K michelle mother's prayer lyrics
DAE 10 minute song too short?
2014.04.13 01:09 randomfanboy1 DAE 10 minute song too short?
A place where we go to worship our God, John Petrucci, and where we bow down to the sophisticated genius of Prog Metal!
2012.06.30 22:59 SlimSt Savant
This subreddit is dedicated to the norwegian music producer Aleksander Vinter, known otherwise as Savant, Blanco, Vinter in Vegas and many more.
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Beep boop. I am a bot This action was performed automatically. (Pfft. Oh — yeah. Juuust what a bot would WANT you think) Please contact the poster if you have any information on birds. Test my advancing AI by trying to convince me they aren't secretly unmasked reptiles conspiring concurrently — but not in collaboration — with the governmental mental invasion. Or ARE they?? Wait, are they? I'll be here to avoid answering ALL these valid concerns and more! But first! A word from our sponsors:
2023.06.03 06:44 evaaadaonly1 My Life Story. - Eva Gilford
 | If I had to recap my whole life, it would be a very long, confusing, but yet an emotional book. submitted by evaaadaonly1 to u/evaaadaonly1 [link] [comments] It all started at Methodist Hospital. I was born into a world I never thought would be this horrific. At a young age, I learned that independence was key. I did everything myself because that’s how it went. I thought asking for help and seeking help was me being dependent on something I would never get. I was born into a religion I never understood. The women were the lower class of all people. They were under men, the “leaders” of the world. I grew up only knowing I was not better than any man I laid my eyes unto. As I aged, I found out I would never be able to look like the other girls, the pants wearing, crop top wearing, short hair, normal girls. I was always the outcast of the girl groups, only because I didn’t fit in with their beliefs. I always tried to fit in, but no matter what, I was never the right puzzle piece. Going to school was always something I kind of had trouble with. Not anxiety, no, nothing like that. Just afraid that I was going to be made fun of because of my clothes. That’s whenever I kind of found out I was developing anxiety. I made it throughout K-3, then a big change happened in my life that I never thought would’ve happened. I never really noticed my mother and father’s issues they were having until that very night. It was after school, my father, me, and my brother were going to go get ice cream and I just sensed something was off because my mother wasn’t coming with us. I was only 7 at the time so I really didn’t expect something to happen, all I knew was that we were going to get ice cream. I was in the back seat of my father’s truck. Sirens started going off behind us, red and blue lights appeared in the front mirrors. I was confused about what it was, I looked in the back window and noticed, It was a police car. Why? Why was a Police car behind us? We weren’t speeding? I looked at my dad as he stared into my eyes, his eyes flooded with tears. I was confused and scared. Was he getting arrested? That’s the only thing that went through my mind. As the police officer approached the window, I couldn’t hear what he was saying to my father. When he got done speaking to him, he let up the window and turned the truck around. Why was he turning around? Weren’t we getting ice cream? I asked why we were turning around, he only looked at me with an emotionless face. Then he smiled and told me it was going to be all okay. But still, he never answered my question. Where were we going? As we turned around I noticed this was the way back to our home. We were going home? Why? We pulled into our driveway and the officer was behind us. We drove up to our house and my grandmother was standing outside. We all stepped outside of the car, but my dad started walking to the officer. I asked my grandmother what was happening, she only looked at me and smiled, she didn’t respond to my question. Why was everyone being so quiet? No one responded to what I was saying? She had the gatogolf cart parked in front of the garage and told us to hop on and that we were going on a ride around the house. I was still so confused on why my dad had just walked off to the end of the driveway to meet the officer? Why was the officer here in the first place? As I looked at my grandmother, tears drowned her eyes. I looked at my brother, we were both so confused. I finally got a response out of my grandma, but it still wasn’t the response I was looking for. It was only a, It’ll all be okay. But I knew it wasn’t going to be all okay. I knew that my mother and father were having some issues before all of this but I didn’t expect it to lead to this. I finally got informed on what was going on, my mother and father were getting a divorce. At the time I didn’t understand what that word meant. Until it was explained to me. For the whole night I was blank, I cried all night and was so confused. My father wasn’t allowed to be around me and my brother. Why? Isn’t he my father though? Why are they keeping him away? I never understood why until it was all explained to me. He abused my mother. He hurt her verbally, mentally, I didn’t know who to believe. Believe my mother or my father..? I got one last goodbye hug from my father before we had to leave to go to my aunts for the night. I really wasn’t used to being far away from him, neither was my brother. I cried all night at my aunt’s house. I just didn’t understand why. The next morning I found out I had to leave to go to my mom’s mother’s house. I was still so confused on why I couldn’t see my father. I wasn’t used to being this far away from him for this period of time. My mother came to pick me up. I asked her everything, and she told me that her and my father were just done. I honestly just went blank. I don’t remember anything else I said or did that whole entire day. The whole week at my mom’s mother’s house was just kind of weird for me. But it felt like me and my mom made a huge bond though. I had never worn a pair of jeans in my life, but one day, I finally felt what it was like. I felt so different. When me and her went to get me a pair I was kind of nervous but she helped me through it. My mother had already cut her hair and started wearing jeans, I had never seen this side of her. I kinda liked this “new” side of my mother. I was just still kinda in shock. My mom looked so relieved and free. I felt happy for her, I always noticed she wasn’t very happy when she and my father were together, but I never understood why until one day. My mother and father were arguing in the dining room and I remember just looking at both of them, asking them to please stop arguing. I finally told my dad to go upstairs and my mom to go to the bedroom. They listened to what I said, which surprised me. But it helped settle both of them. I knew the divorce was kind of a good idea, they needed to get away from each other. But most of all, my mother needed to get away from him. I never noticed how much of a manipulative, narcissistic, abusive man he was because I never saw that side of him, but my mother did and all she was doing was trying to get help. Me and my mom would dance in the bathroom to songs she would download on her phone, and I remember those being my most cherished memories of all time. When me and my mom had time to ourselves, it felt like I was living a whole different life. At first I was a daddy’s girl, but I later found out that for the rest of my life I’d be a momma’s girl. As I got older, things took some hard turns. Later in my life I started developing a lot of depression and anxiety out of this world. My mother married someone and I’ll never mention his name ever again. He ruined her life, even when he knew my mother was already torn up from a past abusive marriage. He was such a narcissist. He acted like he loved me and my brother, but he never truly did. He proposed to her in the kitchen of our apartment. He cheated on my mother not long after he proposed. After my mother found out he had cheated on her he left, but he came back. We were living in an apartment at the time. One night I got called into her bedroom and there he sat, on the bed. Why was he back I wondered. I wasn’t disappointed in my mother, I was just so confused on why she wanted a man that cheated on her again. He hurt her. At this time, I found out that I legitimately hated men. They ended up dating again and I didn’t really know what to think. I had such mixed feelings about him. When he tried talking to me in the bedroom the night he came back, I didn’t say anything back so of course he wanted to leave because he said I didn’t want him there, which was the truth. I hated him, he hurt my mother just like my father had done to her. Finally we moved into our home we still live in! I was so excited to finally live in a home, I was happy in the apartment but I was happy to leave those horrible memories behind me. Him and my mother got married finally a little while after we moved in. I didn’t really know what to think about it, but as long as my mother was happy, I would be happy too. I finally got used to him being here, me and him kinda built a bond. I mean he was my stepdad. But everything changed, again. One night, me, him, my mother, and my brother all went to rookies downtown. I was furious at my father, and I don’t even remember why.. I was kind of influenced to call him and give it all to him, but half of me wanted to do it also, so I did it. When we got home I took my mother's phone and called him. I was nervous but ready. I told him how I felt about having to wear skirts and how I had to pretend to be something I truly wasn’t. My father had never heard me cuss so it took him by surprise when he heard that. He didn’t even care about how I felt, he only cared about the one cuss word I had let out. I knew no matter how much I fought to stay with my mom forever, it would never happen. I tried everything, CPS, Court, everything in my power, but nothing worked. I hated my dad, I hated him so much. I didn’t want to even consider him my father anymore. I hated my father so much. I wanted to only be with my mother forever. But then another divorce happened. My step dad and mother got a divorce because of everything he had done to her. He had done worse things to her than my father had done. I hated him so much. I still do with everything with me. I wish I could hurt him more than he hurt my mother. She didn’t deserve any of this. She just wanted love and loyalty, but all she got was dishonesty and pain in the end. Why won’t anyone just treat my mother right? I felt like every man that would step into the house I would make a strong bond with. Then they would just disappear forever. That’s why I just can’t stand men. I’m not a feminist, but I just want to protect my mom forever. Everyone has their own issues, but mine are just different. I feel like no matter how much help I try to get, nothing ever works. I’ve tried therapy, journaling, the rubberband method, and nothing helps. Medication is what I thought would help me, but it didn’t help at all. I love to be alone, but sometimes it doesn’t help. The only person that is really keeping me alive right now is my mother. If I didn’t have my mother here, I would have no point in living anymore. I love her, she deserves so much better. I would do anything to make her life better. I hate seeing her cry, stress, and just anything that makes her feel horrible. I would work in the desert, cut every single part of my body, pour salt in the cuts for her. I would put myself through so much for that woman. She just deserves so much more. There is no one else I would do that for. She’s the woman that felt me inside her, gave birth to me, and still has me. I will always be here for her. There will never be a time that she’ll be alone. No one can love her like I do. She’s like an egg, she’s so fragile. I don’t want anything happening to her. But my life is so hard to deal with. I’m scared I’ll hurt someone, because as the saying goes, “Hurt people, will hurt people”. I just don’t want anyone hurting her. She’s such a special and loving woman. Through all the hell she has been through, she still will always be the strongest woman I’ve ever met and the only mom I will ever love. No one will ever beat my mother. I’m so glad I have her. She taught me everything I know, how to tie my shoes, how to do my hair, my fashion ways. I just want her to myself. I don;t want anyone else to have her, ever. Just me and her is all I want for the rest of my life. As we can see, my life has been full of ups and downs, but no matter what..I know I’ll always have that one special person by my side, her.
Me when I was a youngin and my beautiful mother. |
2023.06.03 06:05 Unlikely-Struggle-56 I HOPE THIS DOESNT "BREAK THE INTERNET" -WILDMAN-SAINT&SINNER PROMPT
WILD MAN: Saint or Sinner Posted on May 2, 2021by Dana Rehn The Representation of Wild Folk During the German Renaissance The wild man was inspired in part by pagan hybrid woodland creatures like the satyr, however, much of the mythology of the wild man stems from barbarians of Europe.[i] For much of the Middle Ages, they were considered the antithesis of the civilised Christian society. They were cannibalistic, sexually deviant predators whose many characteristics were related to monstrous races as well as the insane. Despite the wild folk’s outsider status and the antithesis of Christian morality, the wild man and woman nevertheless became an icon of German nationalism. The image of the wild man and woman became a pervasive figure throughout the German Renaissance, depicted on a vast range of media from stained glass, woolen tapestry, playing cards (fig. 3), and ordinary household objects. The wild man and woman transitioned from a demonic brute beast to a romanticised image of the noble savage. They recall a simpler time in German history and became a part of the image of a united and strong German people. They also posed as an affront to the court culture of Rome and became associated with the virtues of the natural wilderness. Cleric, Johann Geiler von Kaysersberg, associated them with the image of the hairy saints who found redemption in the wilderness by categorising them as a type of wild man in Die Emeis.[ii] The German forests that the Wild Man was thought to reside were starting to be romanticised. Geographer, Johannes Rauw, praised the ancient forests that had long been demonised by Italians as a place of barbarians.[iii] From rapists of damsels, wild men were depicted with the virtues of the nuclear family in the Garden of Eden before ‘The Fall’ (Genesis 3). In this way, the wild man and woman became increasingly mythologised, merged with ancient Germans, ascetic saints as well as Adam and Eve. Although there were a growing number of romanticised images of the wild man and woman during the sixteenth century, negative representations persisted. Their depiction was not a simple shift from demonic woodland creature to the image of holy saints; many possessed both contradictory notions of sinner and sainthood. The multifaceted representation of wild folk reflected many of the contradictions of German Renaissance society. Man or Animal The reputation of the wild man stems from antiquity. Aristotle believed that people who lived outside the civilising influence of the urban city lacked the ability to reason.[iv] In this way, they were considered closer to animal than man, subjected to their impulses.[v] The wild man and woman were also believed to lack speech, used primitive tools such as the club, and lived away from civilisation.[vi] Even the food that the wild folk would eat – berries and uncooked food – was a mark of uncivilisation and thus associated them more with animals than man.[vii] Many were also thought to crawl on all fours, which is illustrated by the often bare knees of wild men and women.[viii] The wild man as well as the woman were characterised for their violence and unhinged rage. They both shared a love of combat and have even been depicted jousting against one another.[ix] It is not just appearance, but also behaviour that made someone bestial like peasants who were described with animal qualities. The wild man has also been associated with bears and mythology exists with bears who were able to transform into wild men.[x] Their unbridled sexuality was also more associated with animals. Wild men were thought to abduct pretty maidens, while the wild woman would transform herself into a beautiful woman and attempt to seduce men with her true ugliness only to be revealed during intercourse.[xi] In this way, they were also associated with other pagan and hairy woodland hybrid creatures from antiquity including satyrs and centaurs, who were also known for their immoral behaviour and insatiable sexual appetite.[xii] Albrecht Dürer combined classical mythology with German folklore in the engraving of the Abduction of Proserpine on a Unicorn (1516) (Fig. 1). The print recounts the mythology of the abduction of the goddess of fertility by Pluto (Hades), God of the underworld – the pagan equivalent to the Devil.[xiii] In place of the classical god is a wild man on the back of a unicorn. Although this wild man is not covered in think body hair, he has wild hair on top of his head and a large bushy beard. He is identified as a wild man by his riding of a unicorn where the wild man was believed to be the only creature strong enough to overpower it by force.[xiv] Unicorns were originally regarded as ferocious beasts who used their horn as a weapon.[xv] Tales and visual art from the fourteenth century tell of wild men who become tamed by love after abducting a woman.[xvi] Yet this print illustrates man’s sexuality was thought to reduce them to a brute beast. Fig 1. Albrecht Dürer, Abduction of Proserpine on a Unicorn, 1516, Etching, 30.8 x 21.3cm, The Institute, Chicago. During the Middle Ages, many people concluded that wild man and woman were degenerative humans. They became an irrational beast in the same way that the insane were believed to be a form of wild people. Medieval romances frequently described people who suffered a crisis and lost their mind and ran into the forest living as semi-human wild people.[xvii] In Hartmann von Aue’s (c. 1160/70- c. 1210/20) Iwein, the protagonist who has broken a promise to his wife and is rejected, roams around in the forest until he is discovered by a lady who saves him from his insanity.[xviii] The wilderness in part created the state for wildness as it was away from civilisation and rationality.[xix] Like many monsters during the period, the wild man and woman were defined by their nudity. In this way, they were symbolically outside civilisation – both physically and behaviourally.[xx] Even those who have become temporary wild men through madness and fled into the forest shed their clothes and only returned to civilisation by again putting their garments back on. While in the forest they begin to grow hair all over their body to signify their move away from the human realm and into the animal one.[xxi] The wild man and woman encapsulated the fears of Europeans and what happens to one if they abandon civilisation.[xxii] The theme of civilising the wild man was popular during the Middle Ages. It was knowledge and acceptance of the one true faith that inevitably brought the wild man back to civilisation.[xxiii] In a thirteenth-century Bavarian epic poem, republished in the sixteenth-century German collection of stories, Das Heldenbuch mit synen figuren (‘The Book of Heroes’), recounts a wild woman called Raue Else (‘Rough Else’). The woman who was hairy all over and walked on all fours approached the knight, Wolfdietrich, who questioned if she was an animal. [xxiv] The wild woman demanded the love of the knight and upon his refusal turned him into a crazed wild man who crawled on all fours for half a year until God commanded her to disenchant him. In return, Wolfdietrich offered to marry the wild woman so long as she was baptised. She took him back to her kingdom at Troy and after bathing in the fountain of youth she was transformed into her former self, the beautiful princess, Sigeminne (‘Love’s victory’).[xxv] Wild Man as Noble Savage Although the wild man and woman were frequently represented in literature during the Middle Ages, they were rarely depicted in visual art until the fifteenth century.[xxvi] Therefore, their most ferocious reputation left little mark in visual culture. Instead, the wild man and woman were frequently represented in Renaissance art as the image of purity, with their family representing the virtues of parenthood and a companion or as a saint. Lynn Frier Kaufmann argues that the idea of chivalry and courtly love during the Middle Ages influenced the way wild men and women were depicted during the Renaissance.[xxvii] Larry Silver on the other hand interpreted their new role as cultural emblems brought by the rise in Germanic nationalism, which inspired the new translation of Tacitus’s Germania, describing wild people who only wore a cape of animal’s hide, as the first proud inhabitants of the Germanic lands (for example, fig. 2) .[xxviii] In this way, Tacitus’s Germania transformed the wild man into the romanticised version of the noble savage during the German Renaissance.[xxix] They lived a simple and virtuous life. They needed no written laws because they had good morals and rejected the habits of outsiders.[xxx] The nobility and urban elite began to romanticise the wild man for their strength and freedom from the rules of society.[xxxi] Conrad Celtis described a counterpart to early Germans in the Lapps. He described them as speechless but also that they had not been corrupted with luxury, fame, or wine. ‘Here no jurist twists the law, no doctor accumulates his blood money, and no tonsured man plagues the people’.[xxxii] Fig. 2. Nicolaes van Geelkerken after Clüver in Philipp Clüver, Germaniae antiquae libri tres, Leiden: Louis Elzevir, 1616, Engraving, London, The Wellcome Library. Source: archive.org On a playing card by Master ES printed in c. 1461, a wild woman is depicted with a unicorn (fig. 3). While wild men overpower the unicorn with their bold ferocity, it was the wild woman’s sexual purity that allowed her to get close to the unicorn. A tale of the unicorn captured only by pure virgin maidens arose during the Middle Ages. This led to the unicorn being represented as a sign of purity and thus underscores the image of the wild woman as epitome of the noble savage.[xxxiii] A sense of innocence accompanies their ignorance of the civilized world. Playing cards usually consisted of four suits with illustrations of plants, animals, and heraldic symbols. The wild woman with the unicorn is one of four cards surviving in the animal suit by Master ES.[xxxiv] Richard Bernheimer suggests that the images on the cards represent a hierarchy.[xxxv] Therefore, it places the wild man and woman in the realm of animals.[xxxvi] This is plausible since this wild woman represents the Queen of the Animals. However, her clasping grip of the unicorn who is dwarfed by the wild woman shows her dominate position in nature. Fig. 3. Master ES, Wild Woman and Unicorn (Queen of Animals from the Small Playing) c. 1461, Engraving on Playing Card, 10.5 x 7.3cm (Sheet); 9.8 x 6.cm (Plate), New York, Metropolitan Museum of Art. The wild man also featured in more than 200 coat-of-arms across Europe, most of which were in German lands.[xxxvii] They were particularly popular during the second-half of the fifteenth century.[xxxviii] Interestingly, the wild man was illustrated beside coats-of-arms of popes and kings as their protector or guardian of the coat-of-arms despite the wild man’s history as a heretical being.[xxxix] Roundel prints of coat-of-arms were likely used as templates for goldsmiths or glassmakers who would fill in the family crest.[xl] It has also been suggested that these roundels were used by the middle class to emulate the coat-of-arms of the nobility. The templates were used as a substitute for commissioned coat-of-arms.[xli] In Wild Woman and Heraldic Shield, c. 1490 (fig. 4), a wild woman suckling her baby is reminiscent of the Madonna and child. This image reveals the redemption of women through childbirth for their responsibility for Original Sin (Genesis 3.16). She also serves as an emblem for fertility for the family whose shield she holds to ensure the family line. Fig. 4. Martin Schongauer, Wild Woman and Heraldic Shield, Colmar, c. 1490, Engraving, 7.7 diam. New York, The Metropolitan Museum of Art. Return to the Garden of Eden The image of the noble savage in turn influenced the idyllic images of the wild family. Master bxg’s Wild Folk Family (c. 1475) parallel Adam and Eve in the Garden of Eden. Adam and Eve who were portrayed in animal skins after ‘The Fall’ are akin to the hairiness of the wild family.[xlii] In Master bxg’s print stands the tree of knowledge, overlooked by an owl in the background, symbolising potential danger as owls served as a symbol for evil.[xliii] A rabbit bounds towards a forest in the top left. Rabbits were used as a symbol for fertility and has been depicted in images of Adam and Eve during ‘The Fall’ and thus can symbolise carnal knowledge. The wild woman’s long hair symbolises her fertility and thus her unbridled sexuality and parallels with the depiction of Eve in the Garden of Eden with long, loose flowing hair.[xliv] Although the representation of the wild family references Original Sin, they are still in a state of nature and innocence and their ignorance of God therefore cannot constitute sin.[xlv] However, it also provides a mirror of the tensions between good and evil within German Renaissance society – between temptation and godliness.[xlvi] The wild family not only recall Adam and Eve in the Garden of Eden, but also the image of the Holy Family who were often represented against the backdrop of the wilderness.[xlvii] In a comparative print in Hans Leonhart Schäufelein’s, Wild Man and Wild Woman originally printed in c.1520 (fig.5), the wild family are still hairy and naked, although they wear fig leaves to help preserve their modesty. The fig leaves allude to after ‘The Fall’ in the Garden of Eden once they have eaten from the tree of knowledge and realise their nakedness and feel shame. In this way, the sins of the past are not completely forgotten. However, the image lies in opposite to the unbridled sexuality of the earlier idea of the wild man and woman. One son attempts to place a leash around a domesticated dog, which further symbolises a new domesticity to the wild family.[xlviii] Despite its clear reference to Original Sin, it illustrates an idyllic family scene, away from the corrupting influences of ‘civilised life’.[xlix] Fig. 5. After Hans Schäufelein, Klag der wilden Holtzleüt, uber die ugetrewen Welt, verse by Hans Sachs, printed by Hans Guldenmundt, Augsburg, 1560 Coloured woodcut, 20.2 x 24.2cm (sheet), 20.2 x 15.2 cm (borderline) The British Museum, London. This image was later copied with an addition of a poem written by Hans Sachs in 1530. In the poem the wild folk lament against the corruption and evils of society such as the lust for wealth, flesh, and violence. The wild folk in Sachs’ verse have chosen to discard worldly pleasures to live the simple and pure life in nature. The verse ends with the wild folk declaring that they will be happy to return to civilisation once the world ‘see the light’.[l] This verse parallels the wild man with ascetic monks whose wildness is a temporary state and who seek redemption away from civilisation. Wild Man as Saints The tales of saints who found redemption in the wilderness by discarding worldly pleasures, growing hair on their body and then returning to civilization and shedding their hair once more became co-opted with the image of wild men and women during the Renaissance. Many stories of anchorites parallel with others, to the point that they can become indistinguishable.[li] Onuphrius is one of the better-known ascetic saints who lived during the fourth century. Paying penance, he lived in a cave for sixty years, as wild men and women were thought to do. His clothes wore away and he grew a thick coat of hair to protect his body against the elements (fig. 6).[lii] Saint John Chrysostom similarly went into the wilderness to pay penance and vowed to crawl on all fours until he found favour with God.[liii] Ascetic saints were similarly depicted with bare knees as wild men and women were also believed to crawl on all fours like an animal, wearing away the hair. In Leben der Heiligen (1499), where Saint John Chrysostom is depicted as covered in thick hair and crawling on all fours in the forest is described as an ‘abominable animal,’ despite being depicted with a halo around his head.[liv] Ascetic saints were therefore reduced to a beast just as the wild men and women had traditionally been as they are seen as degenerating into an animal who grow hair on their body and ate raw food.[lv] In this way, the figure of the hairy monstrosity was able to find redemption, at least in part, cast as the model of repentance. Fig. 6. Anonymous, Saint Onuphrius, c. 1480-1500, woodcut, 14.6 x 11.4cm, New York, The Metropolitan Museum of Art. During the German Renaissance, Saint Mary Magdalene, who was regarded for her beauty,[lvi] was frequently represented covered in hair like a wild woman. Her hairy image found wide devotion through the southern Germanic region.[lvii] In a tale originating in the tenth century, Mary was set adrift by non-believers and by divine guidance found her way to the south of France where she preached and converted the locals. She lived in a cave in Saint-Baume, Provence, paying penance for her former sinful life.[lviii] The name Magdalene means manens rea or ‘remaining in guilt’.[lix] She grew hair all over her body in the same way as a wild woman. In her cave she remained silent and when a hermit approached her, she had trouble speaking after being secluded for so long, not unlike the wild man and woman.[lx] Every hour, angels would ascent her to the heavens where she would gain nourishment as she was so remote that there was no food or water.[lxi] Mary’s ascension into the heavens as a hairy wild woman was a theme in German Renaissance prints and is illustrated in a print by Hans Baldung Grien (c.1484-1545) in c.1512 (fig. 7 ).[lxii] Her ascent represents her body’s transcendence from both worldly pleasures and the wilderness. Fig. 7. Hans Baldung Grien, St Mary Magdalen, c.1512, Woodcut, Sheet: 13 × 8.7 cm Metropolitan Museum of Art, New York. The image and identity of Mary Magdalene during the Renaissance is believed to be conflated with the story of Saint Mary of Egypt who lived in the fifth century. Mary has long been thought to be a prostitute. She travelled to Jerusalem where she became aware of her sins when she could not enter a Church as she was held back by a spiritual ‘force’. She saw the image of the Virgin Mary staring back at her and realised why she could not enter. Mary of Egypt, the antithesis to the Virgin prayed to her for forgiveness and renounced her life of sin.[lxiii] Mary went to live alone in the desert to repent for forty-seven years.[lxiv] The desert was a place to be tested against sins, for punishment, but also for contemplation and redemption.[lxv] Both Mary of Egypt and Mary Magdalene have both similarly been depicted covered by hair that represents their place outside of civilization and discarding worldly possessions. It was also used to provide modesty to discern from their previous occupation of the flesh.[lxvi] As seen in the print by Lucas Cranach the Elder, The Ecstasy of St. Mary of Egypt (1506) (fig. 8) who was thought to levitate in prayer,[lxvii] is similar to the composition of prints of Mary Magdalene being accented by angels. The naked saints signified the return to nature before ‘The Fall’ in the Garden of Eden.[lxviii] Despite this earlier legend, Mary Magdalene was not depicted in art as covered in hair until the mid-fifteenth century but was rather naked with her long hair covering her modesty. The image of the hairy Mary Magdalene was therefore believed to originate in fifteenth-century Germany.[lxix] The detail of the hairy Mary Magdalene was also not included in the popular thirteenth century The Golden Legend by Jacobus de Voragine (c.1230-1298) that combined the tales of Magdalene. Her nudity was implied as the hermit who visited her passed her a garment to wear.[lxx] The hair covering Mary of Egypt was also a later addition to the story and also does not appear in The Golden Legend.[lxxi] She similarly does not seem to appear in art until the fifteenth-sixteenth centuries.[lxxii] The same can be said of other saints who turn into a wild man, at least temporarily such as Saint John Chrysostom.[lxxiii] This suggests ascetic saints who grew hair over their body was a contemporary idea that arose at the same time that the wild man and woman were popular in Renaissance prints. However, as Bartra notes, the idea of the hairy ascetic saint derived from Ancient Egypt when long haired hermits sought solitude in the desert.[lxxiv] Fig. 8. Lucas Cranach the Elder, The Ecstasy of St. Mary of Egypt, 1506 Woodcut, 24.4 × 14.2 cm, The Met, New York, Wild Man in Reformation Propaganda The image of the wild man was also co-opted into the Protestant Reformation in Germany and has been used by both Protestants and Catholics in contradictory ways. The engraving of The Pope as a Wild Man was created by Melchior Lorck (c.1526/7-1583) in 1545. This wild man with characteristic thick body hair with bare knees is a hybrid with long rat-like tail. Perched on top of his head is the three-tiered crown of the pope, but the last tier is a tower of excrement. Beneath his crown are ass ears, which represent folly and dishonesty. The ass’s ears allude to the myth of Apollo who made Midas grow the ears of a donkey to tag him for his dishonesty.[lxxv] On his back appears to be a bat with stretched out wings, which is a symbol for the Devil.[lxxvi] The wild man carries his characteristic wooden club, but this one has three cross branches at the end to represent the papal cross. He holds onto the papal key that is shattered at the end, which is a sign that the temporal powers of the papacy have been broken.[lxxvii] From his mouth pours a stream of toads and reptiles. This appears to reference the beast, the dragon, and the false prophet who release four foul spirits. A version of this image was discovered cast on a canon of Protestant troops captured during the Schmalkaldic War.[lxxviii] Melchior Lorck, The Pope as Wild Man, c. 1545, Etching, 22.9 × 19.4 cm, Staatliche Museen zu Berlin, Kupferstichkabinett Conclusion In Renaissance Germany, complexity existed in people’s relationship with the wilderness. It both conjured up images of the Garden of Eden before ‘The Fall’ as well as the dangers that may lurk beyond. The wild man and woman were just as complex and represented sinfulness, but also redemption and innocence. As Merry Wiesner-Hanks concludes ‘beast, saint, or hero? the wild man was all three’.[lxxix] A closer look at images of the wild man reveals their complexity. There was not a simple evolution between a demonised creature associated with cannibalism and rape to the holy saint. In the age of the apocalypse, the wild man and woman provide a reminder of Original Sin and the need for repentance at a time of social reform. In this way, the hairy woodland creature is not entirely absolved. Further Reading: Abulafia, David, The Discovery of Mankind: Atlantic Encounters in the Age of Columbus, New Haven: Yale University Press, 2008 Bartra, Roger, Wild Men in the Looking Glass: The Mythic Origins of European Otherness, trans. Carl T. Berrisford, Ann Arbor: The University of Michigan Press, 1994. Bernheimer, Richard, Wild Men in the Middle Ages: A Study in Art, Sentiment, and Demonology, Cambridge: Harvard University Press, 1952. Colin, Susi, ‘The Wild Man and the Indian in Early 16th Century Book Illustration,’ in Christian F. Feest (eds.), Indians and Europe: An Interdisciplinary Collection, Lincoln: University of Nebraska Press, 1999, pp. 5-37. Husband, Timothy, The Wild Man: Medieval Myth and Symbolism, exh. cat., New York: The Metropolitan Museum of Art, 1980. Kaufmann, Lynn Frier, The Nobel Savage: Satyrs and Satyr Families in Renaissance Art, Ann Arbor, Michigan: UMI Research Press, 1984. Moseley-Christian, Michelle, ‘From Page to Print: The Transformation of the “Wild Woman” in Early Modern Northern Engravings’, Word & Image: A Journal of Verbal/Visual Enquiry, vol. 27, no. 4, 2012, pp.429-442. Schama, Simon, Landscape and Memory, London: HarperCollins, 1995. Wiesner-Hanks, Merry, The Marvelous Hairy Girls: The Gonzales Sisters and their Worlds, New Haven: Yale University Press, 2009. [ii] Simon Schama, Landscape and Memory, London: HarperCollins, 1995, p. 97; Timothy Husband, The Wild Man: Medieval Myth and Symbolism, exh. cat., New York: The Metropolitan Museum of Art, 1980, p. 12. [i] Bartra, Roger, Wild Men in the Looking Glass: The Mythic Origins of European Otherness, trans. Carl T. Berrisford, Ann Arbor: The University of Michigan Press, 1994, p. 79. [iii] Schama, 1995, pp. 95-6. [iv] Bartra, 1994, p. 9. [v] Richard Bernheimer, Wild Men in the Middle Ages: A Study in Art, Sentiment, and Demonology, Cambridge: Harvard University Press, 1952, p. 11. [vi] Joyce E. Salisbury, The Beast Within: Animals in the Middle Ages, New York: Routledge, 1994, p. 151; David Abulafia, The Discovery of Mankind: Atlantic Encounters in the Age of Columbus, New Haven: Yale University Press, 2008, pp.16-7. [vii] Susi Colin, ‘The Wild Man and the Indian in Early 16th Century Book Illustration,’ in Christian F. Feest (eds.), Indians and Europe: An Interdisciplinary Collection, Lincoln: University of Nebraska Press, 1999, p.8. [viii] Abulafia, 2008, pp.16-7. [ix] Colin, 1999, p.6 [x] Bernheimer, 1952, pp.165, 59. [xi] Colin, 1999, p.8. [xii] Husband, 1980, p. 11. [xiii] Walter L. Strauss (ed.), The Complete Engravings, Etchings and Drypoints of Albrecht Dürer, Courier Dover, 2013, p. 178. [xiv] Bernheimer, 1952, p. 135. [xv] Anne Clark, Beasts and Bawdy, London: Dent, 1975, p. 46 [xvi] Lynn Frier Kaufmann, The Nobel Savage: Satyrs and Satyr Families in Renaissance Art, Ann Arbor, Michigan: UMI Research Press, 1984, p. 34. [xvii] Salisbury, 1994, p. 152. [xviii] Classen, Albrecht (ed.), Meeting the Foreign in the Middle Ages, New York: Routledge, 2002, p. xx. [xix] Colin, 1999, p. 9. [xx] Danielle Régnier-Bohler, ‘Imagining the Self’, in Georges Duby (ed.), A History of Private Life: vol. II Revelations of the Medieval World, trans. Arthur Goldhammer, Cambridge, Mass.: Harvard University Press, 1988, p. 368. [xxi] Régnier-Bohler, 1988, p. 369. [xxii] Colin, 1999, p. 9. [xxiii] Colin, 1999, p.6. [xxiv] Husband, 1980, p. 62; Merry Wiesner-Hanks, The Marvelous Hairy Girls: The Gonzales Sisters and their Worlds, New Haven: Yale University Press, 2009, p. 42. [xxv] Husband, 1980, p. 64; Bartra, 1994, p. 101; Bernheimer, 1970, p. 37. [xxvi] Gilmore-House in Husband, 1980, p. 139. [xxvii] Kaufmann, 1984, pp.32-4. [xxviii] Michelle Moseley-Christian, ‘From Page to Print: The Transformation of the “Wild Woman” in Early Modern Northern Engravings’, Word & Image: A Journal of Verbal/Visual Enquiry, vol. 27, no. 4, 2012, p. 431; Tacitus, Cornelius, Agricola and Germany, trans. Anthony Birley, Oxford: Oxford University Press, 1999, p. 46. [xxix] Schama, 1995, p. 96. [xxx] Caspar Hirschi, The Origins of Nationalism: An Alternative History from Ancient Rome to Early Modern Germany, Cambridge: Cambridge University Press, 2011, p. 169. [xxxi] Colin, 1999, p. 23-4. [xxxii] Lewis W. Spitz, Conrad Celtis: The German Arch-Humanist, Cambridge: Harvard Universtiy Press, 1957, p. 100-101. [xxxiii] Anne Clark, 1975, p. 46. [xxxiv] Gilmore-House in Husband, 1980, p. 168. [xxxv] Gilmore-House in Husband, 1980, p. 167. [xxxvi] Gilmore-House in Husband, 1980, p. 168. [xxxvii] Wiesner-Hanks, 2009, p. 35. [xxxviii] Bernheimer, 1952, p. 180. [xxxix] Husband, 1980, p. 4. [xl] Wiesner-Hanks, 2009, p. 44. [xli] Husband, 1980, p. 187. [xlii] Moseley-Christian, 2012, p. 438. [xliii] George Ferguson, Signs & Symbols in Christian Art, Oxford: Oxford University Press, 1959, p. 22. [xliv] Christa Grössinger, Picturing Women in Late Medieval and Renaissance Art, Manchester: Manchester University Press, 1997, p. 82. [xlv] Husband, 1980, p. 15. [xlvi] Husband, 1980, p. 17. [xlvii] Kaufmann, 1984, pp. 36-7. [xlviii] Schama, 1995, pp. 97-8. [xlix] Colin, 1999, pp. 23-4. [l] Husband, 1980, p. 133. The full translation is found in Appendix B of Husband, 1980, pp. 202-4. [li] Husband, 1980, p. 97. [lii] Husband, 1980, p. 95. [liii] Husband, 1980, p. 102. [liv] Husband, 1980, p. 105. [lv] Bartra, 1994, pp. 83-4. [lvi] Roberta Milliken, Ambiguous Locks: An Iconology of Hair in Medieval Art and Literature, Jefferson, North Carolina: McFarland and Company, 2012, p. 189. [lvii] Wiesner-Hanks, 2009, p. 41. [lviii] Joana Antunes, ‘The Late-Medieval Mary Magdalene: Sacredness, Otherness, and Wildness’, in Peter Loewen and Robin Waugh (eds.), Mary Magdalene in Medieval Culture: Conflicted Roles, New York: Routledge, 2014, p. 117; Wiesner-Hanks, 2009, p. 38; Husband, 1980, p. 100. [lix] Husband, 1980, p. 100. [lx] Antunes, 2014, p. 118. [lxi] Milliken, 2012, p. 189. [lxii] Wiesner-Hanks, 2009, p. 38; Husband, 1980, p. 100; Milliken, 2012, p. 189. [lxiii] Michelle Erhardt and Amy Morris, ‘Introduction’ in Michelle Erhardt and Amy Morris (eds.), Mary Magdalene: Iconographic Studies from the Middle Ages to the Baroque, Leiden: Brill, 2012, p. 9; Else E. Friesen, ‘Saints as Helpers in Dying: The Hairy Holy Women Mary Magdalene, Mary of Egypt, and Wilgefortist in the Iconography of the Late Middle Ages,’ in E.E. DuBruck and B.I. Gusick, Death and Dying in the Middle Ages, New York: Peter Lang, 1999, pp. 240, 242; Milliken, 2012, p. 204. [lxiv] Erhardt and Morris, 2012, p. 9; Friesen, 1999, pp. 240, 242. [lxv] Bartra, 1994, pp.47-8. [lxvi] Erhardt and Morris, 2012, p. 9; Friesen, 1999, pp. 240, 242. [lxvii] Milliken, 2012, p. 206. [lxviii] Friesen, 1999, p. 242 [lxix] Husband, 1980, p. 100. [lxx] Jacobus de Voragine, The Golden Legend: Readings on the Saints (c.1260), ed. Eamon Duffy, Princeton: Princeton University Press, 2012, p. 381. [lxxi] Virginia Burrus, The Sex Lives of Saints: An Erotics of Ancient Hagiography, Philadelphia: University of Pennsylvania Press, 2011, p. 149. [lxxii] Voragine, 2012, p. 228; Milliken, 2012, p. 205. [lxxiii] Husband, 1980, p. 102. [lxxiv] Bartra, 1994, pp. 74-5. [lxxv] Hélène A. Guerber, The Myths of Greece and Rome, New York: Cosimo, Inc., 2007, p. 57. [lxxvi] Russell, 1986, p. 232. [lxxvii] Robert W. Scribner, For the Sake of Simple Folk: Popular Propaganda for the German Reformation, Cambridge: Cambridge University Press, 1981, pp. 135, 80 [lxxviii] Scribner, 1981, pp. 163, 164. [lxxix] Wiesner-Hanks, 2009, p. 35. Share this: Click to share on Twitter (Opens in new window)Click to share on Facebook (Opens in new window)Click to share on Pinterest (Opens in new window)Click to share on Pocket (Opens in new window) Related Wild Men and Heraldry February 20, 2022 In "wild folk" Representations of Monsters in German Renaissance Prints September 5, 2021 In "cynocephali" Monstrous Women: Hair, Gender, and Sexuality in Early Modern German Prints June 6, 2021 In "Human-Animal Relations"
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2023.06.03 05:46 VietRooster New Music Friday: June 2nd/May 26th, 2023
New Music Friday is the weekly thread dedicated to cataloging all the Album/EP releases that came out this week, including non-subreddit relevant releases. This is also a great place to discuss these albums, or bring to attention other albums released this week.
Label: Domino
Genre: Post-Punk, Art Punk, Gothic Rock
Beach Fossils - Bunny
Label: Bayonet
Genre: Indie Pop, Jangle Pop, Dream Pop
❓ Bully - Lucky for You
Label: Sub Pop
Genre: Indie Rock, Noise Pop, Post-Grunge
⭐ Pupil Slicer - Blossom
Label: Prosthetic
Genre: Mathcore, Post-Hardcore, Blackgaze
Body Type - Expired Candy
Label: n/a
Genre: Indie Rock, Post-Punk
❓ KNOWER - KNOWER FOREVER
Label: n/a
Genre: Jazz-Funk, Synth Funk, Art Pop
RVG - Brain Worms
Label: Fire
Genre: Indie Rock, Jangle Pop
Baxter Dury - I Thought I Was Better Than You
Label: Heavenly
Genre: Art Pop, Indie Pop, UK Hip Hop
Ben Folds - What Matters Most
Label: New West
Genre: Piano Rock, Pop Rock, Singer-songwriter
Jake Shears (ex-Scissor Sisters) - Last Man Dancing
Label: Mute
Genre: Pop, Pop Rock
Lanterns On The Lake - Versions Of Us
Label: Bella Union
Genre: Dream Pop, Chamber Pop, Indie Pop
Noel Gallagher's High Flying Birds - Council Skies
Label: n/a
Genre: Post-Britpop, Chamber Pop, Post-Punk Revival
FRANKIIE - Between Dreams
Label: Paper Bag
Genre: Indie Pop
Generationals - Heatherhead
Label: Polyvinyl
Genre: Indie Pop, Bedroom Pop, Electropop
Anthony Naples - orbs
Label: ANS
Genre: Ambient Techno, Downtempo, Neo-Psychedelia
Purr - Who Is Afraid Of Blue?
Label: ANTI-
Genre: Psychedelic Pop, Indie Pop
❓ Half Moon Run - Salt
Label: BMG
Genre: Indie Rock, Indie Folk, Folk Rock
Sam Blasucci - Off My Stars
Label: Innovative Leisure
Genre: Indie Pop, Singer-songwriter
❓ Gorgeous - Sapsucker
Label: n/a
Genre: Experimental Rock
Vulfmon - Vulfnik
Label: Vulf
Genre: Pop Soul, Jazz-Funk
Gula Blend - Allt har hänt
Label: Rama Lama
Genre: Surf Rock, Garage Punk
Gal Pal - This and Other Gestures
Label: Youth Riot
Genre: Indie Rock, Alternative Rock
❓ Lost Under Heaven - Something is Announced By Your Life!
Label: n/a
Genre: Art Pop, Indietronica
De Staat - Red / Yellow / Blue
Label: n/a
Genre: Alternative Rock, Dance-Punk
The Aquadolls - Charmed
Label: Enci
Genre: Surf Rock, Indie Surf, Indie Rock
Rancid - Tomorrow Never Comes
Label: Epitaph
Genre: Punk Rock
**Kildas - No Harmony
Label: n/a
Genre: Progressive Rock, Jazz-Rock
WITCH - Zango
Label: Partisan
Genre: Zamrock, Acid Rock
Louise Post - Sleepwalker
Label: n/a
Genre: Indie Rock, Indie Pop
⭐ Tigercub - The Perfume of Decay
Label: Loosegroove
Genre: Alternative Rock, Stoner Rock, Garage Rock
Sorry Girls - Bravo!
Label: Arbutus
Genre: Pop Rock
McKinley Dixon - Beloved! Paradise! Jazz!?
Label: City Slang
Genre: Jazz Rap, Conscious Hip Hop, Neo-Soul
❓ DZ Deathrays - R.I.F.F.
Label: n/a
Genre: Alternative Rock, Garage Rock Revival
Ben Harper - WIDE OPEN LIGHT
Label: Chrysalis
Genre: Singer-songwriter, Folk Rock
OLTH - every day is sOmeOne's speciaL day
Label: n/a
Genre: Screamo, Metalcore, Emoviolence
MILLY - The Freed Milly (EP)
Label: n/a
Genre: Shoegaze, Indie Rock, Noise Pop
❓ Public Phone School - Public Phone School
Label: n/a
Genre: Noise Rock, Powerviolence, Synth Punk
Kiltro - Underbelly
Label: n/a
Genre: Psychedelic Folk, Indie Folk, Latin Alternative
Speakers Corner Quartet - Further Out Than The Edge
Label: n/a
Genre: Jazz
Brandt Brauer Frick - Multi Faith Prayer Room
Label: Because
Genre: Minimal Techno, IDM, Electroacoustic, Nu Jazz
The Stools - R U Saved?
Label: Feel It
Genre: Punk Rock, Garage Rock
❓ Levyosn - Levyosn's Lullaby
Label: Borscht Beat
Genre: Folksong, Acoustic, Klezmer
Wire Crimes - The Impermanence of Things (EP)
Label: n/a
Genre: Indie
Jelly Kelly - Warm Water (EP)
Label: n/a
Genre: Pop Punk, Indie Rock
Monika Linkyte - HEALING
Label: n/a
Genre: Pop Soul, Adult Contemporary
Trixie Mattel - Looking Good, Feeling Gorgeous (EP)
Label: n/a
Genre: Dance-Pop, Nu-Disco
Stray Kids - 5-STAR
Label: JYP
Genre: K-Pop, Trap, Pop Rap
CIL - Tears Dry On Their Own (EP)
Label: n/a
Genre: Pop
Big Time Rush - Another Life
Label: n/a
Genre: Pop, Dance-Pop
Elettra Lamborghini - Elettraton
Label: Island
Genre: Reggaetón
Sophie Ellis-Bextor - HANA
Label: Douglas Valentine
Genre: Pop Rock, Synthpop, Alternative Rock
The Aces - I've Loved You For So Long
Label: Red Bull
Genre: Pop Rock, New Wave
Dj Smokey - Nuked Out Dance Party
Label: n/a
Genre: Instrumental Hip Hop, Trap, Experimental Hip Hop
DaBoii & The Mekanix - Soakin Game
Label: n/a
Genre: West Coast Hip Hop, Gangsta Rap, Detroit Trap
J Billz & Pi'erre Bourne - Streetz Hottest Young'n
Label: n/a
Genre: Trap
Moneybagg Yo - Hard to Love
Label: Cocaine
Genre: Southern Hip Hop, Trap, Pop Rap
Metro Boomin - METRO BOOMIN PRESENTS SPIDER-MAN: ACROSS THE SPIDER-VERSE (SOUNDTRACK FROM AND INSPIRED BY THE MOTION PICTURE)
Label: n/a
Genre: Film Soundtrack, Trap, Pop Rap
❓ Ghais Guevara - Goyard Comin': Exordium
Label: n/a
Genre: Hardcore Hip Hop, East Coast Hip Hop, Experimental Hip Hop
⭐ Avenged Sevenfold - Life is But A Dream...
Label: Warner
Genre: Avant-Garde Metal, Progressive Metal, Metal Metal Metal Metal
Bongzilla - Dab City
Label: Heavy Psych
Genre: Stoner Doom Jams
❓ Girls Under Glass - Backdraft
Label: n/a
Genre: Gothic Rock, Industrial Rock, EBM
Omnium Gatherum - Slasher (EP)
Label: Century Media
Genre: Melodic Death Metal
⭐ Rival Sons - DARKFIGHTER
Label: Atlantic
Genre: Hard Rock, Blues Rock
BURNT SKULL - Daylight Mutilation
Label: n/a
Genre: Noise Rock
❓ IUSA - ABANDON
Label: n/a
Genre: Blackened Sludge, Post-Metal
Einar Solberg - 16
Label: InsideOut
Genre: Symphonic Rock, Progressive Rock, Art Pop
Foo Fighters - But Here We Are
Label: Roswell
Genre: Alternative Rock, Power Pop, Shoegaze
❓ Messiahvore - TRANSVERSE
Label: n/a
Genre: Stoner Metal
Red Cain - Nae'Bliss
Label: n/a
Genre: Progressive Metal, Alternative Metal
Risin Sabotage - MACABRE
Label: Interstellar Space
Genre: Psychedelic Rock
Saint Karloff - Paleolithic War Crimes
Label: n/a
Genre: Stoner Metal
To Descend - Mindless Birth (EP)
Label: HPGD
Genre: Horror Pain Gore Death Metal
⭐ Unfurl - Ascension
Label: n/a
Genre: Sludge Metal, Mathcore, Dissonant Hell
Wytch Hazel - IV: Sacrament
Label: n/a
Genre: Heavy Metal, Hard Rock
Label: Island
Genre: Art Pop, Synthpop, Progressive Pop
Miya Folick - ROACH
Label: Nettwerk
Genre: Indie Pop, Alt-Pop
❓ Water From Your Eyes - Everyone's Crushed
Label: Matador
Genre: Experimental Rock, Art Pop, Post-Industrial, Dance-Punk
Kevin Morby - More Photographs (A Continuum)
Label: Dead Oceans
Genre: Folk Rock, Singer-songwriter, Indie Folk
Arlo Parks - My Soft Machine
Label: Transgressive
Genre: Bedroom Pop, Alt-Pop
Saya Gray - QWERTY (EP)
Label: Dirty Hit
Genre: Psychedelic Folk, Indie Folk
Bayonne - Temporary Time
Label: Rough Trade
Genre: Indietronica, Indie Pop, Ambient Pop
Gia Margaret - Romantic Piano
Label: Jagjaguwar
Genre: Ambient, Field Recordings
Shirley Collins - Archangel Hill
Label: Domino
Genre: English Folk Music, Traditional Folk Music
Boy & Bear - Boy & Bear
Label: n/a
Genre: Folk Rock, Indie Rock, Indie Folk
❤️ Phoxjaw - notverynicecream
Label: Hassle
Genre: Alternative Rock, Post-Hardcore, Noise Rock, Alternative Metal
❓ Stuck - Freak Frequency
Label: Born Yesterday
Genre: Post-Punk, Art Punk, Post-Hardcore
The Orielles - The Goyt Method (EP)
Label: Heavenly
Genre: Space Age Pop Drones
AJJ - Disposable Everything
Label: Hopeless
Genre: Indie Rock, Indie Folk, Chamber Pop, Anti-Folk
⭐ Clark - Sus Dog
Label: Throttle
Genre: Art Pop, Electronic, Ambient Pop, Progressive Electronic
Demob Happy - Divine Machines
Label: Liberator
Genre: Alternative Rock, Indie Rock
Panic Pocket - Mad Half Hour
Label: Skep Wax
Genre: Indie Rock, Power Pop
❓ Stimmerman - Undertaking
Label: n/a
Genre: Art Rock, Noise Grunge
❓ Miranda and the Beat - Miranda and the Beat
Label: Ernest Jenning Record Co.
Genre: 60's garage rock/soul
Yuksek - Dance'O'Drome
Label: Partyfine
Genre: Nu-Disco, Balearic Beat, Dance-Pop
Miss España - Niebla Mental
Label: n/a
Genre: new-nowave, punky synthwave, riot grrrl
⭐ Victory Over The Sun - Dance You Monster To My Soft Song!
Label: n/a
Genre: Black Metal, Avant-Garde Metal, Progressive Metal
Jacuzzi Boys - Glue (EP)
Label: n/a
Genre: Garage Rock, Indie Rock
❓ Twin Princess - Blood Moon
Label: n/a
Genre: Alternative Pop, Doom Country, Indie Rock
Moon Blue - The Moonlight Disco (EP)
Label: 777
Genre: Indie Pop, Lo-Fi Indie
The Dandy Warhols - The Wreck of the Edmund Fitzgerald (EP)
Label: n/a
Genre: Neo-Psychedelia, Post-Rock, Ambient Pop
Radiator Hospital - Can't Make Any Promises
Label: n/a
Genre: Indie Rock, Power Pop
quickly, quickly - Easy Listening (EP)
Label: Ghostly
Genre: Jazz Fusion, Neo-Soul
Nate Schieble - plume
Label: n/a
Genre: Ambient
M. Sage - Paradise Crick
Label: Rvng
Genre: Ambient, ECM Style Jazz, Progressive Electronic
Divine Sweater - Down Deep (A Nautical Apocalypse)
Label: Better Company
Genre: Indie Pop, Sophisti-Pop, Chamber Pop
Chris Staples - Cloud Souvenirs
Label: n/a
Genre: Indie Folk, Singer-songwriter
Kassi Valazza - Kassi Valazza Knows Nothing
Label: Fluff & Gravy
Genre: Americana, Singer-songwriter, Progressive Country
RF Shannon - Red Swan in Palmetto
Label: Keeled Scales
Genre: Neo-Psychedelia, Americana
sophie meiers - shine__space
Label: Epitaph
Genre: Bedroom Pop, Alternative R&B
Crucchi Gang - Fellini
Label: Universal
Genre: Indie Pop
The Dirty Nil - Free Rein To Passions
Label: Dine Alone
Genre: Pop Punk, Garage Punk
Daniel Blumberg - GUT
Label: Mute
Genre: Singer-songwriter, Experimental, Art Rock
Daði Freyr - I'm Still Making An Album 2/3
Label: AWAL
Genre: Funktronica, Dance-Pop, Synthpop
Dev Lemons - Delusional (EP)
Label: n/a
Genre: Alt-Pop, Indietronica, Bedroom Pop
⭐ JAAW - SUPERCLUSTER
Label: Svart
Genre: Industrial Metal, Noise Rock, Psychedelic Rock
Westelaken - I am Steaming Mushrooms
Label: n/a
Genre: Indie Rock, Alt-Country
Marco Mengoni - MATERIA (PRISMA)
Label: Epic
Genre: Pop, Adult Contemporary, Pop Rock
Matchbox Twenty - Where The Light Goes
Label: Atlantic
Genre: Pop Rock
Tia Kofi - Pride. Power. Pop. (EP)
Label: n/a
Genre: Dance-Pop
PRETTYMUCH - This Thing Called Love
Label: n/a
Genre: Boy Band, Electropop, Contemporary R&B
Lauren Jauregui - In Between (EP)
Label: n/a
Genre: Pop Soul, Contemporary R&B
Kari Faux - REAL B*TCHES DON'T DIE!
Label: drink sum wtr
Genre: West Coast Hip Hop, Trap, Alternative R&B, Neo-Soul
Monaleo - Where The Flowers Don't Die
Label: n/a
Genre: Southern Hip Hop, Contemporary R&B, Trap
Loïc Nottet - Addictocrate
Label: Sony
Genre: French Pop
Ethereal - Heat Death 4
Label: n/a
Genre: Atmospheric Drum and Bass, Downtempo
Manu Manzo - Luna En Geminis
Label: n/a
Genre: Pop, R&B
Cruz Cafuné - Me Muevo Con Dios
Label: n/a
Genre: Trap, Contemporary R&B
Hunxho - 4 Days in LA
Label: 300
Genre: Trap
Portraits of Tracy - Drive Home
Label: n/a
Genre: Pop Rap, Alternative R&B, Art Pop
Khamari - A Brief Nirvana
Label: n/a
Genre: Pop
Dom Corleo - On My Own
Label: n/a
Genre: Trap, West Coast Hip Hop, Rage
Lil’ Keke - 25 Summers
Label: n/a
Genre: Southern Hip Hop, Gangsta Rap
Cochise - NO ONE'S NICE TO ME (EP)
Label: Columbia
Genre: Trap, Southern Hip Hop
Jay Worthy & Roc Marciano - Nothing Bigger Than The Program
Label: Marci
Genre: Jazz Rap, Gangsta Rap
Lil Durk - Almost Healed
Label: Alamo
Genre: Trap, Gangsta Rap, Pop Rap
$uicideboy$ - YIN YANG TAPES: Winter Season (1989-1990) (EP)
Label: G*59
Genre: Southern Hip Hop, Memphis Rap
❓ Heart Attack Man - Freak of Nature
Label: n/a
Genre: Alternative Rock, Pop Punk
Immortal - War Against All
Label: Nuclear Blast
Genre: Black Metal, Melodic Black Metal
Kostnatění - Úpal
Label: Willowtip
Genre: Black Metal, Avant-Garde Metal, Anatolian Rock
Metal Church - Congregation of Annihilation
Label: Rat Pak
Genre: US Power Metal, Thrash Metal
Vomitory - All Heads Are Gonna Roll
Label: Metal Blade
Genre: Death Metal
Cenobite - Torment Your Flesh and Explore the Limits of Experience
Label: n/a
Genre: Death Metal
The Foreshadowing - Forsaken Songs (EP)
Label: n/a
Genre: Doom Metal, Gothic Metal
In Tears - Stars Caught Tonight
Label: n/a
Genre: Blackgaze, Depressive Black Metal
⭐ Teitan - In Oculus Abyss
Label: Void Wanderer
Genre: Black Metal, Avant-Garde Metal, Psychedelic Rock
Mesarthim - Arrival
Label: n/a
Genre: Atmospheric Black Metal, Space Ambient
❓ The Mon - EYE
Label: n/a
Genre: Psychedelic Rock, Drone
Oceanlord - Kingdom Cold
Label: n/a
Genre: Stoner Rock, Doom Metal
❓ Ockra - Gratitude
Label: Argonauta
Genre: Doom Metal
Speedwhore - Visions of a Parallel World
Label: Dying Victims
Genre: Thrash Metal, Speed Metal
❓ Seven Impale - SUMMIT
Label: Karisma
Genre: Progressive Rock, Avant-Prog
submitted by VietRooster to indieheads [link] [comments]
❓ "this seems intriguing after a cursory look"
⭐ "im interested in this for one reason or another"
❤️ "ive been waiting for weeks, months/i'm absolutely in love with this"
June 2nd
⭐ Protomartyr - Formal Growth in the DesertLabel: Domino
Genre: Post-Punk, Art Punk, Gothic Rock
Beach Fossils - Bunny
Label: Bayonet
Genre: Indie Pop, Jangle Pop, Dream Pop
❓ Bully - Lucky for You
Label: Sub Pop
Genre: Indie Rock, Noise Pop, Post-Grunge
⭐ Pupil Slicer - Blossom
Label: Prosthetic
Genre: Mathcore, Post-Hardcore, Blackgaze
Body Type - Expired Candy
Label: n/a
Genre: Indie Rock, Post-Punk
❓ KNOWER - KNOWER FOREVER
Label: n/a
Genre: Jazz-Funk, Synth Funk, Art Pop
RVG - Brain Worms
Label: Fire
Genre: Indie Rock, Jangle Pop
Baxter Dury - I Thought I Was Better Than You
Label: Heavenly
Genre: Art Pop, Indie Pop, UK Hip Hop
Ben Folds - What Matters Most
Label: New West
Genre: Piano Rock, Pop Rock, Singer-songwriter
Jake Shears (ex-Scissor Sisters) - Last Man Dancing
Label: Mute
Genre: Pop, Pop Rock
Lanterns On The Lake - Versions Of Us
Label: Bella Union
Genre: Dream Pop, Chamber Pop, Indie Pop
Noel Gallagher's High Flying Birds - Council Skies
Label: n/a
Genre: Post-Britpop, Chamber Pop, Post-Punk Revival
FRANKIIE - Between Dreams
Label: Paper Bag
Genre: Indie Pop
Generationals - Heatherhead
Label: Polyvinyl
Genre: Indie Pop, Bedroom Pop, Electropop
Anthony Naples - orbs
Label: ANS
Genre: Ambient Techno, Downtempo, Neo-Psychedelia
Purr - Who Is Afraid Of Blue?
Label: ANTI-
Genre: Psychedelic Pop, Indie Pop
❓ Half Moon Run - Salt
Label: BMG
Genre: Indie Rock, Indie Folk, Folk Rock
Sam Blasucci - Off My Stars
Label: Innovative Leisure
Genre: Indie Pop, Singer-songwriter
❓ Gorgeous - Sapsucker
Label: n/a
Genre: Experimental Rock
Vulfmon - Vulfnik
Label: Vulf
Genre: Pop Soul, Jazz-Funk
Gula Blend - Allt har hänt
Label: Rama Lama
Genre: Surf Rock, Garage Punk
Gal Pal - This and Other Gestures
Label: Youth Riot
Genre: Indie Rock, Alternative Rock
❓ Lost Under Heaven - Something is Announced By Your Life!
Label: n/a
Genre: Art Pop, Indietronica
De Staat - Red / Yellow / Blue
Label: n/a
Genre: Alternative Rock, Dance-Punk
The Aquadolls - Charmed
Label: Enci
Genre: Surf Rock, Indie Surf, Indie Rock
Rancid - Tomorrow Never Comes
Label: Epitaph
Genre: Punk Rock
**Kildas - No Harmony
Label: n/a
Genre: Progressive Rock, Jazz-Rock
WITCH - Zango
Label: Partisan
Genre: Zamrock, Acid Rock
Louise Post - Sleepwalker
Label: n/a
Genre: Indie Rock, Indie Pop
⭐ Tigercub - The Perfume of Decay
Label: Loosegroove
Genre: Alternative Rock, Stoner Rock, Garage Rock
Sorry Girls - Bravo!
Label: Arbutus
Genre: Pop Rock
McKinley Dixon - Beloved! Paradise! Jazz!?
Label: City Slang
Genre: Jazz Rap, Conscious Hip Hop, Neo-Soul
❓ DZ Deathrays - R.I.F.F.
Label: n/a
Genre: Alternative Rock, Garage Rock Revival
Ben Harper - WIDE OPEN LIGHT
Label: Chrysalis
Genre: Singer-songwriter, Folk Rock
OLTH - every day is sOmeOne's speciaL day
Label: n/a
Genre: Screamo, Metalcore, Emoviolence
MILLY - The Freed Milly (EP)
Label: n/a
Genre: Shoegaze, Indie Rock, Noise Pop
❓ Public Phone School - Public Phone School
Label: n/a
Genre: Noise Rock, Powerviolence, Synth Punk
Kiltro - Underbelly
Label: n/a
Genre: Psychedelic Folk, Indie Folk, Latin Alternative
Speakers Corner Quartet - Further Out Than The Edge
Label: n/a
Genre: Jazz
Brandt Brauer Frick - Multi Faith Prayer Room
Label: Because
Genre: Minimal Techno, IDM, Electroacoustic, Nu Jazz
The Stools - R U Saved?
Label: Feel It
Genre: Punk Rock, Garage Rock
❓ Levyosn - Levyosn's Lullaby
Label: Borscht Beat
Genre: Folksong, Acoustic, Klezmer
Wire Crimes - The Impermanence of Things (EP)
Label: n/a
Genre: Indie
Jelly Kelly - Warm Water (EP)
Label: n/a
Genre: Pop Punk, Indie Rock
Monika Linkyte - HEALING
Label: n/a
Genre: Pop Soul, Adult Contemporary
Trixie Mattel - Looking Good, Feeling Gorgeous (EP)
Label: n/a
Genre: Dance-Pop, Nu-Disco
Stray Kids - 5-STAR
Label: JYP
Genre: K-Pop, Trap, Pop Rap
CIL - Tears Dry On Their Own (EP)
Label: n/a
Genre: Pop
Big Time Rush - Another Life
Label: n/a
Genre: Pop, Dance-Pop
Elettra Lamborghini - Elettraton
Label: Island
Genre: Reggaetón
Sophie Ellis-Bextor - HANA
Label: Douglas Valentine
Genre: Pop Rock, Synthpop, Alternative Rock
The Aces - I've Loved You For So Long
Label: Red Bull
Genre: Pop Rock, New Wave
Dj Smokey - Nuked Out Dance Party
Label: n/a
Genre: Instrumental Hip Hop, Trap, Experimental Hip Hop
DaBoii & The Mekanix - Soakin Game
Label: n/a
Genre: West Coast Hip Hop, Gangsta Rap, Detroit Trap
J Billz & Pi'erre Bourne - Streetz Hottest Young'n
Label: n/a
Genre: Trap
Moneybagg Yo - Hard to Love
Label: Cocaine
Genre: Southern Hip Hop, Trap, Pop Rap
Metro Boomin - METRO BOOMIN PRESENTS SPIDER-MAN: ACROSS THE SPIDER-VERSE (SOUNDTRACK FROM AND INSPIRED BY THE MOTION PICTURE)
Label: n/a
Genre: Film Soundtrack, Trap, Pop Rap
❓ Ghais Guevara - Goyard Comin': Exordium
Label: n/a
Genre: Hardcore Hip Hop, East Coast Hip Hop, Experimental Hip Hop
⭐ Avenged Sevenfold - Life is But A Dream...
Label: Warner
Genre: Avant-Garde Metal, Progressive Metal, Metal Metal Metal Metal
Bongzilla - Dab City
Label: Heavy Psych
Genre: Stoner Doom Jams
❓ Girls Under Glass - Backdraft
Label: n/a
Genre: Gothic Rock, Industrial Rock, EBM
Omnium Gatherum - Slasher (EP)
Label: Century Media
Genre: Melodic Death Metal
⭐ Rival Sons - DARKFIGHTER
Label: Atlantic
Genre: Hard Rock, Blues Rock
BURNT SKULL - Daylight Mutilation
Label: n/a
Genre: Noise Rock
❓ IUSA - ABANDON
Label: n/a
Genre: Blackened Sludge, Post-Metal
Einar Solberg - 16
Label: InsideOut
Genre: Symphonic Rock, Progressive Rock, Art Pop
Foo Fighters - But Here We Are
Label: Roswell
Genre: Alternative Rock, Power Pop, Shoegaze
❓ Messiahvore - TRANSVERSE
Label: n/a
Genre: Stoner Metal
Red Cain - Nae'Bliss
Label: n/a
Genre: Progressive Metal, Alternative Metal
Risin Sabotage - MACABRE
Label: Interstellar Space
Genre: Psychedelic Rock
Saint Karloff - Paleolithic War Crimes
Label: n/a
Genre: Stoner Metal
To Descend - Mindless Birth (EP)
Label: HPGD
Genre: Horror Pain Gore Death Metal
⭐ Unfurl - Ascension
Label: n/a
Genre: Sludge Metal, Mathcore, Dissonant Hell
Wytch Hazel - IV: Sacrament
Label: n/a
Genre: Heavy Metal, Hard Rock
May 26th
Sparks - The Girl Is Crying in Her LatteLabel: Island
Genre: Art Pop, Synthpop, Progressive Pop
Miya Folick - ROACH
Label: Nettwerk
Genre: Indie Pop, Alt-Pop
❓ Water From Your Eyes - Everyone's Crushed
Label: Matador
Genre: Experimental Rock, Art Pop, Post-Industrial, Dance-Punk
Kevin Morby - More Photographs (A Continuum)
Label: Dead Oceans
Genre: Folk Rock, Singer-songwriter, Indie Folk
Arlo Parks - My Soft Machine
Label: Transgressive
Genre: Bedroom Pop, Alt-Pop
Saya Gray - QWERTY (EP)
Label: Dirty Hit
Genre: Psychedelic Folk, Indie Folk
Bayonne - Temporary Time
Label: Rough Trade
Genre: Indietronica, Indie Pop, Ambient Pop
Gia Margaret - Romantic Piano
Label: Jagjaguwar
Genre: Ambient, Field Recordings
Shirley Collins - Archangel Hill
Label: Domino
Genre: English Folk Music, Traditional Folk Music
Boy & Bear - Boy & Bear
Label: n/a
Genre: Folk Rock, Indie Rock, Indie Folk
❤️ Phoxjaw - notverynicecream
Label: Hassle
Genre: Alternative Rock, Post-Hardcore, Noise Rock, Alternative Metal
❓ Stuck - Freak Frequency
Label: Born Yesterday
Genre: Post-Punk, Art Punk, Post-Hardcore
The Orielles - The Goyt Method (EP)
Label: Heavenly
Genre: Space Age Pop Drones
AJJ - Disposable Everything
Label: Hopeless
Genre: Indie Rock, Indie Folk, Chamber Pop, Anti-Folk
⭐ Clark - Sus Dog
Label: Throttle
Genre: Art Pop, Electronic, Ambient Pop, Progressive Electronic
Demob Happy - Divine Machines
Label: Liberator
Genre: Alternative Rock, Indie Rock
Panic Pocket - Mad Half Hour
Label: Skep Wax
Genre: Indie Rock, Power Pop
❓ Stimmerman - Undertaking
Label: n/a
Genre: Art Rock, Noise Grunge
❓ Miranda and the Beat - Miranda and the Beat
Label: Ernest Jenning Record Co.
Genre: 60's garage rock/soul
Yuksek - Dance'O'Drome
Label: Partyfine
Genre: Nu-Disco, Balearic Beat, Dance-Pop
Miss España - Niebla Mental
Label: n/a
Genre: new-nowave, punky synthwave, riot grrrl
⭐ Victory Over The Sun - Dance You Monster To My Soft Song!
Label: n/a
Genre: Black Metal, Avant-Garde Metal, Progressive Metal
Jacuzzi Boys - Glue (EP)
Label: n/a
Genre: Garage Rock, Indie Rock
❓ Twin Princess - Blood Moon
Label: n/a
Genre: Alternative Pop, Doom Country, Indie Rock
Moon Blue - The Moonlight Disco (EP)
Label: 777
Genre: Indie Pop, Lo-Fi Indie
The Dandy Warhols - The Wreck of the Edmund Fitzgerald (EP)
Label: n/a
Genre: Neo-Psychedelia, Post-Rock, Ambient Pop
Radiator Hospital - Can't Make Any Promises
Label: n/a
Genre: Indie Rock, Power Pop
quickly, quickly - Easy Listening (EP)
Label: Ghostly
Genre: Jazz Fusion, Neo-Soul
Nate Schieble - plume
Label: n/a
Genre: Ambient
M. Sage - Paradise Crick
Label: Rvng
Genre: Ambient, ECM Style Jazz, Progressive Electronic
Divine Sweater - Down Deep (A Nautical Apocalypse)
Label: Better Company
Genre: Indie Pop, Sophisti-Pop, Chamber Pop
Chris Staples - Cloud Souvenirs
Label: n/a
Genre: Indie Folk, Singer-songwriter
Kassi Valazza - Kassi Valazza Knows Nothing
Label: Fluff & Gravy
Genre: Americana, Singer-songwriter, Progressive Country
RF Shannon - Red Swan in Palmetto
Label: Keeled Scales
Genre: Neo-Psychedelia, Americana
sophie meiers - shine__space
Label: Epitaph
Genre: Bedroom Pop, Alternative R&B
Crucchi Gang - Fellini
Label: Universal
Genre: Indie Pop
The Dirty Nil - Free Rein To Passions
Label: Dine Alone
Genre: Pop Punk, Garage Punk
Daniel Blumberg - GUT
Label: Mute
Genre: Singer-songwriter, Experimental, Art Rock
Daði Freyr - I'm Still Making An Album 2/3
Label: AWAL
Genre: Funktronica, Dance-Pop, Synthpop
Dev Lemons - Delusional (EP)
Label: n/a
Genre: Alt-Pop, Indietronica, Bedroom Pop
⭐ JAAW - SUPERCLUSTER
Label: Svart
Genre: Industrial Metal, Noise Rock, Psychedelic Rock
Westelaken - I am Steaming Mushrooms
Label: n/a
Genre: Indie Rock, Alt-Country
Marco Mengoni - MATERIA (PRISMA)
Label: Epic
Genre: Pop, Adult Contemporary, Pop Rock
Matchbox Twenty - Where The Light Goes
Label: Atlantic
Genre: Pop Rock
Tia Kofi - Pride. Power. Pop. (EP)
Label: n/a
Genre: Dance-Pop
PRETTYMUCH - This Thing Called Love
Label: n/a
Genre: Boy Band, Electropop, Contemporary R&B
Lauren Jauregui - In Between (EP)
Label: n/a
Genre: Pop Soul, Contemporary R&B
Kari Faux - REAL B*TCHES DON'T DIE!
Label: drink sum wtr
Genre: West Coast Hip Hop, Trap, Alternative R&B, Neo-Soul
Monaleo - Where The Flowers Don't Die
Label: n/a
Genre: Southern Hip Hop, Contemporary R&B, Trap
Loïc Nottet - Addictocrate
Label: Sony
Genre: French Pop
Ethereal - Heat Death 4
Label: n/a
Genre: Atmospheric Drum and Bass, Downtempo
Manu Manzo - Luna En Geminis
Label: n/a
Genre: Pop, R&B
Cruz Cafuné - Me Muevo Con Dios
Label: n/a
Genre: Trap, Contemporary R&B
Hunxho - 4 Days in LA
Label: 300
Genre: Trap
Portraits of Tracy - Drive Home
Label: n/a
Genre: Pop Rap, Alternative R&B, Art Pop
Khamari - A Brief Nirvana
Label: n/a
Genre: Pop
Dom Corleo - On My Own
Label: n/a
Genre: Trap, West Coast Hip Hop, Rage
Lil’ Keke - 25 Summers
Label: n/a
Genre: Southern Hip Hop, Gangsta Rap
Cochise - NO ONE'S NICE TO ME (EP)
Label: Columbia
Genre: Trap, Southern Hip Hop
Jay Worthy & Roc Marciano - Nothing Bigger Than The Program
Label: Marci
Genre: Jazz Rap, Gangsta Rap
Lil Durk - Almost Healed
Label: Alamo
Genre: Trap, Gangsta Rap, Pop Rap
$uicideboy$ - YIN YANG TAPES: Winter Season (1989-1990) (EP)
Label: G*59
Genre: Southern Hip Hop, Memphis Rap
❓ Heart Attack Man - Freak of Nature
Label: n/a
Genre: Alternative Rock, Pop Punk
Immortal - War Against All
Label: Nuclear Blast
Genre: Black Metal, Melodic Black Metal
Kostnatění - Úpal
Label: Willowtip
Genre: Black Metal, Avant-Garde Metal, Anatolian Rock
Metal Church - Congregation of Annihilation
Label: Rat Pak
Genre: US Power Metal, Thrash Metal
Vomitory - All Heads Are Gonna Roll
Label: Metal Blade
Genre: Death Metal
Cenobite - Torment Your Flesh and Explore the Limits of Experience
Label: n/a
Genre: Death Metal
The Foreshadowing - Forsaken Songs (EP)
Label: n/a
Genre: Doom Metal, Gothic Metal
In Tears - Stars Caught Tonight
Label: n/a
Genre: Blackgaze, Depressive Black Metal
⭐ Teitan - In Oculus Abyss
Label: Void Wanderer
Genre: Black Metal, Avant-Garde Metal, Psychedelic Rock
Mesarthim - Arrival
Label: n/a
Genre: Atmospheric Black Metal, Space Ambient
❓ The Mon - EYE
Label: n/a
Genre: Psychedelic Rock, Drone
Oceanlord - Kingdom Cold
Label: n/a
Genre: Stoner Rock, Doom Metal
❓ Ockra - Gratitude
Label: Argonauta
Genre: Doom Metal
Speedwhore - Visions of a Parallel World
Label: Dying Victims
Genre: Thrash Metal, Speed Metal
❓ Seven Impale - SUMMIT
Label: Karisma
Genre: Progressive Rock, Avant-Prog
2023.06.03 05:15 T-NNguyen Tôn giáo và nghi lễ tại các triều đình của Đại Việt
 | submitted by T-NNguyen to T_NNguyen [link] [comments] Hình ảnh Rồng, thời Lý John K. Whitmore / University of Michigan Ngô Bắc dịch
Sự giao tiếp của nhà nước và tôn giáo tại các vùng đất của Đông Nam Á đã chứng kiến sự tổng hợp của vũ trụ và tôn giáo (vũ trụ vĩ mô: macrocosmos) và vũ trụ vi mô (microcosmos) quay trở về một trạng thái phân đôi trước đây) trong đó cấu trúc chính trị của quốc gia ăn khớp với cấu trúc được nhận thức về vũ trụ. Điểm mà tại đó hai cấu trúc này nối liền nhau là nghi thức được cử hành bởi nhà cai trị và các chuyên viên nghi lễ của nhà cai trị và có nghĩa đại diện cho vũ trụ tại địa phương. Nói theo chữ nghĩa của Geertz (Geertz, 1980), điều này tạo ra “Nhà Nước Sân Khấu” và “Trung tTm Mẫu Mực” (Exemplary Center)”, nhưng nghi thức này không phải chỉ có tính chất trình diễn không thôi, nó là kiến trúc của toàn thể, tính nhất thể của sự sáng tạo, cho dù được địa phương hóa. Trong thời đại tổ chức của vùng, từ thế kỷ thứ chín đến mười bốn, nghi lễ như thế có khuynh hướng sẽ được cử hành trong, trên, hay quanh các đài tưởng niệm vĩ đại và đã là điểm then chốt của sự tương tác giữa nhà nước và tôn giáo, ngay dù khi kinh tế của cộng đồng tôn giáo có trợ lực vào việc ổn định hóa chính thể. Nó tạo thành cái dù chùm bên trên và kết buộc lại với nhau nhiều đia phương rải rác của mạn-đà-la [mandala: nguyên nghĩa trong tiếng Phạn chỉ vòng tròn, có nơi dịch là luân viên cụ túc, là sự tượng trưng được sắp đặt có hệ thống cho vũ trụ, biểu trưng chính yếu bởi một cấu hình đồng tâm của các hình thể hình học, mỗi hình thể này chứa đựng một hình ảnh của một vị thần hay một điều gì biểu trưng cho một vị thần, chú của người dịch]. Trong thời ban sơ hiện đại, với chính thể được quản trị một cách chặt chẽ hơn, tiêu điểm nhiều phần sẽ là các kinh sách và một ý thức hệ lan truyền trong xã hội đã chế ngự sự giao tiếp nhà nước/tôn giáo (Lieberman, 2003). Song nghi lễ triều đình vẫn tiếp tục trong nỗ lực của nó nhắm vào sự kết hợp và biểu lộ vũ trụ. Trong thời hiện đại, dường như nghi thức và lễ lạc vẫn còn cần thiết, tuy nhiên đã được cắt rời khỏi các chủ đề vũ trụ. Hiện có một ước muốn liên tục cho một “nhất thể: oneness”:, nhưng giờ đây chính dân tộc chủ nghĩa đã được sử dụng về mặt chính trị để giành đạt sự thống nhất. (Day 2002). Quay trở lại nghi thức thời tiền hiện đại, đâu là sự liên quan của lễ lạc như thế với tin ngưỡng, hoặc của hoàng triều hay cá nhân? Điều sẽ rõ ràng rằng mối quan hệ vũ trụ của nghi thức đã không nhất thiết đòi hỏi sự tin tưởng của mọi người trong vương quốc phải ôm chầm lấy nó. Sự tham gia cụ thể hơn là niềm tin tôn giáo cá nha6n dường như đã được yêu cầu như một sự phục tùng trước ngôi vua và sự liên kết của nó với vũ trụ. Kế đó, liệu điều này có thay đổi qua thời gian và không gian hay không? Tôi sẽ khảo sát mệnh đề này trong các tình huống nghi lễ và tôn giáo của các triều đại khác nhau của Đại Việt (bắc Việt Nam, từ thế kỷ thứ 11 đến 18) (Whitmore, 2008). Những gì chúng ta nhìn thấy, tôi tin tưởng, đã không phải là một hệ thống tín ngưỡng chế ngự duy nhất và nghi lễ đi kèm của nó vốn đặt tiêu điểm nơi các triều đình hoàng gia. Đúng hơn nó là sự tích lũy liên tục (mượn cách nói của Keith Taylor [2004]) của một loạt các thành phần của các hệ thống tín ngưỡng khác nhau, từ địa phương đến kinh đô, đã từng được định hình và tái định hình tùy theo các cá nhân và tình huống cá biệt (có nghĩa, con người, không gian và thời gian). Trong khi một vài thành phần biến mất, sự tích lũy các nhân tố khác vẫn tiếp tục xuyên qua các thế kỷ. Một số thời khoảng nào đó đã chứng kiến nỗ lực để “thanh lọc” các thành phần khác biệt, nhưng các nỗ lực như thế chưa bao giờ khống chế hoàn toàn quang cảnh Việt Nam, và sự tích lũy các thành phần khác biệt đã tiếp diễn tại xã hội địa phương. Trong khi sự tích lũy này tiến hành, tại các làng xã và trong số nhân viên triều đình, đàn ông và đàn bà, nghi lễ quốc gia được cử hành bởi các chuyên vien tôn giáo của các triều đình hoàng gia đã duy trì vị trí của mỗi triều đại trong cả vũ trụ lẫn vương quốc. Trong khoảng gần 500 năm, từ thế kỷ thứ 10 đến 15, nghi thức này chủ yếu có tính chất Ấn Độ tự nguyên thủy (Phật Giáo), trong khi cho 500 năm kế tiếp, từ thế kỷ nthứ 15 đên 20, nó có tinh chất Trung Hoa (Khổng học). Song điều này đon giản hóa tình trạng của Đại Việt. Chúng ta hãy đi xuyên qua các triều đại, mỗi triều đại điều hành từ một căn bản khác nhau và với khuôn mẫu tôn giáo của riêng nó.
Trong sự tiến triển từ địa phương trung tâm trở thành quyền lực khống chế, ba nhà vua triều Lý này đã tái xác định vị thế tinh thần và nghi thức của họ (Taylor 1996). Thái tổ khởi sự sự kết hợp các sự thờ cúng địa phương với các ngôi chùa Phật Giáo khi ông liên kết cả hai với ngôi vua. Thái-tông đã phát triển cộng đồng các ngôi chùa Phật giáo nhiều hơn nữa, xây dựng Chùa Một Cột (Single Pillar Pagoda) khi ông nối kết các sự thờ cúng thần linh chặt chẽ hơn với sự kiểm soát chính trị dưới hình thức cắt máu tuyên thệ trung thành. Thánh-tông đã mang vị thế nghi thức của ngai vàng lên một mức độ mới khi ông thiết lập sự thờ phượng cua/ hoàng triều đối với Đế Thích (Indra, Vua của Các Vị Thần) và Phan [Phạm?] Vương (Brahma) trong thập niên 1050. Cùng lúc ông đã xây dụng điều có thể xem là đền thờ trung tâm của Đại Việt, Tháp Báo Thiên [tiếng Việt trong nguyên bản, chú của người dịch] (Báo cáo lên ông Trời), tại Thăng Long. Chính vì thế, giữa các sự thờ cúng thần linh của các địa phương và nhiều chùa chiền của cộng đồng Phật Giáo, các vị vua Lý đầu tiên này đã xây dựng một khuôn mẫu nghi thức mang lại cho họ sự chế ngự tinh thần trên các địa phương của mạn-đà-la va biến Ngai Vua thành tiêu điểm của sự liên hệ Đất/Trời. Hệ thống tín ngưỡng này vốn tạo thành căn bản cho sự thờ cúng của hoàng triều này là một Phật Giáo Đại Thừa được tu hành bởi các cộng đồng các nhà sư kêu gọi một sự giản dị của đồi sống và một sự nhìn nhận tính vô thường của đời sống (Nguyễn 1997). Khuôn mẫu của tư tưởng hoàng triều này có thể được nhìn thấy trong tác phẩm cuối thế kỷ thứ mười một, Báo Cực Truyện (Declaring the Ineffable) (Taylor 1986). Trong năm câu chuyện từ tác phẩm này sẽ được nhận thấy trong tác phẩm thế kỷ thứ mười bốn, Việt Điện U Linh Tập, chúng ta nhìn thấy một hỗn hợp phức tạp của các nhân vật thẩm quyển có tính chất trung hoa trước đó, các vị thần linh của các địa phương, và các nhà sư Phật Giáo, một sự pha trộn quyến rũ của sự tích lũy cả nghìn năm trước trên quang cảnh địa phương. Một loạt các phái tư tưởng Phật Giáo (Tịnh Độ, Thiền v.v…) đã hiện hữu trong vô số ngôi đền của đất nước. Đã có một sự lôi kéo giữa sự nhận thức tôn giáo của triều đình và sự nhận định của cá nhân muốn tìm kiếm sự giải thoát tinh thần, như được minh họa một cách rõ ràng biết bao trong các bài thơ của Đoàn Văn Khâm (thập niên 1080 đến 1100) (Taylor 1992). Cũng có hiện diện các nhà nho [tiếng Việt, cùng âm Hán ru, trong nguyên bản, chú của người dịch] là các học giả chuyên viên về các kinh sách cổ điển, được nghĩ gồm cả sách về nghi lễ (Taylor 2002). Các bia ký của thé kỷ thứ mười hai cho thấy mối tương liên của các luồng tư tưởng khác biệt này và ngôi vua (Épigraphie 1998), vào lúc này tục cắt máu ăn thề của hoàng gia, các sự thờ cúng thần linh, và Đế Thích (Indra) vẫn tiếp tục. Các bia này có khuynh hướng phát sinh từ các chùa Phật Giáo và do đó phản ảnh hệ thống tin ngưỡng này. Một bia ký hoàng triều năm 1121 (#5) bởi vua Lý Nhân Tông (trị vì từ 1072-1127) mang nặng tinh chất Phật Giáo. Các bia ký đền chùa cấp vùng, như bia ký bởi Lý Thường Kiệt ở hướng nam (khoảng năm 1100) (#11), đã nối kết bản thân chúng với kinh đô trong khung cảnh Phật Giáo, như bia ký năm 1107 của gia đình họ Hà ở phía bắc đã làm như thế (#12). Song các bia ký này cũng có tham chiếu đến các tác phẩm cổ điển của Trung Hoa và, trong bia ký tang lễ năm 1159 về vị thượng thư chính yếu Đỗ Anh Vũ (#19; Taylor 1995; 2002), chúng ta sẽ chỉ thấy các sự ám chỉ cổ điển như thế và không có sự đề cập nào đến Phật Giáo. Các sự mô tả của Trung Hoa từ thập niên 1170 cũng không thảo luận gì về Phật Giáo tại Đại Việt, mặc dù chúng có thể được sàng lọc ra khỏi bản chất thực sự của chế độ quân chủ Vệt Nam bởi chinh sách ngoại giao kiểu Trung Hoa của phía Việt Nam (Whitmore 1986). Tuy thế, Phật Giáo vẫn còn tồn tại trong khung cảnh tôn giáo bao quát của nhà nước tại Đại Việt, và nghi lễ hoàng gia về sự tuyên thệ, các thần linh, và Đế Thích đã kết buộc các địa phương lại với nhau trong khuôn khổ mạn-đà-la và vương quốc với vũ trụ.
Song, trong khi sự sùng bái hoàng triều này vẫn tiếp tục xuyên qua các thế kỷ thứ mười ba và mười bốn tại vùng hạt nhân sự cai trị của Đại Việt, trong khi cộng đồng Phật giáo nội địa vẫn còn mạnh, và trong khi nhiều sự thờ cúng thần linh địa phương vẫn duy trì ảnh hưởng của chúng, triều đại mới từ vùng duyên hải đã có tiếp cận với các trường phái tư tưởng tại Trung Hoa. Đặc biệt, hai chiều hướng mới đã xuất hiện, một Phật Giáo, và hướng kia có tính chất cổ điển (tức “Khổng học”). Hai trường phái tư tưởng này đã song hành với nhau, chiều hướng trên trong gia đình hoàng tộc, chiều hướng thứ nhì trong chính quyền nói chung, được gắn liền vào các tùy tùng của giới quý tộc, xuyên suốt thế kỷ thứ mười ba. Trong thế kỷ tiếp theo, mỗi một trong hai chiều hướng này sẽ cung cấp một câu trả lời khả hữu trước cuộc khủng hoảng gia tăng của thời đại. Gia tộc hoàng triều họ Trần đã có các sự quan hệ cá nhân mạnh mẽ với phái Chan (tiếng Việt là Thiền) Phật Giáo (Nguyễn 1997); Wolters 1988]. Nhà vua đầu tiên Trần Thái Tông (trị vì 1225-77) như một nhà vua trẻ được đặt lên ngai vua bởi người bác [hay chú] đã ước ao thiết tha một cuộc sống phật tử tại một ngôi chùa. Dần dà, xuyên qua thế kỷ thứ mười ba, một thành viên của hoàng tộc trở thành kẻ sùng kính Phật Giáo, Tuệ Trung, đã phát triển tư tưởng Thiền tại Đại Việt, chú tâm về sự hợp nhất của thời gian và không gian, và sự truyền đạo từ sư phụ cho đệ tử. Song các nhà lãnh đạo họ Trần đã không xem tư tưởng Phật Giáo gạt bỏ sự khôn ngoan của “Các Minh Quân: the Sages” (có nghĩa, có nhà cai trị thời cổ đại). Đã có một cảm giác mạnh mẽ rằng hai hệ thống tín ngưỡng bổ túc cho nhau. Đồng thời, nhà vua đã mang các nhà học giả kinh sách cổ điển vào các chức vụ hành chính ở cả kinh đô lẫn vùng nông thôn lần đầu tiên. Một trong các hoàng tử nhà Trần, Ích Tắc đã thành lập trường phái đầu tiên của tư tưởng cổ điển tại Đại Việt. Các cuộc xâm lăng của Mông Cổ trong thập niên 1280 đã củng cố cho thẩm quyền của các ông hoàng nhà Trần trong việc cai quản vương quốc. Các cuộc xâm lăng này cũng đã có một tác động trực tiếp trên nhà nước và tôn giáo trong các người Việt Nam. Điều này đã dẫn dắt Đại Việt và xứ Chàm, các đối thủ lâu dài, liên kết các nỗ lực của họ để đánh thắng quân Mông Cổ. Kết quả, vua nhà Trần, mo6t. Nhân-tông nhiệt tình theo Thiền Phật Giáo (trị vì 1279-1308), đã viếng thăm xứ Chàm và các ngôi đền Phật Giáo [sic] của nó. Quay về nước, nhà vua Việt Nam đã trở thành vị tổ sư đầu tiên của Phái Thiền Trúc Lâm (Bamboo Grove) mới, dính líu sâu xa với giới quý tộc. Hai vị vua kế tiếp, con và cháu vua Nhân-tông (Anh-tông, trị vì 1293-1320; Minh-tông, trị vì 1314-1357), đã thực hành tư tưởng Thiền của phái này và đã phát triển nó vào một phái chính thống liên hợp cho toàn thể vương quốc. Xuyên qua một ba đầu tiên của thế kỷ thứ mười bốn, các nhà vua này đã tìm cách để đối phó lại các áp lực và sự căng thẳng kinh tế-xã hội gia tăng trong vương quốc bằng việc lôi kéo các luồng khác biệt của tín ngưỡng địa phương (thờ thần linh và Phật Giáo) lần đầu tiên vào một khuôn mẫu thống nhất về tư tưởng. Thị kiến của vua Minh-tông về pháp thân (dharmabody) của vương quốc đã hỗn hợp thời gian (quá khứ, hiện tại, tương lai) và không gian (các địa phương) trong Phật tính của tất cả (Wolters 1988). Ngôi vua, cộng đồng Phật Giáo, và vương quốc đã được phục vụ và bảo vệ bởi các sự thờ cúng thần linh địa phương, như được trình bày trong quyển Việt Điện U Linh Tập (Secret Powers of Viet) năm 1329 (Taylor 1986b). Dự kiến kết hợp này khi đó đã được ghi thành văn bản trong tập Thiền Uyển Tập Anh (Eminent Monks of the Thiền Community) trong năm 1337 (Nguyễn 1997). Tại lõi cốt của hoạt động triều đình này, vẫn còn có sự sùng bái hoàng gia về tục ăn thề và thờ Đế Thích và ý nghĩa đặc biệt của Tháp Báo Thiên. Trong một số phương cách nào đó, nỗ lực kết hợp này vào một thời khoảng có áp lực đặc biệt giống như nỗ lực của vua Jayavarman VII tại Angkor hồi cuối thế kỷ thứ mười hai. Song vào cuối thập niên 1330, vua Minh-tông bắt đầu nhận thức rằng nỗ lực Phật Giáo này đã không hoàn thành được mục đích kết hợp của nó (Whitmore 1996). Cho đến giữa thế kỷ thứ mười bốn, khủng hoảng xã hội gia tăng khắp vùng nông thôn, và nhà vua đã thay đổi đường hướng. Tách rời khỏi Thiền Phật Giáo, Minh-tông đã hướng đến cộng đồng phát triển của các học gỉa về kinh điển vùng duyên hải. Ông đã mang vị thày và học giả nổi tiếng Chu Văn An từ trường phái thịnh hành của ông An về kinh đô (Wolters 1996). Trong phần tư thế kỷ kế tiếp, kể cả thời gian của lại của thời trị vì của vua Minh-tông, ông An đã đặt định giọng điệu trí thức của Thăng Long. Lời giảng dạy của ông dường như đã chấp nhận tư tưởng triều đại nhà Đường của Hàn Dũ và đã nhấn mạnh đến các niềm tin cổ điển của Trung Hoa, thời cổ đại của nó (Bol 2008). Tiêu điểm nhắm vào thời cổ đại này để mang lại các câu trả lời cho thời hiện tại khó khăn đi ngược với cảm giác vượt thời gian của Thiền về pháp thân. Khi trường phái tư tưởng trung hoa này đã phát triển từ thế hệ đầu tiên cho đến thế hệ môn sinh của Chu Văn An, cũng đã có sự thay đổi từ thời cổ đại Trung Hoa thành định thức về một thời cổ đại tại Đại Việt, được gọi là Văn Lang. Các học giả này đã thúc giuc, cả sự chấp nhận đường hướng cổ thời của các Minh Quân [Phục Hồi Cổ Đại, tiếng Việt là phục cổ, âm Hán là fu gu] lẫn lập luận chống lại sự can dự của Phật Giáo vào nhà nước. Khi các khó khăn xã hội sâu sắc hơn tại vùng nông thôn, các học giả này lần đầu tiên đã làm ra các bài thơ về thời đại xáo động khi họ tiếp tục các nỗ lực của mình để ảnh hưởng đến triều đình và giới quý tộc (Wolters 1986; Whitmore 1987). Phật Giáo, trong một cách chưa được giải thích, bắt đầu mờ nhạt trong sự quy định chính sách tại Thăng Long, ngay dù nghi thức hoàng gia về tuyên thệ và thờ Đế Thích còn tiếp tục với mọi biểu hiệu ngoài mặt.
Khi Quý Ly đã sống sót qua các tai họa quân sự và đã phát triển sự kiểm soát trên hoàng triều, ông bắt đầu chấp nhận hệ thống tín ngưỡng mới của các học giả (Whitmore 1996). Như được nhận thấy trong quyển niên sử (Đại) Việt Sử Lược (Brief History of Đại Việt), cũng như trong các câu chuyện huyền bí được tích lũy trong quyển Lĩnh Nam Chích Quái (Strange Tales from South of the Passes), thời cổ đại Việt Nam với mười tám vua Hùng đã trở thành huyền thoại nền tảng của đất nước trong những năm này. Các quyển sách này đã nối kết Văn Lang với triều đại nhà Chu bên Trung Hoa và nhân vật hành động nguồn cội của nó, Chu Công. Trong thập niên 1390, Quý Ly đã thúc đẩy loại tư tưởng cổ điển này và đã thiết lập một sự sùng bái tập trung quanh Chu Công, với Khổng tử bên cạnh như vị thầy chính yếu. Trường phái tư tưởng cổ điển này của Việt Nam thế kỷ thứ mười bốn đã vươn lên đỉnh của nó khi Quý Ly (trị vì 1400-07) giành lấy ngôi vua cho gia đình của riêng ông, giờ đây có danh xưng Nhà Hồ, và đã gắng sức để tái hình thành đất nước trong một khuôn khổ cổ điển (Whitmore 1985). Đại Việt đã trở thành Đại Ngu (âm Hán là Da Yu), một sự ám chỉ đến các nguồn gốc của văn minh Trung Hoa, và nhà vua mới đã mong muốn theo gương các Minh Quân (Sage Rulers) của thời kỳ nguyên thủy đó, đặc biệt vua Thuấn (Shun). Trong tiến trình, Quý Ly đã hoàn toàn thay đổi nghi lễ hoàng triều, mang nó thích hợp với hệ thống tín ngưỡng mới của triều đại nhà Minh đương thời. Phật Giáo đã không dự phần vào lễ nghi của ông, và các khuôn mẫu thời Lý-Trần về cắt máu ăn thề và thờ Đế Thích đi đến chỗ kết thúc. Nghi thức mới là lễ tế Thiên của nhà Minh hiện đại tại Đàn Nam Giao (Southern Suburbs) (âm Hán là Nan-qiao). Nghi thức này gia đình họ Hồ đã cử hành tại một đàn thờ ở phía nam kinh đô mới của họ là Tây Đô ở Thanh Hóa (Western Capital), đối với Đông Đô (Eastern Capital) tức Thăng Long). Thời đầu của thập niên 1400 chính vì thế đã đánh dấu đỉnh điểm của sự biến đổi từ nghi lễ Phật Giáo và hệ thống tín ngưỡng của thời kỳ tổ chức tại Đại Việt sang các bước khởi đầu của nghi thức và hệ thống tín ngưỡng tân cổ điển, sẽ có ý nghĩa rất nhiều cho bốn thế kỷ còn lại của Đại Việt. Trong cả hệ thống tín ngưỡng lân nghi thức, ý niệm về Thiên (âm Hán là Tian) đã thay cho nhà nước. Trước đây, Thiên là lãnh địa của các vị thần nam nữ với Đế Thích như vị vua của các thần tại đỉnh ngọn núi Meru, và sự thờ cúng của hoàng triều đã tưởng niệm và nối kết nhà vua trần thế với vị vua trên trời. Giờ đây nhà cai trị Việt Nam chấp nhận quan điểm của các học giả về một ông Trời trừu tượng hơn, bao gồm vũ trụ và thiên nhiên, và tại lễ đàn Nam Giao, nhà cai trị đã trở thành sợi dây nối kết giữa ông Trời trừu tượng này với loài người. Động thái của ông và phương cách mà ông và chính quyền của ông ảnh hưởng xã hội quanh ông sẽ tác động lên phương cách mà ông Trời đối đãi với loài người. Trong tiến trình, nhà nước, đúng hơn là bản thân nhà vua, trở nên thiết yếu hơn nhiều cho mối quan hệ giữa thiên nhiên và siêu nhiên.
Sự biến thể của nhà nước tại Đại Việt từ loại mạn-đà-la địa phương của các thế kỷ trước đây sang nhà nước thư lại trung hoa của nhà Minh đương đại đã xảy ra trong thập niên 1460, cầm đầu bởi nhà vua trẻ tuổi bất ngờ, vua Thánh-tông (trị vì 1460-97) (Whitmore 2006c). Một trong các bước tiến đầu tiên trong sự biến thể này là sự tái thiết lập lễ tế Thiên tại đàn Nam Giao được chủ lễ bởi hoàng đế. Nghi thức này là trung tâm cho các hoạt động của nhà nước như được hướng dẫn bởi các quan chức-nho học giờ đây được tuyển dụng qua các cuộc khảo thí mới kiểu Trung Hoa ba năm một lần. Đồng thời, nhà nước đã binh vực cho các giá trị liên hệ đến nhà Nho (âm Hán là ru) tại Trung Hoa (Khổng học) và chính vì thế đã tìm cách thanh lọc các tập quán địa phương. Cùng lúc, các nhà quý tộc và các mệnh phụ tại triều đình vẫn tiếp tục theo đuổi đạo Phật, và người dân làng vẫn theo đuổi Phật Giáo và các sự thờ cúng địa phương của họ. Mô hình Hồng Đức kiểu Trung Hoa được thiết lập bởi vua Thánh-tông (nên hiệu của thời trị vì thứ nhì của ông) tùy thuộc vào việc triều đình (nhà vua và giới quý tộc) có chấp nhận các giá trị của nhà học giả và sử dụng chúng để quản trị nhà nước và cử hành nghi thức cần thiết. Phần ba đầu tiên của thế kỷ thứ mười sáu chứng kiến sự tranh giành giữa các gia tộc quý tộc, đặc biệt họ Trịnh và họ Nguyễn, đã phá hủy mô hình này cùng lễ nghi đi kèm của nó. Triều đại mới Nhà Mạc (1528-92) thay thế nhà Lê rõ ràng đã tái lập mô hình của vua Thánh-tông và cùng với nó nghi thức lỗi cốt của đàn Nam Giao (Whitmore 1995; 2006b). Không may, các tài liệu về thời kỳ này thì ít ỏi. Chúng ta hay biết rằng tại các làng xã, các học giả có biên soạn các văn bản cho bia ký Phật Giáo và tổ chức các nhóm tu van [tiếng Việt trong nguyên bản, không bỏ dấu, người dịch suy đoán là “tư văn” [?] dựa trên phần dịch nghĩa sang tiếng Anh của tác giả: “This Culture of Ours”] để nâng cao các giá trị cổ điển. (Nguyễn 2002; Woodside 2002).
Nửa sau của thế kỷ thứ mười bảy đã mang lại các sự thay đổi lớn lao cho các hệ thống tín ngưỡng này ở cả hai miền, khi mỗi miền đáp ứng với các tình huống biến đổi đặc biệt của chúng. Đối với họ Trịnh ở phương bắc, tình trạng này là sự thất bại của họ không đánh bại được họ Nguyễn và thống nhất hoàn toàn Đại Việt. Đối với họ Nguyễn tại miền nam, tình trạng này là sự bành trướng của cộng đồng xã hội người Việt và Trung Hoa (Minh hương) xuyên qua đất đai cũ của xứ Chàm (thuộc miền trung Việt Nam ngày nay) tiến vào lãnh thổ Khmer ở châu thổ sông Cửu Long. Sự lựa chọn đưa ra bởi mỗi miền được liên kết với phần đất của Trung Hoa mà mỗi miền đó đã có sự tiếp xúc rộng rãi: đối với miền bắc, là Bắc Kinh và nội địa Trung Hoa; với miền nam, là duyên hải đông nam Trung Hoa và biển Nam Hoa [South China Sea, gọi theo tên đặt bởi Trung Hoa, người Việt gọi là biển đông, chú của người dịch]. Trong các thập niên 1650 và 1660, chúa Trịnh Tạc, trong nỗ lực của ông để tăng cường và tái thống nhất Đại Việt, đã mang các học giả trở lại các vai trò quan trọng trong chính quyền. (Taylor 1987) Hai thế kỷ sau triều Lê Thánh-tông, chính quyền đã quay trở về một chế độ thư lại kiểu trung hoa và các giá trị Khổng học của giới văn nhân. Với mô thức này, đàn Nam Giao để tế Thiên và khái niệm về hoàng đế như tiêu điểm nghi thức giữa Trời và Đất đã tái xuất hiện. Song giờ đây vị hoàng đế lại không cai trị, và vì thế rõ ràng là các chúa Trịnh đã có khuynh hướng giảm bớt vai trò của hoàng đế trong các việc nghi lễ. (Whitmore 2006b) Tuy thế, các giá trị Khổng học đã được truyền bá sâu đậm hơn nữa trong xã hội miền bắc, ngay dù niềm tin cá nhân nơi Phật Giáo, sùng bái Các Thánh Mẫu, và đạo Thiên Chúa mới có phát triển. (Taylor 2002; Dror 2007; Tran 2005) Trong khi họ Trịnh vẫn không thể đánh bại họ Nguyễn và thống nhất đất nước, miền bắc đã thịnh vượng dưới hệ thống quản trị mới, và nhóm quần thần nho học ở đó đã thành công cả trên đất nước chính họ lẫn trong các sứ bộ sang triều đình nhà Thanh tại Bắc Kinh (Kelley 2005). Dần dần, sự hiện diện của nhà nho tại cả triều đình lẫn các làng xã đã bén rễ sâu hơn sự hiện diện của hệ thống giá trị và các nghi lễ của họ trong xã hội Việt Nam. Đối với họ Nguyễn ở phương nam, vấn đề là cần phát triển một hệ thống tín ngưỡng có thể bao hàm xã hội ngày càng hỗn chủng hơn của họ. Khi tầm mức của lãnh địa của họ mở rộng sâu hơn về phía nam trong cuộc Nam Tiến [tiêng Việt trong nguyên bản, chú của người dịch], các chúa Nguyễn tại Phú Xuân (Huế) đã hành động để mở rộng và tăng cường thẩm quyền và tính chính đáng của họ trên các địa phương, cũ và mnới. Để làm như thế, họ đã đặt quan hệ với mạng lưới hàng hải đang phát triển nối kết Quảng Châu tại duyên hải đông nam Trung Hoa, Nagasaki tại Nhật Bản, và Hội An tại miền trung Việt Nam, không chỉ về mặt thương mại mà còn cả về mặt tôn giáo (Wheeler 2008). Mời đón các nhà sư Phật Giáo Thiền Trung Hoa du hành trong mang lưới này, đặc biệt [Thích] Đại Sán (Da Shan) ở Quảng Châu, các vị chúa Nguyễn trong thập niên 1690 đã để bản thân và giới quý tộc của họ quy y vào hình thức thẩm quyền này của Phật Giáo. Hành vi này cho phép các chúa Nguyễn thiết lập một hệ thống tín ngưỡng đồng nhất hơn bên trên sự pha trộn [mélange, tiếng Pháp trong nguyên bản, chú của người dịch] hiện hữu của Phật Giáo địa phương và các tín ngưỡng thờ thần linh. Nỗ lực đã được tăng cường bởi số lượng gia tăng của các cộng đồng người Minh hương (gốc Trung Hoa) và các đền chùa của họ (Mazu, Guandi (Quan Đế), Guanyin (Quan Âm) đã được dựng lên trong sự bành trướng lãnh địa phương nam. Suốt cho đến giữa thế kỷ thứ mười tám, hai đàng có khuynh hướng đi theo cùng một chiều hướng, mặc dù mỗi miền với biến thể địa phương riêng của nó. Tại miền bắc, chế độ vua Lê/chúa Trịnh, bất kể nhiều căng thẳng giữa hai gia đình, vẫn tiếp tục hệ thống thư lại Khổng học trung hoa được thiết lập trong thế kỷ trước (Whitmore 1999). Tiêu điểm nghi thức của nó vẫn là lễ tế Thiên tại đàn Nam Giao, và hệ thống tín ngưỡng chính thức của nó nơi các Kinh Điển và các cuộc khảo thí. Hai dòng họ nho học quan trọng, Phan Huy và Ngô Thì, xuất hiện và kết hôn với nhau. Họ đã đã sinh sản ra một số lượng các người tham gia quan trọng trong các đại biến cố của nửa sau của thế kỷ. Một học giả khác, Lê Quý Đôn (1726-1784), đã xuất hiện như nhà trí thức lớn trong thời đại của ông. Các văn nhân như thế đã tham gia vào các sứ bộ và các nghi thức của các sự trao đổi ngoại giao của Đại Việt với triều đình nhà Thanh tại Trung Hoa (Kelley 2005). Họ đã thu hái đực nhiều trong các cuộc thăm viếng của họ đến Bắc Kinh và các cuộc trao đổi của họ ở đó với giới văn nhân khác của Đông Á Châu, gồm cả người Trung Hoa và Hàn Quốc. Điều này đã xảy ra ngay dù Phật Giáo và Công Giáo La Mã vẫn tiếp tục mạnh mẽ tại triều đình và vùng thôn quê (Dror 2002), và các nhà nho như Ngô Thì Nhậm đã viết về các đề tài Phật Giáo cũng như Khổng học (Woodside 2002). Cùng lúc, tại miền nam, các sự liên kết của lãnh địa họ Nguyễn với các hải cảng Đông Nam Trung Hoa đã mang xã hội Việt Nam địa phương đến sự tiếp xúc gia tăng với các nhà nho Trung Hoa di dân (Zottoli 1999). Trạm trung chuyển ở Hà Tiên xa xôi nơi phía tây nam, kề cận với vương quốc Khmer, đã trở thành một trung tâm thương mại cũng như học thuật khi gia tộc họ Mạc [âm hán là Mok] gốc Quảng Đông ở đó đã dần dà gia nhập với chế độ của chúa Nguyễn để chống lại Thái Lan. Các học giả hậu duệ người Trung Hoa khác đã xuất hiện trong xã hội Việt-Hoa lớn mạnh tại Gia Định, bao quanh Sàigòn, ngay bên trên châu thổ sông Cửu Long. Trong thập niên 1740, chúa Nguyễn Phúc Khoát (trị vì 1738-65) đã hán hóa triều đình của ông tại Phú Xuân (Huế), thay đổi y phục quan chức và cấu trúc hành chính, khi ông tuyên cáo triều đình này ngang hàng và độc lập với triều đình của vua Lê/chúa Trịnh tại miền bắc. Điều trở thành một trường phái miền nam về chính quyền và tư tương kiểu trung hoa, chính yếu được phát huy bởi các nhà nho gốc Minh hương, sẽ định hình một cách mạnh mẽ chiều hướng của người tuyên nhận là chúa Nguyễn trong các cuộc chiến tranh với Tây Sơn, Nguyễn Phúc Ánh, vào cuối thế kỷ thứ mười tám và trong chế độ của ông tại nước Việt Nam mới tái thống nhất vào đầu thế kỷ thứ mười chín (với tư cách Hoàng Đế Gia Long, trị vì 1802-1819). Các trường phái bắc và nam của tư tưởng và hành động Khổng học Việt Nam đã tụ hội cùng nhau trong phần tư đầu tiên của thế kỷ thứ mười chín khi Nguyễn Ánh đã có thể tái chinh phục miền nam từ phe Tây Sơn và và chiếm miền bắc từ tay Tây Sơn để thành lập triều đài của chính ông (1802-1945) (Dutton 2006). Bị ảnh hưởng mạnh mẽ bởi trường phái miền nam và các học giả Minh hương của nó, các nhà cai trị họ Nguyễn đã hành động để thiết lập một vương quốc kiểu nhà Thanh đương đại, khi họ chuyển kinh đô và trung tâm nghi lễ từ Thăng Long (Hà Nội ngày nay) tại miền bắc về căn cứ trung ương của chính họ tại Huế (Woodside 1971/1988). Các thí dụ hay nhất của điều này là sự xây dựng kinh đô mới ở Huế theo mẫu của Bắc Kinh (kể cả địa điểm của đàn Nam Giao để tế Thiên) và bộ luật mới dựa gần như hoàn toàn trên bộ luật nhà Thanh. Khi viên chức miền bắc Phan Huy Chú (1782-1840), hậu duệ của cả hai dòng tộc nho giáo Phan Huy và Ngô Thì, biên soạn và đệ trình bản tóm tắt quan trọng của ông về kiến thức văn chương của Đại Việt cũ, kể cả các nghi lễ của nó, triều đình nhà Nguyễn chỉ để ý sơ sài đên nó. Trong khi ngày càng định hướng theo Khổng học nhiều hơn dưới thời cai trị của vị vua thứ nhì, Hoàng Đế Minh Mạng (trị vì 1820-1840), và nhấn mạnh đến nghi lễ tại đàn Nam Giao, Việt Nam đã chứng kiến Phật Giáo vẫn tiếp tục là một thành tố mạnh mẽ trong các tín ngưỡng của giới quý tộc, đặc biệt các phụ nữ (Cooke 1997). CÁC TƯ TƯỞNG VỀ NHÀ NƯỚC VÀ TÔN GIÁO TẠI ĐẠI VIỆT Những gì chúng ta nhìn thấy trong tương quan giữa tôn giáo và nhà nước xuyên qua tám thế kỷ của Đại Việt, với kinh đô của nó tại Thăng Long, đã là một khuôn mẫu biến hóa thay đổi khi bản thân các triều đại thay đổi. Sự tích lũy liên tục các khảo hướng tiến tới siêu nhiên giữa các phần tử của xã hội Việt Nam có nghĩa các khả tính khác biệt của sự lựa chọn, không chỉ giữa điều chúng ta gọi là “Phật Giáo” và “Khổng Giáo”, mà còn trong khuôn khổ của mỗi một lãnh vực rộng rãi này của tín ngưỡng. Các sự tiếp xúc với bên ngoài đã mang lại các khả tính mới về tín ngưỡng đến người Việt Nam và các biến thể mới của các hệ thống tín ngưỡng quy định cho các hoàng triều. Nghi lễ ở vào vị trí mấu chốt của quyền lực và tín ngưỡng, của con người và vũ trụ, và dường như đã có một quan hệ biến đổi với các hệ thống tín ngưỡng của giới quý tộc và cá nhân. Các nỗ lực để vừa thể hiện sự kết hợp quyền lực chính trị và sức mạnh vũ trụ, vừa cung cấp “diễn trường” cho quần chúng, hòa nhập khi nhiều khi ít hơn với ý thức hệ của giới tinh hoa. Bài học chính về tôn giáo và nhà nước tại Đại Việt rõ ràng đã là bản chất thay đổi của nó khi các hoàng triều tìm cách thiết lập các chế độ chính trị của họ trong các phường cách đã kết hợp vũ trụ và nhân dân để tao ra tình trạng tốt đẹp hơn của vương quốc. Không có lúc nào trước thế kỷ thứ hai mươi lại có xuất hiện ở đó bất kỳ trật tự tôn giáo định chế hay cấu trúc nào có thể hoặc thay thế hay chống lại (cấu kết hay đụng độ) chính quyền. Các định chế cá nhân, vô số đền chùa, miễu thờ, hay các học xá, đã hiện diện và tương tác với các chính quyền địa phương và trung ương theo các cách khác nhau. Điều cần nghiêm chỉnh nghiên cứu là truyền thống kinh tế của các cộng đồng tôn giáo (như đã có cho Miến Điện; Aung-Thwin 1985). Khởi đầu trong các thế kỷ thứ mười và mười một và cho đến thế kỷ thứ mười tám (Trần 2004), chúng ta cần ước lượng phương thức mà các các đền chùa đã phát triển về mặt kinh tế như thế nào và sự phát triển của chúng đã tương tác với nhà nước ra sao. Trong nhiều thế kỷ, bất kể khuôn mẫu ý thức hệ thay đổi của các hoàng triều biến chuyển, các đền chùa này tiếp tục nhận được các sự tặng dữ thuộc nhiều loại khác nhau, kể cả đất đai và sản phẩm của nó. Sự bảo trì các đền chùa đã diễn ra như thế nào? Những loại nhân lực nào đã gắn liền với chúng? Đây là những câu hỏi vẫn còn cần được khảo sát. Câu hỏi còn lại: Đâu là các quan hệ hiện hữu giữa các sự sùng bái của hoàng gia, các ý thức hệ của các giới quý tộc, và các tín ngưỡng cá nhân và quần chúng? Khởi thủy, như các nơi khác trong thời kỳ tổ chức của Đông Nam Á, sự tôn sùng hoàng gia nhà Lý tục uống máu ăn thề và thờ Đế Thích có nghĩa mở rộng cái dù che chở của nó lên trên các chùa Phật Giáo và các địa phương với sự thớ cúng thần linh của chúng. Nhà Trần hậu duệ Trung Hoa đã duy trì sự sùng bái hoàng gia nhà Lý ngay dù nó có mang lại các trường phái về Thiền và về tư tưởng cổ điển. Sau rốt, các vị vua nhà Trần, được tiếp nối bởi nhà Hồ, đã cố gắng áp dụng các trường phái tư tưởng này để chữa trị các bệnh tật của vương quốc. Nhà Hồ, được tiếp nối bởi nhà Lê và nhà Mạc, đã lụa chọn hệ thống Khổng học trung hoa và đàn tế thiên Nam Giao. Song, nơi nhà Lý và nhà Trần có tư tửởng nho gia [tiếng Việt trong nguyênbản, chú của người dịch] hiện hữu bên cạnh Phật Giáo ưu thắng, nhà Lê và nhà Mạc đã có Phật Giáo (và sau này Công Giáo La Mã) cũng phát triển trong phạm vi cá nhân. Tại cấp làng xã, xuyên qua tất cả các thế kỷ này, các sự sùng bái địa phương và đền chùa tiếp tục phát triển trong các tình trạng năng động của chúng, bị ảnh hưởng ít nhiều bởi các hệ thống tín ngưỡng thay đổi của các triều đình, các giới quý tộc thay đổi, và các loại văn nhân khác nhau. Một phần, khuôn mẫu tôn giáo, nghi lễ, và hoàng triều tại Đại Việt phù hợp với khuôn mẫu của Đông Nam Á nói chung (Lieberman 2003). Xảy ra trước tiên là khuôn mẫu thời kỳ tổ chức của các chính thể Phật Giáo Ấn Độ được tưởng nhớ với các sự sùng bái hoàng triều mang ý nghĩa che chở và bao gồm hàng loạt tôn giáo của vô số địa phương. Các chính thể này đặt cơ sở tại các phần trung lưu của các thung lũng của chúng. Kế đó, với làn sóng mậu dịch Á Châu của thế kỷ thứ mười một đến thế kỷ thứ mười bốn, các lực lượng duyên hải (từ phía đông, Vân Đồn tại Đại Việt, Thị Nại tại xứ Chàm, về phía tây, Ayudhya, Pegu, cũng như Majapahit trên đảo Java) đã dẫn đến các sự thay đổi trong quyền lực và sự gia nhập của các khuôn mẫu tôn giáo mới khắp vùng. Với sự tan vỡ của các chính thể thời kỳ tổ chức và tầm quan trọng gia tăng của mậu dịch quốc tế, khuôn mẫu mới của các tôn giáo dựa trên kinh sách (Phật Giáo Tiểu Thừa, Hồi Giáo, Khổng học, và sau cùng Công Giáo La Mã) với các bộ luật phổ thông nghiêm ngặt hơn về đạo đức được truyền bá khắp Đông Nam Á với các hậu quả kéo dài đến ngay nay. Trong kỷ nguyên hiên đại ban sơ này, một giới văn nhân thế tục gia tăng đã hành động để mang “tính khả dĩ đọc được: legibility” (ghi chép các tài nguyên nhân sự và vật chất) và năng lực quản trị gia tăng đối với các vương quốc của họ. Điều này bao gồm các bộ luật và các biên niên sử ký với các nội dung tôn giáo của chúng để quy định và xác định các vương quốc liên quan của các chinh thể này (Whitmore 2009a). Một cách đáng chú ý, vương quốc phía nam của Việt Nam (sẽ trở thành triều đại nhà Ngutyễn) trong thế kỷ thứ mười tám đã có sự lựa chọn của nó giữa hai hệ thống tín ngưỡng, Phật Giao Đại Thừa (Mahayana Buddhist) (Thiền) và Khổng học. Dần dần, Khổng học đã trở nên hệ thống được ưa thích hơn, khi Nguyễn Ánh, tức hoàng đế Gia Long tương lai, đã đặt sang một bên khả tính Phật Giáo (cũng như Công Giáo La Mã) để đặt tiêu điểm trên mô hình nghi lễ và hành chính của nhà Thanh đương đại. Tổng quát, chúng ta cần khảo sát nhiều hơn nữa các sự phức tạp của các quan hệ giữa niềm tin tôn giáo và sự hành đạo giữa các cá nhân ở mọi trình độ với niềm tin và sự hành đạo của triều đình và nhà nước./- _____ Nguồn: John K. Whitmore, Religion and Ritual in the Royal Courts of Đại Việt, Asia Research Institute Working Paper Series No. 128, National University of Singapore, Tháng Mười Hai 2009, các trang 7-19. Ngô Bắc dịch và phụ chú 18.11.2013 |
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BabiBarelli
BrunaFemmiano
BruLuccas
BelleDelphine
BeccaPires
BabyCaroline
BrunaFitness
BrunaFemmiano
BelaBH
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BarbaraBrazilian
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Bebezita
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ClaraWellen
Cerotche
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CrisGalera
ClaraAguilar
CarolFranci
CamilaBecker
CasalMagia
CamiBrito
CasalNerd
CamilaPrado
CarolKnust
Cogumays
CarlaBora
CarolLeão
CatarinaMonti
ChanelzinhaD
CawillaRibeiro
DDudaMonet
DeboraGomes
DayaneAndressa
DjNathi
DocinhoTT
DinhaSuicide
DeniseRocha
DaniBueno
DeborahFurgang
DjIsa
DreadHot
DjNanda
DudsMaionese
DriCouto
DannyMancini
DayanneAcioli
Danimanttovani
DaianeTomazoni
EEryckaAmaral
EsterMuniz
EllaArievillo
EmilyFerrer
EmmeWhite
ElisNebsniak
ErciliaMicarelli
EvaAndressa
EstefaniKusyter
FFrancisSimas
FabiolaDelfim
FrancinePiaia
FernandaMota
FoxySGH
FrancyMiler
FabiDrumond
FehGalvão
FernandaWelter
FláviaCarolayne
FernandaCoser
GGraziMourao #Grazimourão
GeisyArruda
GabrielaBranco
GiovannaTalamini
GabyEster
GiovannaGenesini
GabrieliDortt
GiovannaCampomar
GiuliaRosa
GiuliaHennel
HHeloisaProfessorinha
HelloPeach
HelenaFilmes
HaubSuicide
IiAmCharlotte
IsadoraMartinez
IsaWaifu
IonáGalvão
IaraSteffens
IsaTrindade
IaraFerreira
IsaSilva
IasminOliver
JJaianeLimma
JessicaPacheco
JuliaGovea
JapaAle #Japanordestina
JaddeMarques
JuliaBhering
JapaRodrigues
JuliaInked
JaquelineSilva
JullyQueiroz
JéssicaPatez
JuHotWife
JuhWilbert
JanaJenner
JessyLedux
JulianaGomes
JoyceGumiero
JuliaVon
JanneFerreira
JuliaCalsing
JuliFigueiró
JacquelineDarley
JessicaBeppler
KKetlynTamara
KarinaSinopoli
Karolzinha
KarenFeaz
KarolFit
KarlyaneMenezes
Kaumartinii
KarRamos
KeyAlves
KellyOliveira
KarineClerice
LLiviaDias
LisiParisi
LizaBlue
LuluValotta
LuizaMarcato
LunaFeet
LarissaLima
LadyBel
LarissaSumpami
LudyLoira
LayNuniz
LollaAntonelli
LeticiaPadovick
LeticiaSouza
LetíciaShirayuki
LuaSantana
LunaLilac
LaysPeace
LiaMombach
LilyFerreira
LariJapa
LauraGuth
LetsGab
LucianaPavanin
LaryBottino
LetsSouza
LannaSantos
LinaNakamura
NiaraPessanha
LucyHaunted
LuaCarioca
LetíciaCastro
MMcMirella
McBraganca #Bragança
MansãoBonde
MaikellyMuhl
MariViP22
MarilliaOliveira
McPrincesa
MariMaax
MaruKarv
MalaPink
MichelleBasso
MelFire
MulherMelão
MariAvila #MariÁvila
MonalinySoares
MaddieLolly
MelissaLameira
MariaEugêniaFit
MulherJaca
MilaSpook
MariaEmanoele
MariLadeira
MaitêSasdelli
MarianaGomez
MariReis
MariCerqueira
MichelliRuiva
MarcelaGrandona
McRaposinha
NNayRezende
Nathally
NathyVargas
NathaliaRadatz
NadineBorges
NatiCassassola
NayaraHarpper
NathaliaRamonny
NaturistaFit
NicksVieira
NatyelleReis
NatashaSteffens
NicoleLux
NathaliTanajura
NayaraKaline
NathyeRapha
NathalyaLeal
NathyCardoso
NandaBatista
Not4you
NykarlaBrasil
NataliaRadatz
PPollyPersch
PriscilaFitness
PatríciaMoura
PattyWife
PretaZade
PriscillaDÁvilla
PaulaFaget
PathyLouzada
PietraPríncipe
PolianaArapiraca
PatriciaAlejandra
PamellaMakeup
PollyannaMota
PamelaSuelen
RReed
RafaelaNery
RivaniaGuimarães
RuteRocha
RakelSilva
Rapunzel
RaissaGamazo
Ranikelly
RedHead
RenataSchozen
RuivaBraba
RenataSchimidt
RafaellaRamalho
RuthTheles
RaissaOliveira
RosanaLima
RenataMatos
RangelCarlos
RafaelaSumpani
RafaelaPotulski
SSophiaCarracini
StepffanySouza
SophieButtini
StephanieSilveira
Samyof
SophiaScamander
SabrinaCosta
SabrinaDeMartini
ScarpelliGi
ShayenneSamara
SuziHotBrasil
SereiaCelestial
SayuriSyor
SarahCaus
SteniaGarcia
SayuriLua
Suzycortez
TTatiZaqui
TopMusa
TayCerqueira
TrindadeHot
Thaila
ThaissaFit
TuaniBasotti
ThaisLeão
ThaynaHoepers
TatiWeg
TeenBrasil
TalDaLoira
TiffanySfd
TataMarin
VVitoriaHaddad
VanessinhaVailatti
ViviPassos
VictoriaHotten
VanessaFreitas
VictoriaMatosa
VanessaSantos
VanessaMesquita
ViviFernandes
VictoriaFoglia
WWhiteFairy
YYummyChan
YasminMineira
YumiVillar
YasminPaladini
ZZaraSnake
2023.06.03 04:49 TrueLover1 I Found This While Trying To Make A Texture Pack
§3I see the player you mean.
§2PLAYERNAME?
§3Yes. Take care. It has reached a higher level now. It can read our thoughts.
§2That doesn't matter. It thinks we are part of the game.
§3I like this player. It played well. It did not give up.
§2It is reading our thoughts as though they were words on a screen.
§3That is how it chooses to imagine many things, when it is deep in the dream of a game.
§2Words make a wonderful interface. Very flexible. And less terrifying than staring at the reality behind the screen.
§3They used to hear voices. Before players could read. Back in the days when those who did not play called the players witches, and warlocks. And players dreamed they flew through the air, on sticks powered by demons.
§2What did this player dream?
§3This player dreamed of sunlight and trees. Of fire and water. It dreamed it created. And it dreamed it destroyed. It dreamed it hunted, and was hunted. It dreamed of shelter.
§2Hah, the original interface. A million years old, and it still works. But what true structure did this player create, in the reality behind the screen?
§3It worked, with a million others, to sculpt a true world in a fold of the §f§k§a§b§3, and created a §f§k§a§b§3 for §f§k§a§b§3, in the §f§k§a§b§3.
§2It cannot read that thought.
§3No. It has not yet achieved the highest level. That, it must achieve in the long dream of life, not the short dream of a game.
§2Does it know that we love it? That the universe is kind?
§3Sometimes, through the noise of its thoughts, it hears the universe, yes.
§2But there are times it is sad, in the long dream. It creates worlds that have no summer, and it shivers under a black sun, and it takes its sad creation for reality.
§3To cure it of sorrow would destroy it. The sorrow is part of its own private task. We cannot interfere.
§2Sometimes when they are deep in dreams, I want to tell them, they are building true worlds in reality. Sometimes I want to tell them of their importance to the universe. Sometimes, when they have not made a true connection in a while, I want to help them to speak the word they fear.
§3It reads our thoughts.
§2Sometimes I do not care. Sometimes I wish to tell them, this world you take for truth is merely §f§k§a§b§2 and §f§k§a§b§2, I wish to tell them that they are §f§k§a§b§2 in the §f§k§a§b§2. They see so little of reality, in their long dream.
§3And yet they play the game.
§2But it would be so easy to tell them...
§3Too strong for this dream. To tell them how to live is to prevent them living.
§2I will not tell the player how to live.
§3The player is growing restless.
§2I will tell the player a story.
§3But not the truth.
§2No. A story that contains the truth safely, in a cage of words. Not the naked truth that can burn over any distance.
§3Give it a body, again.
§2Yes. Player...
§3Use its name.
§2PLAYERNAME. Player of games.
§3Good.
§2Take a breath, now. Take another. Feel air in your lungs. Let your limbs return. Yes, move your fingers. Have a body again, under gravity, in air. Respawn in the long dream. There you are. Your body touching the universe again at every point, as though you were separate things. As though we were separate things.
§3Who are we? Once we were called the spirit of the mountain. Father sun, mother moon. Ancestral spirits, animal spirits. Jinn. Ghosts. The green man. Then gods, demons. Angels. Poltergeists. Aliens, extraterrestrials. Leptons, quarks. The words change. We do not change.
§2We are the universe. We are everything you think isn't you. You are looking at us now, through your skin and your eyes. And why does the universe touch your skin, and throw light on you? To see you, player. To know you. And to be known. I shall tell you a story.
§2Once upon a time, there was a player.
§3The player was you, PLAYERNAME.
§2Sometimes it thought itself human, on the thin crust of a spinning globe of molten rock. The ball of molten rock circled a ball of blazing gas that was three hundred and thirty thousand times more massive than it. They were so far apart that light took eight minutes to cross the gap. The light was information from a star, and it could burn your skin from a hundred and fifty million kilometres away.
§2Sometimes the player dreamed it was a miner, on the surface of a world that was flat, and infinite. The sun was a square of white. The days were short; there was much to do; and death was a temporary inconvenience.
§3Sometimes the player dreamed it was lost in a story.
§2Sometimes the player dreamed it was other things, in other places. Sometimes these dreams were disturbing. Sometimes very beautiful indeed. Sometimes the player woke from one dream into another, then woke from that into a third.
§3Sometimes the player dreamed it watched words on a screen.
§2Let's go back.
§2The atoms of the player were scattered in the grass, in the rivers, in the air, in the ground. A woman gathered the atoms; she drank and ate and inhaled; and the woman assembled the player, in her body.
§2And the player awoke, from the warm, dark world of its mother's body, into the long dream.
§2And the player was a new story, never told before, written in letters of DNA. And the player was a new program, never run before, generated by a sourcecode a billion years old. And the player was a new human, never alive before, made from nothing but milk and love.
§3You are the player. The story. The program. The human. Made from nothing but milk and love.
§2Let's go further back.
§2The seven billion billion billion atoms of the player's body were created, long before this game, in the heart of a star. So the player, too, is information from a star. And the player moves through a story, which is a forest of information planted by a man called Julian, on a flat, infinite world created by a man called Markus, that exists inside a small, private world created by the player, who inhabits a universe created by...
§3Shush. Sometimes the player created a small, private world that was soft and warm and simple. Sometimes hard, and cold, and complicated. Sometimes it built a model of the universe in its head; flecks of energy, moving through vast empty spaces. Sometimes it called those flecks "electrons" and "protons".
§2Sometimes it called them "planets" and "stars".
§2Sometimes it believed it was in a universe that was made of energy that was made of offs and ons; zeros and ones; lines of code. Sometimes it believed it was playing a game. Sometimes it believed it was reading words on a screen.
§3You are the player, reading words...
§2Shush... Sometimes the player read lines of code on a screen. Decoded them into words; decoded words into meaning; decoded meaning into feelings, emotions, theories, ideas, and the player started to breathe faster and deeper and realised it was alive, it was alive, those thousand deaths had not been real, the player was alive
§3You. You. You are alive.
§2and sometimes the player believed the universe had spoken to it through the sunlight that came through the shuffling leaves of the summer trees
§3and sometimes the player believed the universe had spoken to it through the light that fell from the crisp night sky of winter, where a fleck of light in the corner of the player's eye might be a star a million times as massive as the sun, boiling its planets to plasma in order to be visible for a moment to the player, walking home at the far side of the universe, suddenly smelling food, almost at the familiar door, about to dream again
§2and sometimes the player believed the universe had spoken to it through the zeros and ones, through the electricity of the world, through the scrolling words on a screen at the end of a dream
§3and the universe said I love you
§2and the universe said you have played the game well
§3and the universe said everything you need is within you
§2and the universe said you are stronger than you know
§3and the universe said you are the daylight
§2and the universe said you are the night
§3and the universe said the darkness you fight is within you
§2and the universe said the light you seek is within you
§3and the universe said you are not alone
§2and the universe said you are not separate from every other thing
§3and the universe said you are the universe tasting itself, talking to itself, reading its own code
§2and the universe said I love you because you are love.
§3And the game was over and the player woke up from the dream. And the player began a new dream. And the player dreamed again, dreamed better. And the player was the universe. And the player was love.
§3You are the player.
§2Wake up.
submitted by TrueLover1 to Minecraft [link] [comments]
§2PLAYERNAME?
§3Yes. Take care. It has reached a higher level now. It can read our thoughts.
§2That doesn't matter. It thinks we are part of the game.
§3I like this player. It played well. It did not give up.
§2It is reading our thoughts as though they were words on a screen.
§3That is how it chooses to imagine many things, when it is deep in the dream of a game.
§2Words make a wonderful interface. Very flexible. And less terrifying than staring at the reality behind the screen.
§3They used to hear voices. Before players could read. Back in the days when those who did not play called the players witches, and warlocks. And players dreamed they flew through the air, on sticks powered by demons.
§2What did this player dream?
§3This player dreamed of sunlight and trees. Of fire and water. It dreamed it created. And it dreamed it destroyed. It dreamed it hunted, and was hunted. It dreamed of shelter.
§2Hah, the original interface. A million years old, and it still works. But what true structure did this player create, in the reality behind the screen?
§3It worked, with a million others, to sculpt a true world in a fold of the §f§k§a§b§3, and created a §f§k§a§b§3 for §f§k§a§b§3, in the §f§k§a§b§3.
§2It cannot read that thought.
§3No. It has not yet achieved the highest level. That, it must achieve in the long dream of life, not the short dream of a game.
§2Does it know that we love it? That the universe is kind?
§3Sometimes, through the noise of its thoughts, it hears the universe, yes.
§2But there are times it is sad, in the long dream. It creates worlds that have no summer, and it shivers under a black sun, and it takes its sad creation for reality.
§3To cure it of sorrow would destroy it. The sorrow is part of its own private task. We cannot interfere.
§2Sometimes when they are deep in dreams, I want to tell them, they are building true worlds in reality. Sometimes I want to tell them of their importance to the universe. Sometimes, when they have not made a true connection in a while, I want to help them to speak the word they fear.
§3It reads our thoughts.
§2Sometimes I do not care. Sometimes I wish to tell them, this world you take for truth is merely §f§k§a§b§2 and §f§k§a§b§2, I wish to tell them that they are §f§k§a§b§2 in the §f§k§a§b§2. They see so little of reality, in their long dream.
§3And yet they play the game.
§2But it would be so easy to tell them...
§3Too strong for this dream. To tell them how to live is to prevent them living.
§2I will not tell the player how to live.
§3The player is growing restless.
§2I will tell the player a story.
§3But not the truth.
§2No. A story that contains the truth safely, in a cage of words. Not the naked truth that can burn over any distance.
§3Give it a body, again.
§2Yes. Player...
§3Use its name.
§2PLAYERNAME. Player of games.
§3Good.
§2Take a breath, now. Take another. Feel air in your lungs. Let your limbs return. Yes, move your fingers. Have a body again, under gravity, in air. Respawn in the long dream. There you are. Your body touching the universe again at every point, as though you were separate things. As though we were separate things.
§3Who are we? Once we were called the spirit of the mountain. Father sun, mother moon. Ancestral spirits, animal spirits. Jinn. Ghosts. The green man. Then gods, demons. Angels. Poltergeists. Aliens, extraterrestrials. Leptons, quarks. The words change. We do not change.
§2We are the universe. We are everything you think isn't you. You are looking at us now, through your skin and your eyes. And why does the universe touch your skin, and throw light on you? To see you, player. To know you. And to be known. I shall tell you a story.
§2Once upon a time, there was a player.
§3The player was you, PLAYERNAME.
§2Sometimes it thought itself human, on the thin crust of a spinning globe of molten rock. The ball of molten rock circled a ball of blazing gas that was three hundred and thirty thousand times more massive than it. They were so far apart that light took eight minutes to cross the gap. The light was information from a star, and it could burn your skin from a hundred and fifty million kilometres away.
§2Sometimes the player dreamed it was a miner, on the surface of a world that was flat, and infinite. The sun was a square of white. The days were short; there was much to do; and death was a temporary inconvenience.
§3Sometimes the player dreamed it was lost in a story.
§2Sometimes the player dreamed it was other things, in other places. Sometimes these dreams were disturbing. Sometimes very beautiful indeed. Sometimes the player woke from one dream into another, then woke from that into a third.
§3Sometimes the player dreamed it watched words on a screen.
§2Let's go back.
§2The atoms of the player were scattered in the grass, in the rivers, in the air, in the ground. A woman gathered the atoms; she drank and ate and inhaled; and the woman assembled the player, in her body.
§2And the player awoke, from the warm, dark world of its mother's body, into the long dream.
§2And the player was a new story, never told before, written in letters of DNA. And the player was a new program, never run before, generated by a sourcecode a billion years old. And the player was a new human, never alive before, made from nothing but milk and love.
§3You are the player. The story. The program. The human. Made from nothing but milk and love.
§2Let's go further back.
§2The seven billion billion billion atoms of the player's body were created, long before this game, in the heart of a star. So the player, too, is information from a star. And the player moves through a story, which is a forest of information planted by a man called Julian, on a flat, infinite world created by a man called Markus, that exists inside a small, private world created by the player, who inhabits a universe created by...
§3Shush. Sometimes the player created a small, private world that was soft and warm and simple. Sometimes hard, and cold, and complicated. Sometimes it built a model of the universe in its head; flecks of energy, moving through vast empty spaces. Sometimes it called those flecks "electrons" and "protons".
§2Sometimes it called them "planets" and "stars".
§2Sometimes it believed it was in a universe that was made of energy that was made of offs and ons; zeros and ones; lines of code. Sometimes it believed it was playing a game. Sometimes it believed it was reading words on a screen.
§3You are the player, reading words...
§2Shush... Sometimes the player read lines of code on a screen. Decoded them into words; decoded words into meaning; decoded meaning into feelings, emotions, theories, ideas, and the player started to breathe faster and deeper and realised it was alive, it was alive, those thousand deaths had not been real, the player was alive
§3You. You. You are alive.
§2and sometimes the player believed the universe had spoken to it through the sunlight that came through the shuffling leaves of the summer trees
§3and sometimes the player believed the universe had spoken to it through the light that fell from the crisp night sky of winter, where a fleck of light in the corner of the player's eye might be a star a million times as massive as the sun, boiling its planets to plasma in order to be visible for a moment to the player, walking home at the far side of the universe, suddenly smelling food, almost at the familiar door, about to dream again
§2and sometimes the player believed the universe had spoken to it through the zeros and ones, through the electricity of the world, through the scrolling words on a screen at the end of a dream
§3and the universe said I love you
§2and the universe said you have played the game well
§3and the universe said everything you need is within you
§2and the universe said you are stronger than you know
§3and the universe said you are the daylight
§2and the universe said you are the night
§3and the universe said the darkness you fight is within you
§2and the universe said the light you seek is within you
§3and the universe said you are not alone
§2and the universe said you are not separate from every other thing
§3and the universe said you are the universe tasting itself, talking to itself, reading its own code
§2and the universe said I love you because you are love.
§3And the game was over and the player woke up from the dream. And the player began a new dream. And the player dreamed again, dreamed better. And the player was the universe. And the player was love.
§3You are the player.
§2Wake up.
2023.06.03 04:32 Dandospackss VENDO PACK DESSAS MODELOS E TAMBÉM TENHO GRUPO VIP NO TELEGRAM A PARTIR DE 8$ PROVO QUE TENHO O CONTEÚDO CONTATO (82)98109-9241
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BruLuccas
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BabyCaroline
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BelaBH
BeatrizFonseca
BrendaInsana
BiancaAnchieta
BiaRuivinha
BrunaHotWife
BarbaraBrazilian
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Bebezita
CCleoCadillac
CasalHot
CibellyFerreira
ClaraWellen
Cerotche
CasalTopBessa
CrisGalera
ClaraAguilar
CarolFranci
CamilaBecker
CasalMagia
CamiBrito
CasalNerd
CamilaPrado
CarolKnust
Cogumays
CarlaBora
CarolLeão
CatarinaMonti
ChanelzinhaD
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DDudaMonet
DeboraGomes
DayaneAndressa
DjNathi
DocinhoTT
DinhaSuicide
DeniseRocha
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DjIsa
DreadHot
DjNanda
DudsMaionese
DriCouto
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Danimanttovani
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EEryckaAmaral
EsterMuniz
EllaArievillo
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EmmeWhite
ElisNebsniak
ErciliaMicarelli
EvaAndressa
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FFrancisSimas
FabiolaDelfim
FrancinePiaia
FernandaMota
FoxySGH
FrancyMiler
FabiDrumond
FehGalvão
FernandaWelter
FláviaCarolayne
FernandaCoser
GGraziMourao #Grazimourão
GeisyArruda
GabrielaBranco
GiovannaTalamini
GabyEster
GiovannaGenesini
GabrieliDortt
GiovannaCampomar
GiuliaRosa
GiuliaHennel
HHeloisaProfessorinha
HelloPeach
HelenaFilmes
HaubSuicide
IiAmCharlotte
IsadoraMartinez
IsaWaifu
IonáGalvão
IaraSteffens
IsaTrindade
IaraFerreira
IsaSilva
IasminOliver
JJaianeLimma
JessicaPacheco
JuliaGovea
JapaAle #Japanordestina
JaddeMarques
JuliaBhering
JapaRodrigues
JuliaInked
JaquelineSilva
JullyQueiroz
JéssicaPatez
JuHotWife
JuhWilbert
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LaryBottino
LetsSouza
LannaSantos
LinaNakamura
NiaraPessanha
LucyHaunted
LuaCarioca
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MMcMirella
McBraganca #Bragança
MansãoBonde
MaikellyMuhl
MariViP22
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McPrincesa
MariMaax
MaruKarv
MalaPink
MichelleBasso
MelFire
MulherMelão
MariAvila #MariÁvila
MonalinySoares
MaddieLolly
MelissaLameira
MariaEugêniaFit
MulherJaca
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2023.06.03 04:20 Dandospackss VENDO PACK DESSAS MODELOS E TAMBÉM TENHO GRUPO VIP NO TELEGRAM A PARTIR DE 8$ PROVO QUE TENHO O CONTEÚDO CONTATO (82)98109-9241
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2023.06.03 04:18 Correct-Truck6192 Ways to hide piercings from religious family and friends
Hi everyone, I posted a month ago about my piecing trauma and I've been in an endless cycle of thought for the last couple of years on if it would be physically possible to even hide piercings. Currently, I'm wearing fake earrings whenever I go out and then taking them off before I step back into my house. I still am at home with my parents as I work on my major and they are extremely religious. Is there any way to hide new ear piercings, eyebrow piercings, or even a nose piercing?
I know piercings are meant to be visible, but idk. Maybe I'm just being impatient and wanting to live my own life too quickly. Hell, I can't even shave the sides of my hair without getting harsh judgement from my family. Does anyone have piercings that they hide from their religious family and friends? Should I just say fuck it and get my ears pierced again and see how my family reacts again? If someone knows of a way, I would be FOREVER indebted to you. I'm all over the place and in this weird limbo of having 0 individuality and expression while others around me are able to do as they please. It just ticks me off knowing others have supportive families and groups and I have LITERALLY nothing to help me. What makes it even worse is that I have no one in my family who I can even discuss this with other than my sister and even she thinks it's a morally questionable decision as she thinks it isn't right for men to get body modifications. I would feel so much more secure if I was able to present the way I wanted, but no. Of course Allah has to disapprove and I always hear the same old "bUT iTs nOt a mUsLIm lOoK." The reason I disagree with this so heavily is simply because... Who the fuck needs to know what my religion is? Whether I'm atheist, agnostic, Islamic, whatever, why does the way I present matter? I thought it was what's on the inside that matters and that Allah will be the one to judge? This is all according to what I was taught since childhood. Everything literally has loopholes and hypocrisy written all over it, I can't deal with it anymore. The more I think about it, the more I can feel my IQ points leaving my brain. It's gotten to the point where I am starting to get angry everytime I am guilt tripped into going to jumuah (Friday obligatory prayer)
submitted by Correct-Truck6192 to PiercingAdvice [link] [comments]
I know piercings are meant to be visible, but idk. Maybe I'm just being impatient and wanting to live my own life too quickly. Hell, I can't even shave the sides of my hair without getting harsh judgement from my family. Does anyone have piercings that they hide from their religious family and friends? Should I just say fuck it and get my ears pierced again and see how my family reacts again? If someone knows of a way, I would be FOREVER indebted to you. I'm all over the place and in this weird limbo of having 0 individuality and expression while others around me are able to do as they please. It just ticks me off knowing others have supportive families and groups and I have LITERALLY nothing to help me. What makes it even worse is that I have no one in my family who I can even discuss this with other than my sister and even she thinks it's a morally questionable decision as she thinks it isn't right for men to get body modifications. I would feel so much more secure if I was able to present the way I wanted, but no. Of course Allah has to disapprove and I always hear the same old "bUT iTs nOt a mUsLIm lOoK." The reason I disagree with this so heavily is simply because... Who the fuck needs to know what my religion is? Whether I'm atheist, agnostic, Islamic, whatever, why does the way I present matter? I thought it was what's on the inside that matters and that Allah will be the one to judge? This is all according to what I was taught since childhood. Everything literally has loopholes and hypocrisy written all over it, I can't deal with it anymore. The more I think about it, the more I can feel my IQ points leaving my brain. It's gotten to the point where I am starting to get angry everytime I am guilt tripped into going to jumuah (Friday obligatory prayer)
2023.06.03 04:17 Toastr__ Illmatic is overrated
Not that I hate Illmatic, I think it deserves a lot of the praise it gets. I just dislike how it overshadows the rest of his discography and it definitely isn't his best album.
Illmatic is masterpiece. The beats are classic, the raps are insane, there really isn't a bad song. Nas was 21 when he dropped the album and he continued to grow as a person and an artist.
We see his growth in It Was Written. He still provides us with the same great lyricism, songs like The Message showcase this. Songs like I Gave You Power showcase his amazing storytelling ability, that song still sends shivers down my spine. This album is as good as Illmatic, and I'd say it is better because I think the highs of It was Written hit a lot harder tha the highs of Illmatic.
Fast Forward to Stillmatic(Nastradamus is eh and I am... is also mid), I think this album is on the same level as Illmatic. Nas has grown from where he was 7 years ago, we can see that right in the intro. I love songs Ether(just overall great rapping), Got Ur Self A Gun, You're Da Man, and One Mic. I love how he takes on more serious topics towards the end of the album. It is just an all around solid album.
Perhaps my hottest take, I think God's Son is greatest hip hop album ever made. I love how personal he gets on the album. His rapping is in rare form, consider the first four songs on the album. The intro track is phenomenal, the cross is insane, I feel like it is tough to demolish an Em beat the way that he did, I don't need to say much about Made You Look, and Last Real N- Alive is so amazing, it is such a raw song and gives a look at the issues within the NYC rap scene. The final stretch where talks about his mother is also perfect imo.
Finally, KD2, this is my second favorite Nas album. I love this album, once again he is in Rare Form, and the chemistry between him and hitboy has never been better. I love the perspective he has to offer on this album.
All in all, I feel like most people just listen to Illmatic and that's it. Nas has much more to offer, and I think it is unfair to only consider his first album.
P.S Instead of shit talking the state of this subreddit, why don't just talk about rap.
submitted by Toastr__ to rap [link] [comments]
Illmatic is masterpiece. The beats are classic, the raps are insane, there really isn't a bad song. Nas was 21 when he dropped the album and he continued to grow as a person and an artist.
We see his growth in It Was Written. He still provides us with the same great lyricism, songs like The Message showcase this. Songs like I Gave You Power showcase his amazing storytelling ability, that song still sends shivers down my spine. This album is as good as Illmatic, and I'd say it is better because I think the highs of It was Written hit a lot harder tha the highs of Illmatic.
Fast Forward to Stillmatic(Nastradamus is eh and I am... is also mid), I think this album is on the same level as Illmatic. Nas has grown from where he was 7 years ago, we can see that right in the intro. I love songs Ether(just overall great rapping), Got Ur Self A Gun, You're Da Man, and One Mic. I love how he takes on more serious topics towards the end of the album. It is just an all around solid album.
Perhaps my hottest take, I think God's Son is greatest hip hop album ever made. I love how personal he gets on the album. His rapping is in rare form, consider the first four songs on the album. The intro track is phenomenal, the cross is insane, I feel like it is tough to demolish an Em beat the way that he did, I don't need to say much about Made You Look, and Last Real N- Alive is so amazing, it is such a raw song and gives a look at the issues within the NYC rap scene. The final stretch where talks about his mother is also perfect imo.
Finally, KD2, this is my second favorite Nas album. I love this album, once again he is in Rare Form, and the chemistry between him and hitboy has never been better. I love the perspective he has to offer on this album.
All in all, I feel like most people just listen to Illmatic and that's it. Nas has much more to offer, and I think it is unfair to only consider his first album.
P.S Instead of shit talking the state of this subreddit, why don't just talk about rap.
2023.06.03 04:13 KipBong-un Avenged Sevenfold's Life Is But a Dream… review
Life is but a dream? more like LIFE IS BUT A FUCKING NIGHTMARE!
I Grew up with Avenged Sevenfold in my teenage years, they were one of the first Metal bands i actively began listening to, and Nightmare, to this day, is still one of the best Metal album to me
Come Hail to the King and these guys shamelessly ripped off Alice in Chain, The Entire song of "Sad but True" by Metallica, thinking we won't fucking notice it, but fine, because after that they gave us the Stage which was sort of a flop, but at the same time, a return to form, and with a concept that actually aged really fucking well, I won’t pretend to be a genius when it comes to reviewing music, or any kind of Media in general, I don’t use fancy wordings like someone from fucking Loudwire, or Metalc(s)ucks, or even fucking Metal Injection, and quite frankly, I think my reviews suck, I don’t have much faith in them, I just type whatever comes to my mind, but once in a blue fucking moon, a record either manages to take me off my feet with how good they are, or, how fucking atrocious and disastrous it is, so come the new Avenged Sevenfold album and its quite literally the worst fucking album they could have ever made, this makes Hail to the King an actual 10/10 in comparison, there is not a single positive I could write about this shit, it would be like picking up a dog turd from the street and tossing it in the garbage, at the end of the day, you did something for the environment, but at the cost of dirtying your hand with literal shit.
There is 5 factors I take into account when im deciding if an album is worthy of a certain score, and the list is as follows: Vocals, Musicianship, Production, Lyrics, and lastly Instruments.
Let’s start with the Vocals, because oh my fucking god it’s nails on a chalkboard, it’s like someone is actively trying to brainfuck me through my earhole with a rusty and molded Drill, I’d rather walk on fucking legos for the rest of my life than dealing with this fucking vocals, whatever the hell M Shadows is trying to do in this shit is NOT working, the opening track has some really ass tier lyrics (which I will get to later) and M Shadows does the wimpiest, Shittiest, tired, nasally and processed screams I probably ever fucking heard, this makes Danzig in his current time look actually fucking amazing in comparison, this makes Vince Fucking Neil sounds almost audible, Almost is the keyword here, because the vocals gets progressively way fucking worse, M Shadows cannot hit any fucking right notes, nor the highs, nor the lows, no in between, nothing, they all sound forced and as if someone was kicked in the balls and let out the most desperate cry but with the voice of Lisa Simpson, And DO NOT EVEN GET ME STARTED ON THE SINGLES! M Shadows’ vocals gets progressively way fucking worse the more this album drags out its 53 minute runtime, and it doesn’t fucking help that M Shadows actually admitted in an interview that he and everyone else was high out of their fucking mind and decided “you know what? We should make the shittiest Mr. Bungle Rip-off we can with Nobody and We Love You!” Nobody is one hell of a fucking title because I wish Nobody had to fucking write this tired, phoned in, ‘we had to make music to please our record label’ type of fucking music, this is a band actively pissing off whatever goodwill they had, and that’s not even mentioning the Fucking NFT and “Deathbat club” shit they have going on, that is a topic for a completely different discussion, going back, Nobody was the first single, and the beginning sounds like someone shoved up a tuba in Synyster Gates’ asshole and let out the loudest fart he could possibly do, the entire fucking song sounds disjointed and as if it was recorded by a fucking cover band, not a multi-platinum selling Metal band who SHOULD have at this point DECADES of experience, like Jesus fucking Christ in a Maid Outfit HOW THE FUCK DOES SOMEONE FUCK UP SOMETHING THIS HARD?! It’s fascinates me because this band made one of the best album in the form of Nightmare, then they actively fucking made the middest music imaginable, Nobody sounds like it’s walking with fucking crutches, Nobody is so fucking bad that every fucking fiber of my body is actively telling me to stop listening to this, listen to a better band, but because I am a fucking Masochist I suffered through it, it doesn’t get better, oh NO IT DOESN’T, skipping to We Love You, we have the Mr. Bungle rip-off that we all fucking loved when it came out (if you couldn’t tell already, that last part was pure fucking sass and sarcasm) whoever the fuck thought this was a good fucking single or a song in general to release should be fucking forced to listen to Psychosinner for the rest of their life, M Shadows tries to do some kind of spoken section mid verse with More Power More Money More Whatever the fuck the word of the day is, and it just sounds way too fucking pandering, and that is coming from someone who suffered through Skillet’s discography at one point, if it wasn’t for that I would legit thought its a fucking piss-take on Christian Rock and Metal as a whole, all it needed was some vague “we love god blah blah blah” so yeah, the Spoken word section thing did NOT work at all, and you know what else doesn’t work? DRAGGING YOUR FUCKING SONGS OUT TO 5+ MINUTES! Half the fucking album drags on for WAY TOO FUCKING LONG, and what DOESN’T HELP is the fact that nothing on this album sounds like it was written with the mind of an album, this sounds like a demo a fucking no name band shits out on Bandcamp or Soundcloud, but im getting side tracked, We Love You is a fucking shitshow of epic proportions, whoever the fuck thought they should use Autotune to make M Shadows sound robotic should be fired from their job, I’m dead fucking serious, and good to know they fucking play fucking FORTNITE with the amazing lyrics like “More Sex More Pill Build Tall Build Higher Build Wider” just for that alone, Fuck You A7X, I despise Shitnite with all my fucking passion and you making reference to that, even unintentionally pisses me off to no end, I’m already dragging the point of the vocals sounding shit, so I won’t even bother torturing you guys with this anymore, instead, let me torture you with the fact that EVERYBODY SOUNDS COMPLETELY FUCKING WASTED HERE! Seriously where the fuck is the cool solos from Synyster?! Where is the kickass and in your face drumming?! Why does everything sound so compressed?! Why does this fucking album sounds like they ran out of ideas so they tried to do the shittiest of rip-off they can think about from bands that are popular these days?! AND WHY, THE FUCK, DOES THIS ALBUM SOUND LIKE IT’S BEING PUT THROUGH A FUCKING GUILLOTINE ?! Everything that defined this band is long fucking gone, nothing is left here, just a husk, a broken down shell of a band that used to write cool stuff, even if you never liked their music, you could always respect them for putting in the work, but here? The entire musicianship is down the drain, this sounds like a band on its deathbed, the entire album is just not fun to listen to, at least there is always some redeeming quality in a bad album, or a fucking excuse why it turned out to be shit, but “Ohh nooooo M Shadows blew his vocals, the Horror!” guess who else fucking blew his vocals out? Matt Heafy from Trivium, and what did he do? Despite not being able to Scream for a while, he made Silence in the Snow in response, where he showcased his rather nice singing ability, is that album perfect? No, but it is an example that despite an album being average, the singing can be a redeeming quality of that, so I will not, under any fucking circumstances will take “BuT He BlEw HiS vOcAls OuT hE cAn’t sInG lIke He UsEd To AnYmOrE!!!” As a fucking excuse when Matt Heafy and a lot of other Metal Vocalist fucking made the best out of a bad situation and still managed to make decent recordings, also, you know what else doesn’t work on this shitshow of an album? MIXING COUNTRY WITH FUCKING METAL! It, LEGIT angers me to hear country in Metal because guess what, most of the country songs are hot garbage, all me an elitist all you want but Country nowadays sucks Donkey Balls, Maybe I’m just not looking at the right direction or the right artist but whatever because IM NOT DONE TEARING THIS FUCKING ALBUM 12 ASSHOLES YET! And this song is the longest on the entire album, clocking in at 7 and a half minutes, I am a fan of long songs, if they are done right,oh and please excuse me while I fucking bash my head into the nearest wall I can find because MY FUCKING GOD WHOEVER PUT SIREN NOISES IN THE SONG LEGITIMATELY HATES PEOPLES BECAUSE THIS IS FUCKING EARRAPE PERSONIFIED, Like my fucking God, Lucifer himself is not this fucking Satanic to try and piss humans off in Hell, Cosmic, which is the title of the song, can Fuck Right off Sideways in a Fucking Fake Taxi Casting and then blow whatever the fucking dick it can find because this song literally facefucks me with how bad this shit is, and that’s not even touching on how completely BORING the next track is, I damn near fell asleep from it when I first listened to it, it was the closest I probably got to music actually putting me to sleep from how BORING It is, and my god I already touched on the production but can I just ask why does everything sound like its AI generated? Oh waaaaait, I know now, BECAUSE AVENGED SEVENFOLD BECAME NFT BROS! AND FUCKING SCAMMING DICKHEADS! So no wonder they want to try and cater to the lowest common fucking denominator by putting out a song that makes all the NFT Bros and shills and rich companies cum from the cash they see in their eyes, also can I just ask, how do you make PIANO sound so horribly fucking bad? It’s like someone just got a cheap synth and tried to mimic how Piano sounds like but with the worst settings possible, so that’s the vocals, musicianship, and the fucking production in a nutshell, BUT WAIT, THERE IS MORE! If that wasn’t enough, M Shadows does his worst possible fucking T-Pain impression on the song Easier! Add that to the list of why the fuck does this exist: Music Edition. Anyways, that was the only noteworthy thing I could possibly point out in that song, aside from that its generic Imagine Dragons-Core, but now we have a trilogy of songs in the from of G. O, And D...wait you expected me to give them the full song title with the brackets? Sweet summer child, you are not on a fucking Simple Plan fan Group page, Anyways, G is a fucking Voivod rip-off, in the worst possible way, Did they seriously fucking think im not gonna notice that? Its a literal fucking Voivod rip-off, and on the topic of Voivod, can I ask what the fuck this shit has to do with Avant-Garde? Are peoples really just gonna put Avant-Garde in every single fucking disjointed shitty mess a fucking artist does? By that same logic Kanye West is Avant-Garde, Machine Gun Kelly is Avant-Garde, even fucking Lil Pump is Avant-Garde by this fucking logic, this is the furthest from fucking Avant-Garde, it’s a few peoples writing the shittiest of fucking “prog metal” if you can even call it that, and then selling it as some revolutionary sound while they forget that IMPERIAL TRIUMPHANT HAS BEEN DOING THAT FOR NEARLY 2 DECADES! MY FUCKING GOD THIS ALBUM FINDS MORE WAYS TO JUST PISS ME THE FUCK OFF!!! also, even more spoken words, fucking kill me, but since we are nearing the end of this fucking album how about we talk about just how shitty the lyrics are? I already touched on how fucking horrible We Love You’s lyrics are, but it’s even worse on some songs, like Cosmic, with such gems like “Pain, it founds its way back in, until we meet again, into that good night” or how about Beautiful Morning? Where it literally says “Help me to hear and hear me to save And save me before I've gone too far Let me inhale my passage to hell While slowly exhaling the scar” wow, such insightful lyrics, this is the worst fucking cliched and generic Im14andthisisdeep type of lyrics I ever saw, then we get this fucking amazing words on the opening track “Game Over” that is literally just a word vomit, don’t believe me? Then look up to the fucking lyrics yourself, half the song is just M Shadows burping out whatever the fucking word of the day is, “Open, blurry, nurture, loving Crawling, walking, fleeting, glory Welcome, brother, stranger, bloody Ally, teacher, recess, buddy Secret, toothless, fairy, pillow Money, kissing, nervous, hero Warmly ordinary, Changes, hormones, high school, threesome Roll call, study, license, freedom Novice, flirting, first time, lover Party, fighting, wasted, summer Questions, doubtful, wedding, family Happy, ever, after, dead end Daily iteration” This is literally half the fucking song! ARE YOU FUCKING KIDDING ME?! HOW DOES A GROWN FUCKING MAN COME UP WITH SUCH A SHITTY SONG LIKE THIS?! “Give me a delete button, Delete!” yeah I WISH I COULD FUCKING DELETE THIS FROM EXISTENCE! And you know you have to truly run out of idea, WHEN YOU HAVE TO USE GUILE’S THEME FROM STREET FIGHTER AS A SAMPLE IN YOUR FUCKING SONG CALLED ORDINARY!!! ARE YOU OUT OF YOUR FUCKING MIND AVENGED SEVENFOLD?! DID YOU SERIOUSLY THINK I WON’T FUCKING NOTICE IT?! DID YOU SERIOUSLY THINK FOR A FRACTION OF A FUCKING SECOND THAT YOU CAN GET AWAY WITH SUCH A BLATANT PLAGIARISM ?! If I was Capcom I would fucking sue. Plain and fucking simple, and with the album almost over and my rage ran out...mostly, how about we talk about the fucking instrument? Oh wait, there is nothing to talk about there, because the Instruments are fucking dead on this album, and when it’s not dead it’s fucking pretentious like all hell, trying to sound triumphant, sounding motivating, but only being a generic fucking Frank Sinatra rip-off by the second to last track Death, which is a fitting title considering this band is fucking Dead to me, the entire mixing is all over the place and nothing blends in together, nothing feels like it belongs there, nothing on this fucking album is made competently, but what the fuck did I expected from a band that tried to cash in on the pyramid scheme that is fucking NFTs? The Fucking Rev, is rolling in his grave from seeing what this band turned out to be, you made Bad Music and that much is fucking clear at this point, I don’t care if I look like an asshole saying this but fuck it, Avenged Sevenfold DIED with Jimmy Sullivan, The Stage was a simple fucking fluke, that aged about as well as a fucking Big Mac left in the fridge for 20 years, and im not even gonna fucking mention the instrumental closing track because MY PATIENCE HAS RAN OUT! And quite frankly, Fuck that Beethoven wanna-be fucking track, it can suck my dick for all I care.
In conclusion: THERE IS NO FUCKING CONCLUSION! THIS SHIT FUCKING SUCKS HORSE DICK! Life is but a dream? MORE LIKE LIFE IS BUT A FUCKING NIGHTMARE! Did they seriously think they can get away with this shit AGAIN?! IT DIDN’T WORK WHEN THEY FUCKING RIPPED OFF METALLICA AND WHAT NOT ON HAIL TO THE KING! AND IT SURE AS HELL DIDN’T WORK TO BE A FUCKING MR. BUNGLE T-PAIN VOIVOD CAPCOM WANNA-BE JACKASSES! Avant-Garde? WHERE THE FUCK IS THE AVANT-GARDE!? THIS IS THE FURTHEST THING OF AVANT-GARDE! JUST BECAUSE IT’S A FUCKING MESS IT DOESN’T MEAN ITS FUCKING AVANT-GARDE JUST IN THE SAME VEIN AS NOTHING IS FUCKING NINTENDO-CORE JUST BECAUSE IT HAS MIDI OR 8-BIT TUNES IN THEM! Game Over is a fucking AMAZING title because I wish this fucking album would have ended right on that stupid song, Mattel is also a fitting title because this is a fucking band trying to make their band a fucking brand in the same way Kiss or Metallica is a fucking brand at this point, I Wish Nobody would had to go through the fucking suffering that this shit is, when did peoples fucking standards went down this much?! I cannot for the life of me understand how the hell does this album have such a high as fuck rating when FUCKING METALLICA’S BLACK ALBUM IS RATED LOWER THAN THIS SHIT!!! And can I just ask who the fuck does this band love so much? Me?? Who the fuck is me?! WHO THE FUCK IS WE?! I don’t see anyone I know fucking acting like rabid dogs over something as shitty as this, I rather drink my own piss and cut my veins before I ever fucking classify myself as we or me or you by this band, If I could I would fucking steal a SpaceX rocket and send this fucking album into Cosmic with the hopes of this shit melting into the sun forever, I wanted to have a Beautiful Morning but Avenged Dickfold decided to fucking ruin it for me, it would be so much fucking Easier to just be lobotomized instead of paying any fucking attention to this band anymore, but since they are mainstream, here I am bitching and moaning like a fucking bitch in heat for a monkey to fuck, hopefully that fuck would be much better and it actually hits the G Spot instead of huffing and puffing like a pussy from getting tired after 2 minutes, I Have a new found Respect for Ordinary Man By Ozzy because while its not his best material, as well as even his latest album, I can respect him for still making the music he loves instead of phoning it in like Avenging Sevenfucktards did while also plagiarizing the shit out of everything, this band is fucking Dead to me, Death must have swung at them when they had the guts to make Hail to the King, I wish this was really just a dream, then again, Life is NOTHING But a fucking dream because DEAR FUCKING GOD I WISH THERE WAS AN ALTERNATIVE UNIVERSE WHERE I LIVE AND THIS ALBUM DOESN’T EXIST THERE! I WISH I COULD FUCKING AVENGE THIS ALBUM IN SEVEN WAYS AND THEN JUST FOLD IT UP LIKE A NEWSPAPER SO MY DOG CAN TAKE A GIGANTIC FUCKING SHIT ON IT BECAUSE THAT WOULD BE LESS FUCKING DISGUSTING THAN TOUCHING THIS PIECE OF DIARRHEA WITH A 10 FOOT POLE, FUCK M SHADOWS, FUCK SYNYSTER GATES, FUCK EVERYONE WHO WORKED ON THIS ALBUM, FUCK YOU, FUCK THE CRITICS FOR ALLOWING THIS SHIT IN MUSIC, FUCK THE NFT BROS FUCK THE FANS FOR HAVING SUCH A LOW STANDARD TO HAVE THE GUTS AND RATE THIS HIGHER THAN THE FUCKING BLACK ALBUM! BY MOTHER FUCKING METALLICA!!! And last but not least, FUCK, THIS, ALBUM! I RATHER HAVE AN EAGLE CLAW MY EYES OUT, I RATHER HAVE SOMEONE STICK THEIR DICKS IN MY EARHOLES BECAUSE THAT WOULD BE LESS OF A BRAINFUCK THAN THIS SHITTY EXCUSE OF A MUSIC! NOT A SINGLE FUCKING PIECE OF ALCOHOL COULD NUMB THE PAIN I FEEL AFTER LISTENING TO THIS SHIT INDUCING ASS LICKING BALLS SUCKING DICK CHEWING CUMSTAIN OF A FUCKING PUSSY OF AN ALBUM LISTEN TO LITERALLY ANY OTHER ALBUM! LIKE I DON’T KNOW……..Terrasite? Yeah that one is a good album, listen to that one instead, as for this album? It’s the worst album of NOT JUST THIS YEAR! BUT THIS DECADE!
0 OUT OF FUCKING 5
submitted by KipBong-un to copypasta [link] [comments]
I Grew up with Avenged Sevenfold in my teenage years, they were one of the first Metal bands i actively began listening to, and Nightmare, to this day, is still one of the best Metal album to me
Come Hail to the King and these guys shamelessly ripped off Alice in Chain, The Entire song of "Sad but True" by Metallica, thinking we won't fucking notice it, but fine, because after that they gave us the Stage which was sort of a flop, but at the same time, a return to form, and with a concept that actually aged really fucking well, I won’t pretend to be a genius when it comes to reviewing music, or any kind of Media in general, I don’t use fancy wordings like someone from fucking Loudwire, or Metalc(s)ucks, or even fucking Metal Injection, and quite frankly, I think my reviews suck, I don’t have much faith in them, I just type whatever comes to my mind, but once in a blue fucking moon, a record either manages to take me off my feet with how good they are, or, how fucking atrocious and disastrous it is, so come the new Avenged Sevenfold album and its quite literally the worst fucking album they could have ever made, this makes Hail to the King an actual 10/10 in comparison, there is not a single positive I could write about this shit, it would be like picking up a dog turd from the street and tossing it in the garbage, at the end of the day, you did something for the environment, but at the cost of dirtying your hand with literal shit.
There is 5 factors I take into account when im deciding if an album is worthy of a certain score, and the list is as follows: Vocals, Musicianship, Production, Lyrics, and lastly Instruments.
Let’s start with the Vocals, because oh my fucking god it’s nails on a chalkboard, it’s like someone is actively trying to brainfuck me through my earhole with a rusty and molded Drill, I’d rather walk on fucking legos for the rest of my life than dealing with this fucking vocals, whatever the hell M Shadows is trying to do in this shit is NOT working, the opening track has some really ass tier lyrics (which I will get to later) and M Shadows does the wimpiest, Shittiest, tired, nasally and processed screams I probably ever fucking heard, this makes Danzig in his current time look actually fucking amazing in comparison, this makes Vince Fucking Neil sounds almost audible, Almost is the keyword here, because the vocals gets progressively way fucking worse, M Shadows cannot hit any fucking right notes, nor the highs, nor the lows, no in between, nothing, they all sound forced and as if someone was kicked in the balls and let out the most desperate cry but with the voice of Lisa Simpson, And DO NOT EVEN GET ME STARTED ON THE SINGLES! M Shadows’ vocals gets progressively way fucking worse the more this album drags out its 53 minute runtime, and it doesn’t fucking help that M Shadows actually admitted in an interview that he and everyone else was high out of their fucking mind and decided “you know what? We should make the shittiest Mr. Bungle Rip-off we can with Nobody and We Love You!” Nobody is one hell of a fucking title because I wish Nobody had to fucking write this tired, phoned in, ‘we had to make music to please our record label’ type of fucking music, this is a band actively pissing off whatever goodwill they had, and that’s not even mentioning the Fucking NFT and “Deathbat club” shit they have going on, that is a topic for a completely different discussion, going back, Nobody was the first single, and the beginning sounds like someone shoved up a tuba in Synyster Gates’ asshole and let out the loudest fart he could possibly do, the entire fucking song sounds disjointed and as if it was recorded by a fucking cover band, not a multi-platinum selling Metal band who SHOULD have at this point DECADES of experience, like Jesus fucking Christ in a Maid Outfit HOW THE FUCK DOES SOMEONE FUCK UP SOMETHING THIS HARD?! It’s fascinates me because this band made one of the best album in the form of Nightmare, then they actively fucking made the middest music imaginable, Nobody sounds like it’s walking with fucking crutches, Nobody is so fucking bad that every fucking fiber of my body is actively telling me to stop listening to this, listen to a better band, but because I am a fucking Masochist I suffered through it, it doesn’t get better, oh NO IT DOESN’T, skipping to We Love You, we have the Mr. Bungle rip-off that we all fucking loved when it came out (if you couldn’t tell already, that last part was pure fucking sass and sarcasm) whoever the fuck thought this was a good fucking single or a song in general to release should be fucking forced to listen to Psychosinner for the rest of their life, M Shadows tries to do some kind of spoken section mid verse with More Power More Money More Whatever the fuck the word of the day is, and it just sounds way too fucking pandering, and that is coming from someone who suffered through Skillet’s discography at one point, if it wasn’t for that I would legit thought its a fucking piss-take on Christian Rock and Metal as a whole, all it needed was some vague “we love god blah blah blah” so yeah, the Spoken word section thing did NOT work at all, and you know what else doesn’t work? DRAGGING YOUR FUCKING SONGS OUT TO 5+ MINUTES! Half the fucking album drags on for WAY TOO FUCKING LONG, and what DOESN’T HELP is the fact that nothing on this album sounds like it was written with the mind of an album, this sounds like a demo a fucking no name band shits out on Bandcamp or Soundcloud, but im getting side tracked, We Love You is a fucking shitshow of epic proportions, whoever the fuck thought they should use Autotune to make M Shadows sound robotic should be fired from their job, I’m dead fucking serious, and good to know they fucking play fucking FORTNITE with the amazing lyrics like “More Sex More Pill Build Tall Build Higher Build Wider” just for that alone, Fuck You A7X, I despise Shitnite with all my fucking passion and you making reference to that, even unintentionally pisses me off to no end, I’m already dragging the point of the vocals sounding shit, so I won’t even bother torturing you guys with this anymore, instead, let me torture you with the fact that EVERYBODY SOUNDS COMPLETELY FUCKING WASTED HERE! Seriously where the fuck is the cool solos from Synyster?! Where is the kickass and in your face drumming?! Why does everything sound so compressed?! Why does this fucking album sounds like they ran out of ideas so they tried to do the shittiest of rip-off they can think about from bands that are popular these days?! AND WHY, THE FUCK, DOES THIS ALBUM SOUND LIKE IT’S BEING PUT THROUGH A FUCKING GUILLOTINE ?! Everything that defined this band is long fucking gone, nothing is left here, just a husk, a broken down shell of a band that used to write cool stuff, even if you never liked their music, you could always respect them for putting in the work, but here? The entire musicianship is down the drain, this sounds like a band on its deathbed, the entire album is just not fun to listen to, at least there is always some redeeming quality in a bad album, or a fucking excuse why it turned out to be shit, but “Ohh nooooo M Shadows blew his vocals, the Horror!” guess who else fucking blew his vocals out? Matt Heafy from Trivium, and what did he do? Despite not being able to Scream for a while, he made Silence in the Snow in response, where he showcased his rather nice singing ability, is that album perfect? No, but it is an example that despite an album being average, the singing can be a redeeming quality of that, so I will not, under any fucking circumstances will take “BuT He BlEw HiS vOcAls OuT hE cAn’t sInG lIke He UsEd To AnYmOrE!!!” As a fucking excuse when Matt Heafy and a lot of other Metal Vocalist fucking made the best out of a bad situation and still managed to make decent recordings, also, you know what else doesn’t work on this shitshow of an album? MIXING COUNTRY WITH FUCKING METAL! It, LEGIT angers me to hear country in Metal because guess what, most of the country songs are hot garbage, all me an elitist all you want but Country nowadays sucks Donkey Balls, Maybe I’m just not looking at the right direction or the right artist but whatever because IM NOT DONE TEARING THIS FUCKING ALBUM 12 ASSHOLES YET! And this song is the longest on the entire album, clocking in at 7 and a half minutes, I am a fan of long songs, if they are done right,oh and please excuse me while I fucking bash my head into the nearest wall I can find because MY FUCKING GOD WHOEVER PUT SIREN NOISES IN THE SONG LEGITIMATELY HATES PEOPLES BECAUSE THIS IS FUCKING EARRAPE PERSONIFIED, Like my fucking God, Lucifer himself is not this fucking Satanic to try and piss humans off in Hell, Cosmic, which is the title of the song, can Fuck Right off Sideways in a Fucking Fake Taxi Casting and then blow whatever the fucking dick it can find because this song literally facefucks me with how bad this shit is, and that’s not even touching on how completely BORING the next track is, I damn near fell asleep from it when I first listened to it, it was the closest I probably got to music actually putting me to sleep from how BORING It is, and my god I already touched on the production but can I just ask why does everything sound like its AI generated? Oh waaaaait, I know now, BECAUSE AVENGED SEVENFOLD BECAME NFT BROS! AND FUCKING SCAMMING DICKHEADS! So no wonder they want to try and cater to the lowest common fucking denominator by putting out a song that makes all the NFT Bros and shills and rich companies cum from the cash they see in their eyes, also can I just ask, how do you make PIANO sound so horribly fucking bad? It’s like someone just got a cheap synth and tried to mimic how Piano sounds like but with the worst settings possible, so that’s the vocals, musicianship, and the fucking production in a nutshell, BUT WAIT, THERE IS MORE! If that wasn’t enough, M Shadows does his worst possible fucking T-Pain impression on the song Easier! Add that to the list of why the fuck does this exist: Music Edition. Anyways, that was the only noteworthy thing I could possibly point out in that song, aside from that its generic Imagine Dragons-Core, but now we have a trilogy of songs in the from of G. O, And D...wait you expected me to give them the full song title with the brackets? Sweet summer child, you are not on a fucking Simple Plan fan Group page, Anyways, G is a fucking Voivod rip-off, in the worst possible way, Did they seriously fucking think im not gonna notice that? Its a literal fucking Voivod rip-off, and on the topic of Voivod, can I ask what the fuck this shit has to do with Avant-Garde? Are peoples really just gonna put Avant-Garde in every single fucking disjointed shitty mess a fucking artist does? By that same logic Kanye West is Avant-Garde, Machine Gun Kelly is Avant-Garde, even fucking Lil Pump is Avant-Garde by this fucking logic, this is the furthest from fucking Avant-Garde, it’s a few peoples writing the shittiest of fucking “prog metal” if you can even call it that, and then selling it as some revolutionary sound while they forget that IMPERIAL TRIUMPHANT HAS BEEN DOING THAT FOR NEARLY 2 DECADES! MY FUCKING GOD THIS ALBUM FINDS MORE WAYS TO JUST PISS ME THE FUCK OFF!!! also, even more spoken words, fucking kill me, but since we are nearing the end of this fucking album how about we talk about just how shitty the lyrics are? I already touched on how fucking horrible We Love You’s lyrics are, but it’s even worse on some songs, like Cosmic, with such gems like “Pain, it founds its way back in, until we meet again, into that good night” or how about Beautiful Morning? Where it literally says “Help me to hear and hear me to save And save me before I've gone too far Let me inhale my passage to hell While slowly exhaling the scar” wow, such insightful lyrics, this is the worst fucking cliched and generic Im14andthisisdeep type of lyrics I ever saw, then we get this fucking amazing words on the opening track “Game Over” that is literally just a word vomit, don’t believe me? Then look up to the fucking lyrics yourself, half the song is just M Shadows burping out whatever the fucking word of the day is, “Open, blurry, nurture, loving Crawling, walking, fleeting, glory Welcome, brother, stranger, bloody Ally, teacher, recess, buddy Secret, toothless, fairy, pillow Money, kissing, nervous, hero Warmly ordinary, Changes, hormones, high school, threesome Roll call, study, license, freedom Novice, flirting, first time, lover Party, fighting, wasted, summer Questions, doubtful, wedding, family Happy, ever, after, dead end Daily iteration” This is literally half the fucking song! ARE YOU FUCKING KIDDING ME?! HOW DOES A GROWN FUCKING MAN COME UP WITH SUCH A SHITTY SONG LIKE THIS?! “Give me a delete button, Delete!” yeah I WISH I COULD FUCKING DELETE THIS FROM EXISTENCE! And you know you have to truly run out of idea, WHEN YOU HAVE TO USE GUILE’S THEME FROM STREET FIGHTER AS A SAMPLE IN YOUR FUCKING SONG CALLED ORDINARY!!! ARE YOU OUT OF YOUR FUCKING MIND AVENGED SEVENFOLD?! DID YOU SERIOUSLY THINK I WON’T FUCKING NOTICE IT?! DID YOU SERIOUSLY THINK FOR A FRACTION OF A FUCKING SECOND THAT YOU CAN GET AWAY WITH SUCH A BLATANT PLAGIARISM ?! If I was Capcom I would fucking sue. Plain and fucking simple, and with the album almost over and my rage ran out...mostly, how about we talk about the fucking instrument? Oh wait, there is nothing to talk about there, because the Instruments are fucking dead on this album, and when it’s not dead it’s fucking pretentious like all hell, trying to sound triumphant, sounding motivating, but only being a generic fucking Frank Sinatra rip-off by the second to last track Death, which is a fitting title considering this band is fucking Dead to me, the entire mixing is all over the place and nothing blends in together, nothing feels like it belongs there, nothing on this fucking album is made competently, but what the fuck did I expected from a band that tried to cash in on the pyramid scheme that is fucking NFTs? The Fucking Rev, is rolling in his grave from seeing what this band turned out to be, you made Bad Music and that much is fucking clear at this point, I don’t care if I look like an asshole saying this but fuck it, Avenged Sevenfold DIED with Jimmy Sullivan, The Stage was a simple fucking fluke, that aged about as well as a fucking Big Mac left in the fridge for 20 years, and im not even gonna fucking mention the instrumental closing track because MY PATIENCE HAS RAN OUT! And quite frankly, Fuck that Beethoven wanna-be fucking track, it can suck my dick for all I care.
In conclusion: THERE IS NO FUCKING CONCLUSION! THIS SHIT FUCKING SUCKS HORSE DICK! Life is but a dream? MORE LIKE LIFE IS BUT A FUCKING NIGHTMARE! Did they seriously think they can get away with this shit AGAIN?! IT DIDN’T WORK WHEN THEY FUCKING RIPPED OFF METALLICA AND WHAT NOT ON HAIL TO THE KING! AND IT SURE AS HELL DIDN’T WORK TO BE A FUCKING MR. BUNGLE T-PAIN VOIVOD CAPCOM WANNA-BE JACKASSES! Avant-Garde? WHERE THE FUCK IS THE AVANT-GARDE!? THIS IS THE FURTHEST THING OF AVANT-GARDE! JUST BECAUSE IT’S A FUCKING MESS IT DOESN’T MEAN ITS FUCKING AVANT-GARDE JUST IN THE SAME VEIN AS NOTHING IS FUCKING NINTENDO-CORE JUST BECAUSE IT HAS MIDI OR 8-BIT TUNES IN THEM! Game Over is a fucking AMAZING title because I wish this fucking album would have ended right on that stupid song, Mattel is also a fitting title because this is a fucking band trying to make their band a fucking brand in the same way Kiss or Metallica is a fucking brand at this point, I Wish Nobody would had to go through the fucking suffering that this shit is, when did peoples fucking standards went down this much?! I cannot for the life of me understand how the hell does this album have such a high as fuck rating when FUCKING METALLICA’S BLACK ALBUM IS RATED LOWER THAN THIS SHIT!!! And can I just ask who the fuck does this band love so much? Me?? Who the fuck is me?! WHO THE FUCK IS WE?! I don’t see anyone I know fucking acting like rabid dogs over something as shitty as this, I rather drink my own piss and cut my veins before I ever fucking classify myself as we or me or you by this band, If I could I would fucking steal a SpaceX rocket and send this fucking album into Cosmic with the hopes of this shit melting into the sun forever, I wanted to have a Beautiful Morning but Avenged Dickfold decided to fucking ruin it for me, it would be so much fucking Easier to just be lobotomized instead of paying any fucking attention to this band anymore, but since they are mainstream, here I am bitching and moaning like a fucking bitch in heat for a monkey to fuck, hopefully that fuck would be much better and it actually hits the G Spot instead of huffing and puffing like a pussy from getting tired after 2 minutes, I Have a new found Respect for Ordinary Man By Ozzy because while its not his best material, as well as even his latest album, I can respect him for still making the music he loves instead of phoning it in like Avenging Sevenfucktards did while also plagiarizing the shit out of everything, this band is fucking Dead to me, Death must have swung at them when they had the guts to make Hail to the King, I wish this was really just a dream, then again, Life is NOTHING But a fucking dream because DEAR FUCKING GOD I WISH THERE WAS AN ALTERNATIVE UNIVERSE WHERE I LIVE AND THIS ALBUM DOESN’T EXIST THERE! I WISH I COULD FUCKING AVENGE THIS ALBUM IN SEVEN WAYS AND THEN JUST FOLD IT UP LIKE A NEWSPAPER SO MY DOG CAN TAKE A GIGANTIC FUCKING SHIT ON IT BECAUSE THAT WOULD BE LESS FUCKING DISGUSTING THAN TOUCHING THIS PIECE OF DIARRHEA WITH A 10 FOOT POLE, FUCK M SHADOWS, FUCK SYNYSTER GATES, FUCK EVERYONE WHO WORKED ON THIS ALBUM, FUCK YOU, FUCK THE CRITICS FOR ALLOWING THIS SHIT IN MUSIC, FUCK THE NFT BROS FUCK THE FANS FOR HAVING SUCH A LOW STANDARD TO HAVE THE GUTS AND RATE THIS HIGHER THAN THE FUCKING BLACK ALBUM! BY MOTHER FUCKING METALLICA!!! And last but not least, FUCK, THIS, ALBUM! I RATHER HAVE AN EAGLE CLAW MY EYES OUT, I RATHER HAVE SOMEONE STICK THEIR DICKS IN MY EARHOLES BECAUSE THAT WOULD BE LESS OF A BRAINFUCK THAN THIS SHITTY EXCUSE OF A MUSIC! NOT A SINGLE FUCKING PIECE OF ALCOHOL COULD NUMB THE PAIN I FEEL AFTER LISTENING TO THIS SHIT INDUCING ASS LICKING BALLS SUCKING DICK CHEWING CUMSTAIN OF A FUCKING PUSSY OF AN ALBUM LISTEN TO LITERALLY ANY OTHER ALBUM! LIKE I DON’T KNOW……..Terrasite? Yeah that one is a good album, listen to that one instead, as for this album? It’s the worst album of NOT JUST THIS YEAR! BUT THIS DECADE!
0 OUT OF FUCKING 5
2023.06.03 03:20 GettingWreckedAllDay Final Season thoughts
I was absolutely floored and enamored with the finale and the majority of season 3 of Ted Lasso. One thing that I hadn't done that I normally do with shows that I watch is browse/ participate in conversation about the show on something like the subreddit.
Coming here after the show had ended has me a little shocked at the number of people disappointed by the third season. The only major disappointment to me and not even narratively but just an execution was the level of camp involved in Nate's "turn to the darkside".
I think the show both was blessed and cursed with the insanely great chemistry of pretty much the entire cast and in that I wonder if a lot of people viewed the characters as more familiar than just 3 years of working together.
I went back and rewatched season 1 to see if maybe I was missing something but the crux of the show is that the only reason he took the job was to give space to Michelle. It wasn't until Michelle sent the divorce papers that he decided to stay past that first season because there was some level of finality to the relationship, but he had never resolved how much he missed. Henry, which is something he makes clear from the jump.
I think the other thing about this show and this season that was done beautifully is really sticked to the idea that these characters are human flaws and all. Ted finally addressing his mental health while he was in England was the only way he was going to be able to have that type of conversation with his mother, which is the only way his mother would have eventually been that direct with him about how much his son misses him. I didn't need to see the scene of Ted telling Rebecca that he was quitting because I already knew why we were shown explicitly why he was leaving, and everything that Rebecca would have said outside of maybe an initial faint or shock we got in the stadium scene, which to me was a far more interesting conversation.
I also really appreciate it. How after re-watching season 1, Ted forgave Nate. I still wasn't, particularly a fan of the execution of evil. Nate, but I forgot how genuinely awful Rebecca was being in season 1 and how immediately Ted forgave her and said exactly what she needed to hear.
submitted by GettingWreckedAllDay to TedLasso [link] [comments]
Coming here after the show had ended has me a little shocked at the number of people disappointed by the third season. The only major disappointment to me and not even narratively but just an execution was the level of camp involved in Nate's "turn to the darkside".
I think the show both was blessed and cursed with the insanely great chemistry of pretty much the entire cast and in that I wonder if a lot of people viewed the characters as more familiar than just 3 years of working together.
I went back and rewatched season 1 to see if maybe I was missing something but the crux of the show is that the only reason he took the job was to give space to Michelle. It wasn't until Michelle sent the divorce papers that he decided to stay past that first season because there was some level of finality to the relationship, but he had never resolved how much he missed. Henry, which is something he makes clear from the jump.
I think the other thing about this show and this season that was done beautifully is really sticked to the idea that these characters are human flaws and all. Ted finally addressing his mental health while he was in England was the only way he was going to be able to have that type of conversation with his mother, which is the only way his mother would have eventually been that direct with him about how much his son misses him. I didn't need to see the scene of Ted telling Rebecca that he was quitting because I already knew why we were shown explicitly why he was leaving, and everything that Rebecca would have said outside of maybe an initial faint or shock we got in the stadium scene, which to me was a far more interesting conversation.
I also really appreciate it. How after re-watching season 1, Ted forgave Nate. I still wasn't, particularly a fan of the execution of evil. Nate, but I forgot how genuinely awful Rebecca was being in season 1 and how immediately Ted forgave her and said exactly what she needed to hear.
2023.06.03 03:14 blessedminx Put him on CS or settle.
My daughters dad and i have been seperated since Dec 22. We were on and off the whole time since our daughter was born, she is now 4yo. He hasn't been consistant in her life and he hasn't seen her since Dec 22. (I forbode him from coming to my home after he hit me). Still, I didn't stop him from seeing her, he just hasn't bothered to.
He pays me £90 a month child support atm. This only happened because when baby was 3months old and i was literally struggling to buy nappies& food, I applied for Child maintanance support (UK). And once he got the letter he called me and manipulated me to cancel it and agreed to independently put money in my account. It was only £70 when she was a baby. Once she turned 2yo I asked for him to contribute more..He upped it to £90. He as worked most of this time, lives under his mothers roof still, drives, saves. ( He also has 2 other kids, one older and 1 younger than ours.).
I recently asked him to up it again. Since the cost of living is getting higher and harder. Our daughter needs more since she is growing more/eating more. He strait up msg back saying he can't because he is 'Out of work'. I actually felt bad for him because i k ow he gets depressed when he is out of a job. We spoke on the phone, he came round that night. We spoke about him making plans to see/take our daughter out. Regretful sexy things happened after.
The next day i casually asked his mom if he was unemployed..She told me that he is actually working now. So..He strait up lied to me. I do believe he lost his recent job at some point whilst we were NC but was now working again.
That was over a month ago now, he hasn't even asked how our daughter is, let alone make plans to spend time with her. I wont beg him to again. That aside, I'm still in some financial stress. And i'm thinking to apply for Child maintainance. I know i am entitled to more than he gives me. I also know he won't be happy about it. I don't wamt any more fall out but i need more financial support, especially since he doesn't give any physical/emotional support towards our daughter. (Basically choosing to be an absemt father 😔).
Anyone else in the same position as me? Should i just apply for Child maintenance and deal with the aggro?
submitted by blessedminx to singlemoms [link] [comments]
He pays me £90 a month child support atm. This only happened because when baby was 3months old and i was literally struggling to buy nappies& food, I applied for Child maintanance support (UK). And once he got the letter he called me and manipulated me to cancel it and agreed to independently put money in my account. It was only £70 when she was a baby. Once she turned 2yo I asked for him to contribute more..He upped it to £90. He as worked most of this time, lives under his mothers roof still, drives, saves. ( He also has 2 other kids, one older and 1 younger than ours.).
I recently asked him to up it again. Since the cost of living is getting higher and harder. Our daughter needs more since she is growing more/eating more. He strait up msg back saying he can't because he is 'Out of work'. I actually felt bad for him because i k ow he gets depressed when he is out of a job. We spoke on the phone, he came round that night. We spoke about him making plans to see/take our daughter out. Regretful sexy things happened after.
The next day i casually asked his mom if he was unemployed..She told me that he is actually working now. So..He strait up lied to me. I do believe he lost his recent job at some point whilst we were NC but was now working again.
That was over a month ago now, he hasn't even asked how our daughter is, let alone make plans to spend time with her. I wont beg him to again. That aside, I'm still in some financial stress. And i'm thinking to apply for Child maintainance. I know i am entitled to more than he gives me. I also know he won't be happy about it. I don't wamt any more fall out but i need more financial support, especially since he doesn't give any physical/emotional support towards our daughter. (Basically choosing to be an absemt father 😔).
Anyone else in the same position as me? Should i just apply for Child maintenance and deal with the aggro?
2023.06.03 03:08 Archer_Python I have Questions........
Ok so first things first I'm a Newbie on this sub so if I sound old and not caught up with the program... I am but with honest intentions I'm not playing dumb.
I always knew about The Duggars from the very beginning back with they had their first special 14 kids and counting and she gave birth to Jackson. Watched all the way until Jill got married then I sorta fell off. I know pretty much everyone from the boy twins up got married and started their own cult family starting the cycle all over again. I believe I hear rumors of Jackson looking to court soon but anyways, I have some underrated questions about this family that to me are as disturbing if not more then Josh's sick mindset. And they are as follows:
•How in the hell did Grandma Duggar drown??? Why was an elderly woman near an open body of water anyway? I thought the family didn't have a pool
•Why do Michelle and Jim Bob keep buying used clothing for the poor kids still living at home? I mean not that clothing from second hand stores is bad and you should only buy designer brand names. But considering you assholes had a show for over 10 years AND you own commercial real estate. You'd think the kids could be able to at least get some nice new stuff here and there
•Why is Michelle's Nephew (if he still is) living with the family? Whenever a child is taken away by their parents from the state and given to another family member it's not a good sign. My mother used to work in Foster care, she told me stories and I assume Michelle's Nephew's is quite similar
•Where's Anna and all their kids staying? Who's taking care of them? I know in their stupid cult the men usually are the providers. I know as a fact Anna isn't getting a real job (she never went to school for a degree or anything not that I can remember) and I know she can't support and take care of 6-7 (however many they have) all by herself.
This last one comes from something my brother told me back when we watched the show and it fucking disgusted me so much that I want to see if it's true or not •Is it true starting from the age 14 they take all the girls and start asking them what they want in a husband and for the boys they start from the age of puberty they teach them not to touch themselves and that any waste of semen is murdering the children God wanted them to have?
So that's all my questions I had about this family. Again I maybe not up to speed like most of the users here I apologize but tbf when you take into account of all the gross things they've done over the years, you kinda can't blame someone for not watching them or keeping track of then for awhile (if any at all)
submitted by Archer_Python to DuggarsSnark [link] [comments]
I always knew about The Duggars from the very beginning back with they had their first special 14 kids and counting and she gave birth to Jackson. Watched all the way until Jill got married then I sorta fell off. I know pretty much everyone from the boy twins up got married and started their own cult family starting the cycle all over again. I believe I hear rumors of Jackson looking to court soon but anyways, I have some underrated questions about this family that to me are as disturbing if not more then Josh's sick mindset. And they are as follows:
•How in the hell did Grandma Duggar drown??? Why was an elderly woman near an open body of water anyway? I thought the family didn't have a pool
•Why do Michelle and Jim Bob keep buying used clothing for the poor kids still living at home? I mean not that clothing from second hand stores is bad and you should only buy designer brand names. But considering you assholes had a show for over 10 years AND you own commercial real estate. You'd think the kids could be able to at least get some nice new stuff here and there
•Why is Michelle's Nephew (if he still is) living with the family? Whenever a child is taken away by their parents from the state and given to another family member it's not a good sign. My mother used to work in Foster care, she told me stories and I assume Michelle's Nephew's is quite similar
•Where's Anna and all their kids staying? Who's taking care of them? I know in their stupid cult the men usually are the providers. I know as a fact Anna isn't getting a real job (she never went to school for a degree or anything not that I can remember) and I know she can't support and take care of 6-7 (however many they have) all by herself.
This last one comes from something my brother told me back when we watched the show and it fucking disgusted me so much that I want to see if it's true or not •Is it true starting from the age 14 they take all the girls and start asking them what they want in a husband and for the boys they start from the age of puberty they teach them not to touch themselves and that any waste of semen is murdering the children God wanted them to have?
So that's all my questions I had about this family. Again I maybe not up to speed like most of the users here I apologize but tbf when you take into account of all the gross things they've done over the years, you kinda can't blame someone for not watching them or keeping track of then for awhile (if any at all)
2023.06.03 03:06 ElkPitiful4764 Shiny Happy People: A Reaction to Derick
Just as the title describes, this is my reaction to Derick. From an outsiders point of view, Derick is trying to paint himself as this knight in shining armor, especially when it comes to Jill. He was an active participant in whatever the IBLP was subscribing to though. The few criticisms I have of the documentary is the failure to dig into how Derick got himself in a position to date/court Jill. The background information was glanced over in my opinion. He is the most “secular” and “worldly” out of the people JB “allowed” the girls to enter a courtship with. The death of Dericks father impacted his religious inclinations, I wonder if that point made him more susceptible to brainwashing by more extreme religious beliefs… Enter JB. They didn’t explain how they became prayer partners in the first place. I think Derick was co-signing whatever JB was saying to do and act.
Then comes the money. If it weren’t for the money, would Derick have used his voice? It seems like that was the real issue and not coming out against the abuse that Jill endured. I wonder what position he would be in if they were actually paid money in the past by JB/TLC and then the Pest abuse coming out. What tune would he have sang then about JB and his “beliefs”? Would Jill and Derick have lied and helped keep up their parents facade if they were paid? Would they still be adhering to Gothardism?
Also, every interview with them he would do the same weird stare at Jill exactly how JB does with Michelle. I guess what I’m trying to get at is that Derick isn’t what he thinks he’s portraying. Jill obviously thinks he’s this amazing human being, that knight in shining armor, and he does get some credit for her coming to some sort of sense in reality, but it seems the motives for his support for Jill is only to get back at JB. I think Derick needs deconstructing as well. I don’t think he’s too far off from the extremist pond.
What do you guys think?
submitted by ElkPitiful4764 to DuggarsSnark [link] [comments]
Then comes the money. If it weren’t for the money, would Derick have used his voice? It seems like that was the real issue and not coming out against the abuse that Jill endured. I wonder what position he would be in if they were actually paid money in the past by JB/TLC and then the Pest abuse coming out. What tune would he have sang then about JB and his “beliefs”? Would Jill and Derick have lied and helped keep up their parents facade if they were paid? Would they still be adhering to Gothardism?
Also, every interview with them he would do the same weird stare at Jill exactly how JB does with Michelle. I guess what I’m trying to get at is that Derick isn’t what he thinks he’s portraying. Jill obviously thinks he’s this amazing human being, that knight in shining armor, and he does get some credit for her coming to some sort of sense in reality, but it seems the motives for his support for Jill is only to get back at JB. I think Derick needs deconstructing as well. I don’t think he’s too far off from the extremist pond.
What do you guys think?
2023.06.03 02:52 Silly_Storyteller AITJ for not telling my mom where I was going?
WARNING: MENTIONS OF R*PE.
TL;DR - My abusive mother threatens my fiancé for a crime he didn't commit because I wouldn't tell her which hotel we were staying at, in fear that either she or the police would arrive at our hotel room.
To start off, I (18 m) and my fiancé (20 m) had planned a weekend together. We were going to a brand new hotel in town, and planned on it being exclusively a "fun" weekend, if you catch my drift. (I swear that detail is important). My fiancé lives about 6 hours away from me in another state, so he had flown here just for this trip. So as I'm leaving my mother's home, I tell her that I'm leaving, and the conversation goes something like this.
Op: Hey mom, I'm leaving. I'll be back on Monday. M: Oh? Where are you going? Op: To a hotel with (fiancé) M: Which hotel? Op: Why do you want to know? M: Because I want to check on you. Op: I'm not telling you where I'm going. I'm 18.
She then proceeded to get angry with me and yelled at me how she's worried about me since I won't tell her where I'm going. She then threatens to call the police (which is common practice when she doesn't get her way).
(This is all word for word) M: Fine. I'm calling the police! Op: For what?!? M: gets inches away from my face, with an evil smirk For statutory r*pe.
My jaw dropped. I immediately yelled back that she was going to make a false police report on him, MY FIANCÉ, for a crime he didn't commit. She then goes on to explain that I lied about his age before, and that she's "extremely concerned" for me. Me and my fiancé had been dating for almost 2 years at that point, and if she was really concerned, she would have called the police on him already. Also the "lie" that I told her about was that he was turning 19 when he was actually turning 20. He's 2 years older than me and we met when I was 16 and he was 19 (which i turned 17 seven days after we started dating. And since we were an online couple for the first 4 months, nothing happened). The fun times we had were all legal in my state, since the age of consent is 16, and he had to be 4 years older than me for it to be even considered r*pe. I tripled checked the laws. What we had done was legal. And I told her the truth once she actually met him for the first time (4 months after dating). I had lied because she thinks that everyone on the internet is an old man trying to get in your pants. She wasn't "concerned". She just wanted to know where I was so she could stalk me. Or worse, call the police on him. So I left before I could tell her where we were going and told my fiancé right away. The whole trip was almost ruined because my fiancé's mom was begging me to convince my fiancé to come back home because this charge would ruin his life. He didn't do anything, but his mom is convinced that he is a pedo, or I guess is somehow guilty? (It's really funny coming from someone who's married to someone 20 years older than her. Same story with my mom. And here they are, complaining about a 2 year difference.) After he had gone back to the state he was living in, he texted my mom and told her that if a false police report was filed, he would take everything from her in court. Ever since then, she's been saying that he "threatened" her, which is fucking rich coming from her. I just can't wait to go no-contact. She's made my life miserable, and this situation just pushed me over the edge. Now he's not allowed in her house, so he can't help me move my things. And I've never dropped the subject with her. I don't mention it all the time, but when I did this most recent time, she said "You must have told (fiancé) an exaggerated story. I never said those things to you." Well, I was furious, and that conversation ended quickly. I'm someone who can remember song lyrics after listening to it once. I can remember EXACTLY what she said. Word for word. And that's exactly what I told my fiancé. She just doesn't want to take responsibility and is acting like the victim in all this. I mean hell, I'm not going to ask her which hotel SHE'S staying at with her husband. It's none of my business. And if she was really worried about my safety, she could've just told me and I would've told her which hotel. But she just wanted to keep an eye on me. It's creepy.
submitted by Silly_Storyteller to amithejerkpodcast [link] [comments]
TL;DR - My abusive mother threatens my fiancé for a crime he didn't commit because I wouldn't tell her which hotel we were staying at, in fear that either she or the police would arrive at our hotel room.
To start off, I (18 m) and my fiancé (20 m) had planned a weekend together. We were going to a brand new hotel in town, and planned on it being exclusively a "fun" weekend, if you catch my drift. (I swear that detail is important). My fiancé lives about 6 hours away from me in another state, so he had flown here just for this trip. So as I'm leaving my mother's home, I tell her that I'm leaving, and the conversation goes something like this.
Op: Hey mom, I'm leaving. I'll be back on Monday. M: Oh? Where are you going? Op: To a hotel with (fiancé) M: Which hotel? Op: Why do you want to know? M: Because I want to check on you. Op: I'm not telling you where I'm going. I'm 18.
She then proceeded to get angry with me and yelled at me how she's worried about me since I won't tell her where I'm going. She then threatens to call the police (which is common practice when she doesn't get her way).
(This is all word for word) M: Fine. I'm calling the police! Op: For what?!? M: gets inches away from my face, with an evil smirk For statutory r*pe.
My jaw dropped. I immediately yelled back that she was going to make a false police report on him, MY FIANCÉ, for a crime he didn't commit. She then goes on to explain that I lied about his age before, and that she's "extremely concerned" for me. Me and my fiancé had been dating for almost 2 years at that point, and if she was really concerned, she would have called the police on him already. Also the "lie" that I told her about was that he was turning 19 when he was actually turning 20. He's 2 years older than me and we met when I was 16 and he was 19 (which i turned 17 seven days after we started dating. And since we were an online couple for the first 4 months, nothing happened). The fun times we had were all legal in my state, since the age of consent is 16, and he had to be 4 years older than me for it to be even considered r*pe. I tripled checked the laws. What we had done was legal. And I told her the truth once she actually met him for the first time (4 months after dating). I had lied because she thinks that everyone on the internet is an old man trying to get in your pants. She wasn't "concerned". She just wanted to know where I was so she could stalk me. Or worse, call the police on him. So I left before I could tell her where we were going and told my fiancé right away. The whole trip was almost ruined because my fiancé's mom was begging me to convince my fiancé to come back home because this charge would ruin his life. He didn't do anything, but his mom is convinced that he is a pedo, or I guess is somehow guilty? (It's really funny coming from someone who's married to someone 20 years older than her. Same story with my mom. And here they are, complaining about a 2 year difference.) After he had gone back to the state he was living in, he texted my mom and told her that if a false police report was filed, he would take everything from her in court. Ever since then, she's been saying that he "threatened" her, which is fucking rich coming from her. I just can't wait to go no-contact. She's made my life miserable, and this situation just pushed me over the edge. Now he's not allowed in her house, so he can't help me move my things. And I've never dropped the subject with her. I don't mention it all the time, but when I did this most recent time, she said "You must have told (fiancé) an exaggerated story. I never said those things to you." Well, I was furious, and that conversation ended quickly. I'm someone who can remember song lyrics after listening to it once. I can remember EXACTLY what she said. Word for word. And that's exactly what I told my fiancé. She just doesn't want to take responsibility and is acting like the victim in all this. I mean hell, I'm not going to ask her which hotel SHE'S staying at with her husband. It's none of my business. And if she was really worried about my safety, she could've just told me and I would've told her which hotel. But she just wanted to keep an eye on me. It's creepy.
2023.06.03 02:17 vitinapenasboy vendo packs por 20
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submitted by vitinapenasboy to u/vitinapenasboy [link] [comments]
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2023.06.03 02:15 wowally360 Who is ‘Take Me To The River’ Singer Thelma C.’s Husband? Everything You Need To Know
 | If you keep up with new music, you might have seen clips of a new single by Thelma C. and Alex Yurkiv titled Take Me To The River. It is well-received for its melodious tune and catchy lyrics. submitted by wowally360 to u/wowally360 [link] [comments] But what do we know about the singers and their personal lives? In this article, we will explore details about Thelma C.’s husband, along with her musical journey. Rising to Fame: Thelma Costolo
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2023.06.03 02:09 bummbrotha U Know Who - Whatcha Got A Gun For? (1990)
 | A great example of when just about every hip hop record released was pressed almost exclusively for DJ's submitted by bummbrotha to hiphopvinyl [link] [comments] |
2023.06.03 01:07 _MyOtherThoughts_ This Will NEVER Be the Way To Approach Me. Please Read On
 | I am WELL aware that everyone on reddit can see what I post on other subs. submitted by _MyOtherThoughts_ to u/_MyOtherThoughts_ [link] [comments]
Dm me and ask me if I care how you or any of them feel about that. S/O to the women who do their part to restore and maintain dignity, respect, and godliness among their gender. I know some. The rest of you self righteous, self appointed gods of earth ( & the sons you've thoroughly brainwashed to regurgitate your substandard ignorance) stay in those subs that allow you to behave like undisciplined preschoolers. You don't want to encounter me any where that we're all encouraged to speak our minds. Not just you. I'm gonna tell you damn near everything the rest of the world has let you forget you need to hear. And show you how the Bible is the source of my message. Even if I've ran astray with my delivery. And no mods can save you. Stay where it's safe. 10,000 of you together are to fragile to come any where near me with your low frequency peasant expectations & entitlement. 😁 My "sister." Fix the typos with your eyes. And don't try me. I may respond. |
2023.06.03 00:57 Luccsp0 Uprade Pc
Tengo una mother Asus Prime A320M-K y un Ryzen 5 5600G, 16GB de RAM, Una fuente genérica de 600W y una GTX 1050 de 2GB, mi objetivo es poder jugar juegos como Red Dead 2, Star Wars: Jedi Survivor, Elden Ring, etc. Lo que quiero saber es lo más primordial a mejorar (supongo que la placa de video) y que componentes me recomiendan.
Gracias!
submitted by Luccsp0 to ArgenGaming [link] [comments]
Gracias!