I just purchased a new CPU for my gaming PC, and it doesn’t boot at all. No display, fans start on low speed, briefly speed up, and then slow back down. RGB lights in case and on my mouse are on, but not on my keyboard.
I’ve reinstalled my old CPU and updated my BIOS to the newest suggested version specifically for the new processor. I’ve triple checked and I’m 99% sure the new CPU is compatible with my MB. Boots perfectly fine with my old CPU, just refuses to take my new one. Any help with this would be greatly appreciated!
Specs: MB: Gigabyte GA-AX370-Gaming (rev. 1.x) Original CPU: AMD Ryzen 3 1200 New CPU: AMD Ryzen 5 5500 PSU: Corsair 750w Cooler Master MasterLiquid LC120E CPU Cooler 24GB RAM GPU: EVGA GeForce GTX 1050ti

So, on a whim, I threw some cubed pork belly in the slow cooker with about 10oz of Dr pepper. Any reason this shouldn't work? I'm planning on removing and crisping up in the broiler before tossing in BBQ sauce.

I'm doing 90 secs oven tek, using half his recipe in a turkey pan for CVG, however I also want to pasteurize pure coir as well (maybe in the same pan later or a slow cooker(possible?)). My question is this: what is the water to coir ratio alone? I've seen 5:1. And not sure how accurate that is. Also if anyone has a handy spawn to bulk calculator, I have a 72qt tub I'd love to use but it's claiming I'll need like 8qts of spawn to like 11qts of sub. Thanks!

I received this list in the mail. There were definitely things I didn't think of to bring. Are there any things that you wish you would have thought of or were essential for your dorm experience?

So Sonic Triple Trouble 16-bit an android release but for some reason on both the 64x and 32x versions of the APK both seem to have this stuttering slow speed this has never happened before because I have SRB2 Which is a full fledged 3D Sonic game but for some reason it can’t handle this game anybody got any reason to why this is happening ???

Need a cover name for kay exe’s song too slow, you can’t run, and triple trouble.

Hello! This is my throwaway account.
Lately I have been pretty lonely, most of my friends had moved away and I was not in a proper relationship for years now. (Yes I know, sad. I do have my reasons why that is the way it is). Im not the best at conversations but I will do my best to make you laugh with my quirky humor .. if that wont work I will attempt to shower you with memes.
Im straight, not so tall (5'9) Slim and ... balding ( Still coping with that ).
Hobbies: Technology, Swimming, Video Games, Movies and COOKING. Recently bought a slow cooker so Im trying all sorts of different recipes atm.
I do travel alot (it's a work thing ) so its not really fun. I have got nowhere to go on holidays, so if you're like really away I will be more than willing to jump on a plane and visit your sexy arse. Oh! and Im located in the UK, but Im Polish.
Im more than happy to trade selfies if asked. Thank you for taking the time to read this post and I do wish you well!

"Here we go...(gulps)"
Green 'Stache. King of Second Bananas. The original pallet swap. Plain old player two. No matter what, Luigi never seems to be able to catch a break, always living in his brother's shadow. But in reality, he's got many advantages over Mario, such as his jump height and being taller. But while he may be a coward, when it comes down to saving those he cares about, Luigi will find the strength inside him to stand up against his foes, be they Bowser's forces or King Boo's spectral legions.
This thread takes the Super Mario Bros. 'canon' as every Super Mario platformer and all closely linked games (the Luigi's Mansion games, Yoshi titles except for Wooly World, and Super Princess Peach). The sole exception is Super Mario Bros. 2, which is confirmed in the credits to be a dream. Hover over each feat for the game they come from. Any feats featuring a different character comes from a game where they are capable of demonstrating the exact same feat.

Legend

1 - Super Mario Bros.
3 - Super Mario Bros. 3
W - Super Mario World
W2 - Super Mario World 2: Yoshi's Island
LM - Luigi's Mansion
64-DS - Super Mario 64 DS
PP - Super Princess Peach
New - New Super Mario Bros.
G - Super Mario Galaxy
New-W - New Super Mario Bros. Wii
G2 - Super Mario Galaxy 2
3DL - Super Mario 3D Land
New-2 - New Super Mario Bros. 2
New-U - New Super Mario Bros. U
LM-2 - Luigi's Mansion: Dark Moon
3DW - Super Mario 3D World
LM-3 - Luigi's Mansion 3

Physicals

Strength

Striking - Jumping Into

• Breaks large brick blocks by jumping and spinning into them^G
• Breaks a giant block by jumping into it³
• Breaks a giant brick block by repeatedly jumping into it^3DW
• Makes a large enemy slide back by jumping on it^3DW

Striking - Punching/Kicking

• Swings a punching bag considerably with a punch, hitting a large ghost and sending it reeling^LM
• Shatters large brick blocks with a punch^64-DS
• Kicks a giant shell so that it breaks a giant block, and still has enough force to rebound³
• Drop kicks a tower twice before jumping on it, destroying it. While the tower is supposed to be the one the level took place in, it's only about twice as high as Luigi in the cutscene^W
• Lifts a tower and kicks it away. While the tower is supposed to be the one the level took place in, it's only about twice as high as Luigi in the cutscene^W

Striking - Spinning

• Breaks large brick blocks by jumping and spinning into them^G
• Shatters big stone spikes with a spin^G
• Shatters a large amount of crystal with a spin^G
• Shatters a giant crystal with two spins^G
• Shatters a boulder bigger than him with a spin, albeit one with the inside being comprised of some red material^G
• Destroys a giant boulder with a spin, albeit one with the inside being comprised of some red material^G
• Makes the heavy end of a large monster's tail go flying back with a spin with enough force that it stretches before coming back with enough force to do damage^G
• Sends a large Petey Piranha-like alien through the air with a spin, with it sending stone shards up upon landing^G2
• Sends Bowser spinning across a tiny artificial planet with a spin, before knocking him back through the air with another^G
• After Bowser covered himself in stone, sends him spinning with a spin while knocking all of the stone off of him^G

Striking - Ground Pound

• Ground pounds in a stone switch that's unaffected by his weight^64-DS
• Breaks brick blocks with a ground pound^New
• Shatters cracked stone with a ground pound^G
• Shatters a Whomp with a ground pound^N
• Shatters a giant Whomp with a ground pound to the back^G2
• Cracks King Whomp with a ground pound to the back^G2
• Ground pounds a large monster from below, sending it spinning through the air^G2
• Ground pounds a large meteor into Bowser, knocking him back^G2
• Ground pounds a large meteor a distance into an enormous Bowser, sending him spinning back^G2
• Flips a nearby Wriggler with a ground pound^G

Leaping

• Jumps high, using Mario's head as a springboard³
• Jumps onto an airship's anchor as it's taking off³
• Jumps on top of a tower. While this is supposed to be the tower the level took place in, it's visually only about twice as high as Luigi^W

Lifting/Throwing

• Shifts about a large stone statue^LM
• Walks around with a large spiked metal ball being carried by the Poltergust 3000^LM
• Lifts a tower and kicks it away. While the tower is supposed to be the one the level took place in, it's only about twice as high as Luigi in the cutscene^W
• Lifts and throws Big Bob-omb⁶⁴
• Lifts and throws large sentient boulders, with them shattering on hitting something^3DW
• Breaks a brick block by throwing a Koopa shell^New
• Throws a Koopa shell underwater, causing it to destroy a large amount of rock^G
• Swings a grand piano over his head^LM-3
• Swings around and throws Bowser by his tail⁶⁴

Other

• Causes a tower to collapse by swinging a hammer numerous times. While the tower is supposed to be the one the level took place in, it's only about twice as high as Luigi in the cutscene^W
• Pushes a large box^64-DS
• Breaks blocks by spin jumping on them^W
• Easily sucks up a ghost which dragged E. Gadd around while he tried to suck it up^LM

Durability

Blunt Force

• Hit into the air by Peach and sent bouncing about^PP
• Shunted forwards a distance after being run into by a tank^New
• Hit on the back of the head by a sliding modified sled, flips through the air, and lands on said sled^LM-2
• Launched through a seemingly glass dome^G
• Flung through a mansion's roof^LM-2
• Sent flying up a mansion by a springboard, hits open a metal hatch, and continues going up a distance before falling to the roof^LM-2
• Launched through several brick blocks^3DW
• Launched out of a cannon with enough force to break part of a brick wall^64-DS
• Is unharmed after being launched through crystal hard enough to shatter it^G
• Tumbles down a set of stairs and gets back up^LM-2

Falling

• Quickly recovers from being in an elevator that falls a floor^LM-2
• Gets sent flying up a mansion by a springboard, hits open a metal hatch, and continues going up a distance before falling to the roof^LM-2
• Unharmed after falling 4 floors down a chimney^LM
• Falls from an airship, past clouds, and onto the floor in a castle without problem³
• Is fine being launched between tiny planets and landing on his feet^G

Explosive

• Stands right besides a tower as an explosion strong enough to level it occurs. While the tower is supposed to be the one the level took place in, it's only about twice as high as Luigi with the Super Mushroom in this cutscene^W
• Is near an ice monster created by a possessing ghost when it has a bomb launched into its mouth, creating a large explosion^LM-2
• Gets launched out of a cannon with enough force to break part of a brick wall^64-DS
• Gets launched onto an airship via cannon^3DW
• Gets fired out of a cannon a large distance and onto a bridge^3DW

Other

• Is sent flying by a giant suit of armour stamping close to him^LM-2

Speed

• Quickly covers a large distance by running^New
• Runs up the side of a pipe^W
• Runs on water for a short period of time^64-DS

Agility

Abilities

• Triple Jump - Jumps three times in succession, gaining extra height with each jump^64-DS
• Wall Jump - Jumps between two close by walls, gaining height each time^G
• Long Jump - Jumps far, but without much height^64-DS
• Backflip - Jumps high after crouching, and spins to slow his fall^64-DS
• Scuttle - Scuttles in midair to slow his fall^64-DS
• Twist - Twists to slightly suspend himself in the air^G
• Spin - With a Luma under his hat, Luigi can spin, acting both as an attack and as a way to give himself some extra distance in the air.^G
  • Speeds him up underwater, though it makes him run out of air quicker^G
  • In New Super Mario Bros. Wii, Luigi can spin without Luma^New-W
• Roll - Dashes forwards in a roll^3DL

Feats

• Balances on a ball, and somehow jumps with it^G
• Walks on a tightrope^3DL
• Walks on, and jumps between, two narrow pipes^LM-2

Power-Ups

Size Changing

Super Mushroom

• Grows the small character to their regular size¹

Mushroom

• Makes a character giant, capable of destroying large brick blocks, Bullet Bill launchers, and Thwomps by walking into them^64-DS
• Allows the user to no-sell large rolling metal balls^64-DS
• Wario with the mushroom was unaffected by being hit by a boulder slightly larger than him while under the effects of the mushroom, but this could be because of Wario's naturally greater strength^64-DS

Mega Mushroom

• Makes the user giant for a short amount of time, capable of easily breaking bricks and pipes by walking through them. They can also ground pound to make Goombas or coins fall from the sky^New
• Makes the user capable of smashing brick blocks as tall as their new size by running into them^3DW

Mini Mushroom

• Makes the user small and light enough to run on water^New
• Allows the user to run up walls^New-U
• The character can't hurt enemies by jumping on them as normal like this^New

Mobility

Super Leaf

• Allows the user to slow their descent^U
• With a run up, allows the user to fly for a short time, able to break blocks while doing so³
• Breaks brick blocks with a tail whip³
• Breaks an enormous brick block with several tail swings^3DW

P Wing

• Functions the same as the Super Leaf, but allows for unlimited flight without build up³
• In Super Mario 3D Land, the P Wing teleports the user to the flagpole at the end of the world^3DL

Tanooki Leaf

• Functions the same as the Super Leaf, but allows the user to turn into a statue for a short period³

Statue Leaf

• Acts like the Tanooki Leaf, creating a small shockwave upon landing if the transformation into a statue happens mid-air^3DL
• The statue is invincible, though the transformation only lasts for so long at once^3DL

Super Acorn

• Allows the user to glide through the air^New-U
• Provides a 'boost' to rapidly ascend in the air, though they can't glide afterwards and instead flap their wings to slow their descent^New-U
• The user can cling briefly to walls before sliding down them^New-U

Propeller Mushroom

• Lets the user fly straight up, and then either slow their descent by running in midair or rapidly descend in a fast spin^New-W
• Clears away a large amount of cloud surrounding the user by flying up and rapidly spinning down^New-W

Cape Feather

• Allows the user to slow their decent, fly with a running start, and spin to attack^W
• Lets the user slow their descent while riding Yoshi^W

Bee Mushroom

• Lets the user slowly fly for brief periods^G
• Lets the user climb on honey panels and the giant furry Queen Bee^G
• Lets the user walk on clouds and other platforms that immediately break upon a character not using the Bee Mushroom touching them^G2
• Goes away upon the user touching water^G2

Red Star

• Allows unlimited flight by spinning^G

P Balloon

• Inflates the user, letting them float around for a limited period of time^W

Power Flower

• With the Power Flower, Luigi turns invisible and intangible, capable of walking through wire fencing^64-DS
  • Walk through a magic mirror^64-DS
  • Walks through certain walls,^64-DS
• Is immune to toxic gas^64-DS

Cloud Mushroom

• Allows the user to create and walk on up to three cloud platforms that disappear after a short time period^G2
• Goes away when the user touches water^G2

Spring Mushroom

• Makes the user bounce everywhere, while making them capable of jumping great heights^G

Frog Suit

• Makes the user only hop on land, but capable of jumping higher³
• Lets the user swim quicker³

Penguin Suit

• Can throw ice balls which bounce on the ground and instantly freeze an enemy in a block if it hits. It also allows the user to slide on ice with enough force to break through brick blocks^New-W
• The user can slide on the surface of water^New-W
• Allows the user greater mobility in water^New-W
• Allows the user to walk on ice without slipping^New-W

Offensive

Fire Flower

• Throws fireballs which bounce along the floor and off of walls for a short time, or until they hit something^3DW
• Instantly burns up a Piranha Plant^New
• Instantly thaws coins and Munchers trapped in blocks of ice³
• Destroys a large Goomba snow sculpture with a fireball, and a giant Bowser snow sculpture in three^G2
• Keeps going after breaking wooden crates^G2
• Shatters reinforced crates bigger than Mario^G2
• Breaks crystal structures^G2
• Makes the giant Prince Bully slide back with fireballs^3DW
• Work underwater¹
• In Super Mario Galaxy, the power up doesn't go away on damage, but instead after a certain amount of time^G

Ice Flower

• Throws balls of ice which bounce on the ground and instantly freeze an enemy in a block^New-W
• The ice balls work underwater^New-W
• The ice balls create some amount of light^New-U
• In Super Mario Galaxy, turns the user into ice for a limited amount of time, instantly freezing the water or lava they touch into icy platforms^New-G

Gold Flower

• Turns the user gold or silver, and lets them throw balls of energy. These balls create shockwaves that defeat enemies and turn blocks into coins^New-2

Boomerang Flower

• Allows the user to throw boomerangs which constantly follow the thrower until they hit something^3DL
• Can hit several enemies before stopping^3DW
• Can be used to collect far off things^3DL

Hammer Suit

• Allows the user to throw hammers, as well as providing a limited amount of fire protection³

Blue Shell

• Lets the user withdraw into a blue Koopa shell, letting them ricochet off of walls and break brick blocks. They can jump while withdrawn^New

Super Bell

• Hits away large football bombs^3DW
• Makes a large enemy slide back^3DW
• Hits away large sentient boulders^3DW
• Shatters a large wooden panel shaped like Bowser^3DW
• Shatters a crate with a swing^3DW
• Allows the user to climb up sheer walls for a brief time (including those made of stone) and clamber up flagpoles^3DW
• Dives down at a diagonal angle with enough force to shatter wooden crates^3DW
• The user can paddle in the air to slow their descent^3DW

Rock Mushroom

• Makes the user gather rocks around themselves and roll around in a boulder. Like this, an enormous gemstone can be shattered in two blows^G2
• Knocks down a metal drawbridge^G2
• Shatters larger rolling boulders, albeit ones consisting largely of something red on the inside, and a large rock, though the latter breaks the user out of their boulder^G2
• Hits a giant armadillo-like monster into the air, making it spin^G2
• Jumps a large distance after rolling up a ramp^G2

Invincibility

Starman

• Makes the user invincible for a short period, allowing them to run through enemies and attacks without harm¹
• Extends to Yoshi while riding him^W
• Creates a large amount of light while in use^New-W

Rainbow Star

• Turns the user invincible and faster for a short period, though it can't be used with other power ups^G

Invincibility Leaf

• Functions like the Super Leaf, only the user is invincible while in use^3DL

P-Acorn

• Functions the same as the Super Acorn. However, the user is invincible, gliding has multicolored Ps come out from behind them, and they can 'boost' themselves an unlimited amount of times^New-U

Other

Boo Mushroom

• Turns the user into a Boo, letting them float and turning them intangible^G
• Goes away after being hit by bright light^G

Mario Cap
In Super Mario 64 DS, characters can wear the caps of Mario, Luigi, and Wario, turning them into the hat's owner and gaining their abilities.^64-DS

• Can shatter brick blocks with a punch,^64-DS
• Can wall jump^64-DS
• Is the only character with access to the wings, which allow him to fly around for a short period of time^64-DS
• With the Power Flower, Mario becomes inflated and floats around, bouncing off surfaces slightly. This automatically goes away after a short period of time, or can be forced away by ground pounding^64-DS

Wario Cap
In Super Mario 64 DS, characters can wear the caps of Mario, Luigi, and Wario, turning them into the hat's owner and gaining their abilities.^64-DS

• Can smash giant black brick blocks and giant boulders with a punch^64-DS
• Hits posts into the ground with a single ground pound while other characters require three.^64-DS
• With the Power Flower, Wario turns metal, becoming immune to enemy attacks, not needing to breathe underwater, and be unaffected by poisonous gas^64-DS

Double Cherry

• Creates an identical clone of the user which copy their every movement. Any power ups gained affect all existing clones^3DW
• The effects of a Double Cherry stack, allowing a second clone to be made when one already exists, and so on^3DW
• When the user enters a warp pipe, the clones warp to them and reappear on the other side of the pipe^3DW

Life Mushroom

• Fills the user's health, then doubles it until they've taken enough damage to bring them down to normal health^G

Equipment

Poltergust 3000

A vacuum cleaner adapted by Professor E. Gadd to be able to suck up ghosts, used in Luigi's Mansion.
Strength

• Sucks up a tablecloth over a long table without moving anything on top of it^LM
• Can suck up large spiked metal balls, hold them, and shoot them^LM
• Sucks up a falling item, shoots it away a distance, and causes it to destroy half of a large rock sphere^LM

Functions

• The vacuum head has a torch function that can quickly be switched out in order to suck up ghosts
• By sucking up different elemental ghosts, the Poltergust can spit out said element
  • Fire elemental ghosts make the Poltergust a flamethrower^LM
  • Water elemental ghosts allow large amounts of water to be sprayed, quickly putting out a burning door^LM
  • Ice elemental ghosts make the Poltergust spew a freezing gas^LM

Other

• Would be unharmed after being struck by lightning strong enough to kill Luigi^LM

Poltergust 5000

An later version of the Poltergust 3000 from Luigi's Mansion 2. It can be further upgraded to the Super Poltergust, which increases its capabilities to suck up ghosts^LM-2
Strength

• Carries around a filled bucket of water^LM-2
• Shoots a spiked plant, causing it to shatter a wooden picture^LM-2
• Lifts a Toad by the head and shoots them a distance^LM-2
• Pulls down a wall with three pulls of a vine^LM-2
• Pulls down a wall with three pulls of a chain^LM-2
• Sucks up a sheet covering a door^LM-2
• Sucks up a tablecloth, throwing items into the air slightly but not moving them otherwise^LM-2
• Makes a rug roll up by sucking it^LM-2
• Causes the handle of a safe to spin, opening it, by sucking^LM-2
• Makes a large fan on a stone statue spin, causing it to lift and reveal a hidden compartment underneath^LM-2

Functions

• The Strobulb releases bright light that disorientates ghosts and people. It can be immediately activated, or charged up for a much larger cone of light^LM-2
  • Causes a large flower to open up^LM-2
• The Dark-Light creates a rainbow beam of light which reveals illusions. When used on object made to appear invisible, it forced the things causing said illusions out^LM-2
  • Can also be used to let objects and people trapped in paintings out^LM-2
  • If used too much in a short period of time, the Dark-Light overheats and needs to quickly recharge^LM-2
• Can fire objects held by a ghosts it sucks up^LM-2
• Can inflate balloon-like objects and let Luigi fly around^LM-2

Poletergust G-00

The Poltergust Luigi obtained from E. Gadd's car in Luigi's Mansion 3 which has a range of abilities on top of the basic functions presented with earlier models.
Strength

• Spins the handle of a vault door^LM-3
• Sucks up mannequin heads and wigs^LM-3
• Sucks up a duvet and pillows^LM-3
• Sends explosive barrels rolling forwards^LM-3
• Carries around a Toad and shoots them over a wall^LM-3
  • Shoots a Toad with enough force to make them rebound off of walls several times, and to break through brick walls^LM-3
• With the Super Suction upgrade, the Poltergust can be plugged into special outlets to greatly increase its power. Like this, it breaks apart the front half of a ship as well as the front of the wall behind it to suck it up^LM-3
  • Uses this mode to break apart a platform, a music desk, a number of large speakers, and a brick wall^LM-3

Functions

• By charging up its light, releases a bright burst which stuns ghosts^LM-3
• Can swap between a regular torch lens and a special one capable of revealing things trapped in portraits, be it people or items^LM-3
  • Used to reveal hidden objects^LM-3
  • Shows the tracks of a ghost, allowing Luigi to follow them^LM-3
• Shoots a burst of air at the ground, lifting Luigi into the air and shaking a nearby car and wagon^LM-3
• Fires a plunger to grab on to objects^LM-3

Gooigi

• A Luigi made of goo that can pass through small gaps through the likes of fences which Luigi can directly control or leave stationary while he himself does something^LM-3
• With Luigi lifts and slams King Boo, cracking the roof of a hotel^LM-3
• Splatters after a fall but quickly reforms^LM-3
• Is fully capable of using his Poltergust like Luigi can, such as with capturing ghosts^LM-3
• Holds an item inside of him^LM-3
• Made of a substance which reacts to the presence of Boos^LM-3
• Will instantly disintegrate when he gets wet, returning to the Poltergust^LM-3

Other

• Is waterproof up to 'really deep' depths^LM-3

Other

Game Boy Horror
A modified Game Boy Colour, given to Luigi by Professor E. Gadd to help him through Luigi's Mansion.

• Contains a map of the mansion^LM
• Has a Boo radar, which flashes and changes colour depending on how close a Boo is^LM
• Has a functioning camera with good quality^LM
• Allows for video calls with E. Gadd^LM
• Keeps track of all the money and gems Luigi collects throughout the night^LM

Dual Scream
In Luigi's Mansion 2, E. Gadd changes with the times and this time gives Luigi a modified DS. It would be later dubbed the Dual Scream.

• Contains a map of the mansions, which actively updates to marks E. Gadd makes^LM-2
• Can make video calls^LM-2

Virtual Boo
Luigi's Mansion 3's communication device modelled after the Virtual Boy, complete with red-coloured holographic imagery.

• Links with a device in the elevator to show a map of the floor^LM-3
• Makes video calls^LM-3

Other

• Is unaffected by a giant portrait which causes trees at the bottom of the hotel he's standing on to uproot and fly up^LM-3
• With Mario, quickly fixes a clear pipe^3DW
• Through the 'bond between twins' can tell where Mario is^W2
• Can put himself in a bubble to float around, though he needs someone outside of a bubble to pop him out^New-W
• Has his entire body spin after entering a tornado, slowing his descent, though his head doesn't move at all^G
• Uses three swipes of a large mop to seemingly erase a tower, leaving only a white flag behind^W

"See ya!"

The Airbus A300 is a wide-body airliner developed and manufactured by Airbus. In September 1967, aircraft manufacturers in the United Kingdom, France, and West Germany signed a memorandum of understanding to develop a large airliner. West Germany and France reached an agreement on 29 May 1969 after the British withdrew from the project on 10 April 1969. European collaborative aerospace manufacturer Airbus Industrie was formally created on 18 December 1970 to develop and produce it. The prototype first flew on 28 October 1972.
The first twin-engine widebody airliner, the A300 typically seats 247 passengers in two classes over a range of 5,375 to 7,500 km (2,900 to 4,050 nmi). Initial variants are powered by General Electric CF6-50 or Pratt & Whitney JT9D turbofans and have a three-crew flight deck. The improved A300-600 has a two-crew cockpit and updated CF6-80C2 or PW4000 engines; it made its first flight on 8 July 1983 and entered service later that year. The A300 is the basis of the smaller A310 (first flown in 1982) and was adapted in a freighter version. Its cross section was retained for the larger four-engined A340 (1991) and the larger twin-engined A330 (1992). It is also the basis for the oversize Beluga transport (1994).
Launch customer Air France introduced the type on 23 May 1974. After limited demand initially, sales took off as the type was proven in early service, beginning three decades of steady orders. It has a similar capacity to the Boeing 767-300, introduced in 1986, but lacked the 767-300ER range. During the 1990s, the A300 became popular with cargo aircraft operators, as both passenger airliner conversions and as original builds. Production ceased in July 2007 after 561 deliveries. As of March 2023, there were 228 A300 family aircraft in commercial service.
Origins:
During the 1960s, European aircraft manufacturers such as Hawker Siddeley and the British Aircraft Corporation, based in the UK, and Sud Aviation of France, had ambitions to build a new 200-seat airliner for the growing civil aviation market. While studies were performed and considered, such as a stretched twin-engine variant of the Hawker Siddeley Trident and an expanded development of the British Aircraft Corporation (BAC) One-Eleven, designated the BAC Two-Eleven, it was recognized that if each of the European manufacturers were to launch similar aircraft into the market at the same time, neither would achieve sales volume needed to make them viable.[2] In 1965, a British government study, known as the Plowden Report, had found British aircraft production costs to be between 10% and 20% higher than American counterparts due to shorter production runs, which was in part due to the fractured European market. To overcome this factor, the report recommended the pursuit of multinational collaborative projects between the region's leading aircraft manufacturers.[3]: 49 [4][5]: 2–13
European manufacturers were keen to explore prospective programs; the proposed 260-seat wide-body HBN 100 between Hawker Siddeley, Nord Aviation, and Breguet Aviation being one such example.[2][6]: 37–38 National governments were also keen to support such efforts amid a belief that American manufacturers could dominate the European Economic Community;[7] in particular, Germany had ambitions for a multinational airliner project to invigorate its aircraft industry, which had declined considerably following the Second World War.[3]: 49–50 During the mid-1960s, both Air France and American Airlines had expressed interest in a short-haul twin-engine wide-body aircraft, indicating a market demand for such an aircraft to be produced.[3][8] In July 1967, during a high-profile meeting between French, German, and British ministers, an agreement was made for greater cooperation between European nations in the field of aviation technology, and "for the joint development and production of an airbus".[2][9]: 34 The word airbus at this point was a generic aviation term for a larger commercial aircraft, and was considered acceptable in multiple languages, including French.[9]: 34
Shortly after the July 1967 meeting, French engineer Roger Béteille was appointed as the technical director of what would become the A300 program, while Henri Ziegler, chief operating office of Sud Aviation, was appointed as the general manager of the organization and German politician Franz Josef Strauss became the chairman of the supervisory board.[2] Béteille drew up an initial work share plan for the project, under which French firms would produce the aircraft's cockpit, the control systems, and lower-center portion of the fuselage, Hawker Siddeley would manufacture the wings, while German companies would produce the forward, rear and upper part of the center fuselage sections. Addition work included moving elements of the wings being produced in the Netherlands, and Spain producing the horizontal tail plane.[2][6]: 38
An early design goal for the A300 that Béteille had stressed the importance of was the incorporation of a high level of technology, which would serve as a decisive advantage over prospective competitors. As such, the A300 would feature the first use of composite materials of any passenger aircraft, the leading and trailing edges of the tail fin being composed of glass fibre reinforced plastic.[5]: 2–16 [10] Béteille opted for English as the working language for the developing aircraft, as well against using Metric instrumentation and measurements, as most airlines already had US-built aircraft.[10] These decisions were partially influenced by feedback from various airlines, such as Air France and Lufthansa, as an emphasis had been placed on determining the specifics of what kind of aircraft that potential operators were seeking. According to Airbus, this cultural approach to market research had been crucial to the company's long-term success.[10]
Workshare and redefinition:
On 26 September 1967, the British, French, and West German governments signed a Memorandum of Understanding to start development of the 300-seat Airbus A300.[6]: 38 [11]: 43 [12]: 57 At this point, the A300 was only the second major joint aircraft programme in Europe, the first being the Anglo-French Concorde.[9] Under the terms of the memorandum, Britain and France were each to receive a 37.5 per cent work share on the project, while Germany received a 25 per cent share. Sud Aviation was recognized as the lead company for A300, with Hawker Siddeley being selected as the British partner company.[2] At the time, the news of the announcement had been clouded by the British Government's support for the Airbus, which coincided with its refusal to back BAC's proposed competitor, the BAC 2–11, despite a preference for the latter expressed by British European Airways (BEA).[9]: 34 Another parameter was the requirement for a new engine to be developed by Rolls-Royce to power the proposed airliner; a derivative of the in-development Rolls-Royce RB211, the triple-spool RB207, capable of producing of 47,500 lbf (211 kN).[13] The program cost was US$4.6 billion (in 1993 Dollars).[14]
​
In December 1968, the French and British partner companies (Sud Aviation and Hawker Siddeley) proposed a revised configuration, the 250-seat Airbus A250. It had been feared that the original 300-seat proposal was too large for the market, thus it had been scaled down to produce the A250.[5]: 2–14 [8][15] The dimensional changes involved in the shrink reduced the length of the fuselage by 5.62 metres (18.4 ft) and the diameter by 0.8 metres (31 in), reducing the overall weight by 25 tonnes (55,000 lb).[10][16]: 16 For increased flexibility, the cabin floor was raised so that standard LD3 freight containers could be accommodated side-by-side, allowing more cargo to be carried. Refinements made by Hawker Siddeley to the wing's design provided for greater lift and overall performance; this gave the aircraft the ability to climb faster and attain a level cruising altitude sooner than any other passenger aircraft.[10] It was later renamed the A300B.[9]: 34 [15]
Perhaps the most significant change of the A300B was that it would not require new engines to be developed, being of a suitable size to be powered by Rolls-Royce's RB211, or alternatively the American Pratt & Whitney JT9D and General Electric CF6 powerplants; this switch was recognized as considerably reducing the project's development costs.[11]: 45 [15][16]: 16–17 To attract potential customers in the US market, it was decided that General Electric CF6-50 engines would power the A300 in place of the British RB207; these engines would be produced in co-operation with French firm Snecma.[8][10] By this time, Rolls-Royce had been concentrating their efforts upon developing their RB211 turbofan engine instead and progress on the RB207's development had been slow for some time, the firm having suffered due to funding limitations, both of which had been factors in the engine switch decision.[5]: 2–13 [15][16]: 17–18
On 10 April 1969, a few months after the decision to drop the RB207 had been announced, the British government announced that they would withdraw from the Airbus venture.[6]: 38–39 [15] In response, West Germany proposed to France that they would be willing to contribute up to 50% of the project's costs if France was prepared to do the same.[15] Additionally, the managing director of Hawker Siddeley, Sir Arnold Alexander Hall, decided that his company would remain in the project as a favoured sub-contractor, developing and manufacturing the wings for the A300, which would later become pivotal in later versions' impressive performance from short domestic to long intercontinental flights.[5]: 2–13 [9]: 34 [16]: 18 Hawker Siddeley spent £35 million of its own funds, along with a further £35 million loan from the West German government, on the machine tooling to design and produce the wings.[6]: 39 [15]
Programme launch:
On 29 May 1969, during the Paris Air Show, French transport minister Jean Chamant and German economics minister Karl Schiller signed an agreement officially launching the Airbus A300, the world's first twin-engine widebody airliner.[2] The intention of the project was to produce an aircraft that was smaller, lighter, and more economical than its three-engine American rivals, the McDonnell Douglas DC-10 and the Lockheed L-1011 TriStar.[10] In order to meet Air France's demands for an aircraft larger than 250-seat A300B, it was decided to stretch the fuselage to create a new variant, designated as the A300B2, which would be offered alongside the original 250-seat A300B, henceforth referred to as the A300B1. On 3 September 1970, Air France signed a letter of intent for six A300s, marking the first order to be won for the new airliner.[6]: 39 [10][16]: 21
In the aftermath of the Paris Air Show agreement, it was decided that, in order to provide effective management of responsibilities, a Groupement d'intérêt économique would be established, allowing the various partners to work together on the project while remaining separate business entities.[2] On 18 December 1970, Airbus Industrie was formally established following an agreement between Aérospatiale (the newly merged Sud Aviation and Nord Aviation) of France and the antecedents to Deutsche Aerospace of Germany, each receiving a 50 per cent stake in the newly formed company.[3]: 50 [6]: 39 [10] In 1971, the consortium was joined by a third full partner, the Spanish firm CASA, who received a 4.2 per cent stake, the other two members reducing their stakes to 47.9 per cent each.[10][16]: 20 In 1979, Britain joined the Airbus consortium via British Aerospace, which Hawker Siddeley had merged into, which acquired a 20 per cent stake in Airbus Industrie with France and Germany each reducing their stakes to 37.9 per cent.[3]: 53 [5]: 2–14 [6]: 39
Prototype and flight testing:
Airbus Industrie was initially headquartered in Paris, which is where design, development, flight testing, sales, marketing, and customer support activities were centered; the headquarters was relocated to Toulouse in January 1974.[8][10] The final assembly line for the A300 was located adjacent to Toulouse Blagnac International Airport. The manufacturing process necessitated transporting each aircraft section being produced by the partner companies scattered across Europe to this one location. The combined use of ferries and roads were used for the assembly of the first A300, however this was time-consuming and not viewed as ideal by Felix Kracht, Airbus Industrie's production director.[10] Kracht's solution was to have the various A300 sections brought to Toulouse by a fleet of Boeing 377-derived Aero Spacelines Super Guppy aircraft, by which means none of the manufacturing sites were more than two hours away. Having the sections airlifted in this manner made the A300 the first airliner to use just-in-time manufacturing techniques, and allowed each company to manufacture its sections as fully equipped, ready-to-fly assemblies.[3]: 53 [10]
In September 1969, construction of the first prototype A300 began.[16]: 20 On 28 September 1972, this first prototype was unveiled to the public, it conducted its maiden flight from Toulouse–Blagnac International Airport on 28 October that year.[6]: 39 [9]: 34 [11]: 51–52 This maiden flight, which was performed a month ahead of schedule, lasted for one hour and 25 minutes; the captain was Max Fischl and the first officer was Bernard Ziegler, son of Henri Ziegler.[10] In 1972, unit cost was US$17.5M.[17] On 5 February 1973, the second prototype performed its maiden flight.[6]: 39 The flight test program, which involved a total of four aircraft, was relatively problem-free, accumulating 1,580 flight hours throughout.[16]: 22 In September 1973, as part of promotional efforts for the A300, the new aircraft was taken on a six-week tour around North America and South America, to demonstrate it to airline executives, pilots, and would-be customers.[10] Amongst the consequences of this expedition, it had allegedly brought the A300 to the attention of Frank Borman of Eastern Airlines, one of the "big four" U.S. airlines.[18]
Entry into service:
On 15 March 1974, type certificates were granted for the A300 from both German and French authorities, clearing the way for its entry into revenue service.[18] On 23 May 1974, Federal Aviation Administration (FAA) certification was received.[16]: 22 The first production model, the A300B2, entered service in 1974, followed by the A300B4 one year later.[8] Initially, the success of the consortium was poor, in part due to the economic consequences of the 1973 oil crisis,[6]: 40 [8][9]: 34 but by 1979 there were 81 A300 passenger liners in service with 14 airlines, alongside 133 firm orders and 88 options.[18] Ten years after the official launch of the A300, the company had achieved a 26 per cent market share in terms of dollar value, enabling Airbus Industries to proceed with the development of its second aircraft, the Airbus A310.[18]
Design:
The Airbus A300 is a wide-body medium-to-long range airliner; it has the distinction of being the first twin-engine wide-body aircraft in the world.[8][9]: 34 [12]: 57, 60 [19] In 1977, the A300 became the first Extended Range Twin Operations (ETOPS)-compliant aircraft, due to its high performance and safety standards.[6]: 40 Another world-first of the A300 is the use of composite materials on a commercial aircraft, which were used on both secondary and later primary airframe structures, decreasing overall weight and improving cost-effectiveness.[19] Other firsts included the pioneering use of center-of-gravity control, achieved by transferring fuel between various locations across the aircraft, and electrically signaled secondary flight controls.[20]
The A300 is powered by a pair of underwing turbofan engines, either General Electric CF6 or Pratt & Whitney JT9D engines; the sole use of underwing engine pods allowed for any suitable turbofan engine to be more readily used.[12]: 57 The lack of a third tail-mounted engine, as per the trijet configuration used by some competing airliners, allowed for the wings to be located further forwards and to reduce the size of the vertical stabilizer and elevator, which had the effect of increasing the aircraft's flight performance and fuel efficiency.[3]: 50 [16]: 21
Airbus partners had employed the latest technology, some of which having been derived from Concorde, on the A300. According to Airbus, new technologies adopted for the airliner were selected principally for increased safety, operational capability, and profitability.[19] Upon entry into service in 1974, the A300 was a very advanced plane, which went on to influence later airliner designs. The technological highlights include advanced wings by de Havilland (later BAE Systems) with supercritical airfoil sections for economical performance and advanced aerodynamically efficient flight control surfaces. The 5.64 m (222 in) diameter circular fuselage section allows an eight-abreast passenger seating and is wide enough for 2 LD3 cargo containers side by side. Structures are made from metal billets, reducing weight. It is the first airliner to be fitted with wind shear protection. Its advanced autopilots are capable of flying the aircraft from climb-out to landing, and it has an electrically controlled braking system.
Later A300s incorporated other advanced features such as the Forward-Facing Crew Cockpit (FFCC), which enabled a two-pilot flight crew to fly the aircraft alone without the need for a flight engineer, the functions of which were automated; this two-man cockpit concept was a world-first for a wide-body aircraft.[8][16]: 23–24 [20] Glass cockpit flight instrumentation, which used cathode ray tube (CRT) monitors to display flight, navigation, and warning information, along with fully digital dual autopilots and digital flight control computers for controlling the spoilers, flaps, and leading-edge slats, were also adopted upon later-built models.[19][21] Additional composites were also made use of, such as carbon-fiber-reinforced polymer (CFRP), as well as their presence in an increasing proportion of the aircraft's components, including the spoilers, rudder, air brakes, and landing gear doors.[22] Another feature of later aircraft was the addition of wingtip fences, which improved aerodynamic performance and thus reduced cruise fuel consumption by about 1.5% for the A300-600.[23]
In addition to passenger duties, the A300 became widely used by air freight operators; according to Airbus, it is the best selling freight aircraft of all time.[20] Various variants of the A300 were built to meet customer demands, often for diverse roles such as aerial refueling tankers, freighter models (new-build and conversions), combi aircraft, military airlifter, and VIP transport. Perhaps the most visually unique of the variants is the A300-600ST Beluga, an oversize cargo-carrying model operated by Airbus to carry aircraft sections between their manufacturing facilities.[20] The A300 was the basis for, and retained a high level of commonality with, the second airliner produced by Airbus, the smaller Airbus A310.[19]
Operational history:
On 23 May 1974, the first A300 to enter service performed the first commercial flight of the type, flying from Paris to London, for Air France.[6]: 39 [18]
Immediately after the launch, sales of the A300 were weak for some years, with most orders going to airlines that had an obligation to favor the domestically made product – notably Air France and Lufthansa, the first two airlines to place orders for the type.[3]: 50–52 [18] Following the appointment of Bernard Lathière as Henri Ziegler's replacement, an aggressive sales approach was adopted. Indian Airlines was the world's first domestic airline to purchase the A300, ordering three aircraft with three options. However, between December 1975 and May 1977, there were no sales for the type. During this period a number of "whitetail" A300s – completed but unsold aircraft – were completed and stored at Toulouse, and production fell to half an aircraft per month amid calls to pause production completely.[18]
During the flight testing of the A300B2, Airbus held a series of talks with Korean Air on the topic of developing a longer-range version of the A300, which would become the A300B4. In September 1974, Korean Air placed an order for four A300B4s with options for two further aircraft; this sale was viewed as significant as it was the first non-European international airline to order Airbus aircraft. Airbus had viewed South-East Asia as a vital market that was ready to be opened up and believed Korean Air to be the 'key'.[8][16]: 23 [18]
Airlines operating the A300 on short haul routes were forced to reduce frequencies to try and fill the aircraft. As a result, they lost passengers to airlines operating more frequent narrow body flights. Eventually, Airbus had to build its own narrowbody aircraft (the A320) to compete with the Boeing 737 and McDonnell Douglas DC-9/MD-80. The savior of the A300 was the advent of ETOPS, a revised FAA rule which allows twin-engine jets to fly long-distance routes that were previously off-limits to them. This enabled Airbus to develop the aircraft as a medium/long range airliner.
In 1977, US carrier Eastern Air Lines leased four A300s as an in-service trial.[18] CEO Frank Borman was impressed that the A300 consumed 30% less fuel, even less than expected, than his fleet of L-1011s. Borman proceeded to order 23 A300s, becoming the first U.S. customer for the type. This order is often cited as the point at which Airbus came to be seen as a serious competitor to the large American aircraft-manufacturers Boeing and McDonnell Douglas.[6]: 40 [8][18] Aviation author John Bowen alleged that various concessions, such as loan guarantees from European governments and compensation payments, were a factor in the decision as well.[3]: 52 The Eastern Air Lines breakthrough was shortly followed by an order from Pan Am. From then on, the A300 family sold well, eventually reaching a total of 561 delivered aircraft.[1]
In December 1977, Aerocondor Colombia became the first Airbus operator in Latin America, leasing one Airbus A300B4-2C, named Ciudad de Barranquilla.
During the late 1970s, Airbus adopted a so-called 'Silk Road' strategy, targeting airlines in the Far East.[3]: 52 [18] As a result, The aircraft found particular favor with Asian airlines, being bought by Japan Air System, Korean Air, China Eastern Airlines, Thai Airways International, Singapore Airlines, Malaysia Airlines, Philippine Airlines, Garuda Indonesia, China Airlines, Pakistan International Airlines, Indian Airlines, Trans Australia Airlines and many others. As Asia did not have restrictions similar to the FAA 60-minutes rule for twin-engine airliners which existed at the time, Asian airlines used A300s for routes across the Bay of Bengal and South China Sea.
In 1977, the A300B4 became the first ETOPS compliant aircraft,[24] qualifying for Extended Twin Engine Operations over water, providing operators with more versatility in routing. In 1982 Garuda Indonesia became the first airline to fly the A300B4-200FFCC.[25] By 1981, Airbus was growing rapidly, with over 400 aircraft sold to over forty airlines.[26]
In 1989, Chinese operator China Eastern Airlines received its first A300; by 2006, the airline operated around 18 A300s, making it the largest operator of both the A300 and the A310 at that time. On 31 May 2014, China Eastern officially retired the last A300-600 in its fleet, having begun drawing down the type in 2010.[27]
From 1997 to 2014, a single A300, designated A300 Zero-G, was operated by the European Space Agency (ESA), centre national d'études spatiales (CNES) and the German Aerospace Center (DLR) as a reduced-gravity aircraft for conducting research into microgravity; the A300 is the largest aircraft to ever have been used in this capacity. A typical flight would last for two and a half hours, enabling up to 30 parabolas to be performed per flight.[28][29]
By the 1990s, the A300 was being heavily promoted as a cargo freighter.[16]: 24 The largest freight operator of the A300 is FedEx Express, which has 65 A300 aircraft in service as of May 2022.[30] UPS Airlines also operates 52 freighter versions of the A300.[31]
The final version was the A300-600R and is rated for 180-minute ETOPS. The A300 has enjoyed renewed interest in the secondhand market for conversion to freighters; large numbers were being converted during the late 1990s.[16]: 24–25 The freighter versions – either new-build A300-600s or converted ex-passenger A300-600s, A300B2s and B4s – account for most of the world's freighter fleet after the Boeing 747 freighter.[32]
The A300 provided Airbus the experience of manufacturing and selling airliners competitively. The basic fuselage of the A300 was later stretched (A330 and A340), shortened (A310), or modified into derivatives (A300-600ST Beluga Super Transporter). In 2006, unit cost of an −600F was $105 million.[14] In March 2006, Airbus announced the impending closure of the A300/A310 final assembly line,[33] making them the first Airbus aircraft to be discontinued. The final production A300, an A300F freighter, performed its initial flight on 18 April 2007,[34] and was delivered to FedEx Express on 12 July 2007.[35] Airbus has announced a support package to keep A300s flying commercially. Airbus offers the A330-200F freighter as a replacement for the A300 cargo variants.[36]
The life of UPS's fleet of 52 A300s, delivered from 2000 to 2006, will be extended to 2035 by a flight deck upgrade based around Honeywell Primus Epic avionics; new displays and flight management system (FMS), improved weather radar, a central maintenance system, and a new version of the current enhanced ground proximity warning system. With a light usage of only two to three cycles per day, it will not reach the maximum number of cycles by then. The first modification will be made at Airbus Toulouse in 2019 and certified in 2020.[37] As of July 2017, there are 211 A300s in service with 22 operators, with the largest operator being FedEx Express with 68 A300-600F aircraft.[38]
Variants:
A300B1 - The A300B1 was the first variant to take flight. It had a maximum takeoff weight (MTOW) of 132 t (291,000 lb), was 51 m (167 ft) long and was powered by two General Electric CF6-50A engines.[16]: 21 [39]: 41 Only two prototypes of the variant were built before it was adapted into the A300B2, the first production variant of the airliner.[6]: 39 The second prototype was leased to Trans European Airways in 1974.[39]: 54
A300B2 -
A300B2-100:
Responding to a need for more seats from Air France, Airbus decided that the first production variant should be larger than the original prototype A300B1. The CF6-50A powered A300B2-100 was 2.6 m (8.5 ft) longer than the A300B1 and had an increased MTOW of 137 t (302,000 lb), allowing for 30 additional seats and bringing the typical passenger count up to 281, with capacity for 20 LD3 containers.[40]: 10 [41][39]: 17 Two prototypes were built and the variant made its maiden flight on 28 June 1973, became certified on 15 March 1974 and entered service with Air France on 23 May 1974.[39]: 27, 53 [40]: 10
A300B2-200:
For the A300B2-200, originally designated as the A300B2K, Krueger flaps were introduced at the leading-edge root, the slat angles were reduced from 20 degrees to 16 degrees, and other lift related changes were made in order to introduce a high-lift system. This was done to improve performance when operating at high-altitude airports, where the air is less dense and lift generation is reduced.[42]: 52, 53 [43] The variant had an increased MTOW of 142 t (313,000 lb) and was powered by CF6-50C engines, was certified on 23 June 1976, and entered service with South African Airways in November 1976.[39]: 40 [40]: 12 CF6-50C1 and CF6-50C2 models were also later fitted depending on customer requirements, these became certified on 22 February 1978 and 21 February 1980 respectively.[39]: 41 [40]: 12
A300B2-320:
The A300B2-320 introduced the Pratt & Whitney JT9D powerplant and was powered by JT9D-59A engines. It retained the 142 t (313,000 lb) MTOW of the B2-200, was certified on 4 January 1980, and entered service with Scandinavian Airlines on 18 February 1980, with only four being produced.[39]: 99, 112 [40]: 14
A300B4 -
A300B4-100:
The initial A300B4 variant, later named the A300B4-100, included a centre fuel tank for an increased fuel capacity of 47.5 tonnes (105,000 lb), and had an increased MTOW of 157.5 tonnes (347,000 lb).[44][42]: 38 It also featured Krueger flaps and had a similar high-lift system to what was later fitted to the A300B2-200.[42]: 74 The variant made its maiden flight on 26 December 1974, was certified on 26 March 1975, and entered service with Germanair in May 1975.[39]: 32, 54 [40]: 16
A300B4-200:
The A300B4-200 had an increased MTOW of 165 tonnes (364,000 lb) and featured an additional optional fuel tank in the rear cargo hold, which would reduce the cargo capacity by two LD3 containers.[40]: 19 [42]: 69 The variant was certified on 26 April 1979.[40]: 19
A300-600 - The A300-600, officially designated as the A300B4-600, was slightly longer than the A300B2 and A300B4 variants and had an increased interior space from using a similar rear fuselage to the Airbus A310, this allowed it to have two additional rows of seats.[42]: 79 It was initially powered by Pratt & Whitney JT9D-7R4H1 engines, but was later fitted with General Electric CF6-80C2 engines, with Pratt & Whitney PW4156 or PW4158 engines being introduced in 1986.[42]: 82 Other changes include an improved wing featuring a recambered trailing edge, the incorporation of simpler single-slotted Fowler flaps, the deletion of slat fences, and the removal of the outboard ailerons after they were deemed unnecessary on the A310.[45] The variant made its first flight on 8 July 1983, was certified on 9 March 1984, and entered service in June 1984 with Saudi Arabian Airlines.[40]: 42 [39]: 58 A total of 313 A300-600s (all versions) have been sold. The A300-600 uses the A310 cockpits, featuring digital technology and electronic displays, eliminating the need for a flight engineer. The FAA issues a single type rating which allows operation of both the A310 and A300-600. A300-600: (Official designation: A300B4-600) The baseline model of the −600 series. A300-620C: (Official designation: A300C4-620) A convertible-freighter version. Four delivered between 1984 and 1985. A300-600F: (Official designation: A300F4-600) The freighter version of the baseline −600. A300-600R: (Official designation: A300B4-600R) The increased-range −600, achieved by an additional trim fuel tank in the tail. First delivery in 1988 to American Airlines; all A300s built since 1989 (freighters included) are −600Rs. Japan Air System (later merged into Japan Airlines) took delivery of the last new-built passenger A300, an A300-622R, in November 2002. A300-600RC: (Official designation: A300C4-600R) The convertible-freighter version of the −600R. Two were delivered in 1999. A300-600RF: (Official designation: A300F4-600R) The freighter version of the −600R. All A300s delivered between November 2002 and 12 July 2007 (last ever A300 delivery) were A300-600RFs.
A310 (A300B10)-
Airbus had demand for an aircraft smaller than the A300. On 7 July 1978, the A310 (initially the A300B10) was launched with orders from Swissair and Lufthansa. On 3 April 1982, the first prototype conducted its maiden flight and it received its type certification on 11 March 1983.
Keeping the same eight-abreast cross-section, the A310 is 6.95 m (22.8 ft) shorter than the initial A300 variants, and has a smaller 219 m2 (2,360 sq ft) wing, down from 260 m2 (2,800 sq ft). The A310 introduced a two-crew glass cockpit, later adopted for the A300-600 with a common type rating. It was powered by the same GE CF6-80 or Pratt & Whitney JT9D then PW4000 turbofans. It can seat 220 passengers in two classes, or 240 in all-economy, and can fly up to 5,150 nmi (9,540 km). It has overwing exits between the two main front and rear door pairs.
In April 1983, the aircraft entered revenue service with Swissair and competed with the Boeing 767–200, introduced six months before. Its longer range and ETOPS regulations allowed it to be operated on transatlantic flights. Until the last delivery in June 1998, 255 aircraft were produced, as it was succeeded by the larger Airbus A330-200. It has cargo aircraft versions, and was derived into the Airbus A310 MRTT military tanketransport.
Airbus A300-ST (Beluga)
Commonly referred to as the Airbus Beluga or "Airbus Super Transporter," these five airframes are used by Airbus to ferry parts between the company's disparate manufacturing facilities, thus enabling workshare distribution. They replaced the four Aero Spacelines Super Guppys previously used by Airbus.
ICAO code: A3ST
Operators:
As of March 2023, there were 228 A300 family aircraft in commercial service. The five largest operators were FedEx Express (70), UPS Airlines (52), European Air Transport Leipzig (23), Iran Air (11), and Mahan Air (11).[46]

Dante:
​
I stand, looking at myself in the mirror in my human's room. It has been 83 hours since the incident. I was appointed with the task of protecting and informing this human that was assigned to me.
In one minute and five seconds he would wake up. I can only think on how to explain it to him, how to explain what happened to him. I look at myself in the mirror, watching myself, my greyish, closer to white then black, skin. My black eyes stare back at me as I took my deep breaths, making sure I was ready. Hell, I have to be ready. He needs to understand that we didn't do this, that we want to help them. The question is, will he believe me?
I waited for the timer to end, my anxiety just grew as the timer reached closer and closer to zero. When it did, I took a deep breath and watch as he woke up from the coma we had set him in.
He looked around, obviously confused, this isn't his room, his house, or anything he his familiar with. He has a brownish skin, black eyes like mine, he has something unique to his species, unique to the males, a "beard", I believe.
​
He looked at me, confused, maybe he thought he was still asleep, it would be better that way. A nightmare he would wake up from in a few hours, something he would forget a few hours later. But this is reality, not a dream or fiction, reality.
​
I turned on my human translator, from the data I collected, this human speaks a variety of human languages, he seems to be rather intelligent. I choosed english since this appears to be the most common language in his world. Maybe it was his mother tongue? Well, it doesn't matter. From the scans I did to his brain, I knew he could understand it and that's good enough for me.
"Hello, human." I said, my voice sounds calm and relaxed, I want to make sure he doesn't feel in danger or that he will be harmed in any way.
​
It took a few seconds before he answered me, using his hands to clear his eyes multiple times. Maybe he was double and triple checking to make sure what he was seeing was correct. I don't look human after all. I might remember a female from his planet due to my body. That's why the Xa'var were choosed to be the ones responsibles for the humans. We share similar physiological appearances after all.
"Where am I?" His voice sounded calm but I could still hear a little fear in it. It made sense, this was an unfamiliar sight to him, an alien.
​
"You're in a spaceship, we are flying in deep space." My voice remain calmed as I answer him.
​
He sat on the bed. He stared at the floor as he tried to understand what was going on. I took a small step foward, I don't want him to fear me, I need him to trust me after all.
​
He looked at me, confused but intrigued by what he was seeing. This took me by surprise, for what we know, the humans tend to fear what they don't know or can't understand. They scream and attack like animals, they are still a somewhat primitive species. Although they have an enormous potential.
​
"Why am I here?" He asked as he looked at my face and then at my body, trying to understand what would happen. If I had malicious intentions or not.
​
"Do you mind if I sit next to you? I need to explain something." I replied to his question. This is going to be the moment where if I say the wrong thing, he might hate me, not trust me or worse, attack me.
​
"Sure." He answer cautiously as he moved himself a little to the right.
​
I sat next to him on the bed, making sure there was enough space for him to feel a little more comfortable in my presence.
​
I took a deep breath before I spoke. "Do you mind telling me your name before? We are going to be seeing eachother a lot after today." I want him to see me as a friend, for what I understand, humans tend to trust more in people that they know rather than strangers and I need him to trust me after all.
​
"Dante, and you?" He replied as he looked at my hair. Just like my skin, it is greyish but its way more closer to white then my skin.
"Kaska. I'm a Xa'var, an alien. From now on I'm responsible for you, Dante." I answered him.
​
"So, you abducted me to study humanity or something?" He asked rather quickly after I finished my sentence.
​
"No, Dante. We've been observing your species for hundreds of years, we know a lot about humans, I won't hurt you, I promise." I answered him, trying to make sure that I don't offend him or scare him in any way.
​
"Then what do you want?" He asked, calmly but with a little fear in his voice.
​
I took yet another deep breath as I reviewed the script I had written in my head. "Your planet was attacked, Dante. By a species known as the Yaktar, cold blooded killers who only wish to destroy any type of intelligent life they encounter. We were sent to try and defend your planet but we were too late, when we arrived the attack had already begun, we were only able to save a few thousand humans before they destroyed your planet." After speaking I looked at him with guilt, we failed after all, this was partially our fault, we are responsible for any and all life forms in this universe, we failed in protecting humans and now, they might go extinct because of it.
​
He stayed in silence for what seemed like hours, my anxiey just growing as he looked at the floor with a blank expression, trying to wrap his head at the words that left my mouth. After a few minutes, he started to cry, his expression remained blanked as he stared down at the floor.
​
I slowly wrapped my arm around him, trying to comfort him in the way I was taught humans like. "I'm sorry, Dante." I sayed in a sad and calm voice.
​
"Why?" That's all he could say, and he was right. Why would the Yaktar do this? I wish I had an answer but I don't.
​
"We don't know, Dante. They've been doing this to a lot of planets with intelligent life like Earth." I sighed before continuing. "We try to stop them but we can never do it. When we arrive the planet is already destroyed. For the first time, we were able to get a few survivors from your planet. We promise we will help you. We will give you a new planet and full protection guarented by the United Galactic Alliance." I kept my hand on his shoulder, moving it slowly to his back to caress it.
​
"How many are still alive?" His tears seemed to be slowing down as he speak. Its clear that hes trying to find some hope in this hell he is now living.
​
"16 505 with you." I answered him.
​
His face turned from blank to shock. "16 505? We used to be 8 billion..."
​
"I know, once again, I'm sorry. In the name of the United Galactic Alliance I want to apologize for not being there to stop that genocide." I replied to him. Guilt was the only thing in my mind. We should've protected them, stop that genocide from happening but we didn't.
​
His face turned blank once more as he was slowly accepting his new reality. "What am I going to do now, Kaska?"
​
"First, I want you to feel comfortable, Dante. You've went through hell itself, you need to rest. Life is going to be different from now on, but I promise I will do everything in my power to protect you and help you." I answered him, trying to give him a little bit of hope in this new life of his.
​
"I want to kill them, Kaska." His voice was cold, it even send shivers down my spine. His hands formed into fists as his eyes were burning with rage and desire for revenge. "I want to destroy every single last one of them." He started to breath heavily, like his brain was pumping adrenaline through his veins. The so called "Human superpower".
"I understand that, Dante." I replied as I slowly removed my hand from his back and moved it to my lap. "But first, you need to rest, you need to adapt to your new life."
​
He seemed to calm himself down for a second as he took some deep breaths. "You're right, I need to rest, I feel tired."
"Sleep, Dante. I'll be back in a few hours to check on you." I slowly got up from his bed and walk towards the door. I stopped and looked at him. "I promise I will help you achieve your goal, Dante. I want them dead just like you..."
He nooded me and laid on the bed. His body slowly started to force him to sleep, he was still tired, specially after all the treatments he went trough before he woke up. I left his room and wonder as I walked through the corridors of the ship, wondering on what to do when he woke up. I know he will be someone special, maybe a leader that will bring the human wrath to the Yaktar. Honestly, I hope he does.

Just started playing this game and I'm quite enjoying it, the guns, the chalice system, character upgrade system are all very nice (is there any music in this? Cuz now that I'm writing I don't I've heard the sound track if there's any.)
But as the title suggest the bosses is probably the worst part of this game. I'm not sure if I'm doing something wrong but even when constantly moving, specific boss moves just seem unavoidable. For example, first boss runs into your face does a punch, second boss if you're too close or get decayed you will probably get hit or die from the 3 shockwaves and the worst one is the third boss with the cannons.
For some reason I get one shot even with full shields and it feels like every time the red marker appears, my movement halts to a crawl. Again, I'm always moving and in some of these scenarios I even had the purple scroll that gives 40% MS after dodging. I only played the cat so far but even in general when playing, I felt the MS was a tad bit slow and the jump might as well not exist.
Even if I learn how to dodge these attacks, the bosses are still at best bullet sponges (first boss) or at worst frustrating to die to the aforementioned attacks (boss 2 and 3).
While I'm at it, I want to talk about the level length. Zone 1 has the perfect length but zone 2 and zone 3 are a SLOG, it feels like it's double or triple the length of zone 1. Combined with the boss designs, it feels like a chore going through all the zones just to die instantly to the third boss with full HP and shields. Gameplay can only be so fun when these aspects combined are boring and frustrating.
Also Sekiro is a phenomenal game, highly recommend you play it. Rant over.

Mississippi Pot Roast is a staple in my house. I make it at least once a month and I always make enough to have leftovers for days. It’s such a simple, incredibly flavorful recipe that needs very little alteration.
I’ve made it in the slow cooker, braised it in the over, pressure cooked it in the instant pot, and the slow cooker has to be the best method I’ve attempted.
I’ve tried adding potatoes and carrots in the pot during the last hour or two of cooking, I’ve served it next to roasted veggies, sometimes I’ll buy stuff to make sandwiches with the leftovers, but my favorite is serving it over a bed of mashed potatoes with a reduction sauce made from the cooking liquid.
After playing around with the recipe, when I make it now I opt for the reduced sodium brown gravy mix instead of the au jus so it isn’t as overwhelmingly salty (it’s still plenty salty), and I add 10-15 peperoncini with a splash of the liquid on top of the meat before I top it with the butter and packet mixes. During the last hour of cooking, I’ll remove about half of the cooking liquid, skim the fat off the top, and reduce it down until it coats the back of a spoon.
I’m making Mississippi Pot Roast for a family dinner tomorrow and I’m curious to see if anyone has changed the recipe in such a way that they’ll never make it any other way now.

Pre-Show
Orange Cassidy vs Minoru Suzuki
To open the long-awaited sequel to the highly successful Forbidden Door, Sir Freshly Squeezed takes on Murder Grandpa in arguably the most anticipated dream match on the card. Introducing Suzuki to his apathetic style, Cassidy immediately attracted violence from the unimpressed Minoru, yet as the bout progressed, Cassidy started to come into his own, bringing some true offence of his own, only for Suzuki to inevitably put him away with a brutal Piledriver.
​
Hiromu Takahashi (c) vs Darby Allin – IWGP Jr Heavyweight Championship
Running at 100mph and never slowing down, Takahashi and Allin started the match with a bang, immediately trading fast-paced offence with a distinct disregard for their wellbeing. Their high-octane bout continued to amaze the audience with twists and turns as both men wrestled for the upper hand, but ultimately Hiromu was able to stop Darby dead in his tracks to retain.
​
Main Card
​
Bryan Danielson vs Kota Ibushi
To open the main card, Kota Ibushi and Bryan Danielson prepared to go to war in a continuation of The Golden Elite’s feud with the BCC. The pair tested the waters to begin, trading reversals and submission attempts before both men gave up and resorted to violent strikes, a brutal encounter ensuing after. Following a 30-minute clinic with Kota and Bryan pulling out all the stops, Ibushi was able to counter a Busaiku and land a Kamigoye to silence Danielson.
​
Toni Storm vs Mayu Iwatani – Champion vs Champion
With The Outsiders ruling over AEW with an iron fist ever since Toni Storm’s title win at Double or Nothing, her dominance was about to be challenged by the top champion in Japan, Mayu Iwatani. Mixing their different styles together in a fluid clash of techniques, Storm and Iwatani proved why they’re the ace of their respective brands, with Storm asserting herself as the superior champion over Mayu to stand tall.
​
The House of Black (c) vs Los Ingobernables De Japon – AEW Trios Championship
On one side: the unstoppable force of Malakai Black, Brody King, and Buddy Matthews. On the other: the legendary NJPW faction represented tonight by Tetsuya Naito, Shingo Takagi, and BUSHI. Clashing in a flurry of styles, the two trios went all out with rarely any tags and non-stop action, and despite their best attempts, LIJ was unable to put away the undisputed top trio in the world, a Dante’s Inferno signalling the end for them.
​
Jay White vs KENTA
With tensions within Bullet Club rising as its supposed leader abandoned their Japanese unit to start his own subgroup, the upcoming cross-promotional super card acted as an opportunity for KENTA to confront Jay White, Jay leaving KENTA laying after a Blade Runner as his response. And at the show, KENTA fell to a similar fate after a gruelling bout between them, White standing tall over his former stablemate.
​
Thunder Rosa vs Mercedes Mone
Returning after a short hiatus from injury, Mercedes Mone wanted a certain Thunder Rosa for Forbidden Door, and they made sure to live up to the expectations of their dream clash, having a fiery encounter complete with close submission finishes and near falls. Yet with both of her recent championship failures fresh in her memory, Mercedes went all in to get a win here, beating Thunder Rosa after a red-hot match.
​
Jon Moxley vs Katsuyori Shibata
Because we all need this in our life. The two hardest-hitting fighters in the business going fist to fist. Shibata’s technical prowess and sharp strike combinations melded beautifully with Jon’s brutal offence and brawler-esque style, the two having a real fight feel to their encounter. And after near fall after near fall, Mox was forced to resort to submissions in order to put away Shibata, choking him out with a Bulldog Choke in an impressive victory for The Death Rider.
​
Aussie Open (c) vs FTR vs The Young Bucks – IWGP Heavyweight Tag Team Championship
The hottest tag team in the world currently in Aussie Open called out the best AEW has to offer and were met by two former opponents: FTR and The Young Bucks, the two AEW teams already having a rivalry of their own. All 6 men involved took advantage of the Triple Threat rules, with 3 men always competing in fast-paced and dynamic action. And with crazy spots keeping the crowd on the edge of their seats the whole time, one final Coriolis saw Aussie Open retain over the two legendary tag teams.
​
MJF (c) vs Hiroshi Tanahashi – AEW World Championship
Wanting to add to his already extensive list of former challengers, MJF called out the Ace of NJPW, knowing a win over Horseshoe would cement him as a true force to be feared. Putting his title on the line, the extremes of light and dark; good and evil; Tanahashi and MJF had a tense and dramatic back-and-forth encounter, with MJF using any opportunity he got to try to cheat a win, but Tanahashi countered his attempts, getting insanely close call after insanely close call. Yet it wouldn’t be enough, with MJF low-blowing Tanahashi out of the ref’s sight and stealing a win over the Ace.
​
CM Punk vs Kazuchika Okada
With a certain rematch going on last, this huge dream bout was forced to be the penultimate clash of the night as CM Punk took on Kazuchika Okada in a match that fans had been wanting for decades. Punk’s new heel alignment was reflected in his offence, juxtaposed against Okada’s pure excellence, and the two legendary figures traded big moves after big moves with their finishers being hyped up throughout the match, ending in a singular GTS putting away Okada.
​
Kenny Omega (c) vs Will Ospreay – IWGP United States Championship
You all know how this one goes. Going to war a second time, Ospreay refused to be brutalised like last time, fighting with a violent burning passion against the final boss Omega, and after another high-octane classic, Will landed a One-Winged Angel and Stormbreaker to finally win!

Today I was doing a triple batch. On the 2nd delivery of the batch, the customer wasn't home. I wasn't able to call them and I could only text. No response. The delivery wasn't authorized to be left. So I had to wait out the 10 minute timer and call support. Support was able to call the customer and they authorized me to leave it. The support lady told me I was at the delivery address for 25 minutes from the time I hit confirm arrival to the time I was able to mark the delivery complete. So much time wasted while I had more groceries in my car waiting to be delivered. In my opinion orders that are not authorized to be left should only be allowed to be the last delivery in a batch so it doesn't slow down other people getting their groceries.
​
After I completed the whole batch I selected the thumbs down. I typed an explanation of having to wait when other groceries still have to be delivered. About an hour later I get an email with a promo for tomorrow of $105 guaranteed earnings for 6 batches. That's the highest promo I have ever gotten. Are they trying to encourage me after having a bad experience or is it just a coincidence?

After botw released, everyone immediately heralded it as one of the best games of the decade, with the few criticisms mainly centering around the repetitive shrines:

• They all looked exactly the same on the inside
  
• The chests inside were 90% garbage tier weapons/shields
  
• Most of your shrine time was spent looking at load screens and slow text fade ins
  
• ...Seriously so much time is wasted with the slow ass text
  

I was really excited to see how they'd address this in totk and what they'd do to shake up the formula, only to find that it's exactly the same????? I was so disappointed when I was doing the tutorial island shrines and the slow text started to appear again. It's fine once or twice, but if you want reasonable stats then you're gonna have to do a minimum of like 50 and there's triple that for completionists.
The aesthetics are now Zonai themed, but still completely identical between the shrines (could they not at least have regional colours??), and the majority of the loot is still complete trash. I do not need a 20th Mighty Construct Bow thank you very much.
I'm more confused than mad. They've spent such a great deal of time shaking up the game and then left this system so many people complained about pretty much intact with just a reskin. My first thought about the slow dialogue was that it's hiding load screens, but that doesn't explain why they couldn't replace the boring loot with gems/rupees/zonai charges, or why even a little bit of texture variation wasn't attempted. I did ten in a row earlier and felt like my head was going to explode from the repetitiveness, Idk how completionists are staying sane.

Serious Issues - Time to be a Hero - Volume 24
Sunday 24th June 2017
WARNING: THIS VOLUME CONTAINS STRONG LANGUAGE!
It's been ten days since Natsuki got kidnapped and held hostage by the recently arrived agents from Coomer. We beat them and promptly moved base to this little cabin like structure just at the outskirts of town, it's run down in places but it's nothing we can't fix up! Since last week nobody has reported any sightings of any Coomer agents which is expected, but I know it's just part of how they work. They look for a trial and follow it, until they find you. But when they do, they don't attack, they hang back for awhile and watch, waiting for a moment to take you by surprise. Stalking you. Assessing your strengths and weaknesses. Waiting for an opportunity. When they do make their move, they are quick. They are precise. They are calculating. They do not make mistakes. They do not get cocky. They do not let up for a second. That's why we all need to be on high alert and wide eyed. Hell, normal patrol is more dangerous now than ever! We just need to get permission and recognition from everybody else if we want to patrol for the night! Thankfully we came up with a secret code for the group chat, just in case that anybody that hacks into our group chat will not recognise what we are talking about right away. Basically we use emojis to let the others know about certain things, it's a code and it confuses me at the best of times. But Sayori did put this together on a whim so we should be just that little bit safer now. Right now I'm sitting in my apartment watching tv as I wait for Monika to come back from visiting her parents. She asked me if I wanted to come along but I declined her offer, I just want to rest a little bit from working hard to make the base for us. I had Sayori on my back telling me the various things she wanted, it was like her telling Santa what she wanted for Christmas! It was a ridiculous amount of things I had to make and it really took the wind out of my sails! So here I am, just relaxing I guess... I look at the tv show I was watching, it's some random programme about a teacher making drugs or something? I don't know about it, it's kinda funny I suppose, yet I can't really sit down and just enjoy it. In the back of my mind, I'm worried sick about Monika! She's been away for an hour now and I feel like it's been far too long for her to be out and not at least send me a text or whatever! But I shouldn't think too much of this, I'm just stressed out of my mind and very tired. I rub my eyes as I try to return back to the programme, but I just can't. Now that I've acknowledged the worry I can't get it out of my head! Fuck it! I toss away the remote and grab my phone, I'll just give her a text. Ask her how she's getting on with her parents. I shoot Monika a text in our chat reading:
'hey honey! just checking up on u and ur parents, how is it all going??' I set down my phone and wait for a reply...
one minute passes...
She still hasn't seen my text! Argh! Botan, give her time to pull out the phone and have a look at her notifications! She's with her parents for goodness sake, she can't just focus on me all the time! I need to settle down more! Maybe if I do some chores? I stand up and look around the apartment? What could I do? Maybe give the carpet a vacuum? Yeah! I head over to the closet, pull out the vacuum and bring it over to the centre of the living room. I turn it on and start the routine of clearing up the floor. I move the couch and get under it as I make my way around the room. Reaching into little corners and below the tv stand as I make sure everything's clean! I smile as I turn the vacuum off and see that the carpet is now much cleaner! I smile as I put the vacuum back into the closet. I then head back over to the couch and pick up my phone, Monika still hasn't seen my message? I'm getting concerned now, it's been unread for seven minutes, maybe I should phone her?? I go to select the call option but I stop myself, I am just....overreacting. Give her time. Maybe she left her phone in another room? She's at her parents' house after all? Or maybe she still hasn't gotten a chance to? Right, well what now?
…
Guess some dinner wouldn't hurt? I walk into the kitchen and have a look around the fridge for something to eat? Hmmm, maybe Monika would like something for when she gets back? I grab my phone and give her another text. 'would u like something 4 dinner?' I put my phone back into my pocket as I have another look. Guess I'll have some pizza with some chips! I take out a bag of frozen chips and a pepperoni and cheese pizza, setting them both onto the kitchen counter. I grab a tray for both pizza and fries and set them both out. I head over to the cooker and pre-heat the oven as I give it a minute or so. I then put my chips in first, followed by the pizza and close the oven door. Time to let them cook! I head back over to the living room and sit down. Got to give them time to cook, so what now? I look at the time, it's just coming up to eight? Hmmm, Monika did say she'll be back at around eight so....where is she? Botan! Stop it! I slap myself in the face! I really need to get a grip of myself! Maybe I can destress with a nice bath? Yeah, that will help! I walk into the kitchen and set a timer on the electronic clock for my food to be taken out. I then head into the bathroom and start running the bath. After a few minutes the bath is filled up and has plenty of bubbles going as I take off my clothes, here we go! I step in as the warm water quickly makes me jump in surprise at the heat! I then quickly get in as I relax. Oh yeah, this is much better! I smile, it's almost like I wasn't panicking about my girlfriend potentially going missing when she's out right now! ….urgh! I cover my face in water and take a deep breath. I just need to calm down. That's all. Monika can handle herself. The worse thing that could happen is that she gets killed and I never see her again...rgh! That temper I have, I almost forgot! Jeez, no more thoughts like that! Jesus, why did I even think of that?? Am I really wanting to push myself to burst out there and go looking for her? She's fine! As soon as I think that I hear my phone vibrate in the pocket of my shorts! Oh! That's probably her! I reach over to my towel, drying my hands before grabbing my phone. I take look at the message I just got, it's from Yuri?
Y: 'Hi Botan, I know this may seem a little short notice but can you please come down to the shop? I require your assistance with something' …sigh, fuck off man! I shake my head and chuck my phone away! Fucking Yuri! Why does she have to ask me of all people?! Why not her fucking boy toy?! sigh...calm down man. I'm losing it. Having no Monika around is really bad for me. She's the only thing keeping me from floating away from reason. With Coomer now here too, I guess it's all starting to pile up somewhat? Sigh...right. I pick my phone back up and send Yuri a text.
B: 'kk Yuri, give me 5 mins' I sigh as I sit up, so much for this bath? I quickly get out and dry myself off with a towel. I then walk out of the bathroom after pulling the plug on the bath, my phone vibrates again? I check it, another message from Yuri.
Y: 'thank you very much, please bring your best suit too!' ...oh right! I quickly dry off my hair and get in costume before running to the window-wait! I check on the timer in the kitchen, there's still around fifteen minutes to go? I turn the heat down to the minimum and make the adjust on the time, I just to be sure I don't want to burn down my new home. Monika would kill me. I leap out of the window into the dying light of the day! Okay, to the store! I don't know what's going on with Yuri but she might need my help! Although her texts were quite casual there? No matter! I swing into the air and land on a roof as I see the shop in the distance! Right, be ready for anything! I jump across a gap and leap off of a roof to see Yuri in front of the store? She looks....glum? I land not too far away from her as she looks at me, she doesn't look happy that's for sure? "Thanks for coming Sparrow." She's using my hero name?
B: "Of course citizen? What do you need?" I walk up to her as she looks around herself?
Y: "Uhm, well... there's a person in the store who's...well..." Yuri looks into the store and shivers? "I don't think he's mentally well at all..."
B: "What do you mean?" I look into the store as I spot a man? He's throwing things about in a crazed like fashion?
Y: "I would deal with this myself but..." Yuri whispers as she eyes one of the numerous cameras in the store. "I can't really run off and just come back you know?"
B: "I understand, well what do you think is wrong with him?" She shrugs?
Y: "He came in normal at first, he smiled and even said hello. Next thing I knew he started screaming all of sudden?" We look at the man as he climbs on top of the counter? "I've never seen anything like this before?"
B: "Calm down Yuri, I'll take care of it...did you call for police and an ambulance? This might be a drug related issue."
Y: "I have Sparrow don't worry. All the doors are locked so it will only be you and him in there. Just try not to make too much of a mess please?"
B: "Got it." I walk into the store slowly as most of the lights are off? I look back at Yuri who only locks the front door behind me and gives me an encouraging smile. I think she's a little scared to be in this type of situation. After all...it is very dark, and I'm not too fond of this situation already. I grab a torch from my pouch and get moving, the store just frozen in silence it seems? Okay, come on Botan. You got this. You've dealt with much worse things than just a potential drugged up man. This should be a piece of cake...hopefully? "Hello??" I call out rather nervously, but the silence I get in return just makes my spine shudder. "I'm here to help, please make yourself known!"
…
?: "YAH!!" A sudden scream comes from my left as I see the man on all fours quickly moving about between the stalls?! What the hell has gotten into him?! I look around before getting the good idea of zipping myself up to the roof to get a birds eye view of the whole store. I do just that and shine my torch downwards, quickly spotting the man huddled over some flowers as he eats them?? Jeez, this man's not right at all! He looks at me with a crazed look before slowly turning. "Ah! baga to yos!" He stares at me as he talks gibberish. "Joka in plot bin!" I just feel sorry as he stares at me, he needs serious help. "Ah! Yoga bob!" He picks up a candle and throws it at me! I'm able to get out the way but it lands me back onto the store floor and out of sight of the man. I can hear him moving about as I try to keep quiet, I need to get the jump on him. I don't want to hurt him of course, this could be some sort of episode he's suffering from? I spawn in some sleeping gas as I look around for him, just going to put to him to sleep so that I can start to look him over. This must be some- "Yawh!" The man jumps on my back as I stagger for a second! He hits me or rather slaps me in the head a few times before I grab his arm and throw him off of me! I'm not too hard as I only pull him off and get in front of me as he tries to scramble to his feet, but sadly for him I'm too quick as I hook his head and apply the gas to his mouth and nose. The man struggles at first but starts to slow down as he eyes close and then he's out. I set him down into the recovery position as I look at him. Poor guy, what was the cause of this? I look at his face as...hold on? I know this guy? That's....Nick! The guy who I saved on my first night here! What's he doing back here?! Nick looks a little worse for ware, his beard is a lot longer as is his hair. He looks like a wild man if anything. His clothes are rather nice though? I get a closer look at him as he breaths gently. I told him not to come back! Or...did he choose to come back? Maybe he was found by some of the big mans' guys? I look at Nick for any sign of some drug use, he couldn't have a mental condition like that? Soon I find two needle marks in both his neck and right arm? Two marks? Hmm, why did he get injected twice? What is this stuff? I take a capsule and a blood sample for later. Sayori and Yuri can take a look at that. If the drug runs in the blood then that will be where our answers lie. The room then gets lit up in blues and reds as the police arrive first! I pick up Nick and carry him to the door as Yuri sees me coming. She unlocks the door as she looks at me.
Y: "Thank you Sparrow! What was wrong with him?"
B: "Drug." I say to her and she subtly nods. The police come over and start talking to Yuri as the ambulance arrives shortly after. I give them the run down of Nicks' actions as well as another sample of blood for them to test, the authorities could do with a heads up about what this drug actually is. Nick gets carted away as things get rapped up rather quickly as the ambulance goes off to take Nick to hospital and the police leave after they take our statements and have a general look around. Soon it's only me and Yuri again, she looks at me.
Y: "Thank you again with your help Botan, I just didn't really know what to do...that was so sudden."
B: "Don't mention it...here..." I hand her the sample as she looks at it.
Y: "Is that from the man?" She asks wearing a serious expression.
B: "Yeah, you and Sayori can look it over. You two are the brains after all..."
Y: "Very well then..." She pockets it as she looks at me again. "What's wrong? You look...rather sombre?"
B: "I knew that guy...Nick."
Y: "Were you friends or...?"
B: "Well, do you remember my first night in town?" Yuri thinks before she puts the pieces together.
Y: "Was that the man you helped?"
B: "It was. I told him to leave Yuri, and never come back. But..."
Y: "Did you think he was brought back here against his will?"
B: "He had two clear injection marks Yuri, one on his arm and another on his neck."
Y: "Hmmm...maybe he was jumped with that drug and let loose....like a guinea pig?"
B: "Maybe...or perhaps this was a message?"
Y: "What do you mean?"
B: "...the big man knows a lot Yuri, a whole lot more than we think he does." Yuri swallows as I sigh. "I need to get going, I have somewhere to be."
Y: "Oh okay, have a nice night! Thank you again!"
B: "Of course, see you later!" I swing away back home as I'm left feeling rather down. Poor Nick, I didn't wish to see him again but...to see him reduced to that? Is just sad... I arrive back home as I quickly head into the kitchen. I hope the food wasn't burnt! I check the food and see that it's...okay? It's fine I guess? I pull it out and look at it... you know what? I think that-
Knock! Knock!
There's two quick knocks at the door and then shortly a giggle?
M: "Guess who's back~" ….oh fuck! I throw the food into the bin quickly and spawn in some replacement food as Monika comes into the kitchen! "Hey honey, why are you in gear?"
B: "Oh? I was just helping Yuri is all!" She nods as she looks at the food.
M: "Awww, you really made some dinner for us~?" I just nod as I take off my mask.
B: "I guess..." Monika smiles as she sniffs the air?
M: "hmm? Funny?" She then checks the bin... "....ohoho! Did it not go right the first time?"
B: "Uhhhh...no comment?"
M: "ehehe! It's fine Botan! Don't worry about it!" She sits down as she rubs her head. "aww, what a day. What did Yuri want with you?" Monika looks a little....jealous? Is it? I can't really tell. "I'm not jealous Botan." ...oh...
B: "Sorry! I just...it's been a pretty rough night." I sit beside her as she rubs my back.
M: "How'd you mean? You look pretty upset?"
B: "I just...I went to the shop because a man was...well for a lack for a better word, crazy." Monika nods for me to continue. "Yuri didn't want to run off to get changed so she called upon me."
M: "Why you?" Monika asks rather sternly?
B: "I don't know? Maybe she thought I was best suited to deal with this? I went in there and well..."
M: "Well?"
B: "It's...it was the guy who I helped on my first night. He was drugged Monika. Probably dragged back here in this mess, taken away from the chance I gave him! I just...don't think that's fair at all..." Monika nods slowly.
M: "Well...was he okay or...?"
B: "He was crazy. Acting like a wild man. A primate. He was eating flowers Monika!" Monika sighs.
M: "Poor guy...what was his name?"
B: "Nick."
M: "Sigh...well? Did you get a sample of his blood or something else?"
B: "I did, it's just...I thought I really helped him Monika. I thought I gave him a way out but...it wasn't enough..." Monika rests her head against my shoulder.
M: "You tried Botan. You tried, and that's good enough for me."
B: "It's not good enough for me though. Nick deserved a life! He didn't deserve that! To be someone's guinea pig!"
M: "Just relax darling...just...it's okay..." I sigh as Monika smiles sadly. "Hey? How about we go lie down and eat this food okay? Let's just snuggle together while eating pizza huh?" She smiles as I nod.
B: "Okay..."
M: "Good boy..." She helps me up and takes the pizza as we go through to the other room to rest.
- Yuri's perspective -
Look at this mess! Was it too much for me to ask Botan to at least help me tidy this up? Sigh...I'm going to be here forever! As I'm sweeping the floor the lights suddenly come back on?
Y: "Huh?" I look at the lights as someone enters the store? "Hello?" …
A: "Boo!" I jump as I see Alex behind me?!
Y: "What?!"
S: "ehehe!" I see Sayori also come skipping in as I relax.
Y: "oh, guys don't do that!"
A: "Sorry Yuri! It was too good to let this pass! What's going on by the way? Why was the place dark, and why is it a mess?"
S: "Are you okay Yuri?"
Y: "I'm fine, it's just...well a man came in with some sort of drug in him." I show Sayori the sample Botan gave me.
S: "Huh? Is this his blood?"
Y: "Yes." Sayori takes it and has a look.
S: "hmmm, if it's a drug I'll find out what drug it is!"
Y: "Thank you."
A: "Did you hurt yourself at all?"
Y: "No I'm fine! I just got Botan to help me is all!"
A: "...I see?"
Y: "I didn't want to disturb your night out guys, after all...I know you two really want to build bridges again after that whole duplicate incident."
S: "Yeah, we're getting better. Slowly but getting there!"
A: "Yeah! Just a few more nights out and we're golden!"
Y: "Just don't try anything together..."
S: "ohoho! I wouldn't worry about it Yuri! I'm not about to steal your man away from you~"
Y: "What?! No! We're just friends!"
A: "Sayori, really??"
S: "Man you two are just hopeless...ah well! You want our help Yuri?"
A: "Yeah! We can help tidy up!"
Y: "That would be grand, thank you!" Alex heads off as does Sayori as I continue sweeping. The three of us focus on cleaning up for awhile as the shop looks a little better! A few minutes have passed and we've managed to pick up most of the destroyed products as well as mop up the floor. Sayori is busy re-arranging the flower display as I finish up collecting the rest of the ruined flowers. I smile as I dump the rest of them into the bin and turn around to see Alex moving a few boxes. I glance over to Sayori, she seems to have this faraway look in her eye? She seems sad? uuu, I want to say something to her but I don't want to say the wrong thing! I walk up to Alex as he looks at me.
A: "Hey Yuri, what's up?"
Y: "Um, it might be just me but.... have you noticed Sayori has been quiet for the past ten minutes or so?" We glance at her as she's smiling while looking at a few flowers.
A: "Well... yeah. I didn't want to say this in front of her but, tonight was one of her quiet nights." I look at him as Alex looks generally worried. "She was... you know?" I nod.
Y: "I see... her rainclouds must of came in again..."
A: "Yeah... I didn't want to provoke her in some way so I just let her be."
Y: "That's probably the right move, she might just be having one of her down days..." We look on in silence as Sayori suddenly turns around and smiles at us.
S: "Okay! I'm done here, what about you guys? Is there anything else to do??"
A: "Uh...Yuri?" I look around... everything seems to be in order? If not, I'll just sort it out for tomorrow.
Y: "It's fine! I think we've done everything we could! Thank you for your help guys~"
A: "Of course!"
S: "You're welcome!" Sayori smiles as she skips to the front door. "I'm going to go ahead a little early if that's okay, I'm rather tired..."
A: "Are you sure? We should go together, that way Coomer can't pick you off Sayori."
S: "It's okay! I'll get the bus! Thanks for your concern~"
A: "...right."
Y: "Well if you're sure, then goodnight Sayori~"
S: "Goodnight guys!" Sayori leaves and skips down the street.
A: "Well... we should think about leaving too."
Y: "Yeah... let me get my bag."
A: "Sure!" I head into the office to grab my things, only to notice the face in the corner of my eye! I turn to see nothing...uh? I could've sworn there was a face peaking into the shop? It might just be me, I've been very paranoid lately... Well, I'm sure it was nothing to worry about...
S: "sigh... so they both noticed me... I'm so fucking worthless..."