to only lose an eye. Some wildling barbarian who his fellow men called Wulfgor dared to fight Jeor in one-on-one combat during a battle beyond the wall. The men fought like rabid dogs, an eternal fight to both men involved, finally, a cut by Jeor made him overconfident, and his opponent exploited this, striking quickly to the Forrester's head. The man was lucky enough to still hold the head over his shoulders after the hit, he couldn't say the same about his eye. The fight was cut short by a charge on both sides.
Some years later, in 170 AC, his brother contacted him. Lord Stark wanted them to retrieve his lost Valyrian Steel relic, Ice. The Pact of the Blade was formed, and Jeor became part of it. It took them two years to retrieve it and finally return, but once they did, the honors they received and the friendship forged with House Stark were worth it for the man.
This voyage granted him enough favor to be named Commander of the Westwatch by the Lord Commander. The years went on, and rumors said the new Lord Stark was making many reforms that weren't popular among the Northern Lords. Jeor didn't care, he never had been much of a man of Faith.
The newest rumors of the Long Night had made the old man restless, awaiting the next move in the cold board that the north of the wall was.
Family Tree: House Forrester
Timeline:
140: Jeor is born, the second son to Lord and Lady Forrester.
153: Jeor becomes a black brother
157: He travels from Castle Black to Westwatch.
165: During a battle in the War of Ice and Fire, Jeor loses an eye in a duel against a wildling called Wulfgor.
170: The Pact of the Blade travels North
172: The Pact of the Blade returns with Ice, gaining the trust of House Stark. The whole thing ends up making Jeor Commander of the Westwatch.
200: Present day
Supporting Characters:
Maester Byam: Scholar [The maester positioned at the Westwatch. Aged 54, he and Jeor have become really good friends and nowadays he is one of the most trusted men to Jeor.]
Roger: Marksman [A young ranger that has proven his worth to the old commander, showing dedication and honor to the watch. Aged 26]
Quent Cerwyn: Master-at-arms [A veteran of the watch in charge of training the new recruits. Aged 40]
Ned "the Bold": Warrior [A black brother that during a ranging tried to give his life for Jeor's. The man survived and from then has become one of Jeor's most trusted warriors. Aged: 32]
Duncan: Medic [A maester that had his chain removed after being found whoring. He then joined the watch and serves as a medic. Aged: 41]
Domeric Flint: General [An honorable man who excels at strategy, close to Jeor since around the years of the Pact of the Blade. Aged: 52]
Myles: Questioner [The master of Westwatch's dungeons. A sadistic man who enjoys hearing men suffer, not only to make them talk. Age unknown]

I have a 14 month old male Ginger cat. We got him when he was 3 months old, already potty trained, we got him fixed when he was about 6 months old. He never sprayed or had any litter accidents before. We transitioned him to wood clumbing pellet on February and there were no issues. During May we had a friend over staying at our house for 2 days. This is where the nightmare starts. He smelled and urinated on our friend's clothes. Our friend has many cats and not all of them are neutered.
We thought that this is an one time insident. But then he pissed again after several days against our outside door. I thought that this has some explaining too as there are several stray cats outside our home which is almost on ground floor and they had sprayed outside our door and on the balcony. I cleaned up everything.
Then it got worse. He peed on our couch. Washed up everything and sprayed on with white vinegar. This did not stop him as everytime his urine smell in our home disappears he pees again somewhere in the house. He uses his litterbox for poop and sometimes for pee. Some days he stops peeing outside the litterbox and he is really calm (I even tried some spot on calming ampoules that seemed to help at first but eventually not) but then out of nowhere he starts peeing even in front of us. I have really lost track of how many times he peed on several things and on which ones. On the curtains, on the bathtub curtain, on a shoe box, on the couch, on doors ... This is the 3rd time I am going to wash the couch and it's 3 AM. He had a completely clean litterbox and he peed on the curtains and then the couch. I am really devastated and tired of cleaning after his messes, I really sense urine and white vinegar under my nose all the time.
It really seems to us that his behavior is like he is not a neutered cat. He is a bit aggressive, extremely active, likes to bite on things like he is a dog ... We really spend plenty of time with him as remote workers. He has cat tree, scratching post and several high places to climb. We really love him. But we cannot live like this. No one can live like this. We are going to move to another house next week and the floors there are wooden. If he pees in the new house the floors will be ruined.
Of course I will call our vet tomorrow but I don't believe this is a med issue. He is a bit of a jerk and it looks like for some reason he started to mark his territory.
I am sorry if all of this sounds bad, but I am devastated and it is 3 AM. I really love cats and especially my cat I want him to be happy and healthy and I tried to do everything right from the beginning. I feel so disappointed and all this situation stresses me out.
P.S. : I also tried to feed him on the couch and then next to the couch. It seemed to be working for about a week. Until today. His bowls were literally next to the couch when he peed on it.

Please check part 1 and 2 for context.
The Tonpa Kingdoms Part 1 (Overview and The Gods) : worldbuilding (reddit.com)
The Tonpa Kingdoms Part 2 (The Kingdoms of Jangshun and Monyul) : worldbuilding (reddit.com)
Tsaparang
Tsaparang is a Kingdom to the east of the other Tonpa Kingdoms, it is marked by thick jungles and winding rivers, a small number of mountains dot the landscape to the west, on the border with Jangshun and Monyul.
The jungles of Tsaparang are known for their dense vegetation and towering trees, with rivers that cut through the landscape and create a network of waterways. The jungle clearings are dotted with small villages, where the people of Tsaparang live and work in harmony with nature.
The people of Tsaparang have learned to live with the challenges of the jungle environment, including the risk of flooding during the rainy season and the dangers posed by wild animals. Despite these challenges, the jungle provides a wealth of resources for the people, including medicinal plants, exotic fruits, and valuable timber. The villagers have developed their own unique way of life, with a deep respect for the natural world and a strong sense of community. They work together to maintain their homes and farms, and to protect the jungle from outsiders who might seek to exploit its resources.
The kingdom of Tsaparang was founded by a legendary warrior king named Raja Dhananj, who converted to Tonpa and united several smaller kingdoms in the area left over from the Indraprastha Empire under his rule, he named it after a fortress city on the border of Monyul that was essential to his victory, he eventually built a grand capital city on the banks of the Brahmaputra River, which he named after himself – Dhananjpur.
The city is a bustling center of trade and commerce, and soon became known throughout the region for its wealth and prosperity. Over time, Dhananjpur grew into a magnificent city, with grand palaces, beautiful temples, and bustling markets, the most famous of which is the floating markets called Jalbazaar.
Jalbazaar is situated on the banks of the Brahmaputra River, which flows through the heart of the district. The district is famous for its bustling waterways, where vendors sell their wares from boats and barges that are moored along the riverbank. The floating markets of Jalbazaar are a riot of color and activity, with vendors hawking their wares to eager customers. The markets sell everything from fresh produce and seafood to handicrafts and textiles. The markets are busiest in the early morning, when fishermen bring in their catch from the river and vendors begin setting up their stalls. The air is filled with the smells of spices, cooking food, and fresh flowers, creating a heady atmosphere that is unique to Jalbazaar. Visitors to the floating markets can sample a wide variety of local delicacies, including steaming bowls of spicy fish curry, crispy fritters made from lentils and vegetables, and sweet desserts made from coconut and mango.
To the west of Dannajpur lies the village of Pashupati, the village sits on the edge of a dense jungle, its thatched-roof houses built on stilts to protect them from flooding during the monsoon season. At the center of the village is an ancient temple dedicated to the Dharmist God Pashupati, said to have been built by a powerful Thakur long ago. However, the temple has fallen into disrepair over the centuries, and now it is overrun with large cats, both tame and wild. The villagers believe that the cats are the guardians of the temple, and they feed and care for them as best they can. Some of the cats are even considered sacred, and are allowed to roam freely throughout the village. Despite the presence of the cats and the fact that the villagers abandoned Dharmism for Tonpa over a hundred years ago, the temple is still an important place of for the villagers, the temple's crumbling walls are adorned with faded murals depicting scenes from ancient legends and there is a sense of mystery and magic that pervades the place. Outsiders aren't rare in the village as it sits along an important road between two cities, but the villagers are wary of strangers who do not respect the cats, the temple or their ancient ways. However, they are hospitable and generous to those who show the cats respect and kindness.
The second most populous city in Tsaparang is called Serindia, it is nestled in the heart of a lush green valley, surrounded by towering cliffs on all sides, this small community has long been known for its bustling markets and vibrant culture. At the center of town, stands a magnificent castle, home to the ruling family of Serindia. Built from the finest stone and marble, the castle boasts towering walls and a grand hall where the noble lords and ladies of the land convene to discuss matters of great importance. But it's not just the castle that makes Serindia special. Just outside of town lies a sprawling grove of wild mango trees, known throughout the region for their delicious, juicy fruit. Every year, travelers from far and wide come to Serindia to sample the famous mangoes and to attend the lively festivals that celebrate the town's bountiful harvest.
The Company of the Wind have a large office in Serendia as every year people request them to deliver these magnificent mangoes so often.
As you wander the winding streets of Serindia, you'll encounter a diverse array of merchants and craftsmen, each offering unique wares and trades. You might stop by the blacksmith's shop to watch as he expertly hammers out a new sword, or perhaps you'll visit the town's resident healer, who is renowned for her ability to cure all manner of ailments.
The kingdom of Tsaparang is renowned for its skilled craftsmen and artisans, who create beautiful textiles, intricate jewelry, and exquisite pottery. The kingdom is also famous for its fine cuisine, which blends the flavors of local spices with influences from neighboring regions. Tsaparang has been ruled by a succession of wise and just kings and queens, who are respected and loved by their subjects. The royal palace is a grand structure, with beautiful gardens and courtyards, and is home to a vast library that contained works of literature and philosophy from throughout the world. The kingdom of Tsaparang is also known for its military might, and its armies are feared by neighboring kingdoms. However, the rulers of Tsaparang prefer diplomacy and trade over war, and are respected for their ability to negotiate peaceful solutions to disputes, the most famous army regiment of the Kingdom is called The Jungle Snakes.
The Jungle Snakes is a feared and respected regiment of soldiers who are known for their unique and deadly combination of a large tower shield and a short spear, this is meant to emulate a snake striking from the foliage of the jungle while the large shield allows the user to strike from safety. The soldiers of the Jungle Snakes are expert fighters, they train in their own unique martial art which requires them to train in the use of whip-swords, a sword made with a flexible whip like blade, although relatively useless in a large scale battle these swords are deadly in one-on-one fights and it is believed training with them develops agility and hand eye coordination. The Jungle Snakes is made up of elite soldiers who are chosen for their physical strength, agility, and quick reflexes, they are fiercely loyal to their kingdom and their commanders, and are known for their bravery and determination in battle. The Jungle Snakes are key component of the Tsaparang army, and are often called upon to guard royalty in battle. Their unique weapon and fighting style make them a formidable opponent, and they are feared and respected by enemies and allies alike.
Tashigang
Nestled deep within a treacherous and barely hospitable mountain range lies the kingdom of Taishigang, protected by rugged terrain and guarded by fiercely loyal soldiers. The people of this kingdom are rugged and tough, accustomed to the harsh conditions of their environment and deeply connected to the land that sustains them.
The tallest mountain in the known world is nestled within its borders, it is a revered holy site believed to be the last place on Earth the physical forms of the Three Gods were seen.
Taishigang is named after the two main ethnic groups that reside in the area, the Taishi and the Gangparan, occupying the north-west and the south-east respectively, the Taishi are said to be early cousins of the Jangshun people who migrated into the area hundreds of years before and the Gangparan are a group of people who escaped from the fall of the Indraprastha empire by migrating to the mountains. The kingdom is ruled by a council of clan leaders, with one among them being High Chief and first among equals, these leaders are chosen by their clans for their strength, cunning, and wisdom and in turn these leaders choose one among them to be High Chief, these leaders make decisions that affect the entire kingdom, and they are known for their fierce loyalty to the land and the people. The economy of the kingdom is based on mining and lumber, with the rugged landscape yielding valuable minerals and timber. The inhabitants of the kingdom work as miners and lumberjacks, extracting these resources from the earth and using them to build their homes and defenses.
Taishigang is home to a religious order of healers called “The Order of Spring” who are a a highly respected group of monks, the members of this order are known for their extensive knowledge of herbal medicine and natural remedies, as well as their spiritual practices that are believed to aid in the healing process. The Order of Spring has a long-standing tradition of passing down their healing techniques and knowledge from generation to generation, ensuring that their skills and expertise are not lost over time they are highly revered by the people of Taishigang, who often seek their help when they are sick or injured. Due to the harsh climate and rugged terrain of Taishigang, the Order of Spring has developed unique healing methods that are tailored to the specific challenges of the environment. They are experts in treating frostbite, hypothermia, altitude sickness, and other ailments that are common in cold, mountainous regions.
The members of the Order of Spring are dedicated to their craft and often travel far and wide in search of rare and unique ingredients to use in their remedies. They are known to journey deep into the mountain ranges and even venture into neighboring kingdoms to track down plants and herbs that are believed to hold powerful healing properties. Despite their extensive knowledge and skills, the healers of the Order of Spring are humble and compassionate. They offer their services to anyone in need, regardless of their social status or wealth. It is said that their selfless dedication to healing has helped to foster a strong sense of community and trust within the kingdom of Taishigang. The capital city of Taishigang is called Dzonggar, which means "fortress on the mountain" in the ancient language of the region. It is situated on a massive mountain peak that is over 4,000 meters high, with steep cliffs and a treacherous climb to reach the top. The city is built on multiple levels that follow the contours of the mountain, with each level connected by steep staircases and winding paths. The uppermost level of Dzonggar is the highest point in the city and is home to the Dragar Dzong, which serves as the administrative center for the region.
The Dzong is an imposing fortress with thick walls, ornate carvings, and intricate murals depicting scenes from Tonpa mythology. The upper level is also home to several important temples and monasteries that offer stunning views of the surrounding mountains. As one descends the mountain, the levels become more densely populated with homes and businesses. The middle levels of the city are home to bustling marketplaces, where merchants sell everything from spices to textiles to pottery. The lower levels of the city are home to workshops and industry, where artisans create beautiful handicrafts using traditional techniques. The city's buildings are made of stone and wood, with sloping roofs to withstand heavy snowfall. The streets are narrow and winding, with small shops and homes perched on the edge of the mountain. Each level of the city is connected by steep staircases and winding paths, making navigation through the city a challenging but rewarding experience. Despite its rugged location and challenging terrain, Dzonggar is a bustling city with a vibrant culture.
The people of Dzonggar are known for their colorful textiles, intricate woodcarvings, and exquisite metalwork. The city is also famous for its festivals, which are held throughout the year to celebrate the changing seasons, important religious holidays, and the city's rich cultural heritage. The military of the kingdom is composed of skilled rangers and guerilla warriors, trained to navigate the treacherous mountain terrain and to use it to their advantage. The rangers are experts in archery and hunting, the most famous regiment from Taishigang is called The Mountain Demons.
The Mountain Demons are an elite fighting force said to be established by the Lhakpa dynasty, the Mountain Demons only take the tallest of warriors some are said to reach up to 2 meters high, when one is chosen they go on a diet of carbs and protein to gain body mass, their training regiment consists of lifting heavy things and running long distances carrying heavy boulders, in battle they carry massive heavy weapons like hammers, clubs and sometimes even heavy metal gloves. Taishigang is home to the famous Druk-Lha Tsham, the Dragon-Tooth Forest, an expansive woodland that stretches across the western part of the Kingdom. The forest is named after the imposing mountain range that rises up from the trees like the teeth of a dragon.
The forest is home to a diverse array of flora and fauna, including towering pine trees, colorful wildflowers, and a variety of wildlife such as deer, foxes, and even the occasional black bear, streams and rivers flow through the forest in the summer, providing water for the plants and animals that call it home. Despite its natural beauty, the Dragon-Tooth Forest is also home to danger. Bandits and outlaws are known to hide within its depths, preying on travelers who venture too far from the safety of the nearby villages.
The forest is home to the village of Kulik a unique place where the houses are built high among the trees, the villagers live in beautiful treehouses connected by a network of wooden bridges that wind their way through the forest. The houses are made from local wood and are decorated with carvings of animals and intricate patterns. Some houses have balconies where the villagers can sit and enjoy the beautiful views of the forest.
The village has a central meeting place where the villagers gather to socialize and discuss village matters, the meeting place is just outside the only stone building in the village, the Lalimamandir, said to be a stone temple dedicated to the Dharmist God Lalima but repurposed into the home of the ruling Gurung Clan, the Gurung, saw similarities between Lalima and Caihong, who after a lengthy purification process instead dedicated the building to The Mother but kept the original name to honour the builders. The villagers are self-sufficient and grow their own food in small gardens and farms scattered throughout the forest. They also hunt and fish in the nearby rivers and streams. The villagers are known for their hospitality and welcome visitors with open arms, inviting them to stay in their beautiful treehouses and share in their way of life.
The people of the kingdom of Taishigang hold a special reverence for Caihong for it is her practical ways that help them survive the rugged terrain. The people of the kingdom have a rich artistic and musical tradition, heavily influenced by their connection to the land and the animals. They are known for their intricate carvings, woven textiles, and colorful paintings, as well as their haunting music and dance.
Khotesh
Khotesh is a kingdom to the west, most of it is located in a vast and arid desert, with small portion of the Kingdom located on grassy planes and snow-capped mountains. The kingdom is known for its rugged terrain, with towering sand dunes, rocky outcroppings, and deep canyons. Most of its people are former nomads who converted to the religion of Tonpa and settled in one place, but there are still some nomadic people who travel with their herds across the desert. The people of Khotesh practice religion fervently, with Tonpa's teachings serving as the foundation for their daily lives. Their art and architecture reflect the influence of the Three Gods, with intricate carvings and paintings of Tonpa and his disciples adorning the walls of many buildings in the kingdom. The kingdom is ruled by a powerful monarch who resides in a grand palace in the capital city of Khanbalik. The palace is a majestic structure with domed roofs and intricate carvings, surrounded by lush gardens and fountains. Despite the harshness of the environment, the people of Khotesh have a rich cultural heritage. They are proud of their nomadic roots, and many still wear traditional clothing and practice traditional customs. The former nomads who settled in one place have formed close-knit communities, and their hospitality to travelers is legendary. Its capital city; Khanbalik is a built upon the grassy plains of the hills to the east of the Kingdom. The city is situated at the junction of several trade routes, which has made it a hub of commerce and culture. Its walls are made of wood and earth, with watchtowers at regular intervals to provide defense against raiders and invaders. The city is known for its harsh and unpredictable climate, with hot winds blowing in from the desert and cold winds descending from the mountains. These winds collide over Khanbalik, creating powerful storms that batter the city every autumn and spring. The storms bring heavy rains, lightning, and hail, making travel and trade difficult during these seasons, it is said that the sun-showers that regularly bathe the city in this time are a meeting of the Three Gods as the Sun, Wind and Rain are all aspects of Caihong, Druk-Ta and Daiden respectively, people often dance in the streets when a sun-shower happens. Despite the challenges posed by the climate, Khanbalik remains a vibrant and bustling city. The streets are crowded with people from all walks of life, from wealthy merchants to wandering nomads. The city is divided into districts based on trade and social status, with the grandest buildings located near the center of the city. The palace of the ruling Khan is one of the most impressive structures in Khanbalik, with ornate wooden carvings and sweeping roofs that curve upward like the wings of a bird. The temple district is also a popular destination for visitors to the city, with a variety of religions represented in the many shrines and sanctuaries.
Khanbalik is not only a bustling hub of commerce and culture, but it is also a melting pot of different ethnic groups and cultures. One of the unique features of Khanbalik is the seasonal influx of nomads who come to the city a few times a year during the changing of the seasons. As the seasons shift from summer to autumn and from winter to spring, nomadic herders from the surrounding grasslands and mountains make their way to Khanbalik to trade goods, socialize, and partake in the city's offerings. The changing of the seasons is a time of celebration and renewal, and the nomads play an important role in this cycle. During the autumn season, nomads bring with them fresh produce such as fruits, vegetables, and grains. They also bring livestock such as sheep, goats, and horses to sell in the city's markets. In turn, they purchase items such as tools, clothing, and other necessities that they cannot produce on their own. In the spring, nomads return to Khanbalik with wool, meat, and dairy products from their herds. They also bring with them handmade crafts such as felt blankets, rugs, and clothing, which they trade for goods that will sustain them throughout the summer months. The seasonal exchange between the nomads and the city-dwellers is an important part of the culture and economy of Khanbalik. It fosters a sense of community and interdependence between the different groups, and it has been a tradition for generations.
One of the most interesting places in Khotesh is the town of Rokhala, a town carved into a towering sandstone cliff that rises high above the surrounding plains, the town's location is strategic, as it is nestled in a valley along a popular trade route, making it a profitable place for a settlement, the entrance to the town is a narrow, winding path that cuts into the cliff face, providing a natural defense against invaders. The town is built in a series of caves and carved out of sandstone, with buildings made from the same material, the structures are connected by narrow walkways, staircases, and bridges that cross over the canyon below. The town has a unique charm with its rustic stone architecture and winding passageways that twist and turn, creating an intriguing labyrinth of alleys and streets. The town has a diverse population, including traders, craftsmen, and mushroom farmers who make use of shallow caves to grow them in.
The town is home to a massive sandstone mining operation that exports sandstone all over the known world, sandstone from Rokhala is seen in the Confucian Kingdoms to the East, the Dharmist Kingdoms to the South and even the Caliphist and Mazdan Kingdoms to the West. Another interesting sight in the deserts of Khotesh is Altan Gazar, a bustling caravan that travels in harmony with the seasonal migration of a massive herd of Ibex, tents and yurts, woven from the finest camel and goat hair, are packed up and loaded onto sturdy pack animals as the city prepares to move to its next destination, the inhabitants are skilled in the art of packing and unpacking, swiftly transforming their temporary dwellings into a well-organized mobile settlement. As the herd of Ibex moves across the arid landscape, guided by the keen eyes of the city's inhabitants, the nomadic city follows in its wake, the city's layout is flexible and adaptable, with a central encampment for the tribal leader and their entourage, surrounded by the dwellings of other important individuals and their families. Water is a precious commodity in the desert, and the city relies on natural springs and wells discovered along the migration route, the inhabitants are experts in locating and utilizing these hidden water sources, carefully managing their usage to sustain their community and animals throughout their journey, rainwater is also collected during rare showers and stored in large containers for times when water is scarce.
The Ibex is an integral part of life to Altan Gazar, most adults carry a drinking horn made of Ibex horn, Ibex meat is regularly consumed in the spring with various spices found in the semi-arid grassy plains of their spring migration pattern, Ibex blood is sometimes drunk when water is scarce, fermented Ibex milk is a regular drink among the adults and Ibex skins are worn during cold winter nights. The city's architecture is designed to be lightweight and portable, with structures made of woven mats, reeds, and mud bricks. The city's inhabitants are skilled in constructing and deconstructing their homes as they move, utilizing locally available materials. Life in the nomadic city is intertwined with the rhythm of the desert and the migratory patterns of the Ibex. The inhabitants have a deep bond with their animals, particularly camels, which are used for transportation, milk, and meat. The city is a hub of trade and commerce, with merchants and traders from nearby towns and villages joining the city's journey, bartering for goods and services along the way.
The army of Khotesh is renowned for its hardiness and combat prowess in desert conditions. The kingdom has a long history of fending off invasions and raids from neighboring regions, and its army is specifically trained to operate effectively in desert terrain. The soldiers of Khotesh are known for their ruggedness and resilience, with many of them hailing from nomadic backgrounds. They are skilled in mounted combat, with cavalry units comprising a significant portion of the army. These cavalry units are particularly adept at hit-and-run tactics, using their speed and mobility to strike quickly and then retreat before the enemy can respond.
In addition to cavalry, the army of Khotesh also includes infantry units that specialize in desert warfare. These soldiers are trained to navigate harsh terrain and extreme temperatures, and they are equipped with light armor and weapons that are well-suited for the desert environment. They are skilled in using terrain to their advantage, and are adept at setting ambushes and launching surprise attacks. One of the unique features of the Khotesh army is their use of desert animals in combat. The kingdom is home to a variety of animals that have been domesticated and trained for military purposes, including camels and falcons. Camels are particularly useful in desert warfare due to their ability to traverse long distances with little water, and they are often used to transport soldiers and supplies across the harsh desert terrain. Falcons, on the other hand, are used for scouting and reconnaissance, and are trained to locate and track enemy troops.
The most famous army regiment of Khotesh is called The Scorpions, they are renowned desert survivalists and lone assassins, but in times of battle they are called upon to form a vanguard for the ruling Khan or Khanum, alone they are formidable but as a unit they are immensely dangerous, they are expert hand to hand combatants and excel at short, light weapons like shortswords and javelins. Another famed regiment of Khotesh is called The Hailstones, they are a Camel cavalry unit who use shock cavalry tactics, their camels have two riders, a spearman on the front and an archer on the back, the camels are bred to be massive to carry out such a feat, the spearman on the front charges into infantry lines with the spear and then turns away from the enemy to line up another charge while the archer on the back fires into their ranks, it is a very effective tactic that has won many battles.

Once upon a time, there was a man named Bob who was curious about taking LSD. One day, he finally decided to take the plunge and try it out.
At first, Bob felt like he was on top of the world. Colors were brighter, sounds were louder, and the world seemed to be alive with energy. However, things quickly took a turn for the worse when Bob decided to go for a walk in the woods.
As he wandered deeper into the forest, Bob started to lose his sense of direction. Every twist and turn looked the same to him, and he soon found himself completely lost.
Despite his confusion, Bob remained calm and tried to think rationally. He remembered hearing stories about how LSD can make people see things that aren't really there. Perhaps his hallucinations were making him think he was lost.
With this new perspective, Bob set out to find his way back to civilization. He walked confidently in the direction he thought was the right way, only to be thwarted by a tree that he was sure wasn't there a moment ago.
Then, he saw a squirrel in a tree that was talking to him. Bob was sure it was his friend trying to help him out of the forest.
"Hey, little buddy, can you help me find my way back to my car?" he asked the squirrel.
The squirrel replied in a thick Scottish accent, "Ah, sorry mate, I cannae help ye there. Ye're lost in the forest of no return."
Now thoroughly tripping, Bob began to panic. He couldn't find his way out of the woods with the help of his squirrel friend.
Suddenly, a group of wood nymphs appeared out of nowhere and burst into song, "You're lost in the woods, you're lost in the woods, and nothing can help you now!"
Bob closed his eyes and hoped that when he opened them, he'd be back in his car. When he finally opened them, he was staring into the eyes of a park ranger.
"You okay, buddy?" the ranger asked, holding out a hand to help Bob up. "We've been looking for you for hours."
Bob was relieved to find out that the whole thing had been a hallucination. He stumbled back to his car, vowed never to take LSD again, and thanked his lucky stars that the park ranger had found him before the nymphs could start singing again.

Hello. I've recently been considering the possibility that I'm an 8 - the type would explain a lot of my traits. For example, one of my biggest problems is that I'm too stubborn, blunt, argumentative, and care too little about what people think - after so many years, my type 2 mother still doesn't understand me one bit. I've burned a lot of contacts via "offensive" humor and not pretending to agree with someone. I'm not going to insist on arguing about everything I have a different opinion about, but I have no intention of blindly nodding along, either.
I am very opportunistic - when I want to have a sword fight with meter sticks, I yell out an invitation at random. When people repeatedly butt into private conversations or give unsolicited opinions, I have no issue yelling at them to mind their own business. My type 1 and 6 friends are the ones who have to remind me I can't joke about slurs in public spaces, or whatever other stupid shit I've started doing. It may just be because I'm Fe-inferior, but taking social harmony into consideration when I do things does not come naturally to me. I just say and do whatever feels right in the moment.
I'm practically allergic to close authority and micromanagement - being a child, who's expected to follow orders from and be managed by adults, has always been hard for me. It genuinely starts driving me crazy after a while, and when arguing back doesn't work, I flee.
The things that keep me doubtful

I am not very energetic and definitely not a workaholic. When I see an opportunity to have fun, I chase it aggressively, but otherwise, I'm perfectly happy chilling at home eating pringles, and everybody who knows me well considers me "an introvert who just happens to not be shy and is slightly obnoxious." I definitely don't fit the definition of those 8s who can't sit down for two minutes and need to constantly l i f t. As for the workaholic thing, when I actually care about it, I am very hardworking, but if I don't, I only put in minimum effort. All my friends considered me lazy until I started learning law, at which point they asked me if I was on drugs or something because I wouldn't stop working on it. But otherwise, I put in minimum effort. I'm not interested in things just because they're practical and have several nerdy, useless hobbies. I'm also not as sensory or impulsive as most 8s seem to be - sure, I have my moments, and I do fall victim to my own impulses sometimes, but, again, I am also perfectly happy to drink tea and watch a sunset.
I avoid over-expressing anger. When something annoys me (or, worse still, pisses me off), I definitely make a scene out of it to whoever will listen, but I have only lost control over my anger once, and even then, it was just me genuinely yelling for a moment. I think that a lack of control over anger makes people look pathetic and over-emotional and I avoid it at all costs.
I don't come off intimidating when people first speak to me. From a distance, people have told me that I do actually look quite scary because I'm tall, walk fast and in big strides, dress in dark colors, and because I have a chronic case of resting bitch face. But I am actually very friendly when people start speaking to me, love to joke around and laugh at the world. I still come off somewhat "dominant," but I have no interest in being unpleasant for no reason, and even if the person were to offend me, getting my panties in a twist would just make me look emotional. I prefer to just diss them and walk away with my integrity intact.
I have little interest in defending the weak. Something I often see come up in type 8 circles is them wanting to stand up for people who are less assertive than them. I don't experience this at all. If it's someone who inherantly can't help themselves, like a child, then I am very sympathetic to the situation, but if it's a grown adult who can't even say no to an invitation, I feel no sympathy and just consider them pathetic. I'll still respect them if they make an active effort to stand up for themselves, but otherwise, I have no interest in doing their job for them.
Temporary displays of my own weakness don't bother me that much. I rarely ever cry in front of others and keep my feelings to myself if they're not joy or anger (and even the former is toned-down to prevent me from looking naive or over-enthusiastic). However, I have cried in public a few times, and I've never really dwelled on it. I feel a little embarassed, I make a joke out of it, and then I move on. I've also shared stories with my best friends of more vulnerable moments. I didn't really feel much of anything. Not cathartic and not ashamed. Just neutral. What I'm really worried about is that I'll consistently come off whiny, helpless, and naive to others.
I am quite introspective and emotionally-aware. I have no issue dwelling on vulnerable emotions - I just hate sharing them with other people.
I am not physically-aggressive. It might just be because I'm female and have arms like wet noodles, but all my assertiveness comes from my words - I could only ever have a friendly fight with fellow females without getting my ass kicked immediately.
I'm not interested in controlling people. I like being a leader for short bouts of time, but what I truly want is not control others and to not have them control me. I like fantasizing about running off into the woods and living independent of society and its laws and social norms.

Any thoughts? The arguments and their counters are both pretty convincing to me.

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Balae and Kieren managed to compose themselves before Aya had a chance to speak.

“Excuse us, excuse us,” said the older merchant, attempting to straigten his robes, “yes, yes, I certainly know that house symbol.”

“What is it? What’s wrong?” Aya said, terrified that she’d caused some great offense to this friendly man.

“Nothing’s wrong my dear, it’s just…” Balae began, his eyes trailing toward the device in her hands.

“You carry with you a personal sygil of a house, young lady,” cut in Kieren, “that’s synoptic bronze, and might very be centuries old. It’s priceless.”

“That’s why we were so shocked. It’s not something you simply give!” laughed Balae, although it had a nervous edge, “your mother must’ve been treasured by her family to receive something that precious.”

Aya’s hand retracted slightly, holding the bronze close to her breast, and thinking about the expression of her mother when she’d handed it to her. Had she known it was that precious, she would’ve been more careful with it. Thank the Lost that she’d not lost it in the river when she fell in under the earth.

“Well, my friend,” said Balae, “I think we can be of some aid. However, the city canals are blocked off in preparation for the festival. And I don’t doubt the house of your mother is up to the gills with work! It’d best be settled in the morning when everyone is fresh and rested. Have a good evening, and we can absolutely find them in the morning.”

“Of course,” Lillian said, “thank you so much. Aya, please, if you would.”

“Thank you,” she said, offering a little bow as she was carted away.

“Think nothing of it!” they called to her, as they were taken to another exit from the pyramid.

They were lead up a wooden stare case, into a series of apartments. It was a very strange building, with only a few solid central walls. The rest of the rooms were made of sliding panels of wood and paper. Every room had mats of interwoven reeds that softened the step and warmed the floor.

The place they were led was a partition of two separate rooms, one for the girls, the other for men. There was a large, covered bed that Lillian insisted that Sorore and Aya take, while the housekeeper promised to send for additional blankets for her. As soon as they were alone, the paladin took Aya by the hand and looked her sternly in the eye.

“It wasn’t wise to do that,” she said, “to present your family’s sigil.”

“Why not?” Aya asked, genuinely confused.

“We’re only planning to be in the town for a few days, nothing more,” Lillian said, “whatever reunion you might have would be short, and would likely only serve to complicate matters more.”

“What?” Aya said, holding Lillian’s gaze firmly, “what do you mean ‘complicate’ things? I want to see my mother’s family while I’m here. Why would it matter if it was only a few days?”

“I’ve said my piece,” Lillian said, letting go and turning away to strip her heavy plate.

“No you haven’t,” said Aya, grasping her firm shoulder and attempting to turn her around, “look at me. You’re not telling me something.”

“I have told you everything you need to know. Now, I suggest you get some rest,” Lillian said, removing one shoulder plate and setting it carefully down on the ground.

“Why are you avoiding the question?” she said.

The paladin said nothing, and Sorore stepped forward to sooth the girl.

“Come on,” she said, “let’s prepare for bed. We can talk more about it in the morning, when we’re all less tired.”

She and Aya washed and dried themselves, in basins provided by the housekeeper. She was careful to note that towels were made in Nieth, hand embroidered and used in their great baths. Sorore was first to crawl under the light covers and settle in, turning towards Aya.

“Come on,” she said, reaching out for her in a playful way, “sleep will make things better. It’s so nice having an actual bed.”

“I… don’t feel tired,” said Aya, “I think I’m going outside. Just to the balcony. Am I allowed to do that?”

She gave a sharp look at Lillian, who was in the middle of addressing a cut along her side that had opened.

“Am I going to have to run after you?” she said, returning the look.

“No. Unless the balconies are going to kill me,” retorted Aya.

“Then you may,” she said, turning back to dress her wound.

Aya pushed open one of the sliding panels, walked across the hallway, and opened one of the doors to the balcony. The air here was so delightfully warm, even in the middle of the night. The mountain air was chilly even in the height of summer. The balcony was large, running across the entire length of the floor that she was on, with a solid railing running across it.

She was glad for the railing as she slid her thin legs between the slates, looking out at the dense city before her. Her eyes carried her out towards a cloudless sky, where the moonlight glittered on the dark waters of the sea beyond. The only thing that broke it up was the thousands of vessels of various sizes, whose lamps cast a warm orange glow across the water.

She lay her head on the top of the railing, closing her eyes and letting the breeze flow over here. Even the salty smell of the waters beyond and below was comforting in a way the mountains had never been. There was something deep within her that called to this place - it made sense that her mother had come from this place, and had seemed so out of it in the mountain village.

She wondered what exactly her family was like here, and what they did. Her grandmother was a chief, or was - perhaps she was retired to happy family life now. She imagined a kindly woman in the recesses of advanced age, all wrinkles and grey hair, sitting back in a chair by the fire. She would tell stories of all the happenings of the city, and all the mischief that she’d gotten up to in her youth. Perhaps she’d even take the time, weary as she was, to cook with Aya, and share secrets that had taken a lifetime to accrue-

“Hi,” came a voice, as something sat with a thump besides her.

Her eyes flickered open at the interruption, and there was Frare, his red hair dark in the evening.

“What are you doing here?” she sighed, closing her eyes again and trying to get back to that dreamlike state.

“Got bored. Niche is boring,” he said with his now familiar bluntness, “besides, I don’t like being in those rooms. Too small. I always preferred being… out.”

“And why are you talking to me?”

“Because you’re not boring, most of the time.”

“Thanks,” she said, opening her eyes once more, knowing that the tranquil calm she’d felt was permanently shattered.

“You’re welcome,” he said, either oblivious to or ignoring the sarcasm.

There was a silence for a time, broken only by Frare kicking his feet against the balcony.

“So, why do you think they’re all lying?”

“What?” Aya said.

“The paladins, the trader, they’re all lying,” he said, with perfect confidence, “it’s obvious.”

“Lying about what?”

“You think they were surprised at the device? Nope. That was quick thinking by Kieren. They only reacted after they saw the sigil. So, they were terrified because of who your family is.”

“Oh,” said Aya, the doubts in her head falling into place with the words.

“You didn’t notice. Well here’s another thing,” Frare said, clearly pleased with himself, “Lillian was panicked as soon as you started asking about your family. It was written, all over her face, plain as day.”

“Really?” she said.

She’d known Lillian wasn’t telling the whole truth, but she’d not had the chance to look at her during the exchange with the merchant.

“Yup,” Frare said with a grin, “so she knows, or suspects, that your family is trouble.”

“Huh,” she said.

“Not the first time that she’s kept stuff from us,” Frare said, “I think she pretends to be stupider than she really is.”

“Well, there’s no point to it,” Aya said, closing her eyes once more, “we’ll settle it in the morning.”

“You really think so?” Frare said, tapping his feet on the balcony struts.

“You doubt the hosts?”

“Oh, absolutely. Would you leave it to the morning if you were them?”

“So, you think that they’ve… what?”

“Well, from the way they reacted, it sounds like your family’s cursed. Wouldn’t be surprised if they tried to kill us.”

“What?!” Aya said, her eyes snapping open to try and detect any sense of sarcasm from the boy.

She found him still grinning, but not in a way that suggested that it was humorous.

“That’s ridiculous,” she said, raising her head, “they’re our hosts.”

“And the paladin’s are supposed to be protectors. What kind of protectors lie to their wards?” Frare shrugged.

Aya found that she had no good argument to that, though she did try.

“Although, maybe I’m wrong,” he said, “perhaps tonight, perhaps tomorrow, we’ll see soon enough I suppose.”

“You seem to be making an awful effort to be careless,” she said, noting his dangling feet’s persistent effort to tap out a whole song on the struts.

“I don’t care,” Frare said, “it’s just the way things are.”

“Uh-huh,” she said, “if that’s so, then why did you not bring it up to the paladins, or your sister?”

“What good would it do? With the paladins, they’d just refuse. As for Sorore…”

He looked down at his feet and kicked them harder, as if trying to drive off doubts.

“She gets worried easily,” he said, “I wouldn’t want to make her upset.”

The insight, quite unannounced nor predicated on any physical sight, plopped right into Aya’s head.

“I don’t think you’re talking about your sister,” she said, looking at the boy with renewed interest.

“What? Of course I am. I said ‘Sorore’,” he said.

There it was, the nervous flit of the eyes, subtle, but definite. How could she not have noticed before? It was plain as the nose on his face.

“Oh really?” she said, “then tell me, if things are just the way they are which you certainly don’t care about. Why are you trying to explain them to me? Why even bother, why not just go to bed, and skip the boring parts?”

Frare faltered, just for a moment, but it was enough to seize upon.

“Maybe it's because you’re afraid of the dreams?”

Right on target. His eyes fell, the kicking grew louder, and his fingers began to twitch ever so slightly.

“Well,” he said, “there’s also that.”

Aya blinked - she thought he would bluster, would deny, and yet here he was giving it all up without a fight. Her emotions melted from annoyance and jeering if playful conflict, to a sense of solidarity.

“Yeah, there is,” she said, running her fingers through her hair, “I had one this morning. It was like, an endless lake, mirroring the sky. And there was something big in the water, circling me. It almost… said something, I think.”

The boy was silent for a moment, trying to piece together something to say.

“I did too,” he finally spoke out to the world, as if it was some shameful secret.

“Do tell,” she said, yawning.

He looked at her, and she could see a genuine pang of fear.

“It was a tree, a big tree, bigger than this house, than this entire city,” he said, “its bark was… just… drenched. Red, red everywhere. Waterfalls across its whole length. There was the sound of weeping, from within the tree, so I went closer.”

His face was hidden in his hands.

“I tried to push into the tree, tried to find the voice,” he said, “I got covered, then I realized… it was all blood. The red.”

The boy was trying to choke back a sob at the word ‘blood’. Aya, unable to stop herself, reached over and pulled him into a hug. Quietly, terribly, he began to cry, his shoulders shaking in her arms. They stayed like that for a good few minutes, even after he’d managed to calm himself.

“I’m sorry,” he suddenly said, pushing her away, face burning with shame.

“No, it’s okay, I-” she said, reaching for him as he stood.

A hurried ‘good night’, and he vanished into the corridor before she could stop him. She sighed, and looked out once more to the moon and the silver sea. It was a moment before she realised that a pale light was bleeding through her arms. There was no pain, nor disorientating visions, only the steady pulse of thin lines, etched into her skin.

“Why are you doing this?” she said to the lines, hoping against hope that there might be a response.

There was nothing. Figures.

“I should go apologise to him,” she said, leaving ‘and check if he’s okay’ unsaid to the air.

“She be fine, she always is,” said a voice from behind her.

“Who said that?” she practically shouted.

She whirled, finding only Lillian there with a surprised expression.

“I didn’t say anything, my lady,” she said, looking around.

“I thought I heard… never mind, it was some errant wind I guess,” she said quickly.

Lillian shut the sliding door behind her as she came to sit beside the girl. She looked uncomfortable without her armour on, as if it was a second skin that had simply vanished into thin air. Still, she kept a short sword at her side, along with a significant knife. Aya had no doubt if they experienced any interruptions tonight, a threat would find her just as dangerous as with full plate.

“My lady,” she said, “I feel as if I owe you an apology.”

Her annoyance returned, hotter than before.

“Well? Get on with it,” she said.

“I feel… I feel as if we’ve gotten off on the wrong foot,” she said, her smile weak, “afterall, even I forget that we only meet… my word, less than a week ago. We hardly know each other, and I took you from your home, farther than you might’ve ever been.”

Aya waited for her to continue, her own feet beginning to drum on the struts.

“I know that I seem secretive and unresponsive at times,” she said, “I do withhold information that I think would be harmful to you. Things I don’t think you need to know, and might cause you grief. Others have done the same with me, and I can understand if you begrudge me that.”

“Well, if there’s to be a new spirit of honesty between us,” Aya cut in, with a little more searing sarcasm than she meant, “tell me two things. Just two.”

The paladin nodded.

“One, why did you panic when I talked about my family?”

Her face twisted as she tried to process the question.

“The commander… he warned me that you had a family in Karkos. A wealthy one,” she said, “I don’t know how he would know, but… that’s what he said. He advised me that it would be wise, to avoid complicated the situation further. I agreed with him. What if your family tried to keep you here?”

Aya felt her annoyance give way to astonished fury.

“You- The commander-” she said, “you tried to keep me from my family?”

“I recognize that- It sounds worse than-”

“It sounds worse than it is?!” she said, her voice rising, “You lied to me, tried to stop me from asking? Why? To make it easier on you?!”

The paladin was clearly regretting her attempt to make peace. She raised her hands, trying to placate the anger girl, but there was no stopping Aya as she shot to her feet.

“What about me?” she cried, “did you even think about what I wanted?”

“I-”

“And two!” she said, pointing an accusing finger at the paladin, “what’s the dirty secret you won’t even tell Niche about? The one about how you were sent to the far north with only a handful of soldiers.”

Lillian’s face went white with shock.

“How could you possibly-”

“You think we’re deaf? Do you think we’re stupid?” Aya practically screamed.

She could hear rustling inside the house, perhaps Sorore or Niche were rousing at the noise. She didn’t not care one whit about it.

Lillian’s face was cold, focused, steeling itself from the onslaught of words.

“What I do is to keep you safe,” she said, pulling herself straight, “it is my duty, and my honor.”

“Safe from what? Doubt?!” Aya said.

Anger. Anger was a catalyst. Anger was Emotion. She wanted Lillian to go away, to leave her alone to find her family. Something crackled in the air, something snaked around her shoulders, whispering in her ear. Aya was beyond using just words.

“My lady,” said Lillian, looking at the scars of pale light opening on her hands and forearms.

Before the power that was building up could be released, in what form Aya couldn’t guess, the door was thrust open. Distracted, the pair looked to the newcomers, and found a tall man in brass armour studded with pearls and seashells.

“Lady Aya?” he said, looking directly at her.

“Who are you?” she said, her rage momentarily forgotten.

“I am captain Hilario Dominata,” he said, with a small bow, “of the legion of sea and salt. I have come to retrieve and escort you to the Eisen estate, on orders of your grandmother matriarch Aysatra.”
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